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10/2024 | 1459 | 166
Pages: i-xix
Subjects
advertisements:
Illustrations
Attributed works:
(KJ MF MS AG FW LM AS EW) recropped landscape, by Sophie Thun (b.1985). 2022. Silver gelatin print and photogram on baryta paper in artist’s frame, 87.7 by 119.4 by 3.5 cm. [SOPHIE TAPPEINER, VIENNA/Art Basel Paris]
Attributed works:
A trial by fire, by Jenkin van Zyl (b.1993). 2024. Film, duration 10 minutes. [EDEL ASSANTI, LONDON/Frieze London]
Attributed works:
An ensign seated in a guardroom with offi cers playing cards, by acob Duck (1600– 67). Oil on canvas, 69 by 60.3 cm. [JOHNNY VAN HAEFTEN, SURREY/Frieze Masters]
Attributed works:
BALTHASAR VAN DER AST (Middelburg 1593/4 – 1657 Delft) A Still Life of Fruit in a kraak porcelain Dish, with Shells and Roses Signed, lower right, on the ledge: B. van der. Ast Oil on panel, 26⅞ x 37⅞ ins. (68.3 x 98.7 cm) Framed dimensions: 35½ x 47½ x 3⅜ ins. (90 x 120.7 x 8.5 cm) [Johnny van Haeften]
Attributed works:
Candelabre ‘night butterfly’, by Nils Alix- Tabeling (b.1991). 2023. Mixed media, 250 by 160 by 60 cm. [PUBLIC GALLERY, LONDON/Frieze London]
Attributed works:
Charles Beale, by Mary Beale (1633– 99). Late 1650s. Oil on paper, laid on panel, 31.8 by 26 cm. PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Chest of drawers, attributed to Philippe Pasquier (Master in 1760), France, last quarter of the 18th century. Mahogany, mahogany veneer, yew burl and ebony, chased and gilt bronze with grey-veined white marble, 86 by 126 by 61 cm. [GALERIE LÉAGE, PARIS/Frieze Masters]
Attributed works:
Classroom, by Andrew Cranston (b.1969). 2023. Distemper on canvas, 213.8 by 183.9 cm. [INGLEBY GALLERY, EDINBURGH/Frieze London]
Attributed works:
Do you realise there is a rainbow even if it’s night!?, by Petrit Halilaj (b.1986). 2023. Qilim carpet from Kosovo, Flokati, polyester, chenille wire, stainless steel and brass, dimensions variable. [CHERTLÜDDE, BERLIN/Frieze London]
Attributed works:
EVA GONZALÈS (1849–83) Portrait de fillette au chapeau, 1879–80. Oil on canvas, 24.5 × 19 cm. Estimate: CHF 18‘000/ 25‘000 [Gloggner]
Attributed works:
FEDE GALIZIA (1578–1630) Judith with the Head of Holofernes, c. 1620s Recently acquired by the National Museum of Western Art, Tokyo [Robilant and Voena]
Attributed works:
Flora totem pino, by Lucía Pizzani (b.1975). 2023. English black stoneware and white slip, 138 by 50 by 50 cm. [CECILIA BRUNSON PROJECTS, LONDON/Frieze London]
Attributed works:
Florence: the Bargello, by Antonietta Brandeis (1848–1926). Oil on panel, 25.4 by 14.6 cm. CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Attributed works:
Folios 13v and 14r from Hours of Isabella d’Este, Use of Rome, illuminated by Gherardo (1444/45–97) and Monte di Giovanni del Fora (1448–1533). c.1490. Illuminated manuscript on vellum, 240 leaves, 13 by 8.7 cm. [DR. JÖRN GÜNTHER RARE BOOKS, BASEL/Frieze Masters]
Attributed works:
Giovanni Battista Foggini (1652–1725) The Crucifixion (detail) 1678 Red wax model in low relief 11.1 × 25 cm [Trinity Fine Art, London]
Attributed works:
Glow’ replica (mirroir1), by David Douard (b.1983). 2024. Painting, curved metal bar with aluminium casted flowers and spherical magnets, 220 by 70 by 50 cm. GALERIE CHANTAL CROUSEL, PARIS/Art Basel Paris]
