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44 articles
Exhibition Review
Johannes Vermeer: On Reflection
01/2022 | 1426 | 164
Pages: 62-64
related names
Reviewer:
Waiboer, Adriaan E. (Waiboer, Adriaan E.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Johannes Vermeer: On Reflection Gemäldegalerie Alte Meister, Dresden 10th September 2021– 2nd January 2022 | :
Illustrations
Attributed works:
10. Temptation, by Jan Verkolje. 1678. Oil on canvas, 70 by 66 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
8. Young woman reading a letter at an open window, by Johannes Vermeer. c.1657– 59. Oil on canvas, 97.8 by 104.6 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
9. Woman holding a balance, by Johannes Vermeer. c.1664. Oil on canvas, 39.7 by 35.5 cm. (National Gallery of Art, Washington; exh. Gemäldegalerie Alte Meister, Dresden).
Article
Young Rembrandt and beyond
09/2020 | 1410 | 162
Pages: 784-791
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
subjects:
Reviewed Items
subjects:
Rembrandt’s Light (Dulwich Picture Gallery, 4th October 2019–2nd February 2020). | :
subjects:
Here: Black in Rembrandt’s Time (Rembrandt House Museum, 5th March–31st May). | :
subjects:
Inside Rembrandt (Wallraf-Richartz-Museum and Fondation Corboud, Cologne, 1st November 2019–1st March 2020; and National Gallery, Prague, 25th September–31st January 2021) | :
subjects:
Rembrandt and Amsterdam Portraiture, 1590– 1670 (Museo Nacional Thyssen-Bornemisza, Madrid, 18th February– 24th May). | :
subjects:
Rembrandt Laboratory: Rembrandt’s Technique Unravelled (Rembrandt House Museum, 21st September 2019−16th February 2020). | :
subjects:
Rembrandts Strich (Rembrandt’s Mark) (Kupferstich- Kabinett, Dresden 14th June–15th September 2019). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances, and Inspired by Rembrandt: 100 Years of Collecting by the Rembrandt House Museum (The Rembrandt House Museum 7th June–1st September 2019). | :
subjects:
Young Rembrandt: Rising Star, (Stedelijk Museum De Lakenhal 2nd November 2019–9th February 2020). (Ashmolean Museum, Oxford, 27th February–7th June 2020, re-opened until 1st November) | :
Illustrations
Attributed works:
1. Portrait of an old man (Rembrandt’s father), by Rembrandt. c.1627−30. Red and black chalk with brown wash, 18.9 by 24 cm. (Ashmolean Museum, Oxford).
Attributed works:
2. Travellers resting (The Rest on the Flight into Egypt?), from Rembrandt’s studio(?). c.1628−30(?). Oil on paper, mounted onto panel, 38 by 33.7 cm. (Mauritshuis, The Hague).
Attributed works:
3. Self-portrait, by Rembrandt. c.1629. Oil on panel, 72.3 by 57.8 cm. (Walker Art Gallery, National Museums Liverpool).
Attributed works:
4. The abduction of Proserpina, by Rembrandt. c.1630−31. Oil on panel, 84.4 by 79.5 cm. (Gemäldegalerie, Staatliche Museen zu Berlin).
Attributed works:
5. A Black boy, by Gerrit Dou. c.1630−33. Oil on panel, 43.3 by 33.8 cm. (Niedersächsisches Landesmuseum, Hannover).
Attributed works:
6. Mercury, by Pieter Lastman. c.1620−25. Red and white chalk, on lightorange prepared paper, 28.2 by 20.9 cm. (Fondation Custodia, Frits Lugt Collection, Paris).
