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20 articles
Article
Thomas Lawrence’s portrait of Martha Carr
04/2024 | 1453 | 166
Pages: 380–385
related names
Author:
Bethencourt Pérez, Fátima (Bethencourt Pérez, Fátima)
Author:
Kowalczyk, Ernest (Kowalczyk, Ernest)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Martha Carr, by Thomas Lawrence. c.1790. Oil on canvas, 76 by 64 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
2. Queen Charlotte, by Thomas Lawrence. 1789–90. Oil on canvas, 239.5 by 147 cm. (National Gallery, London).
Attributed works:
3. Mrs Thomas Chinnal Porter, by Richard Cosway. 1790. Watercolour on ivory, 7 by 5.8 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Thomas Chinnal Porter, by Richard Cosway. 1790. Watercolour on ivory, 7 by 5.8 cm. (Victoria and Albert Museum, London).
Attributed works:
5. Master Ward, by George Romney. 1771–73. Oil on canvas, 126 by 102 cm. (Museo Nacional del Prado, Madrid; Bridgeman Images).
Attributed works:
6. John Fane, 10th Earl of Westmoreland, by Thomas Lawrence. c.1806. Oil on canvas, 247 by 147 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
7. Mrs Thornton, by John Hoppner. Late 18th century–early 19th century. Oil on canvas, 61 by 74 cm. (Museo Nacional del Prado, Madrid).
Article
The Buccleuch portrait of Sir Nicholas Carew re-examined
02/2023 | 1439 | 165
Pages: 120-127
related names
Author:
Kimbriel, Christine Slottved (Kimbriel, Christine Slottved)
Subjects
dates:
Illustrations
Attributed works:
1. Sir Nicholas Carew, by Hans Holbein the Younger. 1527. Black and coloured chalks on paper, 54.8 by 38.5 cm. (Kunstmuseum Basel).
Attributed works:
2. Sir Nicholas Carew, after Hans Holbein the Younger. c.1585–90. Oil on panel, 95.1 by 102.4 cm. (Collection of the Duke of Buccleuch; photograph Hamilton Kerr Institute).
Attributed works:
3. Infra-red image of Fig.1. (© Hamilton Kerr Institute).
Attributed works:
4. Digital overlay of Figs.1 and 2.
Attributed works:
5. Detail of Fig.2, showing the extreme bottom of the slashed skirt and the better-preserved blue paint with red glaze paint.
Attributed works:
6. Impresa of the Basel book printer Johann Froben, by Hans Holbein the Younger. c.1523. Tempera on unprimed canvas (Tüchlein), 44 by 31 cm. (Kunstmuseum Basel).
Attributed works:
7. The Prodigal Son, by Huybrecht Beuckelaer. 1563–84. Oil on canvas, 127.5 by 155.5 cm. (Musées royaux des Beaux-Arts de Belgique, Brussels).
Article
Bronzino’s ‘Petrarch’ retrieved: new light on Bartolomeo Bettini’s ‘camera’
01/2023 | 1438 | 165
Pages: 16-41
related names
Author:
Stumpel, Jeroen (Stumpel, Jeroen; Stumpel, Jeroem)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1 and 2. Portraits of Dante and Petrarch published as works by Pontormo. (From L’arte, November 1941, pp.xvii and xix).
Attributed works:
10. Venus and Cupid, by Jacopo Pontormo, based on a cartoon by Michelangelo. c.1532–33. Oil on panel, 194 by 128 cm. (Galleria dell’Accademia, Florence; Bridgeman Images).
Attributed works:
11. Detail of Fig.6, probably showing Petrarch’s house in the Vaucluse.
Attributed works:
12. Detail of Fig.6, showing a lira da braccio tied to a laurel tree.
Attributed works:
13. Detail of Fig.6, showing Petrarch holding an open book.
Attributed works:
14. Proposed reconstruction of original placement of Figs.3 and 8.
Attributed works:
15. Cosimo I de’ Medici as Orpheus, by Agnolo Bronzino. c.1537–39. Oil on canvas, 93.7 by 76.4 cm. (Philadelphia Museum of Art; Bridgeman Images).
Attributed works:
16. Six Tuscan poets, by Giorgio Vasari. c.1544. Oil on panel, 132.1 by 131.1 cm. (Minneapolis Institute of Art; Bridgeman Images).
Attributed works:
17. Petrarch, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
18. Dante, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 63 by 49 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
19. Boccaccio, by a follower of Cristofano di Papi dell’Altissimo. c.1560. Oil on panel, 65 by 51 cm. (Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
20. Proposed reconstruction of Figs.3, 8 and 22 as they might have appeared in the camera of Bartolomeo Bettini.
Attributed works:
21. Allegorical portrait of Dante, by Carlo Dolci after Agnolo Bronzino. Red and black chalk on paper, 23.2 by 20.1 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
22. Boccaccio holding a copy of the ‘Decameron’, attributed to a follower of Cristofano di Papi dell’Altissimo. c.1570. Oil on canvas, 70 by 94.2 cm. (Private collection).
