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8 articles
Article
The Empress Dowager Cixi’s Japanese screen and late Qing imperial cosmopolitanism
10/2021 | 1423 | 163
Pages: 886-897
related names
Author:
Rado, Mei Mei (Rado, Mei Mei)
Subjects
dates:
Illustrations
Attributed works:
1. Her Imperial Majesty, the Empress Dowager of China, by Yu Xunling. 1903. Photograph, hand-coloured gelatin silver print, 23.1 by 17.2 cm. (Museum of Fine Arts, Boston).
Attributed works:
10. Folding screen depicting peacocks among azalea bushes, by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery, 152.4 by 304.8 cm. (From The Principal Exhibits to the Louisiana Purchase Exposition, St Louis, U.S.A., 1904 by S. Iida, “Takashimaya” Kyoto Japan; Takashimaya Historical Museum, Osaka).
Attributed works:
12. Folding screen depicting a white phoenix, pine tree and chrysanthemums. Japan, c.1895–1905. Embroidered silk, 230 by 552 cm., each panel 230 by 69 cm. (Palace Museum, Beijing).
Attributed works:
16. Woman’s coat, made by Iida & Co. (Takashimaya). Japan, c.1900–09. Silk embroidery on silk crêpe (Metropolitan Museum of Art).
Attributed works:
18. The Meiji Empress, Haruko, by Suziki Shin’ichi I and Maruki Riyō. 1889. Photograph, gelatin silver print signed by Empress Haruko, 27.5 by 20.5 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington)
Attributed works:
2. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph, hand-coloured gelatin silver print. (Palace Museum, Beijing).
Attributed works:
3. The Empress Dowager Cixi, by Yu Xunling. c.1903. Photograph from a glass plate negative, 24.1 by 17.8 cm. (Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Washington).
Attributed works:
4. The Kangxi Emperor in informal dress at his writing table. Late seventeenth century. Hanging scroll, ink and colour on silk, image 50.7 by 32 cm. (Palace Museum, Beijing).
Attributed works:
5. The Empress Dowager Tze His [Cixi], of China, by Katharine Carl. 1903. Oil on canvas with original camphor wood frame, canvas 297.2 by 173.4 cm. (Arthur M. Sackler Gallery, Smithsonian National Museum of Asian Art, Washington).
Attributed works:
6. Folding screen depicting peacocks among peonies, made by Iida & Co. (Takashimaya). Japan, c.1903. Silk embroidery and later ink and colour on paper, 268 by 456 cm. (Palace Museum, Beijing).
Attributed works:
7. Detail of Fig.6, showing the padded embroidery of the peonies’ petals. (Photograph the author).
Attributed works:
8. Detail of Fig.6, showing the subtle colour gradations and sheen of the peacock’s feathers. (Photograph the author).
Attributed works:
9. Detail of Fig.6, showing the Japanese inscription on the back of the frame. (Photograph the author).
Non-western art unattributed:
11. Wall hanging depicting a landscape. Japan, c.1895–1905. Yūzen-dyed velvet, image 176 by 116 cm. (Palace Museum, Beijing).
Non-western art unattributed:
13 and 14. Front and back of a woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi) with embroidery highlights. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
15. Back of woman’s informal court robe (chenyi). China, c.1905. Silk tapestry (kesi), lined with squirrel and silver rat fur. (Palace Museum, Beijing).
Non-western art unattributed:
17. Vase (one of a pair). Japan, c.1895–1905. Cloisonné enamel (shippō), height 150 cm. (Palace Museum, Beijing).
Article
The Apollo Coach by Cristoforo Schor
11/2020 | 1412 | 162
Pages: 938-945
related names
Author:
Arranz, Raúl Martinez (Arranz, Raúl Martinez)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The Apollo Coach, designed and made in the workshop of Cristoforo Schor. 1697 with later alterations. Carved and gilded wood and iron, c.250 by 200 by 550 cm., without the shrine. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
10. Modello for a sculpture of Clytia, here attributed to the workshop of Cristoforo Schor. Terracotta, 42 by 21 by 18.5 cm. (Museo Nazionale del Palazzo di Venezia, Rome; © SSPSAE e per il Polo Museale della città di Roma).