Attributed works:
7. Standing oriental warrior, by Rembrandt. c.1627. Red chalk, 30.5 by 16.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Standing oriental warrior, traditionally attributed to Rembrandt but possibly by Jan Lievens. c.1627. Red chalk, 27.9 by 17.9 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
9. Installation view of ‘Rembrandt Laboratory’ at the Rembrandt House Museum, Amsterdam.
Exhibition Review
The Orléans Collection. New Orleans Museum of Art
01/2019 | 1390 | 161
Pages: 67-69
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
Exhibition Review
Vermeer and the masters of genre painting. Paris, Dublin and Washington
11/2017 | 1376 | 159
Pages: 931-932
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Vermeer and Dutch Genre Painting at the Musée du Louvre, Paris, the National Gallery of Ireland, Dublin, and National Gallery of Art, Washington. | :
Illustrations
Attributed works:
61. Girl with a pearl necklace by Johannes Vermeer. c. 1662-65 (Gemäldegalerie, Staatliche Museen zu Berlin; exh. national Gallery of Art, Washington).
Attributed works:
62. Woman writing a letter, by Gerard ter Borch. c.1655-56 (Mauritshuis, The Hague; exh. National Gallery of Art, washington).
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Advertisements December 2012 (front)
12/2012 | 1317 | 154
Pages: s.p.
Subjects
advertisements:
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advertisements:
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir David Wilkie (Scottish, 1785-1841). The Artist's Parents: Double Portrait of the Reverend and Mrs David Wilkie. 1807. Oil on panel, 12 x 8 3/4 inches (30.7 x 22 cm)]
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. "1932" collection 80th anniversary]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. William Blake (1757-1827). Enoch (Binyon 136; Bindman 413; Essick XV). Lithograph printed in relief, 1806/07, on wove paper, one of only four known impressions of the artist's only lithograph, inscribed with a description of Blake's unique lithographic method by George Cumberland in brown ink verso. L. 21.6 x 30.9 cm. S. 23.8 x 33.1 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Annibale Carracci (Bologna 1560 - 1609 Rome). The Annunciation (detail). Oil on canvas. 53 x 38 3/4 in. (134.6 x 98.4 cm.)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. Saint Sebastian. Oil on canvas, 71.5 x 57 (28 1/8 x 22 7/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Frans Hals (c.1580 - 26 August 1666). The Merry Lute Player, c.1624-8. Oil on panel, 90.4x75 cm (35 1/2 x 29 1/2 in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. View of the Arsenale in Venice. Gouache on paper laid down on board, 144 x 193 mm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Gerrit Dou (1613 - Leiden - 1675). An Allegory of the Art of Painting. On panel - 26 7/8 x 21 ins (68.2 x 53.5 cm). Signed and dated 1649]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Damien Hirst, Hig Window (Happy Life), 2006, 243.8 cm diameter.]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Nicolas Régnier (1588-1667), Suonatore di flauto, 49.5 cm diameter.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Bonazza (Venice 1654 - Padua 1736). Fides and Decorum. Marble high relief. 115 cm high]
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Advertisements March 2012 (front)
03/2012 | 1308 | 154
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
Article
More on the ‘Dutch Gift’ to Charles II
08/2011 | 1301 | 153
Pages: 521-522
related names
Author:
Griffey, Erin (Griffey, Erin)
Subjects
artists:
dates:
print:
subjects:
Illustrations
Attributed works:
9. The tooth puller, by Gerrit Dou. c.1630–35. Panel, 32 by 26 cm. (Musée du Louvre, Paris).
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Advertisements February 2007 (front)
02/2007 | 1247 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Sir Peter Paul Rubens (1577-1640). The Holy Family with the Infant St. John. Canvas, 57x46 in. (144.7x116.9 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The ferry, by Jan van Goyen (1596-1665). Signed and dated 1646. Panel, 39.5 by 58.5 cm]
Attributed works:
[Cesare Lampronti – Rome. Venice, the Bacino di San Marco looking west towards Grand Canal, by Gaspar van Wittel, called Vanvitelli (1652/53-1736). Oil on canvas, 54 by 106.5]
Attributed works:
[De Jonckheere, 100 rue du Faubourg Saint Honoré. Paris. Pieter Brueghel the Younger. 1564 Brussels - Antwerp 1638. The massacre of innocents. Panel: 115 x 162 cm]
Attributed works:
[De Jonckheere, Paris. River landscape with a view of Antwerp, by Jan Brueghel the Younger (1601-1678). Panel, 20 by 29 cm.]
