Treasures from the Wreck of the Unbelievable at the François Pinault Foundation, Palazzo Grassi and Punta della Dogana, Venice |
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Illustrations
Attributed works:
90. A collection of vessels from the wreck of the unbelievable, by Damien Hirst. 2010 (Damien Hirst and Science Ltd., photograph Prudence Cuming Associates; exh. Punta della Dogana, Venice).
Attributed works:
91. Severed head of Medusa, by Damien Hirst. 2008 (Damien Hirst and Science Ltd; photograph Prudence Cuming Associates; exh.Palazzo Grassi, Venice).
Attributed works:
92. Installation view in the Palazzo Grassi, Venice, of Treasures from he Wreck of the Unbelievable, showing Demon with bowl (exhibition enlargement) by Damien Hirst, 2014 (Damien Hirst and Science Ltd; photograph Prudence Cuming Associates; exh. Palazzo Grassi, Venice).
63. 12.6.66, by John Hoyland. 1966 (Collection of Damien Hirst; exh. Newport Street Gallery, London)
Attributed works:
64. 17.6.68, by John Hoyland. 1968 (Collection of Damien Hirst; exh. Newport Street Gallery, London)
Attributed works:
65. 28.2.71, by John Hoyland. 1971 (Collection of Damien Hirst; exh. Newport Street Gallery, London)
Attributed works:
66. New Year's Day (blue flame) 1.1.81, by John Hoyland. 1981 (Collection of Damien Hirst; exh. Newport Street Gallery, London)
Book Review
Damien Hirst – The Complete Spot Paintings, 1986–2011, With essays by R. Pincus-Witten, M. Bracewell and D. Hirst, and a conversation with Damien Hirst, John Baldessari and Ed Ruscha
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir David Wilkie (Scottish, 1785-1841). The Artist's Parents: Double Portrait of the Reverend and Mrs David Wilkie. 1807. Oil on panel, 12 x 8 3/4 inches (30.7 x 22 cm)]
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. "1932" collection 80th anniversary]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. William Blake (1757-1827). Enoch (Binyon 136; Bindman 413; Essick XV). Lithograph printed in relief, 1806/07, on wove paper, one of only four known impressions of the artist's only lithograph, inscribed with a description of Blake's unique lithographic method by George Cumberland in brown ink verso. L. 21.6 x 30.9 cm. S. 23.8 x 33.1 cm]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Annibale Carracci (Bologna 1560 - 1609 Rome). The Annunciation (detail). Oil on canvas. 53 x 38 3/4 in. (134.6 x 98.4 cm.)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Cairo. Milan, 1607-1665. Saint Sebastian. Oil on canvas, 71.5 x 57 (28 1/8 x 22 7/16 in)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Frans Hals (c.1580 - 26 August 1666). The Merry Lute Player, c.1624-8. Oil on panel, 90.4x75 cm (35 1/2 x 29 1/2 in)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. View of the Arsenale in Venice. Gouache on paper laid down on board, 144 x 193 mm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Gerrit Dou (1613 - Leiden - 1675). An Allegory of the Art of Painting. On panel - 26 7/8 x 21 ins (68.2 x 53.5 cm). Signed and dated 1649]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Damien Hirst, Hig Window (Happy Life), 2006, 243.8 cm diameter.]
Attributed works:
[Sperone Westwater. Via Nassa 42. Lugano. Nicolas Régnier (1588-1667), Suonatore di flauto, 49.5 cm diameter.]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Giovanni Bonazza (Venice 1654 - Padua 1736). Fides and Decorum. Marble high relief. 115 cm high]
35. The physical impossibility of death in the mind of someone living, by Damien Hirst. 1991. Glass, painted steel, silicone, shark and formaldehyde, 217 by 542 by 180 cm. (Private collection; exh. Tate Modern, London).
Attributed works:
36. New York 1989, by Damien Hirst. 1989. Glass, faced particleboard, beech, pine, ramin, plastic, aluminium and pharmaceutical packaging, 137.2 by 101.6 by 22.9 cm. (Private collection; exh. Tate Modern, London).
Attributed works:
37. For the love of God, by Damien Hirst. 2007. Platinum, diamonds and human teeth, 17.1 by
12.9 by 19.1 cm. (Private collection; exh. Tate Modern, London).