Attributed works:
2. The Apollo Coach photographed at the celebrations for the centennial of the declaration of the dogma of the Immaculate Conception, Toledo. 1954. (Archivo Municipal de Toledo, Colección Pareja).
Attributed works:
3. Detail of the coach in Fig.1, showing the rear frame. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
4. Detail of the coach in Fig.1, showing the rear frame and the supporting iron bars. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
5. Design for the rear frame of a coach with Apollo slaying the Python, by the workshop of Cristoforo Schor. c.1696–97. Ink and bistre on paper, 19.5 by 25.4 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
6. Design for a coach with figures of Justice and Abundance, by the workshop of Cristoforo Schor. c.1696–97. Black chalk, pen and black ink on paper, 19.7 by 20.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
7. Design for a carriage wheel with carved decoration of sunflowers, here attributed to the workshop of Cristoforo Schor. c.1696–97. Pencil and brown ink, lacquered in brown, on paper, 26.1 by 18.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/ Nationalmuseum).
Attributed works:
8. Detail of the coach in Fig.1, showing one of the back wheels. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
9. Detail of the coach in Fig.1, showing the sculpture of Clytia. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Article
Turbans in the Strozzi Chapel: Filippino Lippi and the Mamluk embassies to Florence
10/2020 | 1411 | 162
Pages: 860-864
related names
Author:
Cevizli Gatward, Antonia (Cevizli Gatward, Antonia)
Subjects
dates:
media:
places:
subjects:
Illustrations
Attributed works:
1. Detail of The Assumption, by Filippino Lippi. 1488–93. Fresco. (Carafa Chapel, S. Maria Sopra Minerva, Rome).
Attributed works:
2. Detail of St Philip’s expulsion of the dragon, by Filippino Lippi. 1487–1502. Fresco. (Strozzi Chapel, S. Maria Novella, Florence).
Attributed works:
4. The arrest and trial of St Mark, by Giovanni Mansueti. 1499. Oil on panel, 164 by 146 cm. (Fürstlich Gemäldegalerie, Liechtenstein Museum).
Attributed works:
5. St George baptising the pagans, by Vittore Carpaccio. 1507–08. Oil and tempera on canvas, 141 by 285 cm. (Scuola di San Giorgio degli Schiavoni, Venice).
Non-western art unattributed:
3. Ottomans besieging the Mamluks from Damascus. Ottoman, c.1521– 24. (From Selimname, Topkapı Sarayı Museum, Istanbul, MS. H. 1597-98, fol.235r; T.C. Cumhurbaşkanlığı Milli Saraylar İdaresi Başkanlığı).
Article
Nicholas Hilliard’s portraits of Elizabeth I and Sir Amias Paulet
09/2018 | 1386 | 160
Pages: 716-726
related names
Author:
Bayliss, Sarah (Bayliss, Sarah)
Author:
Carey, Juliet (Carey, Juliet)
Author:
Town, Edward (Town, Edward)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Self-portrait, aged thirty, by Nicholas Hilliard. 1577. Watercolour on vellum put down on card, diameter 4.1 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Alice Brandon, Mrs Hilliard, by Nicholas Hilliard. 1578. Watercolour on vellum mounted on card, 5.9 by 5.75 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Francis Bacon, 1st Viscount St Alban, by Nicholas Hilliard. 1578. Watercolour and bodycolour on vellum mounted on card, 6 by 4.7 cm. (National Portrait Gallery, London).
Attributed works:
12. Above Details of eyes in (a) Fig.6 photographed in normal light; (b) Fig.6 photographed in raking light; and (c) Fig.11.
Attributed works:
13. (a) Detail of Sir Walter Raleigh, by Nicholas Hilliard, showing lace from the ruff. c.1585. Watercolour on vellum, 4.8 by 4.1 cm. (National Portrait Gallery, London); and (b) Detail of Fig.6 in raking light showing lace from the ruff.
Attributed works:
14. Detail of Fig.5 photographed in (a) normal light; and (b) raking light, showing the impasto of the sitter’s curls of hair.
Attributed works:
15. Infra-red reflectography detail of Fig.5, showing earring and curls of hair.
Attributed works:
16. Detail of Fig.5, showing wet-on-wet stippling in the lips.
Attributed works:
17. Detail of Fig.6, showing the medallion.
Attributed works:
18. Cast of a Renaissance cameo depicting a maenad, by James Tassie. Eighteenth century. Plaster. (Photograph The Beazley Archive, The Classical Art Research Centre, University of Oxford).
