By using this website you agree to our Cookie policy

Search

42 articles
Exhibition Review
Donatello in Florence, Berlin and London
07/2023 | 1444 | 165
Pages: 761–771
related names
Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
artists:
dates:
Reviewed Items
subjects:
Donatello. Inventor of the Renaissance, Berlin, 2nd September 2022–8th January 2023. | :
subjects:
Donatello. Sculpting the Renaissance, Victoria and Albert Museum, London. 11th February–11th June 2023. | :
subjects:
Donatello. The Renaissance, Palazzo Strozzi, Florence, 19th March–31st July 2022. | :
Illustrations
Attributed works:
1. Virgin and Child (The Pazzi Madonna), by Donatello. c.1420–25. Marble, 74.5 by 73 by 6.5 cm. (Bode-Museum, Berlin; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
10. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023, showing a group of sculptures depicting the Virgin and Child.
Attributed works:
11. Virgin and Child (The Piot Madonna), by Donatello and workshop. c.1440. Terracotta with traces of gilding, inset with wax medallions under glass, diameter 75 cm. (Musée du Louvre, Paris; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria & Albert Museum, London).
Attributed works:
12. Virgin and Child (The Dudley Madonna), by Donatello. c.1440. Marble, 27 by 16.5 by 2 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
13. Flagellation and Crucifixion (The Forzori Altar), by Donatello. c.1450. Terracotta, 54.5 by 30.4 by 4.5 cm. (Flagellation), 53.5 by 27 by 5 cm. (Crucifixion) and 11.6 by 48.4 by 2.3 cm. (predella). (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
2. Amor–Attis, by Donatello. c.1435–40. Bronze, partially gilded, 103 by 55 by 45 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
3. The feast of Herod, by Donatello. c.1423–27. Gilded bronze, 60 by 59.7 by 9 cm. (Baptistery of S. Giovanni, Siena; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Installation view of Donatello: The Renaissance at Palazzo Strozzi, Florence, 2022, showing on the right St Louis of Toulouse by Donatello.
Attributed works:
5. Ascension with Christ giving the keys to St Peter, by Donatello. c.1428–30. Marble, 40.6 by 114.3 by 5.3 cm. (Victoria and Albert Museum, London; exh. Victoria and Albert Museum, London).
Attributed works:
6. Capital for the pulpit of Prato Cathedral, by Donatello and Michelozzo. 1433. Bronze, 94.5 by 143.5 by 50 cm. (Museo dell’Opera del Duomo, Prato; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
7. David, by Donatello. c.1408–16. Marble, 191 by 57.5 by 32 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
8. Installation view of Donatello: Inventor of the Renaissance at the Gemäldegalerie, Berlin, 2022, showing the Martelli David and Bronzino’s portrait of Ugolino Martelli.
Attributed works:
9. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023.
Article
Looking at Masaccio: a rediscovered drawing by the young Michelangelo
06/2022 | 1431 | 164
Pages: 536-545
related names
Author:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
collectors and dealers:
collectors and dealers:
dates:
media:
sources:
Illustrations
Attributed works:
1. Detail of Baptism of the neophytes, by Masaccio. c.1424–25. Fresco. (Brancacci Chapel, S. Maria del Carmine, Florence).
Attributed works:
10. Study of a nude figure, after Masaccio, here attributed to Alonso Berruguete. c.1510. Red chalk on paper, sheet 26.7 by 12.9 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
11. Studies of figures, by Michelangelo. c.1496–1501.Pen and two shades of brown ink, 26.1 by 38.6 cm. (Musée Condé, Chantilly).
Attributed works:
12. Detail of Three men in conversation?, by Michelangelo. c.1500. Pen and brown ink on paper, sheet 37.7 by 25 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
13. Detail of Fig.2, showing the figure on the left of the sheet.
Attributed works:
16. Detail of the Crucifixion of St Peter, by Michelangelo. 1545–50. Fresco. (Pauline Chapel, Rome; Bridgeman Images).
Attributed works:
17. Fig.1 showing the Genevosio mount.
Attributed works:
18. Study of two women conversing, by Domenico Ghirlandaio after Filippo Lippi. c.1489. Pen and brown ink, heightened with white gouache, on blue paper, 24.6 by 15.5 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
2. Three standing figures, one after Masaccio’s ‘Baptism of the neophytes’, here attributed to Michelangelo. c.1492–96. Pen and two types of brown ink, brown wash on paper, 33 by 20 cm. (Private collection).
Attributed works:
3. Studies after two figures in the ‘Ascension of St John the Evangelist’ by Giotto, by Michelangelo. c.1492. Pen and two types of brown ink on paper, 31.7 by 20.4 cm. (Musée du Louvre, Paris; Scala Archives).
