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3 articles
Article
A note on Jonathan Richardson’s working methods
07/2015 | 1348 | 157
Pages: 457-459
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related names
Author:
Owens, Susan (Owens, Susan)
Subjects
artists:
Richardson, Jonathan, the Elder, 1665-1745
dates:
1730-1739 / 1740-1749
subjects:
Portraits / Drawings / British / Studies (visual works) / Sketches
subjects:
Copies
Illustrations
Attributed works:
10. Study for a portrait of Sir Hans Sloane, by Jonathan Richardson the Elder. 1740 (British Museum, London)
Attributed works:
11. Portrait of Sir Hans Sloan, by Jonathan Richardson the Elder. 1740 (Yale Center for British Art, New Haven)
Attributed works:
12. Study for a portrait of Catherine Knapp, by Jonathan Richardson the Elder. c.1731 (Harris Museum & Art Gallery, Preston)
Attributed works:
13. Portrait of Catherine Knapp, by Jonathan Richardson the Elder. 1731 (Private collection)
Article
‘Ecorché’ drawings by Edwin Landseer
05/2012 | 1310 | 154
Pages: 337-344
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related names
Author:
Owens, Susan (Owens, Susan)
Subjects
artists:
Landseer, Edwin
dates:
1810-1819 / 1820-1829
museums and institutions:
Victoria and Albert Museum, London, Great Britain
print:
Landseer, Edwin
subjects:
Anatomical drawings / Drawings / Animals / Ecorchés (models) / British
subjects:
Collections, Public / Acquisitions
subjects:
Dogs (animals) / Horses (animals) / Cats (animals)
Illustrations
Attributed works:
34. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 38.9 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
35. Study of an écorché greyhound, lateral view, by Edwin Landseer. c.1817–21. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 48.6 by 67.3 cm. (Private collection).
Attributed works:
36. Study of an écorché greyhound supported by planks, by Edwin Landseer. ­c.1817–21. Black, red and white chalk on brown paper, 30.7 by 49 cm. (Victoria and Albert Museum, London).
Attributed works:
37. Plate IV: Muscles, by John Bell. Illustration in J. Bell: Engravings, Explaining the Anatomy of the Bones, Muscles and Joints, Edinburgh 1794. (Wellcome Library, London).
Attributed works:
38. Finished study for the second anatomical table for ‘The Anatomy of the Horse’, by George Stubbs. c.1756–58. Pencil and black chalk, 36.5 by 49.5 cm. (Royal Academy of Arts, London).
Attributed works:
39. Study of an écorché horse’s head, by Edwin Landseer. 1817. Watercolour over graphite heightened with touches of bodycolour on grey paper, 30.5 by 40 cm. (Private collection).
Attributed works:
40. Study of an écorché dog’s head, by Edwin Landseer. 1821. Black and red chalk and graphite heightened with white chalk on buff-coloured paper, 29.7 by 44.2 cm. (Victoria and Albert Museum, London).
Attributed works:
41. Study of an écorché horse’s head, seen from the side, by Edwin Landseer. c.1817–21. Black and red chalk heightened with white chalk on buff-coloured paper, 31.5 by 51.2 cm. (Private collection).
Attributed works:
42. Study of an écorché horse’s head, seen from the side, by Benjamin Robert Haydon. 1806. Black, red and white chalk on brown paper, 30.5 by 47 cm. (Royal Academy of Arts, London).
Attributed works:
43. Study of the head and shoulders of an écorché wild cat, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 37.5 by 53.4 cm. (Victoria and Albert Museum, London).
Attributed works:
44. Drawing of a wolf’s head, by John Frederick Lewis. c.1821–22. Black, red and white chalk on brown paper, 33.7 by 27.2 cm. (British Museum, London).
Attributed works:
45. Study of an écorché horse’s head, seen from the front (a sketch of a lion and the torso of a youth in graphite on the verso), by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 50 by 31 cm. (Snite Museum of Art, University of Notre Dame, Indiana).
Attributed works:
46. Study of an écorché horse’s head, seen from the front, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk over graphite on grey paper, 56.8 by 38.7 cm. (With W/S Fine Art Ltd., London).
Attributed works:
47. Study of an écorché greyhound with enlarged detail of a paw, by Edwin Landseer. c.1817–21. Black, red and white chalk and graphite on buff-coloured paper, 44.2 by 58.8 cm. (Victoria and Albert Museum, London).
