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44 articles
Book Review
Louis XV: passions d’un roi
05/2024 | 1454 | 166
Pages: 508–510
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Louis XV: passions d’un roi Edited by Yves Carlier and Hélène Delalex. 496 pp. incl. 458 col. + b. & w. ills. (In Fine Éditions d’Art, Paris, 2022), €49. ISBN 978–2–38203–076–9. | :
Illustrations
Attributed works:
1. Floorplan of the telescope pavilion, château de la Muette. 1756. Pen, ink and red wash on paper. (Archives nationales, Paris).
Attributed works:
2. Louis XV, by Arnaud Vincent de Montpetit. 1774. Oil on canvas, 74 by 61.2 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles).
Attributed works:
3. Project for the throne of Louis XV, by Sébastien- Antoine Slodtz and Paul-Ambroise Slodtz. 1752. Pen, ink and wash highlights over black pencil, 67.1 by 47.2 cm. (Bibliothèque nationale de France, Paris).
Book Review
Rubens in Repeat: The Logic of the Copy in Colonial Latin America
03/2023 | 1440 | 165
Pages: 343-344
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Reviewed Items
subjects:
Rubens in Repeat: The Logic of the Copy in Colonial Latin America By Aaron M. Hyman. 320 pp. incl. 150 col. + 12 b. & w. ills. (Getty Research Institute, Los Angeles, 2021), £55. ISBN 978–1–60606–686–7. | :
Article
A Borromini-inspired church plan in eighteenth-century Lima
08/2022 | 1433 | 164
Pages: 740-751
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
2. Los Huérfanos, Lima. (Photograph the author).
Attributed works:
1. The south façade of the Church of the Sacred Heart of Jesus of the Orphans (Los Huérfanos), Lima, by Cristóbal de Vargas, Juan de Matamoros, Manuel de Torquemada and others. 1758–66. (Photograph the author).
Attributed works:
10. Detail of the choir loft in Los Huérfanos, Lima. (Photograph the author).
Attributed works:
11. East wall of the nave, south entrance and choir loft of Los Huérfanos, Lima, by Manuel González Salazar. Before 1940. Photograph, 9.5 by 13 cm. (From H. Wethey: Colonial Architecture and Sculpture in Peru, Cambridge MA 1949).
Attributed works:
12. Detail of the southeast corner of the nave of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
13. The baptistery screen of Los Huérfanos, Lima. c.1766. Polychrome wood. (Photograph the author).
Attributed works:
14. Plan of the church dedicated to S. Carlo alle Quattro Fontane Esq. Francesco Borromini architect, by Giovanni Francesco Venturini. Engraving from G.G. de Rossi: Insignium Romae templorum prospectus exteriores interioresque, a celebrioribus architectis inventi, Rome 1684.
Attributed works:
15. The baptistery of Los Huérfanos, Lima. (Photograph Lucía Silva).
Attributed works:
16. The great courtyard, Colégio de Santo Tomás, Lima, by Fray Diego Maroto. Begun 1665. (Photograph the author).
Attributed works:
17. The dome of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Vicenzo Pirozzi; Bridgeman Images).
Attributed works:
18. The dome of the Chapel of San Martín de Porres, Monastery of Santo Domingo, Lima. Last third of the 18th century. (Photograph the author).
Attributed works:
3. The former Jesuit novitiate chapel of San Antonio Abad (now San Carlos), Lima, by Cristóbal de Vargas. 1758–66. (Photograph the author).
Attributed works:
4. The doorway in the west façade of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
5. Plan of Los Huérfanos, Lima. (From E. Bonilla di Tolla et al.: Lima y el Callao, Lima and Seville 2009).
Attributed works:
6. The backsplash of one of three holy water stoups in Los Huérfanos, Lima. c.1766. Alabaster. (Photograph the author).
Attributed works:
7. The interior of Los Huérfanos, Lima, looking north. (Photograph Lucía Silva).
Attributed works:
8. The chancel of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Andrea Jemolo; Bridgeman Images).
Attributed works:
9. Detail of the west wall of the nave of Los Huérfanos, Lima. (Photograph Lucía Silva).
Book Review
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen. By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer
03/2020 | 1404 | 162
Pages: 266-268
related names
Reviewer:
Dawson, Aileen (Dawson, Aileen)
Subjects
Reviewed Items
subjects:
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer. 2 vols, 768 pp. incl. 1,394 col. + 34 b. & w. ills. (Michel Imhof Verlag, Munich, 2018),  135. ISBN 978–3–7319–0472–4. | :
Illustrations
Attributed works:
7. ‘Philis lors qu’a nos yeux le lapin tu caresse.’, by Marie-Jeanne Renard Dubos after Madeleine Fran oise Basseporte. c.1700. Engraving and etching, 20.9 by 15.2 cm. (Meissen Archive). Snuffbox, Meissen. c.1740. Gold and porcelain, diameter 7.6 cm. (Private collection).
