2. Belle da Costa Greene, by Clarence H. White. Digital positive from
a gelatin dry plate negative, 25.4 by 20.3 cm. (Princeton University
Art Museum).
Attributed works:
3. Calligraphy commissioned for Muhammad Shāh Qājār, written
by Asad-Allāh Shīrāzī. 1841. Ink and gold leaf on paper on card,
28.5 by 42.5 cm. (Morgan Library & Museum, New York).
Book Review
Pierpont Morgan’s Library: Building the Bookman’s Paradise
J. Pierpont Morgan’s Library: Building
the Bookman’s Paradise
By Colin B. Bailey, Daria Rose Foner, Barry
Bergdoll, Andrew Dolkart, Christine Nelson
and Brian Regan. 256 pp. incl. numerous col. +
b. & w. ills. (Scala Arts and the Morgan Library
and Museum, New York), £34. ISBN 978–1–
78551–399–2. |
:
Illustrations
Attributed works:
9. Façade of the Morgan Library and Museum,
designed by Charles McKim. Completed 1906.
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
Article
Benjamin Altman’s loans to the 1909 Hudson–Fulton exhibition at the Metropolitan Museum of Art
Morgan: The Mind of the Collector at the Wadsworth Atheneum, Hartford CT. |
:
Illustrations
Attributed works:
89. J. Pierpont Morgan, Esq., by Edward J. Steichen. 1903 (printed 1904) (Private collection, courtesy Laurence Miller Gallery, New York; exh. Wadsworth Atheneum, Hartford).
Attributed works:
90. Basket of flowers, Vincennes and Meissen porcelain factories. c.1750 (Wadsworth Atheneum, Hartford).
Attributed works:
91. Robert Rich, 2nd Earl of Warwick, by Anthony van Dyck. c.1635. (Wadsworth Atheneum, Hartford).
Attributed works:
92. Chief Joseph–Nez Perce, by Edward S. Curtis. 1903 (Special Collections, Auerbach Library, Wadsworth Atheneum, Hartford).
Book Review
French Eighteenth-Century Porcelain at the Wadsworth Atheneum: The J. Pierpont Morgan Collection
French Eighteenth-Century Porcelain at the Wadsworth Atheneum: The J. Pierpont Morgan Collection |
author: Le Corbeiller, Clare
, author: Roth, Linda H.
Article
A Crucifixion by Duccio with Wings by Simone Martini
Plate II. The Crucifixion. Detail of Frontispiece. Here Attributed to Duccio. 61 by 39.4 cm. A Crucifixion by Duccio with Wings by Simone Martini
Attributed works:
Plate III. A-St. Gregory. Detail of Frontispiece. Here Attributed to Simone Martini. A Crucifixion by Duccio with Wings by Simone Martini
Attributed works:
Plate III. B-St. Gregory. By Simone Martini. A Panel of a Polyptych. (Museum, Pisa). A Crucifixion by Duccio with Wings by Simone Martini
Attributed works:
Plate III. C-Detail of Frontispiece. A Crucifixion by Duccio with Wings by Simone Martini
Attributed works:
Plate III. D-Crucifixion. Detail of Duccio's Majestas. (Museo Dell'opere Della Cattedrale, Siena). A Crucifixion by Duccio with Wings by Simone Martini
Attributed works:
Triptych, Representing the Crucifixion between St. Nicholas and St. Gregory. The Central Panel Here Attributed to Duccio, the Wings to Simone Martini. Dimensions of Whole Triptych, 61 by 78.4 cm. (Museum of Fine Arts, Boston)
Article
Frans Hals and Jan de Bray: Some Newly Identified Portraits
A-Andries van der Horn. By Frans Hals. Dated 1638. Canvas, 78.5 by 63.5 cm. (Formerly in the Pierpont Morgan Collection). Frans Hals and Jan de Bray: Some Newly Identified Portraits
Attributed works:
B-Maria Pietersdr. Olycan. By Frans Hals. About 1638. Canvas, 78.5 by 63.5 cm. (Formerly in the Pierpont Morgan Collection). Frans Hals and Jan de Bray: Some Newly Identified Portraits
Attributed works:
C-Andries van der Horn. By Jan de Bray. Signed and Dated 1662. Canvas. (Formerly in the Six Collection, Amsterdam). Frans Hals and Jan de Bray: Some Newly Identified Portraits
Attributed works:
D-Detail of The Meeting of the Officers by Frans Hals, Representing a. van der Horn. 1633. (Frans Hals Museum, Haarlem). Frans Hals and Jan de Bray: Some Newly Identified Portraits