Attributed works:
Guercino, The Cumaean Sibyl with a Putto, 1651 © The National Gallery, London [Waddesdon]
Attributed works:
I don’t know why nobody told you how to unfold your love I, by Dawn Ng (b.1982). 2024. Archival pigment print, 123 by 123 cm. [KATE MACGARRY, LONDON/Frize London]
Attributed works:
Italian columns, by Ben Nicholson (1894– 1982). 1965. Pen, ink, watercolour and gouache on paper, 31.7 by 24.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Lost door, by Lubaina Himid (b.1954). 2021. Acrylic on wood, 194 by 80 by 15 cm. [HOLLYBUSH GARDENS, LONDON/Frieze London]
Attributed works:
Marchiali, by Kensuke Koike (b.1980). 2022. Vintage photograph, 23.3 by 37.2 cm., framed. [SCHOENI PROJECTS, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Attributed works:
Medicine Pocket, by Paddy Bedford (c.1922–2007). 1999. Natural earth pigments and synthetic binders on linen, 122 by 135 cm. [D’LAN CONTEMPORARY, MELBOURNE AND NEW YORK/Frieze Masters]
Attributed works:
Mephistopheles, by Jean-Jacques Feuchère (1807–52). 1833. Bronze, with rich red-brown patina, height 34 cm. BOWMAN SCULPTURE, LONDON/Frieze Masters]
Attributed works:
Open (amber), by Eva Gold (b.1994). 2024. Resin, aluminium, fibreglass and fluorescent light, 25 by 54.5 by 10 cm. [ROSE EASTON, LONDON/Frieze London]
Attributed works:
Pietro di Cristoforo Vannucci, called Perugino (1450–1523), Christ Crowned with Thorns and The Madonna, oil on panel, each 33.5 x 27.5 cm [Dorotheum]
Attributed works:
Plucked, by Hayv Kahraman (b.1981). 2024. Oil and acrylic on linen, 132.1 by 215.9 cm. [PILAR CORRIAS, LONDON/Art Basel Paris]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection)
Attributed works:
Post, by Juliana Huxtable (b.1987). 2022. Acrylic on printed canvas in artist’s frame, 138 by 267.5 by 7 cm. [PROJECT NATIVE INFORMANT, LONDON/Frieze London]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Stricture, by Louise Giovanelli (b.1993). 2023. Oil on canvas, diptych, each 240 by 170 cm. [GRIMM, AMSTERDAM, LONDON AND NEW YORK/Frieze London]
Attributed works:
Study for imaginative play I, by Caroline Walker (b.1982). 2024. Oil on paper, 47.5 by 61.5 cm. [STEPHEN FRIEDMAN GALLERY, LONDON AND NEW YORK/Frieze London]
Attributed works:
Tenno-ji Temple in Osaka (Osaka Tenno-ji), from the series Souvenirs of travel III (Tabi miyage dai sanshu), by Kawase Hasui (1883–1957). 1927. Woodblock print, 38.7 by 26.3 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Triple self-portrait, by Suzanne Fabry (1904–85). c.1934. Oil on canvas, 66 by 85 cm. [WILL ELLIOTT FINE ART, LONDON/Frieze Masters]
Attributed works:
Untitled (still life), by Richard Aldrich (b.1975). 2024. Oil and wax on panel, 52.1 by 33.3 cm. [DÉPENDANCE, BRUSSELS/Art Basel Paris]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. GALERIE LELONG & CO., NEW YORK AND PARIS/Frieze London]
Attributed works:
Untitled, by Ana Mendieta (1948–85). 1978. Black-and-white photograph, 20.5 by 25.5 cm. [GALERIE LELONG & CO., NEW YORK AND PARIS/Art Basel Paris]
Non-western art unattributed:
Hilt of a tulwar. India, mid-to-late 17th century. Jawhar steel, total length 92.5 cm. [RUNJEET SINGH, SOTHEBY’S, 34–35 NEW BOND ST, W1A/Asian Art London]
Non-western art unattributed:
