Search

Exhibition Review

Hugo van der Goes: Between Bliss and Pain

07/2023 | 1444 | 165

Pages: 778–781

Buy / subscribe

related names

Reviewer:

Jones, Susan (Jones, Susan; Jones, Susan Frances)

Subjects

artists:

Goes, Hugo van der

dates:

2020-2030

museums and institutions:

Gemäldegalerie, Berlin, Germany

subjects:

Flemish art / Fifteenth-century

Reviewed Items

subjects:

Hugo van der Goes: Between Bliss and Pain Gemäldegalerie, Berlin 31st March–16th July | :

Illustrations

Attributed works:

1. Virgin and Child (Madonna of the crescent moon), by Hugo van der Goes. After 1476. 40.5 by 27 cm. (Musei Civici, Pavia; exh. Gemäldegalerie, Berlin).

Attributed works:

2. Triptych of the Martyrdom of St Hippolytus, by Hugo van der Goes. c.1475 and 1479. Oil on panel, 91 by 40 cm. (St Salvator’s Cathedral, Bruges; exh. Gemäldegalerie, Berlin).

Attributed works:

3. St Luke drawing the Virgin, attributed to Hugo van der Goes. c.1475–80. Oil on oak, 104 by 62.8 cm. (Museu Nacional de Arte Antiga, Lisbon; exh. Gemäldegalerie, Berlin).

Attributed works:

4. Christ on the Cross, by Hugo van der Goes. c.1480. Brush in dark brown, heightened with white, on violetgrey primed paper. 25.8 by 20.4–21 cm. (Royal Collection Trust; © 2023 His Majesty King Charles III; exh. Gemäldegalerie, Berlin).

Exhibition Review

Donatello in Florence, Berlin and London

07/2023 | 1444 | 165

Pages: 761–771

Buy / subscribe

related names

Author:

Röstel, Alexander (Röstel, Alexander )

Subjects

artists:

Donatello

artists:

Desiderio da Settignano / Robbia, Luca della / Michelozzo di Bartolomeo / Mantegna, Andrea / Lippi, Filippo / Domenico Veneziano / Baroncelli, Niccolò / Bronzino, Agnolo / Michelangelo / Berruguete, Alonso / Masaccio

dates:

2020-2030

museums and institutions:

Palazzo Strozzi, Florence, Italy / Gemäldegalerie, Berlin, Germany / Victoria and Albert Museum, London, Great Britain

subjects:

Italian sculpture / Renaissance art / Renaissance sculpture / Workshops (Organisations) / Exhibitions / Displays / Attributions

Reviewed Items

subjects:

Donatello. Inventor of the Renaissance, Berlin, 2nd September 2022–8th January 2023. | :

subjects:

Donatello. Sculpting the Renaissance, Victoria and Albert Museum, London. 11th February–11th June 2023. | :

subjects:

Donatello. The Renaissance, Palazzo Strozzi, Florence, 19th March–31st July 2022. | :

Illustrations

Attributed works:

1. Virgin and Child (The Pazzi Madonna), by Donatello. c.1420–25. Marble, 74.5 by 73 by 6.5 cm. (Bode-Museum, Berlin; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

10. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023, showing a group of sculptures depicting the Virgin and Child.

Attributed works:

11. Virgin and Child (The Piot Madonna), by Donatello and workshop. c.1440. Terracotta with traces of gilding, inset with wax medallions under glass, diameter 75 cm. (Musée du Louvre, Paris; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria & Albert Museum, London).

Attributed works:

12. Virgin and Child (The Dudley Madonna), by Donatello. c.1440. Marble, 27 by 16.5 by 2 cm. (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

13. Flagellation and Crucifixion (The Forzori Altar), by Donatello. c.1450. Terracotta, 54.5 by 30.4 by 4.5 cm. (Flagellation), 53.5 by 27 by 5 cm. (Crucifixion) and 11.6 by 48.4 by 2.3 cm. (predella). (Victoria and Albert Museum, London; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

2. Amor–Attis, by Donatello. c.1435–40. Bronze, partially gilded, 103 by 55 by 45 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

3. The feast of Herod, by Donatello. c.1423–27. Gilded bronze, 60 by 59.7 by 9 cm. (Baptistery of S. Giovanni, Siena; exh. Palazzo Strozzi, Florence).