Attributed works:
23. Detail of Ugolino Martelli, by Agnolo Bronzino, showing the sitter’s left hand. 1536–37. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
24. Detail of Laura Battiferro, by Agnolo Bronzino, showing the sitter’s right hand. 1552. (Palazzo Vecchio, Florence; Bridgeman Images).
Attributed works:
25. Detail of Fig.22, showing Boccaccio’s hands.
Attributed works:
26. Detail of Guidobaldo della Rovere, by Agnolo Bronzino, showing the sitter’s right hand. c.1544–45. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
3. Allegorical portrait of Dante, by Agnolo Bronzino. c.1532. Oil on canvas, 130 by 136 cm. (Private collection).
Attributed works:
4. Dante Alighieri, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
5. Petrarch, attributed to Giovanbattista Naldini. 1550–1600. Oil on panel. (Photograph Fondazione Federico Zeri, Bologna).
Attributed works:
6. Detail of Fig.8, showing Petrarch’s face.
Attributed works:
7. Detail of Fig.5, showing Petrarch’s face.
Attributed works:
8. Allegorical portrait of Petrarch, here attributed to a follower of Bronzino. c.1550? Oil on canvas, 110.6 by 124 cm. (Private collection).
Attributed works:
9. Allegorical portrait of Dante, by the workshop of Bronzino. 1 550–1600? Oil on panel, 126.9 by 120 cm. (National Gallery of Art, Washington).
Article
The sitter in Copley’s ‘Portrait of a lady’ in the Wadsworth Atheneum identified
07/2021 | 1420 | 163
Pages: 613-615
related names
Author:
Rawles, Susan J. (Rawles, Susan J.)
Subjects
dates:
Illustrations
Attributed works:
14. Portrait of a lady, here identified as Bridget Forrester Foot, by John Singleton Copley. c.1778. Oil on canvas, 125.8 by 100.7 cm. (Wadsworth Atheneum, Hartford CT).
Attributed works:
15. Portrait of Mrs Foot, by John Singleton Copley. Photograph by A.C. Cooper, 1931. (Witt Library, Courtauld Institute of Art, London).
Attributed works:
16. Portrait of a lady, by John Singleton Copley. Photograph 1947. (From the catalogue of a sale by Parke-Bernet, New York; Witt Library, Courtauld Institute of Art, London).
Exhibition Review
Fragonard’s fantasy figures. Washington
12/2017 | 1377 | 159
Pages: 1020-1022
related names
Reviewer:
Rand, Richard (Rand, Richard)
Subjects
styles:
Reviewed Items
subjects:
Fragonard: The Fantasy Figures at the National Gallery of Art, Washington | :
Illustrations
Attributed works:
86. Sketches of portraits, by Jean Honoré Fragonard. c.1769 (Private collection; exh. National Gallery of Art, Washington).
Attributed works:
87. M. de La Bretèche, by Jean Honoré Fragonard, 1769 (Musée du Louvre, Paris; exh. National Gallery of Art, Washington).
Attributed works:
88. Young girl reading, by Jean Honoré Fragonard, c.1769 (National Gallery of Art, Washington).
Article
Lady Forbes of Monymusk: a rediscovered portrait by Joshua Reynolds
12/2016 | 1365 | 158
Pages: 956-960
related names
Author:
Melville, Jennifer (Melville, Jennifer)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
20. Lady Forbes of Monymusk, by Joshua Reynolds. 1776 (Private collection, UK, courtesy of Richard Green Galleries)
Attributed works:
21. Sir William Forbes, by Joshua Reynolds. 1776 (Private collection)
Attributed works:
22. Lady Forbes of Monymusk, by George Romney. 1786 (Private collection, USA)
Attributed works:
23. Mrs Abington as Miss Prue in William Congreve's 'Love for Love', by Joshua Reynolds. 1771 (Yale Center for British Art, New Haven)
Article
‘Portrait of a woman with a book’: a ‘newly discovered ­fantasy figure’ by Fragonard at the National Gallery of Art, Washington
04/2015 | 1345 | 157
Pages: 248-254
related names
Author:
Delaney, John K. (Delaney, John K.)
