By using this website you agree to our Cookie policy

Search

13 articles
Article
Sano di Pietro, Vecchietta and two Jachomo d’Andreuccios
08/2021 | 1421 | 163
Pages: 652-667
related names
Author:
Dalvit, Giulio (Dalvit, Giulio)
Subjects
places:
Illustrations
Attributed works:
1. Birth of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.8 by 47.2 cm. (University of Michigan Museum of Art, Ann Arbor).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. St Luke, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 67.5 by 48.3 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
11. Madonna and Child, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58.7 by 39.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Reconstruction of the altarpiece for the Compagnia della Vergine by Sano di Pietro. (Michael Mallory and Gaudenz Freuler).
Attributed works:
13. Reconstruction of the Pala dei Signori by Simone Martini with the predella of the Life of the Virgin by Sano di Pietro. (Keith Christiansen).
Attributed works:
14. Virgin and Child with angels, St Dominic, St Jerome, St Augustine, St Francis and the Blessed Giovanni Colombini (the Gesuati Polyptych), by Sano di Pietro. 1444. Tempera and gold on panel, 320 by 282 cm. (Pinacoteca Nazionale, Siena).
Attributed works:
15. Stories of the Passion, by Michele di Matteo da Bologna. 1447. Fresco. (Baptistery, Siena).
Attributed works:
16. Angel of the Annunciation, by Sano di Pietro. 1450s. From the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. Tempera and gold on panel, diameter 41.5 cm. (Museo Diocesano d’Arte Sacra, Oratorio di S. Bernardino, Siena).
Attributed works:
17. Virgin Annunciate, here attributed to Sano di Pietro, from the Bichi altarpiece in S. Pietro, Castelvecchio, Siena. The outline indicates its original shape. 1450s. Tempera and gold on panel, 35.5 by 17.6 cm. (Clark Art Institute, Williamstown).
Attributed works:
18. Detail of Virgin and Child, attributed to Francesco di Vannuccio. c.1370–80. Tempera and gold on panel, 95 by 52 cm. (S. Domenico, Siena).
Attributed works:
19. The Andreucci coat of arms. Late seventeenth or early eighteenth century. (From G. Macchi: Memorie, Archivo di Stato, Siena, MS D106, c.3).
Attributed works:
2. Presentation of the Virgin at the temple, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vatican, Rome).
Attributed works:
20. Detail of Fig.3, showing the bowl of coins.
Attributed works:
21. Annunciation with St Ansanus and St Margaret, by Simone Martini and Lippo Memmi. 1333. Tempera and gold on panel, 184 by 168 cm. (Galleria degli Uffizi, Florence).
Attributed works:
22. Detail of Fig.3, showing one of the colonettes added in the nineteenth century.
Attributed works:
23. Detail of Fig.21, showing one of the colonettes added in the nineteenth century.
Attributed works:
24. Virgin and Child with St Peter, St John the Baptist, St Paul and St Francis (Pala della Neve), by Stefano di Giovanni, known as Sassetta. 1432. Tempera and gold on panel, 240 by 256 cm. (Galleria degli Uffizi, Florence).
Attributed works:
25. Madonna of the girdle with St Catherine of Alexandria and St Francis, by Andrea di Giusto Manzini. 1437. Tempera and gold on panel, 210 by 220 cm. (Gallerie dell’Accademia, Florence).
Attributed works:
26. Assumption of the Virgin with St Pius, St Agatha, St Callistus and St Catherine of Siena, by Lorenzo di Pietro, known as Vecchietta. c.1462. Tempera and gold on panel, 280 by 225 cm. (S. Maria Assunta, Pienza).
Attributed works:
3. Virgin and Child with a magus, St Bartholomew, St James, St Dominic, St Andrew and St Lawrence, by Lorenzo di Pietro, known as Vecchietta. 1457. Tempera and gold on panel, 235 by 198 cm. (Galleria degli Uffizi, Florence).
Attributed works:
4. Marriage of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.5 cm. (Pinacoteca Vaticana, Rome).
Attributed works:
5. Assumption of the Virgin, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.5 by 47.2 cm. (Lindenau-Museum, Altenburg).
Attributed works:
6. Return of the Virgin to the house of her parents, by Sano di Pietro. 1448–52. Tempera and gold on panel, 31.7 by 47.4 cm. (Lindenau-Museum, Altenburg).
