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Short Notice
The final years of John Michael Wright: new evidence from sale catalogues
04/2024 | 1453 | 166
Pages: 386–388
related names
Author:
Eade, Jane (Eade, Jane)
Subjects
Illustrations
Attributed works:
1. Portrait of a young lady, probably Lady Isabella Sydney, Viscountess Strangford (d.1663), attributed to John Michael Wright. Watercolour and chalk on paper, 26.4 by 20.2 cm. (Private collection).
Attributed works:
2. Lady Anne Percy, Lady Stanhope (1633–54) or Lady Isabella Sydney, Viscountess Strangford (d.1663), by Peter Lely. 1647–49. Oil on canvas, 123 by 99 cm. (Petworth House, West Sussex).
Attributed works:
3. Elizabeth Claypole (née Cromwell), by John Michael Wright. 1658. Oil on panel, 54 by 45.1 cm. (National Portrait Gallery, London).
Article
Piranesi’s ‘Catalogo delle Opere’
03/2022 | 1428 | 164
Pages: 230-245
related names
Author:
Robison, Andrew (Robison, Andrew)
Subjects
places:
Illustrations
Attributed works:
1. Catalogo delle Opere, by G.B. Piranesi. State I, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
10. Catalogo delle Opere, by G.B. Piranesi. State XVII, 1769. Etching, 40 by 29.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Catalogo delle Opere, by G.B. Piranesi. State XVIII, 1772. Etching, 48 by 30 cm. (Biblioteca Comunale dell’Archiginnasio, Bologna).
Attributed works:
12. Opere del Signor Piranesi, by G.B. Piranesi. 1762. Typeset text, 31.4 by 21.9 cm. (Private collection).
Attributed works:
13. Prospectus for Della Magnificenza, by G.B. Piranesi. 1762. Typeset verso of Fig.12, 31.4 by 21.9 cm. (Private collection).
Attributed works:
14. Catalogo delle Opere, by G.B. Piranesi. State X, with manuscript additions, 1766. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
15. Catalogo delle Opere, by G.B. Piranesi. State XXIII, 1774. Etching, 48 by 30 cm. (National Gallery Art, Washington).
Attributed works:
16. Catalogo delle Opere, by G.B. Piranesi. State XXXV, early 1780s. Etching, 48 by 30 cm. (National Gallery of Art, Washington).
Attributed works:
17. Catalogo delle Opere, by G.B. Piranesi. State XXXVI, late 1780s or 1790s. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
2. ‘Opere finora date in luce’, by G.B. Piranesi. 1756. Typeset text, approx. 12 by 25 cm. (From Le Antichità Romane I; John Work Garrett Library of the Johns Hopkins University, Baltimore).
Attributed works:
3. Advertisement for Nicolas de Fer, by Nicolas Guérard. 1695/1705. Etching, 13.5 by 18.3 cm. (Private collection).
Attributed works:
4. Piazza di San Pietro, by G.B. Piranesi. c.1760. Pen and brown ink with brown wash over red chalk, 8 by 12.7 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
5. Catalogo delle Opere, by G.B. Piranesi. State II, with manuscript addition, 1761. Etching, 40 by 29.5 cm. (Accademia di San Luca, Rome; Coll.1694).
Attributed works:
6. Catalogo delle Opere, by G.B. Piranesi. State III, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
7. Catalogo delle Opere, by G.B. Piranesi. State VI, with manuscript additions, 1762. Etching, 40 by 29.5 cm. (Istituto centrale per la grafica, Rome).
Attributed works:
8. Detail of Fig.14, showing Piranesi’s handwriting.
Attributed works:
9. Veduta del Tempio d’Iside a Pompei, by G.B. Piranesi. 1776. Pen and ink with wash over graphite, sheet 23.7 by 17.7 cm. (From the Album Amicorum of Aernout Vosmaer; private collection).
Letter
Bronzes from the collection of the bailli de Breteuil in the Musée du Louvre
02/2019 | 1391 | 161
Pages: 100-101
related names
Compiler:
Malgouyres, Philippe (Malgouyres, Philippe)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
2. A dog, by Jean-Robert Ango after Fig.1. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Attributed works:
3. Minerva, also called Livia or Agrippina as Pallas, by Jean-Robert Ango after Fig.4. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil)
Attributed works:
4. Minerva, also called Livia or Agrippina as Pallas, by Luigi Valadier. Bronze, marble and gilt bronze, 27.3 by 9 by 9 cm. (Musée du Louvre, Paris).
Attributed works:
5. Modesty, also called Agrippina, by Luigi Valadier. Bronze, marble and gilt bronze, 27 by 9 by 9 cm. (Musée du Louvre, Paris).
Western art unattributed:
1. A dog. Possibly Roman. Bronze, 7.8 by 12.2 by 10 cm. (Musée du Louvre, Paris).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Publication Received
The Duchess’s Shells: Natural History Collecting in the Age of Cooke’s Voyages. By Beth Fowkes Tobin.