Attributed works:
[Dickinson. 58 Jermyn Street. London. 19 East 66th Street. New York. Les sarcleuses au Pauldu, by Paul Sérusier (1863-1927). Circa 1890. Signed lower right with initials PS. Oil on canvas, 50 by 61 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Paolo Bonzi, called Il Gobbo dei Carracci, attributed to. Cortona, c. 1576-Rome, 1636. Still life Young Boy. Oil on canvas, 158,5x144 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Venus and Adonis, by Andrea de Lione (1610-1685). Oil on canvas, 116 by 153 cm]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Pietà, ca. 1615-1620. Theodor van Loon. (Brussels 1581/82-1667 Leiden). Oil on canvas, 152x124 cm]
Attributed works:
[Haboldt & Co. Paris. Susanna and the Elders (Daniel 13), by Jan van Noordt, /1623/24-1676/86). Oil on canvas, 124 by 89.2 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Ben Nicholson. 1894-1982. Painting (gouache) 1941. Gouache. 8 7/8 x 19 inches; 22.5 x 48.3 cm. Signed, dated and inscribed verso]
Attributed works:
[Jack Kilgore & co. 154 East 71st Street. New York. Jan Cossiers (1600 - Antwerp - 1671). Portrait of Adriaen Brouwer. Oil on panel, 25 3/8 by 19 1/4 inches (64.3 by 49 cm)]
Attributed works:
[Jack Kilgore & co. 154 East 71st Street. New York. The Virgin and Child with Angels making music, by Dirck de Quade van Ravesteyn. Oil on canvas, 155.5 by 112 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life with two peaches and a butterfly on a stone ledge, by Adriaen Coorte (Active 1683 1683-1705). Signed with monogram. Oil on paper, laid down on panel, 27 by 18.9 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Philips Wouwerman (1619 - Haarlem - 1668). A river landscape with a gentleman and lady riding to the chase, with a pilgrim asking for alms in the foreground, other members of the hunting party crossing a wooden bridge beyond. Oil on panel. Signed with Monogram. 12 x 15 3/4 in. 30.6 x 40.4 cm.]
Attributed works:
[Moretti. Piazza Ottaviani 17/r, 50123 Florence. 43 New Bond Street. London. Lorenzo Monaco. Florence, c. 1370-1425. St. Anthony Abbott. Panel, 35 x 24.3 cm]
Attributed works:
[Otto Naumann, Ltd. New York. A still life with musical instruments, by Evaristo Baschenis (1617-1677). Oil on canvas, 98 by 145 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of flowers and fruits tied with a blue bow in niche, by Cornelis de Heem (1631-1695). Oil on canvas, 60.5 by 46 cm]
Attributed works:
[Robilant + Voena. 38 Dover Street, London W1S 4LN. An old alchemist at the table in his laboratory fanning the fire in the furnace with bellows, attributed to Johannes Moreelse (School of Abraham Bloemaert). Oil on canvas, 90.5 by 107.5 cm.]
Attributed works:
[Salomon Lilian. Amsterdam. Portrait of a man, by Gerrit Dou (1613-1675). Signed. Oil on panel, 49 by 39 cm (oval)]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Jules-Louis-Philippe Coignet. Paris 1798-1860. Sunset over the River Rhine, the city of Bonn beyond, c. 1829. Oil on paper laid down on canvas, 10 3/4 x 18 in (27 x 46 cm)]
Attributed works:
[Stoppenbach & Delestre. 25 Cork Street. London. André Derain (1880-1854). Poupée, 1904. Oil on canvas,73 x 40 cm (28 /4 x 15 3/4 inches). Signed lower left 'a derain']
Attributed works:
[Stoppenbach & Delestre. London. Dans les jardins de la pension Laurent, Grez-sur-loing, by Louis Welden Hawkins. (1849-1910). 1881. Signed lower left. Oil on canvas, 141 by 221 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Book of Hours. Manuscript on vellum, about 1500]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Maurice de Vlaminck. Le Havre, les Bassins. c. 1905-1906]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Young man reading, by Jacob van Loo (1614-1670). Signed lower left on the wooden chest 'I.V. LOO' Oil on panel, 48.5 by 38.6 cm]
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Advertisements March 2005 (Front)
03/2005 | 1224 | 147
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1. DANTE GABRIEL ROSSETTI (1828-1882). Elizabeth Siddal seated in a chair. Verso: Studies of THree Female Figures. Pencil, 8 x 15 1/2 in (20.5 x 14 cm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. Study of St. Joseph in Glory, by Giuseppe Passeri (1654-1714). Pen and brown ink over black chalk heightened with white on paper washed brown, 291 x 241 mm. Inscribed 'Passeri' and 'du Passeri' on the mount.]
