By using this website you agree to our Cookie policy

Search

117 articles
Article
The development of the still lifes of Frans Snijders up to 1615
06/2022 | 1431 | 164
Pages: 568-577
related names
Author:
Meijer, Fred G. (Meijer, Fred G.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Still life with a hare, lobster and fruit, by Frans Snijders. Here dated to c.1613–14. Oil on panel, 106.4 by 75 cm. (Photographed in 2012 after restoration; private collection, on long-term loan to the Frans Snijders Museum, Antwerp).
Attributed works:
10. Still life with fowl and game, by Frans Snijders. 1614. Oil on canvas, 156 by 218 cm. (Walraff-Richartz-Museum, Cologne).
Attributed works:
11. Dishes with oysters, fruit and wine, by Osias Beert. c.1620–25. Oil on panel, 52.9 by 73.4 cm. (National Gallery of Art, Washington).
Attributed works:
13. Still life with dead game, fruits, and vegetables in a market by Frans Snijders. 1614. Oil on canvas, 212.1 by 308.6 cm. (Art Institute, Chicago).
Attributed works:
14. Still life on a kitchen table, by Frans Snijders. c.1610–12(?). Oil on panel, 58.5 by 106.9 cm. (Location unknown).
Attributed works:
15. A game and fruit seller’s stall, by or after Frans Snijders. c.1610–12(?). Pen and wash and black chalk on paper, 27.8 by 40.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
16. A game seller in his stall, by Frans Snijders. c.1610–12(?). Oil on panel, 127 by 89 cm. (Location unknown).
Attributed works:
17. Detail of Fig.1; 18. Detail of Still life of game with a tazza of grapes, by Frans Snijders. c.1614. Oil on panel. (Hessische Museumslandschaft, Schloss Wilhelmshöhe, Kassel); 19. Detail of Still life of game, vegetables, fruit and a lobster, by Frans Snijders. c.1613. Oil on canvas. (Museum Boijmans Van Beuningen, Rotterdam); 19. Detail of Fig.1, showing the lobster; 20. Detail of Fig.14, showing the lobster; 21. Detail of Still life of fruit with a squirrel, by Frans Snijders. 1616. Oil on copper. (Museum of Fine Arts, Boston), showing the grapes; and 22. Detail of Fig.4, showing the grapes.
Attributed works:
2. The recognition of Philopoemen, by Peter Paul Rubens and Frans Snijders. c.1609. Oil on canvas, 201 by 313.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
22. Table in a larder with a page, by Frans Snijders. c.1615. Oil on canvas, 125.7 by 198.1 cm. (Wallace Collection, London).
Attributed works:
23. Still life with a dead hare and plucked fowl, after Frans Snijders. 17th century. Oil on panel, 105 by 73 cm. (Location unknown).
Attributed works:
24. Larder scene with a young page, by Frans Snijders. c.1611. Oil on canvas, 123 by 186 cm. (Location unknown).
Attributed works:
25–27. Details of the hare in Figs.1, 15 and 24.
Attributed works:
28. Detail of Still life of fruit with a dead hare, by Frans Snijders. c.1617. Oil on canvas, 124.5 by 127 cm. (Location unknown).
Attributed works:
3. Kitchen scene, by Frans Snijders. c.1608(?) Oil on canvas, 138 by 245 cm. (Location unknown).
Attributed works:
4. Still life with a tazza of grapes in a niche, by Frans Snijders (signed). Here dated to c.1610. Oil on panel, 89 by 62.1 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Cook preparing food, by Frans Snijders. c.1610. Oil on canvas, 88.5 by 120 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
6. Still life with game and a hare, by Frans Snijders. 1612. Oil on panel, 95.5 by 125.6 cm. (Location unknown).
Attributed works:
7. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on canvas, 59 by 87 cm. (Location unknown).
Attributed works:
8. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on panel, 55 by 106 cm. (Location unknown).
