Fragonard’s Progress of Love
By Alan Hollinghurst and Xavier F. Salomon. 112
pp. incl. 55 col. ills. (Frick Collection, New York,
2022), £24.95. ISBN 978–1–911282–98–3. |
:
Illustrations
Attributed works:
7. The progress of love: the lover crowned,
by Jean-Honoré Fragonard. 1771–72. Oil on
canvas, 317.8 by 243.2 cm. (Frick Collection,
New York).
The Frick Reframed
Frick Madison, New York
from 18th March |
:
Illustrations
Attributed works:
1. Installation
view of Frick
Madison, showing
Spanish paintings
acquired by Henry
Clay Frick. (Frick
Collection, New
York; photograph
Joe Coscia).
Attributed works:
2. Installation
view of Frick
Madison, showing
portraits by Frans
Hals flanking
Self-portrait, by
Rembrandt. 1658.
(Frick Collection,
New York;
photograph
Joe Coscia).
Attributed works:
3. Installation
view of Frick
Madison, showing
the porcelain
gallery. (Frick
Collection, New
York; photograph
Joe Coscia).
Book Review
The Charterhouse of Bruges: Jan van Eyck, Petrus Christus, and Jan Vos
The Charterhouse of Bruges: Jan van
Eyck, Petrus Christus, and Jan Vos
Edited by Emma Capron. 160 pp. incl. 85 col. ills.
(Giles, London, and the Frick Collection, New
York, 2018), £34.95. ISBN 978–191–128219–8. |
:
Illustrations
Attributed works:
3.The Virgin and Child with St Barbara, St
Elizabeth and Jan Vos, by Jan van Eyck and
his workshop. c.1441–43. Oil on masonite,
transferred from panel, 47.3 by 61.3 cm.
(Frick Collection, New York).
Short Notice
A portrait by William Beechey in The Frick Collection, New York
1. Elizabeth Sophia Baillie (née de Vismes), by
William Beechey. 1795. Oil on canvas, 76.5 by
63.5 cm. (The Frick Collection, New York).
Attributed works:
2. Elizabeth Sophia Baillie (née de Vismes),
by Henry Bone, after William Beechey. 1795.
Pencil drawing squared in ink for transfer, 14.5
by 10.1 cm. (National Portrait Gallery, London).
Attributed works:
3. Clayton Parlor, in the Clayton Album, by
Lewis Stephan. 1901. Photograph. (Frick Family
Albums and Scrapbooks. The Frick Collection/
Frick Art Reference Library Archives).
Exhibition Review
Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence. Frick Collection, New York
10. Shield
bearers, by
Bertoldo di
Giovanni. c.1470–
80. Gilt medium
zinc brass, 22.5
cm. (Left: Frick
Collection,
New York;
right: Princely
Collections,
Vaduz-Vienna,
Liechtenstein;
exh. Frick
Collection, New
York).
Attributed works:
8. Battle,
by Bertoldo
di Giovanni.
c.1480–85. Low
tin bronze, 45
by 99.5 cm.
(Museo Nationale
del Bargello,
Florence; exh.
Frick Collection,
New York).
Attributed works:
9. Detail of the
frieze from the
portico of the
Medici villa at
Poggio a Caiano,
by Bertoldo di
Giovanni and
collaborators.
c.1490. Glazed
terracotta.
(Villa Medicea di
Poggio a Caiano,
Polo Museale
della Toscana;
exh. Frick
Collection, New
York).
Exhibition Review
Tiepolo in Milan: The Lost Frescoes of Palazzo Archinto. Frick Collection, New York
7. The coronation
of Henry VII in
Milan in 1311, by
Giambattista
Tiepolo. c.1725–
30. Black chalk on
paper, 7.7 by 15.6
cm. (Metropolitan
Museum of Art,
New York; exh.
Frick Collection,
New York).
Attributed works:
8. Perseus and
Andromeda, by
Giambattista
Tiepolo. c.1730–
31. Canvas, 51.8
by 40.6 cm.
(Frick Collection,
New York).
Attributed works:
9. Apollo and
Phaëton, by
Giambattista
Tiepolo (?).
Canvas, 98.1 by
73.6 cm. (Bowes
Museum, Barnard
Castle, County
Durham; exh.
Frick Collection,
New York).
Book Review
El Greco Comes to America: The Discovery of a Modern Old Master
El Greco Comes to America: The
Discovery of a Modern Old Master
Edited by Inge Reist and José Luis Colomer. |
:
Illustrations
Attributed works:
8. Holy Family with St Anne and the infant
John the Baptist, by El Greco (Domenikos
Theotokopoulos). c.1595–1600. Canvas,
53.2 by 34.4 cm. (The National Gallery
of Art, Washington).
10. Gentleman in
adoration before
the Madonna and
Child, by Giovanni
Battista Moroni.
c.1555. Canvas,
59.7 by 64.8
cm. (National
Gallery of Art,
Washington; exh.
Frick Collection,
New York).
Attributed works:
8. Gian Ludovico
Madruzzo, by
Giovanni Battista
Moroni. c.1551–
52. Canvas,
199.8 by 116 cm.
(Art Institute
of Chicago; exh.
Frick Collection,
New York).
Attributed works:
9. Installation
view of Moroni:
The Riches of
Renaissance
Portraiture
at the Frick
Collection, New
York, showing
Isotta Brembati,
by Giovanni
Battista Moroni.
c.1555–56.
Canvas, 160
by 115 cm.
(Fondazione
Museo di
Palazzo Moroni,
Bergamo). In
front is a vitrine
with a display
of accessories
similar to the
ones shown in
the portrait
(photograph
Michael
Bodycomb).
Book Review
Veronese in Murano: Two Venetian Renaissance Masterpieces Restored. By Xavier F. Salomon with Maichol Clemente and Claudia Vittori