Large underglaze blue and copper red porcelain jar (guan). Yuan dynasty, c.1320–52. Porcelain, height 33 cm. [ESKENAZI LTD, 10 CLIFFORD ST, W1S/Asian Art London]
Non-western art unattributed:
Ming dynasty censer. China, c.1600. Bronze, 17.5 by 29 cm. [MICHAEL GOEDHUIS, LONDON AND YANWORTH/Frieze Masters]
Non-western art unattributed:
Model of a horse. China, Han Dynasty (206 BCE–220 AD). Bronze, height 33.5 cm. [CHRISTIE’S, KING ST, SW1Y/Asian Art London]
Western art unattributed:
Cycladic female figure. Greek, early Cycladic II, c.2600– 2500 BCE. Marble, height 17.1 cm. ARIADNE, GREENWICH CT AND LONDON/Frieze Masters]
Article
Guercino’s ‘Moses’: a recent addition to the artist’s ‘prima maniera’
09/2024 | 1458 | 166
Pages: 912-20
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm. (Rothschild Foundation, Waddesdon Manor, Buckinghamshire; photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm. (Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas, 63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by 7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border with leaves, a shell, humanoid figures, and a cartouche that has been cut, by Jan de Bisschop. Brown wash and ink on antique laid paper, framing line in gold; mount: graphite, brown wash and gold, 26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at bottom). (Fogg Art Museum, Harvard University, Cambridge MA; photograph President and Fellows of Harvard College).
Obituary
Jacob Rothschild (1936–2024)
05/2024 | 1454 | 166
Pages: 538–540
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
Illustrations
Attributed works:
1. Jacob Rothschild, 4th Baron Rothschild (‘Man in a Chair’), by Lucian Freud. 1989. Oil on canvas, 114.3 by 79.7 cm. (Private collection, on loan to the National Portrait Gallery, London).
Attributed works:
2. Louis XVI, by Antoine-François Callet, in a frame attributed to François-Charles Buteux. 1781–82. Oil on canvas in gilded oak frame, 280 by 180 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
3. Boy building a house of cards, by Jean-Siméon Chardin. 1735. Oil on canvas, 81 by 101 cm. (Private collection, on loan to Waddesdon Manor, Buckinghamshire; Bridgeman Images).
Article
Paintings in Beauvais tapestry, 1764–67
05/2022 | 1430 | 164
Pages: 462-472
related names
Author:
Bertrand, Pascal-François (Bertrand, Pascal-François)
Author:
Bremer David, Charissa (Bremer David, Charissa)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Portrait of Louis XV, by the Royal Tapestry Manufactory at the Gobelins, studio of Pierre-François Cozette, after Louis-Michel Vanloo. c.1771–73. Silk and wool tapestry, 80 by 70 cm. (Château de Fontainebleau).
Attributed works:
10. Portrait of a young woman, by the Royal Tapestry Manufactory at Beauvais. 1767. Silk and wool tapestry, photographed in 1913. (Whereabouts unknown).
Attributed works:
11. A girl with a rose, attributed to the workshop of François Boucher. 1760s. Pastel on paper, 53 by 45 cm. (Whereabouts unknown).
Attributed works:
12. The birth of the granddaughter of the Marquis de Courteille, by the Sevres Porcelain Manufactory, painted by Charles Nicolas Dodin. 1765. Porcelain, with polychrome enamel decoration, 23.5 by 26 cm. (Victoria and Albert Museum, London).