Attributed works:
[Artemis, Fine Arts. C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Albrecht Durer 1471-1528. St. Sebastian, bund to a column. Engraving c. 1498-9.]
Attributed works:
[Arturo Cuellar, Zurich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Homme buvant du café, by Vincent van Gogh (1853-1890). Pencil on paper, 310 x 240 mm. Signed: 'Vincent'. Circa 1882.]
Attributed works:
[Arturo Cuellar. Burglistrasse 18, 8002, Zurich. PABLO PICASSO (Malaga 1881-1973 Mougins) Two studies of heads (1931). Signed: Picasso lower right. Pencil, 25.5 x 33 cm]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. Claude Gellée, called Le Lorrain (1600-1682). Landscape with Large Tree 1640-45. Pen and brown ink with wash and white heightening over black chalk underrawing on blue paper, 21 x 31 cm. Signed at bottom center. Claudio fecit.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Landscape Plauen (Saxony), by Ernst Ferdinand Oehme (1797-1855). Watercolour, 130 x 215 mm. Circa 1830.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. GIOVANNI DOMENICO CERRINI (Perugia 1605-Rome 1681). Head of an Angel. Black, white and red chalk on blue paper, 270 x 222 mm. Inscription on the recto: Cerrino nel quadro dell'Assunta in sagrestia dell Chiesa nuova di Roma. Inscription on the verso: Cerrino da Perugia.]
Attributed works:
[Christie’s. New York. 20 Rockfeller Plaza. NY 10020. Gerrit Dou (Leiden 1613-1675). A sleeping dog beside a terracotta jug, a basket and a pile of kindling wood. Signed and dated 1650. Oil on panel. 7 x 9 in. (17.8 x 22.9 cm. $2,000,000-3,000,000 (£1,060,828-1,591,323)]
Attributed works:
[David Tunick, Inc., New York. Saint Jerome in the Wilderness, by Titian (1477-1576) Woodcut, 384 x 529 mm. Circa 1525-30.]
Attributed works:
[Day & Faber, London. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Face of a Native American, study for the decoration at Wuzburg, by Giovanni Battista Tiepolo (1696-1770) Black chalk, heightened with white, on blue Venetian paper, 293 x 202 mm.]
Attributed works:
[Day & Faber. 173 New Bond Street, London. François Boucher. Paris 1703-1770 Paris. Charlotta Sparre, aged twenty-one. Red, black and white chalk: 343 x 265 mm. Drawn in Paris 1740-41.]
Attributed works:
[Dickinson, London & New York. En marche, by Georges Seurat (1859-1891). Conté crayon on paper, 305 x 230 mm. With the red signature stamp Seurat (Lugt 282a) lower right.]
Attributed works:
[Dr. Jorn Gunther Rare Books Ltd., Hamburg. Missale Fratrum Minorum, manuscript on vellum written by the German scribe Henricus Haring for the convent of S. Francesco di Montone near Perugia. Miniatures by Bartolomeo Caporali, probably assisted by his Brother Giapeco. Vellum, 350 x 250 mm. Italy, Perugia, 1469.]
Attributed works:
[Galerie Arnoldi-Livie, Munich. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of Baccio, by Bartolomeo Passarotti (1529-1592). Pen and brown ink, 420 x 275 mm.]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré, 75008, Paris. JEAN, DIT ALEXIS GRIMOU (Romont 1678 - Paris 1733) La marquise de La Salle dite l'Espagnolette. Three crayons on blue paper, H. 355 mm. L. 290 mm.]
