2. Belle da Costa Greene, by Clarence H. White. Digital positive from
a gelatin dry plate negative, 25.4 by 20.3 cm. (Princeton University
Art Museum).
Attributed works:
3. Calligraphy commissioned for Muhammad Shāh Qājār, written
by Asad-Allāh Shīrāzī. 1841. Ink and gold leaf on paper on card,
28.5 by 42.5 cm. (Morgan Library & Museum, New York).
Book Review
Pierpont Morgan’s Library: Building the Bookman’s Paradise
J. Pierpont Morgan’s Library: Building
the Bookman’s Paradise
By Colin B. Bailey, Daria Rose Foner, Barry
Bergdoll, Andrew Dolkart, Christine Nelson
and Brian Regan. 256 pp. incl. numerous col. +
b. & w. ills. (Scala Arts and the Morgan Library
and Museum, New York), £34. ISBN 978–1–
78551–399–2. |
:
Illustrations
Attributed works:
9. Façade of the Morgan Library and Museum,
designed by Charles McKim. Completed 1906.
Louis XV: passions d’un roi
Edited by Yves Carlier and Hélène
Delalex. 496 pp. incl. 458 col. + b. & w.
ills. (In Fine Éditions d’Art, Paris, 2022),
€49. ISBN 978–2–38203–076–9. |
:
Illustrations
Attributed works:
1. Floorplan of
the telescope
pavilion, château
de la Muette.
1756. Pen, ink
and red wash on
paper. (Archives
nationales, Paris).
Attributed works:
2. Louis XV, by
Arnaud Vincent
de Montpetit.
1774. Oil on
canvas, 74 by
61.2 cm. (Musée
national des
châteaux de
Versailles et
de Trianon,
Versailles).
Attributed works:
3. Project for the
throne of Louis
XV, by Sébastien-
Antoine Slodtz
and Paul-Ambroise
Slodtz. 1752. Pen,
ink and wash
highlights over
black pencil,
67.1 by 47.2 cm.
(Bibliothèque
nationale de
France, Paris).
Short Notice
The new museum in the Bibliothèque nationale, Paris
1. Aerial view of the Palais Mazarin, Paris, at the end of the seventeenth
century. Engraving. (From L. de Laborde: De l’organisation des
bibliothèques dans Paris, 4e lettre: Le palais Mazarin et les habitations
de ville et de campagne au XVIIe siècle, Paris 1845, facing p.5).
Attributed works:
10. Throne from the treasury of Saint-Denis (‘Throne of Dagobert’). Late
8th–early 9th century. Copper alloy with iron, remains of gilding, height
104 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Cardinal Mazarin shown in the upper gallery of his hôtel, by Robert
Nanteuil. 1659. Etching, 46.5 by 56.8 cm. (Bridgeman Images).
Attributed works:
3. The galerie Mazarin. (Bibliothèque nationale de France, Paris;
photograph Guillaume Murat).
Attributed works:
4. Plan of the ground level of the Bibliothèque nationale
‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
5. Plan of the first floor of the Bibliothèque nationale
‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
6. The first-floor landing of the Bibliothèque national ‘site Richelieu’
and the entrance to the salle des Colonnes. (Bibliothèque nationale
de France, Paris; photograph Guillaume Murat).
Attributed works:
7. The salle des Colonnes. (Bibliothèque nationale de France, Paris;
photograph Guillaume Murat).
Attributed works:
8. The salle Barthélemy, the former reading room of the département
des Monnaies, médailles et antiques. (Bibliothèque nationale de
France, Paris; photograph Guillaume Murat).
Attributed works:
9. The salon de Louis XV, the former cabinet des Médailles
(Bibliothèque nationale de France, Paris; photograph
Jean-Christophe Ballot).
Au prisme du manuscrit: Regards sur
la littérature française du Moyen Âge
(1300–1550)
Edited by Sandra Hindman and Elliot Adam. 301
pp. incl. 112 col. + 3 b. & w. ills. (Brepols, Turnhout,
2019), £210. ISBN 978–2–503–56635–1. |
:
Article
Henry Cheere’s statue of Christopher Codrington: conventions and setting
1. The library, All Souls College, Oxford. (Photograph Warden and
Fellows, All Souls College, Oxford).
Attributed works:
2. Robert Bertie, 1st Duke of Ancaster, by Henry Cheere and Henry
Scheemakers. 1728. Marble. (St Michael, Edenham, Lincolnshire;
photograph Courtauld Institute of Art, London; Bridgeman Images).
Attributed works:
3. William III, by Henry Cheere. 1733–34. Marble, height 175 cm.
(Bank of England, London; photograph Courtauld Institute of Art,
London; Bridgeman Images).
Attributed works:
4. Christopher Codrington, by James Thornhill. 1702. Oil on
canvas, 237.5 by 151.1 cm. (All Souls College, Oxford; photograph
Warden and Fellows, All Souls College, Oxford).
Attributed works:
5. Christopher Codrington, by Henry Cheere. 1732–34. Marble. (Library,
All Souls College, Oxford; photograph Warden and Fellows, All Souls
College, Oxford).
Attributed works:
6. The library of All Souls College, by Thomas Malton. 1802.
Etching and aquatint, 42 by 32 cm. (Photograph Warden and
Fellows, All Souls College, Oxford).
Attributed works:
7. The North Quadrangle, All Souls College, Oxford, looking north to the
original main door of the library. (Photograph Warden and Fellows, All
Souls College, Oxford).
Attributed works:
8. Plan of the North Quadrangle, All Souls College, Oxford, based on
Nicholas Hawksmoor’s 1715 plan. (From H. Colvin and J.S.G. Simmons:
All Souls: An Oxford College and its Buildings, Oxford 1989).
Book Review
Die Büchersammlung Friedrich Gillys (1772–1800): Provenienz und Schicksal einer Architektenbibliothek im theoretischen Kontext des 18. Jahrhunderts
Die Büchersammlung Friedrich
Gillys (1772–1800): Provenienz und
Schicksal einer Architektenbibliothek
im theoretischen Kontext des 18.
Jahrhunderts
By Michael Bollé and Maria Ocón Fernández.
592 pp. incl. 160 b. & w. ills. (Gebr. Mann Verlag,
Berlin, 2019), €79. ISBN 978–3–7861–2791–8. |
:
The Lost Library of the King of Portugal
By Angela Delaforce. 330 pp. incl. 200 col. ills.
(Ad Ilissvm, London, 2019), 45. ISBN 978–1–
912168–15–6. |
:
The Country House Library
By Mark Purcell. 352 pp. incl. 150 col. + 50
b. & w. ills. (Yale University Press, New Haven
and London, 2017; paperback 2019), 25.
ISBN 978–0–300–24868–5 (pb). |
: