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33 articles
Exhibition Review
Botticelli Drawings
02/2024 | 1451 | 166
Pages: 188–190
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
dates:
Reviewed Items
subjects:
Botticelli Drawings Legion of Honor, San Francisco 19th November 2023–11th February 2024 | :
Illustrations
Attributed works:
11. Study for a portrait of a woman, by Botticelli. c.1480. Metalpoint heightened with white, 34 by 23 cm. (Ashmolean Museum, Oxford; exh. Legion of Honor, San Francisco).
Attributed works:
12. Study for a standing man or St Sebastian, by Botticelli. c.1473. Metalpoint heightened with white, 18.4 by 9.3 cm. (Musée du Louvre, Paris; exh. Legion of Honor, San Francisco).
Attributed works:
13. Head of a youth looking up, by Botticelli. c.1465–68. Metalpoint heightened with white, 16.7 by 13.5 cm. (Kupferstichkabinett, Dresden; exh. Legion of Honor, San Francisco).
Exhibition Review
Donatello in Florence, Berlin and London
07/2023 | 1444 | 165
Pages: 761–771
related names
Author:
Röstel, Alexander (Röstel, Alexander )
Subjects
artists:
dates:
Reviewed Items
subjects:
Donatello. Inventor of the Renaissance, Berlin, 2nd September 2022–8th January 2023. | :
subjects:
Donatello. Sculpting the Renaissance, Victoria and Albert Museum, London. 11th February–11th June 2023. | :
subjects:
Donatello. The Renaissance, Palazzo Strozzi, Florence, 19th March–31st July 2022. | :
Illustrations
Attributed works:
1. Virgin and Child (The Pazzi Madonna), by Donatello. c.1420–25. Marble, 74.5 by 73 by 6.5 cm. (Bode-Museum, Berlin; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
10. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023, showing a group of sculptures depicting the Virgin and Child.
Attributed works:
11. Virgin and Child (The Piot Madonna), by Donatello and workshop. c.1440. Terracotta with traces of gilding, inset with wax medallions under glass, diameter 75 cm. (Musée du Louvre, Paris; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria & Albert Museum, London).
Attributed works:
12. Virgin and Child (The Dudley Madonna), by Donatello. c.1440. Marble, 27 by 16.5 by 2 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
13. Flagellation and Crucifixion (The Forzori Altar), by Donatello. c.1450. Terracotta, 54.5 by 30.4 by 4.5 cm. (Flagellation), 53.5 by 27 by 5 cm. (Crucifixion) and 11.6 by 48.4 by 2.3 cm. (predella). (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
2. Amor–Attis, by Donatello. c.1435–40. Bronze, partially gilded, 103 by 55 by 45 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
3. The feast of Herod, by Donatello. c.1423–27. Gilded bronze, 60 by 59.7 by 9 cm. (Baptistery of S. Giovanni, Siena; exh. Palazzo Strozzi, Florence).
Attributed works:
4. Installation view of Donatello: The Renaissance at Palazzo Strozzi, Florence, 2022, showing on the right St Louis of Toulouse by Donatello.
Attributed works:
5. Ascension with Christ giving the keys to St Peter, by Donatello. c.1428–30. Marble, 40.6 by 114.3 by 5.3 cm. (Victoria and Albert Museum, London; exh. Victoria and Albert Museum, London).
Attributed works:
6. Capital for the pulpit of Prato Cathedral, by Donatello and Michelozzo. 1433. Bronze, 94.5 by 143.5 by 50 cm. (Museo dell’Opera del Duomo, Prato; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
7. David, by Donatello. c.1408–16. Marble, 191 by 57.5 by 32 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).
Attributed works:
8. Installation view of Donatello: Inventor of the Renaissance at the Gemäldegalerie, Berlin, 2022, showing the Martelli David and Bronzino’s portrait of Ugolino Martelli.
Attributed works:
9. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023.