Attributed works:
[Galerie Normand, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Le lavoir des capucins à Rome, by François-Marius Granet (1775-1849). Signed. Watercolour and ink, 120 x 150 mm.]
Attributed works:
[Galerie Normand. 35 rue de Lille, 75007 Paris. Théodore ROUSSEAU 1812-1867. La mare aux fées, foret de Fontainebleau, circa 1848. Initial 'THR' on lower left. Oil on canvas, 59 x 114 cm (23 1/4 x 44 3/4 inches)]
Attributed works:
[Giovanni Pratesi, Antiquario. Via Maggio 13, 50125, Firenze. Attributed to Valentin Sonneenschein. (Stuttgart, 1749-Berne, 1828) A meeting of men of letters. Sculpture in Lorrain stone, 25 by 56.6 cm. Tablet in white marble, 39 by 51.5 cm. Dated 1777.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JEAN-BAPTISTE OUDRY. (1686-1755) A Hare looking back to the left. Black and white chalk on blue paper, 27.8 x 42.2 cm (11 x 16 3/4 in)]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Book of Hours, by Jean Dreux (?= Master of the Sachsenheim-prayerbook). Illuminated manuscript on vellum, with 12 large miniatures and one historiated inital. Calligraphy with superb cadels on every text page by Nicolas Spierinc.]
Attributed works:
[Heribert Tenschert Antiquariat Bibermuhle AG. Bibermuhle 1, CH 8262, Ramsen. THE ROSSI MISSAL. Missal for the major feasts. Parma or Pavia, c. 1530-1540. Illuminated manuscript on vellum, with 3 miniatures (one full page) by Guernerius Beretta, who signed the crucifixion - a renowned and highly praised artist (nella miniatura pittore singolare) but not all defined until the discovery of the signature here. Made for a member of the Rossi family, viz. Giovan Girolamo de' Rossi, bishop of Pavia from 1530. Still in its original binding with the Rossi coats of arms: Folio (350 x 245 mm).]
Attributed works:
[Kunsthandlung Helmut H. Rumbler. Frankfurt. Portrait of Emperor Maximilian I, by Lucav von Leyden. 1520. Etching with engraving, 257 x 193 mm. Watermark: crowned coat of arms with sun (Hollstein 4, 1520).]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. FRANCIS COTES, R.A. 1726-1770. Lieutenant-colonel the Hon. Edmund Craggs Nugent, Wearing van Dyck costume. Pastel on paper laid on canvas. 23 1/4 x 17 inches; 590 x 437 mm. In its original frame. Signed and dated 1748.]
Attributed works:
[Maggs Brothers. 50 Berkeley Square, London, W.C. Workshop of Jean Pucelle. Illuminated leaf from a Pontifical. Paris. Circa 1330.]
Attributed works:
[Museo Thyssen-Bornemisza. Ernst Ludwig Kirchner. Franzi in front of carved chair. 1910.]
Attributed works:
[Museo Thyssen-Bornemisza. Hans Memling. Portrait of a Young Man at Prayer, c. 1485.]
Attributed works:
[Noortman, Maastricht. Les repasseuses, by Edgar Degas (1834-1917). Charcoal and pastel on three pieces of paper joined and laid down on heavy cardboard, 600 x 760 cm. Signed in charcoal upper left; Degas.]
Attributed works:
[Pandora, New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait of a Bishop, by Giovanni Mannozzi, called Giovanni da San Giovanni (1592-1636). Pastel, black and red chalk on blue paper, 304 x 202 mm.]
Attributed works:
[Pandora. P.O. Box 1761, New York. Detail of LUIGI SABATELLI (Florence 1772-1850 Milan), Study of a Lion, pen and brown ink, 299 x 418 mm.]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, 75006 Paris. Jacques Louis DAVID. Paris 1748 - Bruxelles 1825. A naked woman with left arm raised (recto). Figure of Love crying, sitting with a bow (verso). Pencil, 229 x 149 mm, squared.]
