1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm.
(Rothschild Foundation, Waddesdon Manor, Buckinghamshire;
photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm.
(Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas,
63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5
cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by
7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location
unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border
with leaves, a shell, humanoid figures, and a cartouche that has
been cut, by Jan de Bisschop. Brown wash and ink on antique laid
paper, framing line in gold; mount: graphite, brown wash and gold,
26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at
bottom). (Fogg Art Museum, Harvard University, Cambridge
MA; photograph President and Fellows of Harvard College).
Article
‘The crossing of the Red Sea’ in the collection of Cardinal Fesch
2. Detail of Fig.3, showing the drowning of the Egyptian army.
Attributed works:
2. The crossing of the Red Sea, here attributed to the Master
of Memphis. c.1504–05. Oil and tempera on panel, 74 by 216 cm.
(Château, Montrésor).
Attributed works:
4. The crossing of the Red Sea, by Cosimo Rosselli and Biagio
d’Antonio. 1481–82. Fresco, 350 by 572 cm. (Sistine Chapel,
Vatican City; Scala).
Attributed works:
5. Worship of the Egyptian bull god, Apis, by the Master of Memphis.
c.1504–05. Oil and tempera on panel, 78.1 by 137.2 cm. (National
Gallery, London).
Attributed works:
6. Moses brings forth water out of the rock, by the Master of
Memphis. c.1504–05. Oil and tempera on panel. 78.1 by 137.8 cm.
(National Gallery, London).
Western art unattributed:
1. Cardinal Joseph Fesch. Rome, early nineteenth century. Oil on canvas,
200 by 148 cm. (Musée national du château, Fontainebleau).
63. The Israelites' Gifts for the Tabernacle, Here Attributed to Pietro da Cortona. Pen and Ink over Black Chalk, with Brown Wash and Shades of Grey and Red, Lightened with White, on Brown Prepared Paper, 27.3 by 42.4 cm. (Private Collection?).
Attributed works:
64. Moses Striking the Rock, Here Attributed to Pietro da Cortona. 111 by 158.1 cm. (National galleriet, Oslo).
Attributed works:
65. The Crossing of the Red Sea, by Nicolas Poussin. 154 by 214 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
66. Adoration of the Golden Calf, by Nicolas Poussin. 154 by 210 cm. (National Gallery).
Short Notice
New Light on Poussin's 'Moses Sweetening the Bitter Waters of Marah'
47. Moses Sweetening the Bitter Waters of Marah, by Nicolas Poussin. c. 1627-28. 152.4 by 209.5 cm. Shown Here after Conservation. 1982. (The Baltimore Museum of Art, Maryland).
Attributed works:
48. Composite X-Radiograph of Moses Sweetening the Bitter Waters of Marah. Shown Here Turned Upside Down in Order to Make the Flying Figure (Now Top Left) More Legible.
Attributed works:
50. Moses Sweetening the Bitter Waters of Marah. After Cleaning, Relining and before In-Painting.
Attributed works:
51 and 52. Details from Fig. 47.
Western art unattributed:
49. Sacrifice of Noah, by an Unknown Roman Artist. Early Seventeenth Century. 97.8 by 134.6 cm. (The National Trust, Tatton Hall, Cheshire).
Article
A New Late Work by Guido Reni for Edinburgh and His Late Manner Re-Evaluated
41. Joshua's Victory over the Amalechites (?), Here Attributed to Nicolas Poussin. Pen and Ink with Sepia Wash over Red Chalk Underdrawing on Cream Paper, 24.6 by 41 cm. (Print Room, Museum Dahlem, Berlin.)