Attributed works:
7. St Peter, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 58 by 38.5 cm. including frame not shown (Carmen Thyssen-Bornemisza Collection, on loan to the Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
8. St Ansanus, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.5 by 38.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. St Andrew, by Simone Martini, originally part of the Pala dei Signori. c.1326. Tempera and gold on panel, 57.2 by 37.8 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa
07/2020 | 1408 | 162
Pages: 606-609
related names
Reviewer:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
Reviewed Items
subjects:
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa Smithsonian National Museum of African Art, Washington 8th April–29th November | :
Illustrations
Attributed works:
6. Detail from the Atlas of Maritime Charts (Catalan Atlas) showing Mansā Mūsā, by Abraham Cresques. 1375. Parchment. (Bibliothèque nationale de France, Paris, MS Espagnol 30; exh. Smithsonian National Museum of African Art, Washington).
Non-western art unattributed:
7. Seated figure. c.1300. Copper with traces of arsenic, lead and tin, height 54 cm. (Nigerian National Commission for Museums and Monuments, Abuja, Nigeria; exh. Smithsonian National Museum of African Art, Washington).
Western art unattributed:
5. Glazed ceramic jar inscribed ‘albaraka’ (‘blessing’), produced at Murcia or Almeria. 1150–1200. (Musée archéologique de Rabat, Morocco; photograph Moroccan- American Project, Sijilmasa, 1988; exh. Smithsonian National Museum of African Art, Washington).
Western art unattributed:
8. Jug with royal arms of England. English, c.1390– 99. Copper alloy, height 62.3 cm. (British Museum, London, England; exh. Smithsonian National Museum of African Art, Washington).
Article
The funerary couch of An Jia and the art of Sogdian immigrants in sixth-century China
10/2019 | 1399 | 161
Pages: 820-829
Subjects
dates:
media:
places:
subjects:
Illustrations
Non-western art unattributed:
1. Cover of An Jia’s tombstone. 579. Limestone, 47 by 47 cm. (Shaanxi Provincial Institute of Archaeology, Xi’an).
Non-western art unattributed:
10. Detail of Fig.3, showing a scene of dancing from the left side panel.
Non-western art unattributed:
11. Ewer decorated with female figures. Sasanian, c.sixth–seventh century AD. Silver with gilding, 35.5 by 16.9 by 14 cm. (Freer Gallery of Art, Washington).
Non-western art unattributed:
12. Detail of a stone mortuary couch. c.Sixth century. Limestone, paint and gilding. (Virginia Museum of Fine Arts, Richmond).
Non-western art unattributed:
13. Detail of an altarpiece with Maitreya and attendants, showing donor figures. 524. Gilt bronze, height 76.8 cm. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
14. Seated Buddha. c.550–77. Limestone, paint and gilding. 120 cm. (Qingzhou Museum).
Non-western art unattributed:
15. Ewer showing Greek mythological scenes. Sasanian, fifth–sixth century AD. Silver with gilding, 37.5 by 12.8 cm. (Guyuan Museum).
Non-western art unattributed:
2. The funerary couch of An Jia. 579. Limestone, paint and gilding, 228 by 103 by 117 cm. (Shaanxi Provincial Institute of Archaeology, Xi’an).
Non-western art unattributed:
3. Decorative screen of the couch depicted in Fig.2. Upper tier: back panel; lower tier: left- and right-side panels.
Non-western art unattributed:
4. Gable of the stone gate in the An Jia tomb. 579. Limestone, paint and gilding, 66 by 128 cm. (Shaanxi Provincial Institute of Archaeology, Xi’an).
Non-western art unattributed:
5. Detail of Fig.3, showing the portrait of a couple on the left side panel.
Non-western art unattributed:
6. Detail of Fig.3, showing an ox cart on the right side panel.
Non-western art unattributed:
7. Detail of Fig.3, showing a scene of ram hunting in the upper section and boar hunting in the lower.
Non-western art unattributed:
8. Plate depicting a king hunting rams. Sasanian, c.fifth–sixth century AD. Silver with gilding, 4.6 by 21.9 cm. (Metropolitan Museum of Art, New York).
Non-western art unattributed:
9. Plate depicting a king hunting boar. Sasanian, c.fourth century AD. Silver with gilding, 5 by 24 cm. (Freer Gallery of Art, Washington).
