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9 articles
Exhibition Review
The Orléans Collection. New Orleans Museum of Art
01/2019 | 1390 | 161
Pages: 67-69
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
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Illustrations
Attributed works:
13. The Meeting of David and Abigail, by Guido Reni. c.1615–20, Canvas, 155.5 by 163.8 cm. (Chrysler Museum of Art, Norfolk VA; exh. New Orleans Museum of Art).
Attributed works:
14. Allegory of Philippe II, duc d’Orléans, Regent of the Realm, by Antoine Dieu. 1718. Canvas, 106 by 77 cm. (Musée National du Château de Versailles; exh. New Orleans Museum of Art).
Attributed works:
15. Preciosa recognised, by Godfried Schalcken. Late 1660s. Panel, 44.2 by 31.2 cm. (National Gallery of Ireland, Dublin; exh. New Orleans Museum of Art).
Short Notice
Two Unpublished Drawings by Nicolò dell' Abate
11/1975 | 872 | 117
Pages: 728-729
related names
Author:
Langmuir, Erika (Langmuir, Erika; Langmuir, Erika H.)
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Illustrations
Attributed works:
57. Fragment of octagon 'Concerto', by Nicolò dell'Abate. Ink and Wash Heightened with White, 36 by 47 cm. (Collection H. M. Calmann).
Attributed works:
58. Fragment of octagon 'Concerto', by Nicolò dell'Abate. Ink and Wash Heightened with White, 37 by 48.5 cm. (Collection H. M. Calmann).
Attributed works:
59. Fragment of Octagon 'Concerto', by Nicolò dell'Abate. Ink and Wash Heightened with White. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. The Queen.
Attributed works:
60. Concerto, by Nicolò dell'Abate. Fresco Detached onto Canvas, 84 by 84 cm. (Galleria Estense, Modena).
Attributed works:
61. Fragment of Octagon 'Concerto', by Nicolò dell'Abate. Ink and Wash Heightened with White. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. The Queen.
Article
The Dream of Aeneas: A Rosa Source for Cheere's River God at Stourhead
12/1974 | 861 | 116
Pages: 756+758
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Author:
Woodbridge, Kenneth (Woodbridge, Kenneth)
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Illustrations
Attributed works:
66. River God, by John Cheere. (National Trust, Stourhead, Wilts.)
Attributed works:
67. Dream of Aeneas, by Salvator Rosa. Etching.
Article
Solimena's 'Dido Receiving Aeneas and Cupid Disguised as Ascanius'
06/1973 | 843 | 115
Pages: 385-390
related names
Author:
Levey, Michael (Levey, Michael; Levey, Mr.)
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Illustrations
Attributed works:
45. Dido Receiving Aeneas and Cupid Disguised as Ascanius, by Francesco Solimena. Canvas, 207.2 by 310.2 cm. (National Gallery, London.)
Attributed works:
46. Detail of Head Here Identified as Solimena's Own, from Dido Receiving Aeneas Illustrated in Fig. 45.
Attributed works:
47. Detail from Self Portrait, by Francesco Solimena. (Galleria degli Uffizi, Florence.)
Attributed works:
48. Detail of Kneeling Attendant from Dido Receiving Aeneas Illustrated in Fig. 45.
Attributed works:
49. St Martin Dividing His Cloak, by Francesco Solimena. Canvas, c.79 by 117 cm. (St Martin-in-the-Fields, London.)
Article
The 'Altieri Claudes' and Virgil
07/1960 | 688 | 102
Pages: 312-318
related names
Author:
Kitson, Michael (Kitson, Michael; K., M.)
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Illustrations
Attributed works:
27. The Arrival of Aeneas at Pallanteum, by Claude Lorrain. 1675. Final Study for Fig.28. Pen and Wash with Black Chalk, Heightened with White, 24.7 by 33.1 cm. (Uffizi, Florence.)
Attributed works:
28. The Arrival of Aeneas at Pallanteum, by Claude Lorrain. 1675. Canvas, 172.5 by 221 cm. (Collection Lord Fairhaven.)
Attributed works:
29. A Sacrifice to Apollo, by Claude Lorrain. 1662. Canvas, 172.5 by 221 cm. (Collection Lord Fairhaven.)
Attributed works:
30. Landscape with a City, Boats and a River, by Claude Lorrain. 1675. Preliminary Study for Fig.28. Pen and Brown Ink Wash with Corrections in White Body-Colour, 17.7 by 25.2 cm. (Collection Count Seilern.)
Attributed works:
31. Aeneas and Achates Hunting, by Claude Lorrain. 1672. Canvas, 112 by 157.5 cm. (Musée Royal des Beaux-Arts, Brussels.)
Attributed works:
32. Ascanius Shooting the Stag of Sylvia, by Claude Lorrain. 1682. Canvas, 120 by 150 cm. (Ashmolean Museum, Oxford.)
Article
Poussin Studies VII: Poussins in Neapolitan and Sicilian Collections
03/1958 | 660 | 100
Pages: 76-87
related names
Author:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
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Illustrations
Attributed works:
10. Christ Driving the Traders Out of the Temple. Engraving after a Drawing by Hubert Robert (Based on a Sketch by Fragonard) of a Composition by Giordano.