Exhibition Review
Florence and its Painters: From Giotto to Leonardo da Vinci. Alte Pinakothek, Munich
01/2019 | 1390 | 161
Pages: 63-65
related names
Reviewer:
Joustra, Joost (Joustra, Joost)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Seated boy wearing a cap, by Maso Finiguerra. Pen and brown ink and wash over traces of underdrawing in black chalk on paper, 18 by 33 cm. (Galleria degli Uffizi, Florence; exh. Alte Pinakothek, Munich).
Attributed works:
8. Sts Cosmas and Damian and their brothers surviving the stake, by Fra Angelico. Tempera on panel, 37.8 by 46.4 cm. (National Gallery of Ireland, Dublin; exh. Alte Pinakothek, Munich).
Attributed works:
9. Annunciation, from Lucrezia de’ Medici’s Book of Hours, by Francesco Rosselli and Gherardo di Giovanni. c.1485. Illuminated manuscript on parchment, 19.7 by 10.9 cm. (fol.13v; Bayerische Staatsbibliothek, Munich; exh. Alte Pinakothek, Munich).
Exhibition Review
Filippo Lippi. Rome
03/2018 | 1380 | 160
Pages: 237-239
related names
Reviewer:
Silver, Nathaniel (Silver, Nathaniel)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Madonna di Tarquinia, by Filippo Lippi. 1437. Tempera on panel, 114 by 65 cm. (Palazzo Barberini, Rome).
Attributed works:
8. Candle bearer, by Donatello. c.1435–37. Bronze, 60.5 cm high. (Musée Jacquemart-André, Paris; exh. Palazzo Barberini, Rome).
Attributed works:
9. Annunciation, by Filippo Lippi. Tempera on panel, 63.8 by 25.1 cm. (left), 63.8 by 25.4 cm. (right). (Frick Collection, New York; exh. Palazzo Barberini, Rome).
Publication Received
Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. By Stefanie Solum
09/2017 | 1374 | 159
Pages: 736-737
related names
Reviewer:
Leader, Anne (Leader, Anne)
Subjects
artists:
subjects:
Reviewed Items
subjects:
Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. By Stefanie Solum | :
Advertisements
Advertisements October 2013 (front)
10/2013 | 1327 | 155
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Ben Elwes Fine Art, London. A bouquet of flowers in a porcelain vase, by Balthasar van der Ast (1593/94 - 1657). Signed lower left: .B.. vander. ast. Oil on panel, 39.1 by 29.9 cm]
Attributed works:
[C.G. Boerner, New York and Dusseldorf. Nativity, by Albrecht Durer. 1504. Engraving, 18.7 by 12.2 cm]
Attributed works:
[Carl Solway Gallery, Cincinnati. Burning bones Texas, by Albert Paley. 2012. Monoprint no 18. Ink on paper, 79.4 by 110.5 cm]
Attributed works:
[De Jonckheere, Paris. L'auberge St. Michael, by Peter Brueghel the Younger, 1619. Oil on panel, 54 by 74 cm]
Attributed works:
[Dolan/Maxwell, Philadelphia. Woman in a net, by Stanley William Hayter. 1934. Engraving, soft ground etching, and gauffrage, 21.9 by 29.8 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Guido Reni (1575-1642), La Fortuna (detail), oil on canvas, 130 x 152 cm]
Attributed works:
[Emanuel on Bayer, London. Rainfall over Prague, by Alfons Mucha. 1860-1939. 1933. Signed and dated. Pen and black ink, with black and grey wash, heightened in white and watercolour, 26.5 by 18.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Domenico Piola. Genoa, 1617 - 1703. The Triumph of Devine Wisdom over Satan, Avarice and Heresy. Oil on canvas, 150 x 200 cm (59 x 78 3/4 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovanni Battista Foggini 1652-1725 (attribute to). A pair of monumental marbles on pedestals of a Lion attacking a Horse and a Lion attacking a Bull]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Emil Filla (1882-1953). Lying nude. 1932. Oil on canvas. 98.5 x 139 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Jindřich Štýrský(1899-11942). Roots. 1934. Oil on canvas, 63 x 57 cm]