Attributed works:
[Paul Proute, Paris. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study for a portrait of a seated man, writing, seen in left profile, by François de Troy (1645-1730). Red, Black and white chalk on chamois paper, 243 x 210 mm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. Gregorio di Lorenzo. Maestro delle Madomme di Marmo. Firenze, 1470/80. S. Giovanni Battista Fauciullo. Marmo. 38 x 22 x 15 cm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON. 1767 Montargis, Loiret - Paris 1824. Armin Witnessing the Death of his Children. Pen and ink and gray wash, over charcoal, with white heightening. 219 x 254 mm.]
Attributed works:
[Thomas Le Claire. Elbchaussee 156. D-22605. Hamburg. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. The death of Lucretia, by Etienne-Barthélemy Garnier (1759-1849). Black pen and blue brush with white heightening on beige paper, 525 x 770 mm.]
Attributed works:
[Thomas Williams Fine Art, London. The Salon du Dessin. Palais de la Bourse, Paris. 16th-21st March 2005. View of Lahnstein on the River Rhine, by Wenceslaus Hollar (1607-1677). Pen and brown ink over black and red chalk, 98 x 238 mm. Inscribed by the artist, Lahnstein (verso).]
Attributed works:
[Thomas Williams, fine art Ltd. 22 Old Bond Street, London. W1S 4PY. WENCESLAUS HOLLAR. Prague 1607-1677 London. A View of Tangier from the South-East. Watercolour and pen and brown ink over black chalk, 157 x 623 mm; 6 1/8 x 24 1/2 in.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. François Bonvin. Paris 1827-1887 Saint-Germain-en-Layne. A man seated at a Table Reading a Newspaper, 1852. Watercolour and black chalk. Signed and dated, lower left, f. Bonvin. 52. 11 3/4 x 9 1/4 inches (300 x 235 mm). Exhibiting at the SALON DU DESSIN, March 16-21, 2005, Stand no.5]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Portrait studies of a girl and an older woman, by Adolph von Menzel (1815-1905). Graphite with stumping, 133 x 199 mm. Signed with initials and dated: 'A.M/1886'.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. The Salon du Dessin. Palais del Bourse, Paris. 16th - 21st March 2005. Study of fingers on the march, by François Boucher (1703-1770) Signed or inscribed lower right, F. Boucher. Black and white chalk on buff-coloured paper, 306 x 413.]
Western art unattributed:
[Charles Edwin Puckett. 3867 West Market Street, #253. Akron, Ohio 44333. DAVID IN PREYER. Tempera and gold on vellum, 160 x 115 mm. From a book of Hours. France (Use of Rouen), circa 1490.]
Western art unattributed:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. The Hourse of Guyot II Le Peley of Troyes, manuscript on vellum illuminated by Jean Colombe and atelier. c. 1485. 128mm x 95mm. £250,000-350,000.]
Western art unattributed:
[Heribert Tenschert Antiquariat Bibermuhle AG,Rotthalmunstern. Biblia Sacra, by Mainz, Johannes Fust & Peter Schoffer, 14 August 1462. Two volumes, complete. Printed on vellum and illuminated throughout by the Fust-Master, 400 x 300 mm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Circle of Giovanni Bellini. Head and Shoulders portrait of a young man. Black chalk. 291 by 272 mm. Sold for $800,000, Sotheby's New York 26 January 2005.]
Short Notice
On the Madrid Provenance of 'Anna and the Blind Tobit'
10/2002 | 1195 | 144
Pages: 618-621
related names
Author:
Viejo, Isadora Rose-de (Viejo, Isadora Rose-de; De Viejo, Isadora Rose-)
Subjects
artists:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
34. Anna and the Blind Tobit, by Rembrandt or Gerrit Dou. c.1630. Oak Panel, 63.8 by 47.7 cm. (National Gallery, London).
Attributed works:
35. Anna and the Blind Tobit, by Willem van der Leeuw. c.1635. Etching and Engraving, 30.1 by 21 cm. (Rijksprentenkabinet, Amsterdam).
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