Attributed works:
48. Three studies of the hind leg of an écorché dog, here attributed to Edwin Landseer. c.1817–21. Black, red and white chalk on grey paper, 37.8 by 54.3 cm. (With W/S Fine Art Ltd., London).
Attributed works:
49. Study of an écorché greyhound’s head, by Edwin Landseer. c.1817–21. Black, red and white chalk on buff-coloured paper, 26.6 by 33 cm. (Victoria and Albert Museum, London).
Attributed works:
50. Study of an écorché wild cat, lateral view, by Edwin Landseer. 1817. Black, red and white chalk and graphite on buff-coloured paper, 30.2 by 48.8 cm. (Victoria and Albert Museum, London).
Attributed works:
51. Study of the foreleg of an écorché dog, by Edwin Landseer. 1821. Black, red and white chalk and graphite on buff-coloured paper, 29 by 45 cm. (Victoria and Albert Museum, London).
Article
Evocation or topography: John Piper's watercolours of Windsor Castle, 1941-44
09/2005 | 1230 | 147
Pages: 598-605
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related names
Author:
Owens, Susan (Owens, Susan)
Subjects
artists:
Piper, John
dates:
1940-1949
museums and institutions:
Royal Collection, (Great Britain)
museums and institutions:
Windsor Castle, Windsor, Great Britain
patrons:
Elizabeth II, Queen of Great Britain, 1926-2022
print:
Piper, John
subjects:
British painting / Commissions / Watercolours / Topographical views / Castles
Illustrations
Attributed works:
13. The North Terrace, Windsor Castle, looking west, by Paul Sandby. c.1777. Pencil, pen and ink, watercolour and bodycolour, 36.5 by 53.5 cm. (Royal Collection).
Attributed works:
14. The Quadrangle, Windsor Castle, looking west, by Paul Sandby. c.1765. Pencil, pen and ink, watercolour and bodycolour, 30.5 by 52.2 cm. (Royal Collection).
Attributed works:
15. The Quadrangle, Windsor Castle, looking west, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 55 by 75.1 cm. (Royal Collection).
Attributed works:
16. The North Terrace, Windsor Castle, looking west, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.1 by 54 cm. (Royal Collection).
Attributed works:
17. The Quadrangle, Windsor Castle, looking east, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 57.5 by 76.2 cm. (Royal Collection).
Attributed works:
18. The Quadrangle from Engine Court, Windsor Castle, by John Piper. 1941/42. Pencil, pen and ink, watercolour, bodycolour and pastel, 41.3 by 55.6 cm. (Royal Collection).
Attributed works:
19. The Round Tower and the Upper Ward from the Quadrangle, Windsor Castle, by John Piper. 1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 43.8 by 56.8 cm. (Royal Collection).
Attributed works:
20. Advance Gate and Castle Hill, Windsor Castle, by John Piper. 1941/42. Pencil, pen and ink, watercolour, bodycolour and pastel, 41.8 by 56.1 cm. (Royal Collection).
Attributed works:
21. The North Terrace and Brunswick Tower, Windsor Castle, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.6 by 55.1 cm. (Royal Collection).
Attributed works:
22. The Round Tower from the roof of St George's Chapel, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 40 by 54.3 cm. (Royal Collection).
Attributed works:
23. The Dean's Cloisters, St George's Chapel, Windsor, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 54.2 by 40.2 cm. (Royal Collection).
Attributed works:
24. Windsor town, railway and the Curfew Tower and Horseshoe Cloister, Windsor Castle, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.5 by 54 cm. (Royal Collection).
Attributed works:
25. Windsor Castle and Guildhall, by John Piper. 1941/42. Pencil, pen and ink, watercolour and bodycolour, 42.1 by 55.9 cm. (Royal Collection).
Attributed works:
26. Windsor Castle from the north east, by John Piper. 1941/42. Pencil, pen and ink, watercolour and bodycolour, 28.1 by 56.2 cm. (Royal Collection).
Attributed works:
27. The Gothic Ruin at Frogmore, by John Piper. c.1941-44. Pencil, pen and ink, watercolour and bodycolour, 42.1 by 56.2 cm. (Royal Collection).
Attributed works:
28. The ruins from Leptis Magna, Virginia Water, by John Piper. c.1941-44. Pencil, pen and ink, watercolour and bodycolour, 42.6 by 55.1 cm. (Royal Collection).