Attributed works:
13. The Chinese repast, from The Chinese series, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1763–65. Silk and wool tapestry, 306 by 452 cm. (Whereabouts unknown).
Attributed works:
14. Sleep (Amorino offering flowers to a sleeping nymph), by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1773. Silk and wool tapestry, 55.9 by 72.4 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
15. Sleeping nymph, by Gilles Demarteau after François Boucher. 1756– 76. Crayon-manner print, 28.8 by 42.8 cm. (British Museum, London).
Attributed works:
2. Two nymphs from the Scenes from operas series, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1765 or 1767. Silk and wool tapestry, 64.8 by 50.2 cm (Taft Museum, Cincinnati).
Attributed works:
3. The flute player from The noble pastoral series, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1765 or 1767. Silk and wool tapestry, 64.8 by 50.2 cm. (Taft Museum, Cincinnati).
Attributed works:
4. Detail of The flute player, from The noble pastoral series, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1758–78. Silk and wool tapestry, 338 by 333 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
5. Two nymphs and The flute player, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. 1765 or 1767. Silk and wool tapestry, panels mounted in a double screen, each 69 by 54 cm. (Waddesdon Manor, Buckinghamshire; photograph the authors).
Attributed works:
6. Rinaldo asleep, from the Scenes from operas series, by the Beauvais Royal Tapestry Manufactory, after François Boucher. 1755–56. Silk and wool tapestry, 281 by 472 cm. (National Gallery of Art, Washington).
Attributed works:
7. The dog and the pheasant, by the Royal Tapestry Manufactory at Beauvais. 1765–77. Silk and wool tapestry panel for a fire-screen in a nineteenth-century frame, 133.4 by 81.9 by 44.5 cm. (Waddesdon Manor, Buckinghamshire).
Attributed works:
8. The flute player, from The noble pastoral series, by the Royal Tapestry Manufactory at Beauvais, after François Boucher. Silk and wool tapestry in a gilt-wood frame. Photographed before 1934. (Waddesdon Manor, Buckinghamshire).
Attributed works:
9. François Boucher’s daughter, by the Royal Tapestry Manufactory at the Gobelins, studio of Pierre-François Cozette, after François Boucher. 1769. Silk and wool tapestry, 48.9 by 38.1 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
A Rothschild Treasury. Waddesdon Manor, Buckinghamshire
11/2019 | 1400 | 161
Pages: 952-954
related names
Reviewer:
Hall, Michael (Hall, Michael)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
13. Snuff box, by Louis Roucel. 1772–73. Sèvres porcelain plaques with paintings attributed to Louis-Denis Armand l’aîné after Jean-Jacques Bachelier, c.1760. Gold and softpaste porcelain, 35 by 72 by 58 cm. (Waddesdon Manor, Buckinghamshire; photograph Waddesdon Image Library / Mike Fear).
Attributed works:
15. Installation view of the Treasury, Waddesdon Manor, Buckinghamshire, 2019. (Photograph Mike Fear).
Western art unattributed:
14. Gaius Caesar. Roman, c.1 BC–AD 4 (cameo), AD 100– 200 (mount). Onyx, gold and bronze, 4.9 by 3.9 cm. (Waddesdon Manor, Buckinghamshire; photograph Waddesdon Image Library / Mike Fear).
Book Review
A Rothschild Renaissance: A New Look at the Waddesdon Bequest in the British Museum. Edited by Pippa Shirley and Dora Thornton
10/2018 | 1387 | 160
Pages: 878-879
related names
Reviewer:
Kirchweger, Franz (Kirchweger, Franz)
Subjects
dates:
Illustrations
Attributed works:
2. Miniature tabernacle, by workshop of Adam Dircksz. 1500–30, base 1562. Boxwood, 22.2 by 14.7 by 13 cm. (British Museum, London).
