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4 articles
Editorial
A Frick renaissance
03/2025 | 1464 | 167
Pages: 203–4
Subjects
collectors and dealers:
museums and institutions:
Illustrations
Attributed works:
1. The Frick Collection from East 70th Street, New York. (Image courtesy Seldorf Architects).
Attributed works:
2. The Frick Collection’s grand staircase, prior to renovation. (Photograph MichaelBodycomb).
Attributed works:
3. The Frick Collection’s new entrance hall. (Image courtesy Seldorf Architects).
Attributed works:
4. Mistress and maid, by Johannes Vermeer. 1666–67. Oil on canvas, 90.2 by 78.7 cm. (Frick Collection, New York).
Attributed works:
5. Portrait of Mr Frick in West Gallery, by Gerald Kelly. 1925. Oil on canvas, 122 by 102 cm. (The Frick Pittsburgh).
Attributed works:
6. The Frick Collection’s new objects conservation studio. (Image courtesy Seldorf Architects).
Exhibition Review
The National Portrait Gallery, London
09/2023 | 1446 | 165
Pages: 1013-1017
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
artists:
dates:
Reviewed Items
subjects:
The National Portrait Gallery, London From 22nd June | :
Illustrations
Attributed works:
14. The new forecourt and entrance to the National Portrait Gallery, London, 2023. (Photograph Olivier Hess).
Attributed works:
15. Room 1 of the National Portrait Gallery, London, showing Lady Margaret Beaufort, Countess of Richmond and Derby, by Meynart Weywyck (c.1510). (Photograph Gareth Gardner).
Attributed works:
16. Room 18 of the National Portrait Gallery, London, showing the newly acquired Portrait of Mai (Omai) by Joshua Reynolds (c.1776) as the centrepiece of a group of eighteenthcentury portraits. (Photograph Dave Parry).
Attributed works:
17. John in Paris, January 1964, by Paul McCartney. 1964. (© Paul McCartney; exh. National Portrait Gallery, London).
Attributed works:
18. Lord Byron’s Decoupage Screen, by Henry Charles William Angelo and probably John Jackson. c.1814. Cut-out prints, oil paint and varnish on paper-covered panels, 183 by 170 cm. (National Portrait Gallery, London).
Article
A museum asserts its identity: the reopening of the Musée de Cluny
10/2022 | 1435 | 164
Pages: 1000-1007
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
Illustrations
Attributed works:
2. Installation view of Room 13 of the Musée de Cluny. (Musée de Cluny - musée national du Moyen Âge, Paris; photograph Alexis Paoli, OPPIC).
Attributed works:
3. The Hôtel de Cluny from rue Du Sommerand, by Léon et Lévy. 1864–73. (École nationale supérieure des Beaux-Arts, Paris; photograph © Beaux-Arts de Paris, Dist. RMN-Grand Palais / image Beaux-Arts de Paris).
Attributed works:
4. The room of François I in the Hôtel de Cluny. 1840. Print. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée National du Moyen Âge) / musée Cluny).
Attributed works:
5. The thermes of the Musée de Cluny and the entrance hall designed by Bernard Desmoulin. (Musée de Cluny - Musée National du Moyen Âge, Paris; photograph M. Denancé).
Attributed works:
6. Plan of the of the ground floor of the Musée de Cluny. (After Bernard Desmoulin).
Attributed works:
7. North wall of the frigidarium, Musée de Cluny. c.1880. Watercolour on paper. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée national du Moyen Âge) / Franck Raux).
Attributed works:
8. Installation view of Room 9 of the Musée de Cluny. (Photograph Alexandra Gajewski).
Attributed works:
9. Installation view of Room 21 of the Musée de Cluny. (Photograph Alexandra Gajewski).
Western art unattributed:
1. Octagonal table. c.1480. Oak, height 75 cm. (Musée de Cluny, Musée National du Moyen Âge, Paris; photograph © RMN-Grand Palais (Musée de Cluny - Musée National du Moyen Âge) / Gérard Blot).
Editorial
The National Portrait Gallery
01/2020 | 1402 | 162
Pages: 3