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4 articles
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
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Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Article
‘Ecorché’ drawings by Edwin Landseer
05/2012 | 1310 | 154
Pages: 337-344
related names
Author:
Owens, Susan (Owens, Susan)
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Illustrations
Attributed works:
34. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 38.9 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
35. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 48.6 by 67.3 cm. (Private collection).
Attributed works:
36. Study of an écorché greyhound supported by planks, by Edwin Landseer. ­c.1817–21. Black, red and white chalk on brown paper, 30.7 by 49 cm. (Victoria and Albert Museum, London).
Attributed works:
37. Plate IV: Muscles, by John Bell. Illustration in J. Bell: Engravings, Explaining the Anatomy of the Bones, Muscles and Joints, Edinburgh 1794. (Wellcome Library, London).
Attributed works:
38. Finished study for the second anatomical table for ‘The Anatomy of the Horse’, by George Stubbs. c.1756–58. Pencil and black chalk, 36.5 by 49.5 cm. (Royal Academy of Arts, London).
Attributed works:
39. Study of an écorché horse’s head, by Edwin Landseer. 1817. Watercolour over graphite heightened with touches of bodycolour on grey paper, 30.5 by 40 cm. (Private collection).
Attributed works:
40. Study of an écorché dog’s head, by Edwin Landseer. 1821. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 29.7 by 44.2 cm. (Victoria and Albert Museum, London).
Attributed works:
41. Study of an écorché horse’s head, seen from the side, by Edwin Landseer. c.1817–21. Black and red chalk heightened with white chalk on buff-coloured paper, 31.5 by 51.2 cm. (Private collection).
Attributed works:
42. Study of an écorché horse’s head, seen from the side, by Benjamin Robert Haydon. 1806. Black, red and white chalk on brown paper, 30.5 by 47 cm. (Royal Academy of Arts, London).
Attributed works:
43. Study of the head and shoulders of an écorché wild cat, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 37.5 by 53.4 cm. (Victoria and Albert Museum, London).
Attributed works:
44. Drawing of a wolf’s head, by John Frederick Lewis. c.1821–22. Black, red and white chalk on brown paper, 33.7 by 27.2 cm. (British Museum, London).
Attributed works:
45. Study of an écorché horse’s head, seen from the front (a sketch of a lion and the torso of a youth in graphite on the verso), by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 50 by 31 cm. (Snite Museum of Art, University of Notre Dame, Indiana).
Attributed works:
46. Study of an écorché horse’s head, seen from the front, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk over graphite on grey paper, 56.8 by 38.7 cm. (With W/S Fine Art Ltd., London).
Attributed works:
47. Study of an écorché greyhound with enlarged detail of a paw, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 44.2 by 58.8 cm. (Victoria and Albert Museum, London).
Attributed works:
48. Three studies of the hind leg of an écorché dog, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk on grey paper, 37.8 by 54.3 cm. (With W/S Fine Art Ltd., London).
Attributed works:
49. Study of an écorché greyhound’s head, by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 26.6 by 33 cm. (Victoria and Albert Museum, London).
Attributed works:
50. Study of an écorché wild cat, lateral view, by Edwin Landseer. 1817. Black, red and white chalk and graphite on buff-coloured paper, 30.2 by 48.8 cm. (Victoria and Albert Museum, London).
Attributed works:
51. Study of the foreleg of an écorché dog, by Edwin Landseer. 1821. Black, red and white chalk and graphite on buff-coloured paper, 29 by 45 cm. (Victoria and Albert Museum, London).
Short Notice
An Explanation of Hogarth's 'Analysis of Beauty', Pl. I, Fig. 66
01/1984 | 970 | 126
Pages: 32-34
related names
Author:
O'Connell, Sheila (O'Connell, Sheila)
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Illustrations
Attributed works:
59. Plate I, Analysis of Beauty, by William Hogarth. 1753. Etching with Engraving, 38.5 by 49.8 cm. (British Museum).
Attributed works:
60. Detail from Plate I, Analysis of Beauty, Fig. 59.
Attributed works:
61. Ecorché Male Figure, by John Vardy after Giles Hussey. c.1740-50. Etching and Engraving Printed in Red, 33.9 by 21.4 cm. (British Museum).
Attributed works:
62. Detail from Fig. 61.
Article
A Lost Michelangelo Reconstructed
04/1936 | 397 | 68
Pages: 163-164+168-170
related names
Author:
Tietze-Conrat, Erika (Tietze-Conrat, Erika; Conrat, E. Tietze-; Tietza-Conrat, Erica; Tietze, E.)
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artists:
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Illustrations
Attributed works:
A-Unknown Subject, by Dürer. Engraving, 18.5 by 13.5 cm. (B. 70). A Lost Michelangelo Reconstructed
Attributed works:
B-Study of a Man, by Michelangelo. (British Museum). A Lost Michelangelo Reconstructed
Attributed works:
C, D-Wax Cast of the So-Called Anatomy by Michelangelo. Height, about 25 cm. (Kaiser Friedrich Museum, Berlin). A Lost Michelangelo Reconstructed