Publication Received
Bertrand’s Toyshop in Bath: Luxury Retailing 1685–1765. By Vanessa Brett.
11/2016 | 1364 | 158
Pages: 912
related names
Reviewer:
Zech, Heike (Zech, Heike)
Subjects
places:
Article
The fantastical Rococo altarpieces of Santiago de Surco, Peru
11/2015 | 1352 | 157
Pages: 769-775
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
38. Interior of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Before 1759-1773
Attributed works:
41. Detail of the façade of the church of Santiago de Surco, here attributed to Johann Rehr and Santiago Rosales. Completed 1773
Attributed works:
42. Altarpiece model from series 49, by Franz Xaver Habermann and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
43. Confessional model from series 37, by Ignaz Carl Junck and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Kunstsammlungen und Museen, Augsburg)
Attributed works:
44. Altar of the Virgin Immaculate (high altar), here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
45. Pulpit, here attributed to Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
46. Altar of Christ the Nazarene, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
47. Epitaph model from series 115, by Jeremias Wachsmuth and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Staatliche Graphische Sammlung, Munich)
Attributed works:
48. Altar of Our Lady of the Rosary, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
49. Calvary altar, here attributed to Johann Rehr and Santiago Rosales. Before 1762 (Church of Santiago de Surco)
Attributed works:
50. Altarpiece model from series 78, by Emanuel Eichel the Elder and published by Johann Georg Hertel the Elder. Augsburg, mid-eighteenth century (Victoria and Albert Museum, London)
Western art unattributed:
39. Altar of Our Lady of the Remedies and the Guardian Angel. 1786-98 (Church of La Merced, Lima)
Western art unattributed:
40. Altar of the Infant Jesus. c.1759-1773 (Church of the Carmen, Trujillo)
Book Review
Gaspare Traversi (1722-1770), G. Forgione.
08/2015 | 1349 | 157
Pages: 551
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
Illustrations
Attributed works:
28. The operation, by Gaspare Traversi. 1753-54 (Staatsgalerie, Stuttgart)
Article
The Rococo altarpiece of St Ignatius: Chile’s grandest colonial retable rediscovered
12/2013 | 1329 | 155
Pages: 815-820
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. High altar, by Johann Joachim Dietrich (Abbey Church, Diessen)
Attributed works:
11. Detail of Fig. 8
Attributed works:
12. Detail of Fig. 8
Attributed works:
13. Detail of the altarpiece from the Colegio de San Borja, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo de San Francisco, Santiago)
Attributed works:
14. St Ignatius of Loyola, by the Jesuit atelier at the Colegio Máximo, Santiago (Museo del Carmen de Maipú)
Attributed works:
15. Altar of the church of St-Jean-en-Grève, Paris, by Jacques-François Blondel. Designed 1720-21. Engraving from J. Barozzio de Vignole: Livre Nouveau ou Regles des cinq ordres d'Architecture, Paris 1767. (Musée des Arts Décoratifs, Paris)
Attributed works:
16. Model altarpiece from series 80, by Franz Xaver Habermann, published by Georg Hertel (Kunstsammlungen und Museen, Augsburg)
Attributed works:
17. Altar of the Virgin Immaculate, by the Jesuit atelier at the Colegio Máximo, Santiago. (From the oratory of the Larraín Rojas family of Santiago; altarpiece destroyed 2010)
Attributed works:
18. Detail of Fig. 8
Attributed works:
19. Rocaille, from series 111, by Franz Xaver Habermann, published by Georg Hertel. (Staatliche Graphische Sammlung, Munich)
Attributed works:
8. Former altar of St Ignatius, by the Jesuit atelier at the Colegio Máximo, Santiago (Church of San Juan Evangelista, Santago; photograph by Nicolás Aguayo)
Attributed works:
9. Former side altarpiece from the church of San Miguel, Santiago, by the Jesuit atelier at the Colegio Máximo, Santiago (Cathedral Museum, Santiago)
Book Review
Pour l’amour de l’art. Artistes et amateurs français à Rome au XVIIIe siècle
05/2013 | 1322 | 155
Pages: 333
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
dates:
places:
Article
Baroque in England
04/2013 | 1321 | 155
Pages: 230-231
related names
Author:
Nace, Nicholas D. (Nace, Nicholas D.)
Subjects
places:
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