Attributed works:
19. François I, by Jean Clouet. c.1530. Panel, 96 by 74 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Queen Elizabeth I, by Nicholas Hilliard. 1572. Watercolour on vellum, 5.1 by 4.8 cm. (National Portrait Gallery, London).
Attributed works:
20. A Woman at her bath, by François Clouet. c.1571. Panel, 92.3 by 81.2 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
21. Louis de Gonzague, duc de Nevers, and Heriette de Cleves, duchesse de Nevers, after Nicholas Hilliard. 1578. Woodcut. From The English Miniature, by Roy Strong, London 1983, p.79.
Attributed works:
22. Top left François Hercule, Duc d’Alençon, by Nicholas Hilliard. c.1580. Watercolour on vellum mounted on card, 4.8 by 3.9 cm (Kunsthistorisches Museum, Vienna).
Attributed works:
23. Top right A woman, called Marguerite of Valois, Queen of Navarre, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum, 5.7 by 4.5 cm. (Photograph Sotheby’s, London).
Attributed works:
24. Bottom left Unknown man, by Nicholas Hilliard. c.1577. Watercolour and gouache on vellum, 5.8 by 6.4 cm. (Musée Condé, Chantilly).
Attributed works:
25. Bottom right A gentleman in a black doublet and cloak, by Nicholas Hilliard. 1577. Watercolour and gouache on vellum. Height 5 cm. (Photograph Christie’s, London; Bridgeman Images).
Attributed works:
3. Queen Elizabeth I (‘The Pelican portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (Walker Art Gallery, Liverpool).
Attributed works:
4. Queen Elizabeth I (‘The Phoenix portrait’), by Nicholas Hilliard. c.1575. Panel, 78.7 by 61 cm. (National Portrait Gallery, London).
Attributed works:
5. Queen Elizabeth I, by Nicholas Hilliard. c.1576-78. Panel, 81.5 by 61.2 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
6. Sir Amias Paulet, by Nicholas Hilliard. c.1576–78. Panel, 81.5 by 61 cm. (Rothschild Family; photograph © Hamilton Kerr Institute).
Attributed works:
7. Robert Dudley, Earl of Leicester, by Steven van der Meulen. c.1564. Panel, 107 by 80 cm. (Rothschild Family; photograph © Waddesdon Image Library).
Attributed works:
8. Lord Rothschild’s bedroom at Tring Park, by H. Bedford Lemere. c.1890. From an album entitled Photographs of Tring Park by H. Bedford Lemere, 1890. (The Rothschild Archive, London).
Western art unattributed:
9. Sir Amias Paulet, by an unknown artist after Nicholas Hilliard. Canvas, 59 by 47 cm. (Government House, Jersey).
Book Review
À la mode italienne. Commerce du luxe et diplomatie dans les Pays-Bas meridionaux, 1477–1530, F. Veratelli
12/2014 | 1341 | 156
Pages: 820-821
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
places:
Article
Baron Wiser's picture gallery
09/2009 | 1278 | 151
Pages: 584-594
related names
Author:
Garas, Klára (Garas, Klára)
Author:
Nyerges, Éva (Nyerges, Éva)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
1. Death of Seneca, by Luca Giordano. 1646. Canvas, 259 by 241 cm. (Staatsgalerie, Schleissheim).
Attributed works:
2. Children eating a pie, by Bartolomé Esteban Murillo. 1670–75. Canvas, 124 by 102 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Salome receives the head of St John the Baptist, by Caravaggio. 1607–10. Canvas, 91.5 by 106.7 cm. (National Gallery, London).
Attributed works:
4. Virgin and Child, by Jusepe de Ribera. c.1646. Canvas, 69.5 by 59.5 cm. (Philadelphia Museum of Art).
Article
Souvenirs of an embassy: the comte d’Adhémar in London, 1783–87
06/2009 | 1275 | 151
Pages: 372-381
related names
Author:
Baulez, Christian (Baulez, Christian)
Subjects
dates:
places:
Illustrations
Attributed works:
17. Le comte d’Adhémar, by Louis-Auguste Brun (Brun de Versoix). c.1783. Pencil. From R. Fournier-Sarlovèze: L.A. Brun: Peintre de Marie-Antoinette 1758–1815, Paris 1911.