Attributed works:
[Galerie Kodl. Vitezna 11, Praha5. Mala Strana. Praha. Václav Brožík (1851-1901). Black Strawberries. c.1899. Oil on wood, 100 x 80 cm]
Attributed works:
[Goya Contemporary, Baltimore. Etilon, by Imi Knoebel. 2001-09. Edition no.5 of 5. Acrylic Painted on synthetic paper, 51 by 51 cm.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Bridget Riley. Born 1931. Persian Palace, 1984. Oil on canvas. 70 3/4 x 61 3/4 inches; 180 x 156.5 cm]
Attributed works:
[Hazlitt, Holland-Hibbert, London. Persian Palace, by Bridget Riley (b-1931). 1984. Oil on linen, 180 by 156.5 cm]
Attributed works:
[Hill-Stone, New York. Portrait of Grinling Gibbons, by John Smith, after Sir Godfrey Knellwer (c.1654-c.1720). The first of two states. Mezzotint, 34.3 by 26 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jacques-Edme Dumont 1761 - Paris - 1844. A unique assembly of 101 terracotta modelli, measuring between 2 and 7 cm, displayed in a printers typecase]
Attributed works:
[John Szoke, New York. Portrait of Jacqueline, by Pablo Picasso. 1959. Edition of 50. Linocut, 63.5 by 53.3 cm]
Attributed works:
[Johnny Van Haeften Ltd, London. A still life of a laid with a basket of fruit and vegetable, by Jacob Van Hulsdonck (1582-1674). 1625. Oil on panel, 71 by 104 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Fra Filippo Lippi (1406-1469). Madonna with Child. Tempera on wood, partial gilded, 81 x 62 cm.]
Attributed works:
[Michael Altman Fine Art & Advisory Service, LLC. John Singer Sargent (1856-1925). A Gust of Wind (detail). c.1883. Oil on canvas, 24 1/4 x 15 inches (61.6 x 38.1 cm)]
Attributed works:
[Osborne Samuel. 23a Bruton Street. London. Cyril Power. The Tube Station, c.1932. Linocut, from the edition of 60, 25.8 x 29.5 cm]
Attributed works:
[Otto Naumann Ltd, New York. Zenobie discovered by the shepherds, by Felix-Henri Giacomotti. Signed lower right. Oil on canvas, 146.5 by 113 cm]
Attributed works:
[Pratt Contemporary Art – Pratt Editions. Ightham, Sevenoaks, Kent TNI5 9HH. England. Ana Maria Pacheco. Homage to Neruda I, 2013. Monotype, 54.6 x 69 cm]
Attributed works:
[Pratt Contemporary, Sevenoaks, Kent. Homage to Neruda XI, by Ana Maria Pacheco. 2013. One of eleven original monotype reproduced in Canto General, Artist's Book. Monotype, 54.6 by 69 cm]
Attributed works:
[R.S. Johnson Fine Art, Chicago. A Man of War between two armed gallerys (1st state), by Pieter Bruegel. 1565. Engravings, 22.6 by 29.4 cm]
Attributed works:
[Redfern Gallery. 20 Cork Street. London. Cyril Edward Power. The Tube Station, c.1923. Linocut 25.8 x 29.5 cm]
Attributed works:
[Redfern Gallery. London. Village fair, by Lill Tschudi. 1934. Edition of 50. Linocut, 25.5 by 30.6 cm]
Attributed works:
[Robilant + Voena, London and Milan. Lamentation over the dead Christ, by Anthony Van Dyck (1599-1641). Oil on canvas.]