12/2014 | 1341 | 156
Pages: 827-828
related names
Reviewer:
Longstaffe-Gowan, Todd (Longstaffe-Gowan, Todd; Gowan, Todd Longstaffe-)
Subjects
Book Review
Philippe-Jacques de Loutherbourg, O. Lefeuvre
10/2013 | 1327 | 155
Pages: 714-715
related names
Reviewer:
Joppien , Rüdiger (Joppien , Rüdiger)
Subjects
dates:
museums and institutions:
Letter
The provenance of Carel Fabritius’s ‘Mercury and Argus’ and ‘Mercury and Aglauros’
02/2013 | 1319 | 155
Pages: 97
related names
Author:
Raux, Sophie (Raux, Sophie)
Subjects
artists:
museums and institutions:
Article
Titian’s Barbarigo portrait and Lord Darnley
01/2013 | 1318 | 150
Pages: 16-18
related names
Author:
Fredericksen, Burton B. (Fredericksen, Burton B.; Fredericksen, Burton)
Subjects
artists:
dates:
museums and institutions:
patrons:
subjects:
Illustrations
Attributed works:
21. Sketches by Gabriel de Saint-Aubin of two portraits, one probably of Fig. 4 on pl.7 in this issue, in the sale catalogue of the collection of Louis-François de Bourbon, prince de Conti, Paris, 8th April to 6th June 1777 (Lugt 2671), lot 94. (Cabinet des Estampes, Bibliothèque Nationale, Paris)
Attributed works:
22. Sketches by Gabriel de Saint-Aubin of two portraits, one probably of Fig. 4 on p.7 in this issue, in the sale catalogue of the collection of Jacques-Antoine de Silvestre, Paris, 16th November 1778 (Lugt 2909), lot 1. (Bibliothèque de l'Institut de France, Paris)
Article
Works on paper by Rossetti, Burne-Jones and their contemporaries recently donated to Wightwick Manor
04/2011 | 1297 | 153
Pages: 232-240
related names
Author:
Spencer-Longhurst, Paul (Spencer-Longhurst, Paul)
Subjects
collectors and dealers:
dates:
museums and institutions:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
19. Thomas Hester Ayres. Carte-de-visite by Dickinson Brothers, 114 New Bond Street, London. Undated. Photograph, 10.2 by 6.2 cm. (National Trust Archive).
Attributed works:
20. Cavalier abducting a woman, by Dante Gabriel Rossetti. 1852–53. Pen, ink and sepia, 24.8 by 16.8 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
21. Woman holding necklace and flower, by Dante Gabriel Rossetti. 1867. Coloured chalks, 58.3 by 35.2 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
22. Woman with crossed arms, by Dante Gabriel Rossetti. 1870. Coloured chalks, 54.1 by 41.1 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
23. Bust of a woman turned to the right, by Dante Gabriel Rossetti. 1873. Coloured chalks, 50.7 by 37.3 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
24. Alexa Wilding holding an apple, by Dante Gabriel Rossetti. 1866. Coloured chalks, 60.4 by 42.8 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
25. Alexa Wilding or Lucy Madox Brown, by Dante Gabriel Rossetti. 1874. Coloured chalks, 54.1 by 41.1 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
26. Head of Maria Zambaco, by Edward Burne-Jones. 1866–69. Red chalk, diameter 27.5 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
27. Head of Augusta Jones, by Edward Burne-Jones. Mid- to late 1860s. Red chalk, 32 by 25 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
28. Study of a young woman, by Edward Burne-Jones. Mid-1860s. Red chalk, 52 by 41 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
29. Study of Maria Zambaco, by Edward Burne-Jones. 1866. Red chalk, 48 by 34 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
30. Study of a girl in a dress with puffed sleeves, by Edward Burne-Jones. 1866. Red, black and white chalk, 48 by 34 cm. (National Trust, Wightwick Manor, Wolverhampton).
Attributed works:
31. Fair Rosamund, by Henry Treffry Dunn. 1869. Watercolour and gouache, 48.6 by 38.5 cm. (National Trust, Wightwick Manor, Wolverhampton).
Article
The judgment of a connoisseur: P.-J. Mariette’s annotations to the 1767 Jullienne sale catalogue: Part I (paintings)
12/2009 | 1281 | 151
Pages: 821-824
related names
Author:
Kopp, Edouard (Kopp, Edouard)
Author:
Tonkovich, Jennifer (Tonkovich, Jennifer)
Subjects
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
10. River landscape with Apollo and the Cumaean Sibyl, by Salvator Rosa. 1650s. Canvas, 175 by 261 cm. (Wallace Collection, London). ‘Excellentissime tableau, mais qui auroit jamais pensé qu’on eut donné un tel prix pour un morceau où il ne se rencontre que des rochers & quelques arbres, presque point de figures & encore assez mal dessinés. Il est vrai que pour le couleur & la touche, on ne peut rien desirer davantage. M. de Julienne avoit eu ce tableau de M.de de Parabere & le paya autant que je puis m’en souvenir 3000 H. Il a eté poussé jusqu’à 12000 p.r la Czarine’.
Attributed works:
6. Portrait of Jean de Jullienne, by Maurice Quentin de La Tour. c.1735. Pastel, 59.1 by 47.9 cm. (Fogg Art Mus­eum, Cambridge ­MA).
Attributed works:
7. Venetian pleasures, by Jean-Antoine Watteau. c.1719. Canvas, 56 by 46 cm. (National Gallery of Scotland, Edinburgh). ‘Un des plus parfaits tableaux de Wateau qui n’a point changé & ne changera point. M. de Julienne a laissé pour restant le pendant à M de Montullé qui a très bien fait d’achetter celui-ci. Il vaut pour lui le double de ce qu’un autre en auroit payé’.
Attributed works:
9. Suffer the children to come unto me, by Jacob Jordaens. c.1615–16. Panel, 104.1 by 169.9 cm. (St Louis Art Museum). ‘. . . tab. qui ne m’a jamais plu & je ne pu me refuser de le dire plus d’une fois à M. de Julienne qui l’avoit achetté pour être de Rubens et payé fort cher il est lourd de touche & encore plus mal composé’.
Western art unattributed:
8. Page with elevation of a wall in ‘Catalogue des Tableaux de Jean de Jullienne’. c.1756–58. Watercolour, 19.6 by 26 cm. (Morgan Library & Museum, New York; acc. no.1966.8, fol.50).
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