Article
Nicholas Hilliard’s portraits of Elizabeth I and Sir Amias Paulet
09/2018 | 1386 | 160
Pages: 716-726
related names
Author:
Bayliss, Sarah (Bayliss, Sarah)
Author:
Carey, Juliet (Carey, Juliet)
Author:
Town, Edward (Town, Edward)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Self-portrait, aged thirty, by Nicholas Hilliard. 1577. Watercolour on vellum put down on card, diameter 4.1 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Alice Brandon, Mrs Hilliard, by Nicholas Hilliard. 1578. Watercolour on vellum mounted on card, 5.9 by 5.75 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Francis Bacon, 1st Viscount St Alban, by Nicholas Hilliard. 1578. Watercolour and bodycolour on vellum mounted on card, 6 by 4.7 cm. (National Portrait Gallery, London).
Attributed works:
12. Above Details of eyes in (a) Fig.6 photographed in normal light; (b) Fig.6 photographed in raking light; and (c) Fig.11.
Attributed works:
13. (a) Detail of Sir Walter Raleigh, by Nicholas Hilliard, showing lace from the ruff. c.1585. Watercolour on vellum, 4.8 by 4.1 cm. (National Portrait Gallery, London); and (b) Detail of Fig.6 in raking light showing lace from the ruff.
Attributed works:
14. Detail of Fig.5 photographed in (a) normal light; and (b) raking light, showing the impasto of the sitter’s curls of hair.
Attributed works:
15. Infra-red reflectography detail of Fig.5, showing earring and curls of hair.
Attributed works:
16. Detail of Fig.5, showing wet-on-wet stippling in the lips.
Attributed works:
17. Detail of Fig.6, showing the medallion.
Attributed works:
18. Cast of a Renaissance cameo depicting a maenad, by James Tassie. Eighteenth century. Plaster. (Photograph The Beazley Archive, The Classical Art Research Centre, University of Oxford).
Attributed works:
19. François I, by Jean Clouet. c.1530. Panel, 96 by 74 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Queen Elizabeth I, by Nicholas Hilliard. 1572. Watercolour on vellum, 5.1 by 4.8 cm. (National Portrait Gallery, London).
Attributed works:
20. A Woman at her bath, by François Clouet. c.1571. Panel, 92.3 by 81.2 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
21. Louis de Gonzague, duc de Nevers, and Heriette de Cleves, duchesse de Nevers, after Nicholas Hilliard. 1578. Woodcut. From The English Miniature, by Roy Strong, London 1983, p.79.
Attributed works:
22. Top left François Hercule, Duc d’Alençon, by Nicholas Hilliard. c.1580. Watercolour on vellum mounted on card, 4.8 by 3.9 cm (Kunsthistorisches Museum, Vienna).
Attributed works:
23. Top right A woman, called Marguerite of Valois, Queen of Navarre, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum, 5.7 by 4.5 cm. (Photograph Sotheby’s, London).
Attributed works:
24. Bottom left Unknown man, by Nicholas Hilliard. c.1577. Watercolour and gouache on vellum, 5.8 by 6.4 cm. (Musée Condé, Chantilly).
Attributed works:
25. Bottom right A gentleman in a black doublet and cloak, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum. Height 5 cm. (Photograph Christie’s, London; Bridgeman Images).
Attributed works:
3. Queen Elizabeth I (‘The Pelican portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (Walker Art Gallery, Liverpool).
Attributed works:
4. Queen Elizabeth I (‘The Phoenix portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (National Portrait Gallery, London).
Attributed works:
5. Queen Elizabeth I, by Nicholas Hilliard. c.1576-78. Panel, 81.5 by 61.2 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
6. Sir Amias Paulet, by Nicholas Hilliard. c.1576–78. Panel, 81.5 by 61 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
7. Robert Dudley, Earl of Leicester, by Steven van der Meulen. c.1564. Panel, 107 by 80 cm. (Rothschild Family; photograph © Waddesdon Image Library).