Attributed works:
[Robilant + Voena, London. Bianco, by Agostino Bonalumi (b.1935). Fiberglass. Height: 180 cm. Width: 200 cm. Depth: 180 cm. Gallery exhibition: Bonalumi: all the shapes of space 1958-1976. 4th October - 15th Novemberr]
Attributed works:
[Ruiz-Healy Art. San Antonio, Texas and New York City. Pedro Friedeberg, Perros Rojo, 1991.]
Attributed works:
[Salamon & co, Milan. Florence, view of Piazza della Signoria, by Thomas Patch (1725-82). Pen, brush and coloured inks over traces of pencil, 20.3 by 38.4 cm]
Attributed works:
[Salamon Fine Old Master Paintings and Drawings. Palazzo Cicogna. Via San Damiano 2. Milano. Giovanni Fattori (Livorno 1825 - 1908 Florence). Napoleon III Receives a Dispatch by Princess Eugenia near Lonat. Pen and brush, colored inks over traces of black chalk on paper; 46.5 x 369 mm. (18 1/4 x 14 1/2 in)]
Attributed works:
[Simon Theobald. 16 Savile Row, 1st Floor, Beddington Suite. London. Edvard Munch, Melancholie III, 1902]
Attributed works:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Italian pietre dure marquetery panel depicting the Allegory of Architecture. Florence, Galleria dei Lavori, circa 1754. Drawing by Giuseppe Zocchi (Fiesole 1711-Firenze 1767), in giltbronze frame, made by Bombicci in 1754]
Attributed works:
[Sperone Westwater, New York. Marble word list 2013, by Robert Barry. Marble, Variable dimensions.]
Attributed works:
[Sperone Westwater, New York. Nixes mate, by Carl Andre. 1922. Western red cedar, 8 timbers. Height: 90 cm. Width: 120 cm. Depth: 120 cm]
Attributed works:
[Sperone Westwater. 257 Bowery. New York. Carl Andre. June Field, 1975]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The rape of Proserpina, attributed to François Girardon. (1690-1700). Bronze, brown patina with traces of red lacquer. Height: 105 cm]
Attributed works:
[Trinity Fine Art, London. The Farnese Hercules, by Gaspero Bruschi (1710-1780). White hard-paste porcelain on base of painted and gilded wood. Height: 82 cm]
Attributed works:
[Walter Padovani, Milano. Portrait of Count Nicola Demidov and Portrait of Countess Elisabetta Demidova, née Stroganova, by Adamo Tadolini (1788-1868). Signed: A. TADOLINI F. A pair of sculptures in statuary marble from Carrara. Height: 31 cm. Width: 19 cm. Depth: 15 cm]
Attributed works:
[Walter Padovani. Via Santo Spirito, 26/A. Milano. Marco Antonio Prestinari (Claino 1570 ca, - Milan 1621). Hercules and the Nemean lion. Terracotta, height cm 52]
Non-western art unattributed:
[Galerie Meyer Oceanic Art, Paris. Spirit mask. Turubu Village Village, Papua New-Guinea. c.1930. Height: 44 cm. Width: 17 cm. Depth: 10 cm]
Western art unattributed:
[Mullany, London. Angel with tambourine, Lombardy, mid-15th century. Walnut with original polychrome and gilding]
Western art unattributed:
[Paul Prouté. 74 Rue de Seine, 75006. Paris. After Hieronymus BOSCH. The Ship of Depravity, 1559]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. A french model of a 12-pouder bronze cannon on its original field carriage, circa 1694]
Western art unattributed:
[Sphinx Fine Art. 125 Kensington Church Street. London. Flemish school, seventeenth century. A mimetic Landscape (detail)]
Western art unattributed:
[TATE Britain, London. Anon. Christ before Pilate (detail) c.1400-25]
Article
Birds of a feather: the Medici ‘Adoration’ tondo in Washington
01/2007 | 1246 | 149
Pages: 4-13
related names
Author:
Sale, J. Russell (Sale, J. Russell)
Subjects
artists:
dates:
print:
Illustrations
Attributed works:
1. Adoration of the Magi, by Fra Angelico and Filippo Lippi. c.1440–60. Panel, diameter 137.3 cm. (National Gallery of Art, Washington).