Attributed works:
4. St Peter after Masaccio’s ‘Tribute money’ and study of an arm, by Michelangelo. c.1492. Pen, brown ink and red chalk on paper, 31.7 by 19.7 cm. (Staatliche Graphische Sammlung, Munich; bpk).
Attributed works:
5. Crucifixion with the Virgin, St John and Mary Magdalen, by Michelangelo. c.1560–64. Black chalk on paper, 40.5 by 21.8 cm. (Royal Collection; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Three standing men in cloaks, after Masaccio’s lost fresco of the Sagra, by Michelangelo. c.1492–96. Pen and brown ink on paper, 29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
6. Kneeling man seen from behind after Masaccio’s lost fresco of the Sagra (verso of Fig.5), by Michelangelo. c.1492–96. Pen and brown ink on paper, 29.2 by 20 cm. (Albertina, Vienna).
Attributed works:
7. Detail of Brutus, by Michelangelo, with later reworking by Tiberio Calcagni. c.1545–48. Marble, height 74 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
8. Three figures, possibly after Masaccio’s lost fresco of the Sagra, by Michelangelo. c.1492–96. Pen and ink on paper, sheet 26.9 by 19.4 cm. (Teylers Museum, Haarlem).
Attributed works:
9. Two figures in profile, possibly after Masaccio’s lost fresco of the Sagra (verso of Fig.8), by Michelangelo. c.1492–96. Pen and ink on paper, sheet 26.9 by 19.4 cm. (Teylers Museum, Haarlem).
Book Review
Apogeo e fine del Medioevo (La Pittura Medievale a Roma, 312–1431. Corpus VI). Edited by Serena Romano
12/2018 | 1389 | 160
Pages: 1066-1067
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Article
Paul Durand-Ruel and James Duncan of Benmore
07/2018 | 1384 | 160
Pages: 558-571
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
art literature:
media:
Illustrations
Attributed works:
1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).
Attributed works:
10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).
Attributed works:
11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).
Attributed works:
12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).
Attributed works:
13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).
Attributed works:
4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).
Attributed works:
5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).
Attributed works:
6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).
Attributed works:
7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).
Attributed works:
8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).
Attributed works:
9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).
Attributed works:
Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).
Western art unattributed:
2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).
Western art unattributed:
3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).
Exhibition Review
Filippo Lippi. Rome
03/2018 | 1380 | 160
Pages: 237-239
related names
Reviewer:
Silver, Nathaniel (Silver, Nathaniel)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Madonna di Tarquinia, by Filippo Lippi. 1437. Tempera on panel, 114 by 65 cm. (Palazzo Barberini, Rome).
Attributed works:
8. Candle bearer, by Donatello. c.1435–37. Bronze, 60.5 cm high. (Musée Jacquemart-André, Paris; exh. Palazzo Barberini, Rome).
Attributed works:
9. Annunciation, by Filippo Lippi. Tempera on panel, 63.8 by 25.1 cm. (left), 63.8 by 25.4 cm. (right). (Frick Collection, New York; exh. Palazzo Barberini, Rome).
Book Review
The Panel Paintings of Masolino and Masaccio. The Role of Technique [and: Masaccio, St Andrew and the Pisa Altarpiece]
08/2005 | 1229 | 147
Pages: 556
related names
Reviewer:
Ames-Lewis, Francis (Ames-Lewis, Francis; Lewis, Francis Ames; Ames-Lewis, F.)
Subjects
dates:
print:
Reviewed Items
subjects:
Masaccio, St Andrew and the Pisa Altarpiece. | author: Rowlands, Eliot W.
subjects:
The Panel Paintings of Masolino and Masaccio. The Role of Technique. | author: Frosinini, Cecilia , author: Strehlke, Carl Brandon
Book Review
The Cambridge Companion to Masaccio.
08/2005 | 1229 | 147
Pages: 556-557
related names
Reviewer:
Teuffel, Christa Gardner von (Teuffel, Christa Gardner von; Gardner von Teuffel, Christa)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
The Cambridge Companion to Masaccio. | author: Ahl, Diane Cole
Article
'L'altare Nostro de la Trinità': Masaccio's Trinity and the Berti Family
01/2003 | 1198 | 145
Pages: 14-21
related names
Author:
Comanducci, Rita Maria (Comanducci, Rita Maria)
Subjects
artists:
dates:
patrons:
places:
Illustrations
Attributed works:
14. Trinity, by Masaccio. c. 1427. Fresco, 667 by 317 cm. (S. Maria Novella, Florence).
Book Review
Masaccio and Masolino. A Complete Catalogue
08/1995 | 1109 | 137
Pages: 558-559
related names
Reviewer:
Teuffel, Christa Gardner von (Teuffel, Christa Gardner von; Gardner von Teuffel, Christa)
Subjects
artists:
places:
Reviewed Items
subjects:
Masaccio and Masolino. A Complete Catalogue | author: Joannides, Paul
load more