4. Badge of St Margaret. Probably eastern France, second half of the
fifteenth century. Alloy of gold and copper, 5.9 by 4 cm. (The Wyvern
Collection).
Attributed works:
6. Horn, by Léonard Limosin. Limoges, 1538. Enamel painted on copper
with silver fittings, mounted on a cow’s horn, length 30.5 cm. (The
Wyvern Collection).
Attributed works:
7. Head of the Virgin. Northern Spain, c.1270–1300. Wood, paint,
gilding and gesso, height 59 cm. (The Wyvern Collection).
Attributed works:
8. Head of the mourning Virgin. France (Paris or Normandy),
c.1530–40. Clear glass painted with stipple shading, leaded in a
later setting, 13.5 by 11.5 cm. (The Wyvern Collection).
Western art unattributed:
1. Phylactery. Mosan, c.1160–70. Champlevé enamel on copper
with gilding, vernis brun, rock crystal and gems on a wooden core,
22.5 by 22 cm. (The Wyvern Collection).
Western art unattributed:
2. Chrismatory. Anglo-Saxon, c.800, and Carolingian, late 9th
century. Repoussé copper-alloy sheets with gilding and silver on
an oak core, height 15.6 cm. (The Wyvern Collection).
Western art unattributed:
3. Plaque. England, c.1180–1200. Champlevé enamel on copper with
gilding, height 5.7 cm. (The Wyvern Collection).
Western art unattributed:
5. Travelling chalice. Lower Rhine (probably Cologne), c.1240–50. Silver,
parcel-gilt, with filigree, pearls and semi-precious stones, height 8.2 cm.
(The Wyvern Collection).
Book Review
The Wyvern Collection: Byzantine and Sasanian Silver, Enamels and Works of Art
The Wyvern Collection: Byzantine
and Sasanian Silver, Enamels and
Works of Art
By Marco Aimone. 552 pp. incl. 300 col. ills.
(Thames and Hudson, London and New York,
2020), £65. ISBN 978–0–500–25249–9. |
:
Illustrations
Western art unattributed:
2. Enkolpion in the form of a miniature
triptych. 11th century. Gold, cloisonné and
champlevé enamels and lead, height 7.1 cm.
(Wyvern Collection).
Book Review
I rami smaltati detti veneziani del Rinascimento italiano. Volume 1: Atti del convegno internazionale di studi; and Volume 2: Corpus delle opere nelle collezioni pubbliche e private
I rami smaltati detti veneziani del
Rinascimento italiano. Volume 1: Atti
del convegno internazionale di studi;
and Volume 2: Corpus delle opere
nelle collezioni pubbliche e private
Edited by Françoise Barbe, Isabelle Biron,
Letizia Caselli and Marie-Elsa Dantan.
Two vols, 512 pp. incl. 1029 col. + b. & w. ills.
(Silvana Editoriale, Milan, 2018), £100.
ISBN 978–88–366–4239–7. |
:
Article
A pair of Qianlong imperial enamel painted glass vases in the Corning Museum of Glass
5. Details of the left-hand vase in Fig.1, showing the golden pheasants
(left) and peonies (right).
Attributed works:
7. A golden pheasant, by Yu Sheng and Zhang Weibang. c.1750−61. Ink on
paper, 41.9 by 43.9 cm. (Repr. The Birds of the Qing Court, Beijing 2014).
Non-western art unattributed:
1. Pair of vases decorated with golden pheasants and peonies. China,
Qianlong mark and period (1736−96). Enamel-painted glass, height
16.2 cm. (The Corning Museum of Glass, NY).
Non-western art unattributed:
3. Box. China, Kangxi mark and period (1696−1722). Enamel-painted
glass, 3.2 by 4.5 cm. (Kunstmuseum Den Haag).
Non-western art unattributed:
4. Detail of a Yu Huchan vase decorated with golden pheasants and
peonies, Qianlong period (1736−96). Enamel-painted porcelain, height
16.3 cm. (Tian Jin Museum, Tianjin).
Non-western art unattributed:
6. Details of the right-hand vase in Fig. 1, showing the golden pheasants
(left) and peonies (right)
Non-western art unattributed:
8. Detail of the right-hand vase in Fig.1, showing the calligraphy and seals.
Western art unattributed:
2. Bottle. Probably Saxony, c.1710−20. Engraved opaque white glass,
height 10.8 cm. (The Corning Museum of Glass, NY).
Exhibition Review
A Rothschild Treasury. Waddesdon Manor, Buckinghamshire
13. Snuff box,
by Louis Roucel.
1772–73. Sèvres
porcelain plaques
with paintings
attributed to
Louis-Denis
Armand l’aîné
after Jean-Jacques
Bachelier, c.1760.
Gold and softpaste
porcelain,
35 by 72 by 58 cm.
(Waddesdon Manor,
Buckinghamshire;
photograph
Waddesdon Image
Library / Mike
Fear).
Attributed works:
15. Installation view
of the Treasury,
Waddesdon Manor,
Buckinghamshire,
2019. (Photograph
Mike Fear).
Western art unattributed:
14. Gaius Caesar.
Roman, c.1 BC–AD
4 (cameo), AD 100–
200 (mount). Onyx,
gold and bronze,
4.9 by 3.9 cm.
(Waddesdon Manor,
Buckinghamshire;
photograph
Waddesdon Image
Library / Mike
Fear).
Exhibition Review
Luigi Valadier: Splendor in Eighteenth-Century Rome. The Frick Collection, New York
17. Detail of a deser, by Luigi Valadier. c.1778. Marbles, hardstones, glass, enamel, gilt bronze and other materials, the stand: 12.5 by 280 by 83 cm. (Royal Palace and Archaeological Museum, Madrid; exh. The Frick Collection, New York).
Attributed works:
18. Altar service for Cardinal Orsini, by Luigi Valadier. 1768. Silver-gilt. (Cathedral of San Nicola, Muro Lucano; exh. The Frick Collection, New York).
Book Review
A Rothschild Renaissance: A New Look at the Waddesdon Bequest in the British Museum. Edited by Pippa Shirley and Dora Thornton
13. Objects of ancient art in the collection of Sir Richard Wallace, by Blaise Alexandre Desgoffe. Canvas, 99.5 by 150 cm. (Staatliche Kunsthalle, Karlsruhe; exh. the Wallace Collection, London).
Attributed works:
14. An ostrich, by Elias Zorer. Augsburg, c.1600. Silver, with gilding, height 42 cm. (The Wallace Collection, London).
Non-western art unattributed:
15. Trophy head. Asante Kingdom, eighteenth or nineteenth century. Gold, height 20 cm. (The Wallace Collection, London).
Book Review
Obras emblemáticas del taller de orfebrería medieval de Silos: ‘el Maestro de las Aves’ y su círculo. By Lourdes de Sanjosé Llongueras