Author:
Jackall, Yuriko (Jackall, Yuriko)
Author:
Swicklik, Michael (Swicklik, Michael)
Subjects
dates:
Illustrations
Attributed works:
17. Young girl reading, by Jean-Honoré Fragonard (National Gallery of Art, Washington)
Attributed works:
18. Portrait of M. de La Bretèche, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
23. Portrait of a woman, formerly known as Marie-Madeleine Guimard, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
25. Cross-section of Young girl reading taken at 62.1 by 46.5 cm from the bottom left corner (area of the former feather)... . Sampling and initial analysis by Barbara Berrie. Final analysis and photograph by Michael Palmer
Attributed works:
26. Detail of Fig.7, showing Young girl reading
Attributed works:
27. Hypothetical simulation of the figure in the painting underlying Young girl reading, here designated Portrait of a woman with a book, developed using information obtained through the imaging techniques described in this study. Image by Becca Goodman and Denis Doorly
Attributed works:
28. Detail of the Catalogue de Tableaux et Marbres, by Gabriel Jacques de Saint-Aubin. 11th March 1776 (Philadelphia Museum of Art, John G. Johnson Collection)
Western art unattributed:
19. X-radiograph of Young girl reading obtained using Carestream System
Western art unattributed:
20. False-colour infra-red reflectogram
Western art unattributed:
21. Overlay of details from the X-radiograph and false-colour image showing that the noses, chins and foreheads in the two images align, demonstrating that the 'male' face of the X-radiograph and the 'female' face of the false-colour image are one and the same
Western art unattributed:
22. XRF element maps showing: 1) lead...; 2) iron oxide...; 3) mercury...
Western art unattributed:
24. Details showing 1) the feather behind the head of the current model in Young girl reading as seen in the equalised high-resolution colour image of the painting; 2) the same area seen through reflectance transformation imaging (RTI) showing the texture of the feature; 3) the feather in Portrait of M. de La Bretèche
Article
Fragonard’s ‘fantasy figures’: prelude to a new understanding
04/2015 | 1345 | 157
Pages: 241-247
related names
Author:
Dupuy-Vachey, Marie-Anne (Dupuy-Vachey, Marie-Anne)
Subjects
dates:
Illustrations
Attributed works:
10. Detail of Portrait of the Abbé de Saint-Non, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
12. Hypothetic installation of one wall of Fragonard's 'fantasy figures'. Digital rendering by Adam Davies and Yuriko Jackall based upon contemporary architectural plans
Attributed works:
13. Portrait of François-Henri, duc d'Harcourt, by Jean-Honoré Fragonard (Private collection)
Attributed works:
14. Detail of Catalogue de Tableaux et Marbres, 11th March 1776. Printed text and drawn illustrations by Gabriel Jacques de Saint-Aubin (Philadelphia Museum of Art, John G. Johnson Collection)
Attributed works:
16. The happy family, by Jean-Honoré Fragonard (Fuji Art Museum, Tokyo)
Attributed works:
6. Anne-Louise Brillon de Jouy, by Jean-Honoré Fragonard (Musée du Louvre, Paris)
Attributed works:
7. Sheet of sketches, by Jean-Honoré Fragonard (Photograph courtesy of Hubert Duchemin and Lisas Sharifzadeh)
Attributed works:
8. Reconstruction of Fragonard's paintings on the sheet of sketches with their traditional titles as of June 2012: 1) Young girl reading (National Gallery of Art, Washington); 2) Portrait of a woman holding a dog (Metropolitan Museum of Art, New York); 3) Marie-Madeleine Guimard (Musée du Louvre, Paris); 4) Portrait of a lady as a vestal, said to be The Présidente Aubry (Private collection); 5) Portrait of a man, called The writer, or Inspiration (Musée du Louvre, Paris); 6) Portrait of a young woman, called L'Etude (Musée du Louvre, Paris); 7) Portrait of M. de la Bretèche (Musée du Louvre, Paris); 8) Portrait of the Abbé de Saint-Non (Musée du Louvre, Paris); 9) Portrait of a singer (private collection); 11) Portrait of a man, called The actor (private collection); 12) Portrait of Diderot (Musée du Louvre, Paris); 13) Portrait of a young artist, called Naigeon (Musée du Louvre, Paris); 14) The warrior (The Sterling and Francine Clark Art Institute, Williamstown); 17) Cavalier seated by a fountain (MNAC, Barcelona)
Attributed works:
9. Detail of Saint-Non in Fig.7
Western art unattributed:
11. Anne-Louise Brillon de Jouy. French school (Courtesy of a private collection)
Western art unattributed:
15. Label affixed to the stretcher of Fig.16
Article
‘Old man in an armchair’ re-attributed to Rembrandt
06/2014 | 1335 | 156
Pages: 382-384
related names
Author:
Wetering, Ernst van de (Wetering, Ernst van de; Wetering, E. van de)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
41. X-radiograph of Fig. 42
Attributed works:
42. Old man in an armchair, here re-attributed to Rembrandt (National Gallery, London)
Attributed works:
43. Portrait of Jan Six, by Rembrandt (Six Foundation, Amsterdam)
Attributed works:
44. Young girl at the window, by Rembrandt (Nationalmuseum, Stockholm)
Attributed works:
45. Old man in an armchair, by a follower of Rembrandt (State Hermitage Museum, St Petersburg)
Book Review
Fragonard and the Fantasy Figure: Painting the Imagination
05/2013 | 1322 | 155
Pages: 333-335
related names
Reviewer:
Bailey, Colin B. (Bailey, Colin B.; Bailey, Colin)
Subjects
Illustrations
Attributed works:
33. Portrait of a lady with a dog, by Jean-Honoré Fragonard (Metropolitan Museum of Art, New York)
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