Book Review
Chinese Ivory Carvings: The Sir Victor Sassoon Collection. By Rose Kerr, Phillip Allen and Shi Ching-fei
10/2018 | 1387 | 160
Pages: 869-870
related names
Reviewer:
Pearce, Nick (Pearce, Nick)
Subjects
collectors and dealers:
media:
Illustrations
Non-western art unattributed:
2. Brush pot carved with a continuous landscape design. Qing dynasty, 18th century. Ivory, height 19.5 cm. (Sir Victor Sassoon Collection).
Publication Received
Bertrand’s Toyshop in Bath: Luxury Retailing 1685–1765. By Vanessa Brett.
11/2016 | 1364 | 158
Pages: 912
related names
Reviewer:
Zech, Heike (Zech, Heike)
Subjects
places:
Book Review
À la mode italienne. Commerce du luxe et diplomatie dans les Pays-Bas meridionaux, 1477–1530, F. Veratelli
12/2014 | 1341 | 156
Pages: 820-821
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
places:
Publication Received
Pellegrino Peri. Il mercato dell’arte nella Roma barocca
09/2012 | 1314 | 154
Pages: 648
related names
Reviewer:
Robertson, Clare (Robertson, Clare)
Subjects
collectors and dealers:
places:
Reviewed Items
subjects:
Pellegrino Peri. Il mercato dell’arte nella Roma barocca | author: Lorizzo, Loredana
Article
Daniel Nijs’s cabinet and its sale to Lord Arundel in 1636
03/2012 | 1308 | 154
Pages: 172-176
related names
Author:
Anderson, Christina M. (Anderson, Christina M.)
Subjects
dates:
places:
print:
subjects:
Illustrations
Attributed works:
1. Daniel Nijs (1572–1647), by Odoardo Fialetti. 1615. Engraving. From G. Cesare Gigli: La pittura trionfante, Venice 1615.
Attributed works:
2. Art cabinet, designed by Philipp Hainhofer. Augsburg, 1625–31. Ebony veneer and pietre dure, 240 by 120 cm. (Museum Gustavianum, Uppsala University Art Collections).
Attributed works:
3. A collector’s cabinet, by Frans Francken the Younger. c.1617. Panel, 90 by 125 cm. (Collection of the Duke of Northumberland).
Western art unattributed:
4. Cabinet. Antwerp, mid-seventeenth century. Ebony decorated with engraved silver leaf, 28 by 24 by 12.5 cm. (Museum Rockoxhuis, Antwerp).
Western art unattributed:
5. Coffer. Antwerp, c.1600. Incised ivory veneer on softwood, 12.2 by 17 by 9 cm. (MAS, Vleeshuis collection, Antwerp).
Exhibition Review
Bankers and art. Florence
01/2012 | 1306 | 154
Pages: 63-64
related names
Reviewer:
Nevola, Fabrizio (Nevola, Fabrizio)
Subjects
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Money and Beauty: Bankers, Botticelli and the Bonfire of the Vanities | institution: Palazzo Strozzi
Illustrations
Attributed works:
86. St Anthony causing the usurer’s heart to be found in a strong box, by Pesellino (Francesco di Stefano). c.1445. Panel, 34 by 48 cm. (Galleria degli Uffizi, Florence; exh. Fondazione Palazzo Strozzi, Florence).
Attributed works:
87. Sassanid ewer, reset, perhaps by Andrea del Verrocchio. Body, eleventh century; setting, c.1469–77. Sardonyx and gilded silver, 42 cm. high. (Museo degli Argenti, Florence; exh. Fondazione Palazzo Strozzi, Florence).
Western art unattributed:
85. Messenger’s dispatch bags. Late fifteenth–early sixteenth century. Leather and velvet, each 19.5 by 20.5 cm. (Museo Nazionale del Bargello, Florence; exh. Fondazione Palazzo Strozzi, Florence).
Book Review
Becoming Venetian. Immigrants and the Arts in Early Modern Venice
06/2011 | 1299 | 153
Pages: 412-413
related names
Reviewer:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Becoming Venetian. Immigrants and the Arts in Early Modern Venice | author: Maria, Blake de
Illustrations
Attributed works:
48. The Cuccina family presented to the Virgin and Child with Sts John the Baptist and Jerome, by Paolo Veronese. c.1572. Canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Dresden).
load more