Attributed works:
11. Riposo, by Nicolas Poussin. Canvas, 76.2 by 63 cm. (Dr and Mrs Rudolf Heinemann, New York.)
Attributed works:
12. Venus, Bacchus, Cupid and Putti (?), by Nicolas Poussin. Canvas, 71 by 56 cm. (Hermitage, Leningrad.)
Attributed works:
13. Venus, Adonis and Putti, by Nicolas Poussin. Canvas. (Rhode Island School of Design, Providence.)
Attributed works:
14. Venus Bringing Arms to Aeneas, by Nicolas Poussin. Canvas, 107 by 134 cm. (Art Gallery, Toronto.)
Attributed works:
15. Group of Putti. Fragment of a Drawing by Nicolas Poussin. (Museum Boymans, Rotterdam.)
Attributed works:
16. Venus and Putti, by Giacinto Gimignani. Traces of Signature. Canvas, 72 by 58 cm. (Marquess of Exeter, Burghley.)
Attributed works:
19. X-ray of a Painting by Nicolas Poussin of Two Heads (A Fragment of a Golden Calf) in the Collection of Captain Guy Liddell, Showing Underneath the Colosseum and Other Roman Buildings.
Attributed works:
2. Midas, by Nicolas Poussin. Canvas, 50 by 66 cm. (Musée Fesch, Ajaccio.)
Attributed works:
3. X-ray of the Midas Reproduced in Fig. 2.
Attributed works:
4. X-ray of the Landscape with the Virgin Protecting the Town of Spoleto, by Nicolas Poussin. (Alleyn's College of God's Gift, Dulwich.)
Attributed works:
5. God the Father Supported by Putti from an Annunciation. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Attributed works:
6. Riposo. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Attributed works:
7. Annunciation, by Nicolas Poussin. Canvas, 75 by 95 cm. (Musée Condé, Chantilly.)
Attributed works:
8. Christ Driving the Traders Out of the Temple, by Luca Giordano. (Church of the Gerolomini, Naples.)
Attributed works:
9. Flight into Egypt. Engraving after a Drawing by Fragonard of a Composition by Poussin.
Short Notice
A Drawing by Nicolo Dell'abate in Windsor
09/1942 | 474 | 81
Pages: 224+226-227
related names
Author:
Antal, Frederick (Antal, Frederick; Antal, F.; Antal, Friedrich)
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Illustrations
Attributed works:
A-Two Figures Entering the Underworld. Here Attributed to Nicolo Dell'abate. Pen and Wash, Heightened with White. 19.5 by 25.3 cm. (H. M. The King, Windsor Castle). D-The Descent of Aeneas and the Cumaean Sibyl into Avernus. By Nicolo Dell'abate. Detail of a Fresco, Now in the Gallery of Modena. Shorter Notices: A Drawing by Nicolo Dell'abate in Windsor.
Article
Limoges Enamels of the Aeneid Series at Alnwick Castle
05/1921 | 218 | 38
Pages: 238+240-241+243-245
related names
Author:
Rackham, Bernard (Rackham, Bernard; R., B.; Rackham, B.; R.)
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Illustrations
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. A The signal for war given by Turnus from the citadel of Laurentum. "Rauco strepuerunt cornua cantu."
Western art unattributed:
Plate I. Limoges Enamels of the Aeneid series at Alnwick. B The sacrificial feast of Evander before the walls of Pallantium interrupted by the arrival of Aeneas and his fleet; Pallas, son of Evander, challenging Aeneas, who answers from the poop of his vessel. "Tum pater Aeneas puppi sic futur ab alta"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. C Pallas conducts Aeneas from the ship to his father. "Exceptique manu dextramque amplexus inhaesit"
Western art unattributed:
Plate II. Limoges Enamels of the Aeneid series at Alnwick. D Evander relating to Aeneas how Fauns and wild men once dwelt in the land. "Haec nemora indigenae Fauni Nymphaeque tenebant"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. E Venus making a sign with thunder and the flashing of arms in the heavens to Evander and Pallas with Aeneas and Achates. "Arma inter nubem.... rutilare vident et pulsa tonare"
Western art unattributed:
Plate III. Limoges Enamels of the Aeneid series at Alnwick. F Evander bidding farewell to Pallas who rides forth with Aeneas and Achates to meet Tarcho and the Etruscans appearing from a grove in the background. "Ipse agmine Pallas In medio, chlamyde et pictis conspectus in armis." (The six plaques belong to the Duchess of Northumberland)
Short Notice
Cassone Fronts in American Collections-IV
05/1907 | 50 | 11
Pages: 128+131-132
related names
Author:
Rankin, William (Rankin, William; R., W.; Rankin, W.; Rankin, Wm.)
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Illustrations
Western art unattributed:
The Voyage of Aeneas. Florentine School. in the Jarves Collection, Yale University, U. S. A. Cassone Fronts in American Collections
Western art unattributed:
Visit of the Queen of Sheba to Solomon. Florentine School. in the Jarves Collection, Yale University, U. S. A. Cassone Fronts in American Collections