Attributed works:
10. The Triumph of Fame, front of a birth tray, by Giovanni di Ser Giovanni. c.1448. Panel, diameter c.92.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Trappings of Piero de’ Medici’s horse, detail of east wall of the Medici Chapel.
Attributed works:
13. Trappings of the youngest king’s horse, detail of the east wall of the Medici Chapel.
Attributed works:
14. King’s feathered diadem, detail of the south wall of the Medici Chapel.
Attributed works:
15. Peacock, detail of west chancel wall of the Medici Chapel.
Attributed works:
16. Computer-altered image of Fig.1, with birds and dog removed.
Attributed works:
2. Adoration of the Magi, by Domenico Veneziano. c.1439–43. Panel, diameter 84 cm. Staatliche Museen preussischer Kulturbesitz, Berlin).
Attributed works:
3. Tabernacle roundel with Piero de’ Medici’s device, by Michelozzo. 1448. (S. Miniato al Monte, Florence).
Attributed works:
4. Detail of Fig.1 showing the peacock, goshawk and pheasant.
Attributed works:
5. Adoration of the Magi, by Jacopo di Cione and workshop. c.1370. Panel, 95 by 49 cm. (National Gallery, London).
Attributed works:
6. Detail of Fig.1 showing the two younger kings.
Attributed works:
7. The Journey of the Magi, detail, showing the goshawk and prey, by Benozzo Gozzoli. 1459–60. Fresco. (Medici Chapel, Florence).
Attributed works:
9. Tabernacle frieze with Medici device, by Michelozzo. 1448. Marble. (S. Miniato al Monte, Florence).
Western art unattributed:
11. Monogram of Christ, detail of the ceiling of the Medici Chapel, Florence. c.1456–58.
Western art unattributed:
8. Medici devices on portal of the Medici Bank in Milan. c.1455. Marble. (Castel Sforzesco, Milan).
Book Review
Fra Filippo Lippi. The Carmelite Painter
08/2000 | 1169 | 142
Pages: 507-508
related names
Reviewer:
Wright, Alison (Wright, Alison)
Subjects
artists:
dates:
places:
Reviewed Items
subjects:
Fra Filippo Lippi. The Carmelite Painter | author: Holmes, Megan
Publication Received
Dessins Italians du musee Conde a Chantilly. I. Autour de Perugin, Filippino Lippi et Michel-Ange
01/1998 | 1138 | 140
Pages: 49
Subjects
artists:
artists:
artists:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Dessins Italians du musee Conde a Chantilly. I. Autour de Perugin, Filippino Lippi et Michel-Ange | author: Lanfranc de Panthou, Caroline , author: Peronnet, Benjamin
Short Notice
The 'Missing' Predella Panel from Pesellino's Trinity Altar-Piece
02/1996 | 1115 | 138
Pages: 87-88
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
places:
Illustrations
Attributed works:
23. The Trinity with Sts Mamas, James the Great, Zeno and Jerome, Begun by Francesco Pesellino and Completed by Filippo Lippi. Oil and Egg Tempera on Panel, 184 by 181.5 cm. (Main Panel) (National Gallery, London).
Attributed works:
24. The Vision of St Augustine, by Filippo Lippi and Workshop. Egg Tempera on Panel, 29 by 51.5 cm. (Hermitage, St Petersburg).
Attributed works:
25. The Beheading of St James the Great, by Filippo Lippi and Workshop. 1458-60. Egg Tempera on Panel, 30 by 42 cm. (National Gallery, London).
Attributed works:
26. St Jerome and the Lion, by Filippo Lippi and Workshop. Egg Tempera on Panel, 29.8 by 43 cm. (National Gallery, London).
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