Attributed works:
8. Lord Rothschild’s bedroom at Tring Park, by H. Bedford Lemere. c.1890. From an album entitled Photographs of Tring Park by H. Bedford Lemere, 1890. (The Rothschild Archive, London).
Western art unattributed:
9. Sir Amias Paulet, by an unknown artist after Nicholas Hilliard. Canvas, 59 by 47 cm. (Government House, Jersey).
Exhibition Review
The Silver Caesars: A Renaissance Mystery. Waddesdon Manor, Buckinghamshire
07/2018 | 1384 | 160
Pages: 580-582
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
collectors and dealers:
dates:
media:
Illustrations
Western art unattributed:
5. Tazza with a figure of the Emperor Galba. Netherlands, c.1587–99. Gilded silver, height 43 cm. (Casa- Museu Medeiros e Almeida, Lisbon; exh. Waddesdon Manor, Buckinghamshire).
Western art unattributed:
6. The dish from a tazza representing the Emperor Domitian. Netherlands, c.1587–99. Gilded silver, diameter 18 cm. (Minneapolis Institute of Art; exh. Waddesdon Manor, Buckinghamshire).
Western art unattributed:
7. The Breda Cup, by Elias Marcus and Jeremias Maes. 1600. Gilded silver, height 61.5 cm. (Hohenlohe Museum, Schloss Neuenstein; exh. Waddesdon Manor, Buckinghamshire).
Book Review
A Rothschild Renaissance: Treasures from the Waddesdon Bequest, by D. Thornton
06/2016 | 1359 | 158
Pages: 464-465
related names
Reviewer:
Schroder, Timothy (Schroder, Timothy)
Subjects
collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
45. The Lyte Jewel. London, 1610-11. Enamelled gold and diamonds with pendant pearl, containing a miniature of James I by Nicholas Hilliard (Waddesdon Bequest, British Museum, London)
Article
‘The most perfect taste’: the Rothschild acquisitions at the Hamilton Palace sale of 1882
10/2015 | 1351 | 157
Pages: 691-699
related names
Author:
Maxwell, Christopher L. (Maxwell, Christopher L.)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
18. The approach to the north front of Hamilton Palace. Photograph by Thomas Annan, before 1882 (National Museums of Scotland, Edinburgh)
Attributed works:
19. The new State drawing-room, Hamilton Palace. Photograph by Thomas Annan, before 1883 (National Museums of Scotland, Edinburgh)
Attributed works:
20. Writing table, by Jean-Henri Riesener, Paris, c.1782 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
22. Drop-front secrétaire, by Jean-Henri Riesener, Paris, c.1777 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
23. Nautilus shell, carved by Cornelius van Bellekin. Amsterdam, before 1711. The gilt-bronze triton, probably England, c.1810-30 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
24. Commode, by Jean-Henri Riesener, Paris, c.1776 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
25. Lady Mary Villiers, later Duchess of Richmond and Lennox, with Charles Hamilton, Lord Annan, by Anthony van Dyck. c.1637 (North Carolina Museum of Art, Raleigh)
Attributed works:
27. Commode, one of a pair, from designs by André-Charles Boulle. Paris, c.1715 (Philadelphia Museum of Art)
Attributed works:
28. Commode, by Charles Cressent. Paris, c.1730 (The Rothschild Collection, Waddesdon Manor, National Trust)
Attributed works:
29. Ewer, the mounts after designs by François Boucher, with the mark of the Controller H. Louvet. France, 1734 (Calouste Gulbenkian Museum, Lisbon)
Western art unattributed:
21. Lean-to secrétaire, Paris, c.1730-35 (The Rothschild Collection, Waddesdon Manor, National Trust)
Western art unattributed:
26. Tazza, carved in Byzantium in about tenth century, the mounts probably Spanish, sixteenth century, with English nineteenth-century additions (National Museums of Scotland, Edinburgh)
Western art unattributed:
30. Standing cup and cover. Probably German, c.1882-1900 (Metropolitan Museum of Art, New York)
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