For America: Paintings from the
National Academy of Design
Edited by Jeremiah William McCarthy and
Diana Thompson. 304 pp. incl. 200 col. ills.
(National Academy of Design and American
Federation of Arts, New York, and Yale
University Press, New Haven and London,
2019), |
:
Illustrations
Attributed works:
5. Self-portrait, by Andrew Wyeth. 1945. Egg
tempera on gessoed panel, 63.5 by 76.2 cm.
(National Academy of Design, New York).
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
151. Ruin at Daphne, by Edwin Dickinson. 1943-53. 121.9 by 152.4 cm. (Metropolitan Museum of Art, New York; exh. National Academy of Design, New York).
Attributed works:
152. The fossil hunters, by Edwin Dickinson. 1926-28. 245.1 by 187.3 cm. (Whitney Museum of American Art, New York; exh. National Academy of Design, New York).
Attributed works:
153. Cottage porch, Peaked Hill, by Edwin Dickinson. 1932. 66.4 by 76.5 cm. (Museum of Modern Art, New York; exh. National Academy of Design, New York).
Attributed works:
154. Self-portrait, by Edwin Dickinson. 1949. 58.4 by 51.1 cm. (National Academy of Design, New York).
Attributed works:
155. Woodland scene, by Edwin Dickinson. 1929-35. 181.3 by 174 cm. (Herbert F. Johnson Museum of Art, Cornell University, Ithaca; exh. National Academy of Design, New York).
157. Afternoon Wind, by Louis Eilshemius. 1899. 50.8 by 76.2 cm. (Museum of Modern Art, New York; Exh. National Academy of Design, New York).
Attributed works:
158. East Side, New York, by Louis Eilshemius. c. 1908. Oil on Paper Board, 38.1 by 34.6 cm. (Hirshhorn Museum and Sculpture Garden, Washington; Exh. National Academy of Design, New York).
32. Still Life with Wild Strawberries, by Raphaelle Peale. 1822. 39.4 by 55.9 cm. (Collection Edith and Robert Graham; Exh. The National Academy of Design, New York).