Attributed works:
9. Larder scene with a page, by Frans Snijders. 1613. Oil on panel, 125.1 by 203.8 cm. (Location unknown).
Exhibition Review
Renaissance Watercolours: From Dürer to Van Dyck
02/2021 | 1415 | 163
Pages: 158-161
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
art literature:
Reviewed Items
subjects:
Renaissance Watercolours: From Dürer to Van Dyck By Mark Evans and Elania Pieragostini. 265 pp. incl. 275 col. + 4 b. & w. ills. (V&A Publications, London, 2020), £35. ISBN 978–1–85177–977–2. | :
Book Review
Musterhaft Naturgetreu: Tiere in Seiden, Zeichnungen und Tapisserien des 14. und 15. Jahrhunderts
12/2020 | 1413 | 162
Pages: 1107-1108
related names
Reviewer:
Monnas, Lisa (Monnas, Lisa)
Subjects
Reviewed Items
subjects:
Musterhaft Naturgetreu: Tiere in Seiden, Zeichnungen und Tapisserien des 14. und 15. Jahrhunderts By Kathrin Müller. 368 pp. incl. 79 col. + 118 b. & w. ills. (Kunstgeschichtliches Institut der Goethe-Universität, Frankfurt am Main, and Gebr. Mann Verlag, Berlin, 2020), £40. ISBN 978–3–7861–2824–3. | :
Illustrations
Attributed works:
2. Detail from Gaston Phébus’s Livre de Chasse. Late fourteenth century. Illumination on vellum. (Bibliothèque nationale de France, Paris, MS fr.616, fol.115v).
Book Review
Picturing the Pacific: Joseph Banks and the Shipboard Artists of Cook and Flinders
06/2020 | 1407 | 162
Pages: 549
Book Review
Insect Artifice: Nature and Art in the Dutch Revolt. By Marisa Anne Bass
03/2020 | 1404 | 162
Pages: 260-261
related names
Reviewer:
Godycki, Albert (Godycki, Albert)
Subjects
Reviewed Items
subjects:
Insect Artifice: Nature and Art in the Dutch Revolt By Marisa Anne Bass. 312 pp. incl. 192 col. ills. (Princeton University Press, Princeton and Oxford, 2019),  50. ISBN 978–0–691–17715–1. | :
Illustrations
Attributed works:
4. Swallotail butterfly, plate VII from Animalia Rationalia et Insecta (Ignis) from the Four Elements, by Joris Hoefnagel. c.1575–80. Watercolour, gouache and gold on vellum, approx. 14.3 by 18.4 cm. (National Gallery of Art, Washington).
Exhibition Review
Book of Beasts: The Bestiary in the Medieval World. J. Paul Getty Museum, Los Angeles
08/2019 | 1397 | 161
Pages: 666-669
related names
Reviewer:
Diebold, William (Diebold, William)
Subjects
dates:
subjects:
Illustrations
Attributed works:
Opposite 2. Lion from the Rothschild Pentateuch. 1296. Parchment, 28 by 21 cm. (J. Paul Getty Museum, Los Angeles, MS 116, f.32v).
Western art unattributed:
3. Lions from a bestiary. c.1250. Parchment, 29 by 20 cm. (Oxford, Bodleian Library, MS Bodley764, f.2v; exh. J. Paul Getty Museum, Los Angeles).
Western art unattributed:
Below 1. Pelican feeding her young. c.1500. Tapestry, 65 by 233 cm. (Kloster Lüne, Lüne; exh. J. Paul Getty Museum, Los Angeles).
Book Review
L’arte del dissenso: Pittura e libertinismi nell’Italia del Seicento. By Dalma Frascarelli
07/2019 | 1396 | 161
Pages: 604-605
related names
Reviewer:
Lo Bianco, Anna (Lo Bianco, Anna )
Subjects
dates:
Reviewed Items
subjects:
L’arte del dissenso: Pittura e libertinismi nell’Italia del Seicento By Dalma Frascarelli. 280 pp. incl. 50 col. ills. (Giulio Einaudi Editore, Turin, 2016), | :
Illustrations
Attributed works:
1. Flight into Egypt, by Adam Elsheimer. 1609. Copper, 31 by 41 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
12/2018 | 1389 | 160
Pages: 1077-1078
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Book Review
The Enchanted World of German Romantic Prints, 1770–1850. Edited by John Ittmann
10/2018 | 1387 | 160
Pages: 881-882
load more