Attributed works:
18. View of Hyde Park Corner, with Apsley House and the comte d’Adhémar’s residence, by Edward Dayes. c.1800. Engraving, 20 by 26 cm.
Attributed works:
19. Design for a ‘vase sans règle’ for a dessert service for the comte d’Adhémar. Manufacture royale de Sèvres, workshop of François Rémond. 1783. Ink on paper. (Private collection, Paris).
Attributed works:
20. A ‘vase Choiseul’ with gilt-bronze mounts, from a dessert service for the comte d’Adhémar. Manufacture royale de Sèvres, workshop of François Rémond. 1783. (Photograph courtesy of Sotheby’s, Monaco).
Attributed works:
21. Design for a ‘vase Choiseul’ for a dessert service for the comte d’Adhémar. Manufacture royale de Sèvres, workshop of François Rémond. 1783. Ink on paper. (Private collection, Paris)
Attributed works:
22. Louis XVI in coronation robes, by Antoine Callet and studio. Frame by François-Charles Buteux. 1782. Canvas, 274.5 by 194.7 cm. (National Trust, Waddesdon Manor).
Attributed works:
23. Marie-Antoinette hunting, by Louis-Auguste Brun (Brun de Versoix). c.1780. Canvas, 99.5 by 80 cm. (Musée national du château de Versaille­s).
Attributed works:
24. Yolande de Polastron, duchesse de Polignac, at the pianoforte, by Elisabeth-Louise Vigée-Lebrun. 1783. Canvas, 92 by 72 cm. (National Trust, Waddesdon Manor).
Attributed works:
25. French throne chair, attributed to François II Foliot and Toussaint Foliot. 1783. (Worcester City Art Gallery and Museum).
Attributed works:
26. Crucifix and altar candelabra, by Louis-Claude Porcher. Prob­ably made for the chapel of the French Embassy, London. 1783–84. Silver, 74 by 28 cm. (cross); 58 by 20 cm. (candelabra). (Musée national du château de Versailles).
Attributed works:
27. One of a pair of lacquered cabinets with bronze decoration, by Claude-Charles Saunier. c.1782. 128 by 74.5 by 44 cm. (Galerie Aveline, Paris).
Article
Nineteenth-Century British Envoys in Spain and the Taste for Spanish Art in England
02/1989 | 1031 | 131
Pages: 117-126
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
collectors and dealers:
collectors and dealers:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
38. Two Galician Women at a Window, by Bartolomé Esteban Murillo. C.1670. 124 by 104 cm. (Widener Collection, National Gallery of Art, Washington).
Attributed works:
39. St Francis at His Devotions, or in Meditation, by Francisco de Zurbarán. 1639. 162 by 137 cm. (National Gallery, London).
Attributed works:
40. Still Life with Game Fowl, by Pedro de Camprobín. 1653. 68.6 by 76.8 cm. (Meadows Museum, Dallas).
Attributed works:
41. Self-Portrait, by Murillo. Engraved by H. Allard for Vol. II of William Stirling's Annals of the Artists of Spain (London, 1848).
Attributed works:
42. Martyrdom of St Serapion, by Francisco de Zurbarán. 1628. 120 by 103 cm. Originally in the De Profundis Chamber in the Mercedarian Monastery at Seville. (Wadsworth Atheneum, Hartford).
Attributed works:
44. Christ at the Column or Christ after the Flagellation Contemplated by the Christian Soul, by Diego Velázquez. 165 by 206 cm. (National Gallery, London).
Attributed works:
45. Old Man on a Swing, by Goya. Etching, Burnished with Aquatint and/or Lavis. 1824-28. 18.5 by 12 cm. John Savile Lumley Acquired Two Copper Plates with This and Three Other Etchings by Goya, Probably from Valentin Carderera. Impressions Were Made for Him in the Calcografia in Madrid in 1859.
Western art unattributed:
37. Graph to Show Imports of Paintings from Spain and Gibraltar, 1800-50.
Western art unattributed:
43. Penitent Magdalen or An Allegory of Repentance. c.1650. 158.7 by 203.8 cm. (Stirling-Maxwell Collection).