Attributed works:

4. Installation view of Donatello: The Renaissance at Palazzo Strozzi, Florence, 2022, showing on the right St Louis of Toulouse by Donatello.

Attributed works:

5. Ascension with Christ giving the keys to St Peter, by Donatello. c.1428–30. Marble, 40.6 by 114.3 by 5.3 cm. (Victoria and Albert Museum, London; exh. Victoria and Albert Museum, London).

Attributed works:

6. Capital for the pulpit of Prato Cathedral, by Donatello and Michelozzo. 1433. Bronze, 94.5 by 143.5 by 50 cm. (Museo dell’Opera del Duomo, Prato; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

7. David, by Donatello. c.1408–16. Marble, 191 by 57.5 by 32 cm. (Museo Nazionale del Bargello, Florence; exh. Palazzo Strozzi, Florence; Gemäldegalerie, Berlin; and Victoria and Albert Museum, London).

Attributed works:

8. Installation view of Donatello: Inventor of the Renaissance at the Gemäldegalerie, Berlin, 2022, showing the Martelli David and Bronzino’s portrait of Ugolino Martelli.

Attributed works:

9. Installation view of Donatello: Sculpting the Renaissance at Victoria and Albert Museum, London, 2023.

Article

The man who never was – almost

01/2023 | 1438 | 165

Pages: 57-65

Buy / subscribe

related names

Author:

Nesselrath, Arnold (Nesselrath, Arnold)

Subjects

artists:

Raphael

media:

Paintings / Drawings / Architectural drawings / Tapestries / Frescoes / Prints

museums and institutions:

Scuderie Papali al Quirinale, Rome, Italy / National Gallery, London, Great Britain / Kupferstichkabinett, Berlin, Germany / Gemäldegalerie, Berlin, Germany / Hamburger Kunsthalle, Hamburg, Germany / Gemäldegalerie Alte Meister, Dresden / Victoria and Albert Museum, London, Great Britain / Hermitage Museum, Saint Petersburg, Russia

subjects:

Centenaries / Exhibitions / Exhibition catalogues / Monographs / Renaissance art / Attributions / Restoration (process) / Facsimiles / FACTUM ARTE

Illustrations

Attributed works:

1. The Trinity with Sts Sebastian and Roch and The creation of Eve, by Raphael, photographed after its recent restoration. c.1499. Oil on canvas, each 266 by 94 cm. (Pinacoteca Comunale, Città di Castello).

Attributed works:

10. Portrait of a woman (‘La donna velata’), by Raphael. c.1513–14. Oil on canvas, 82 by 60.5 cm. (Palazzo Pitti, Florence).

Attributed works:

11. St Cecilia, attributed to Giovanfrancesco Penni. c.1514. Graphite, pen and ink and wash with white lead on paper, 26.8 by 16.3 cm. (Petit Palais, Musée des Beaux-Arts de la Ville de Paris).

Attributed works:

2. View of the Logge in the Vatican, by Ludwig Gruner. 1844. Chromolithograph, 54.8 by 37.3 cm. (page). (From Fresco Decorations and Stuccoes of Churches and Palaces in Italy during the Fifteenth and Sixteenth Centuries, with Descriptions by Lewis Gruner, London 1844; Royal Collection Trust; © HM King Charles III 2023).

Attributed works:

3. St Paul preaching in Athens, by the Mortlake Tapestry Manufactory after a cartoon by Raphael. After 1625. Wool, silk and linen tapestry, 433 by 538 cm. (Gemäldegalerie Alte Meister, Dresden).

Attributed works:

4. Virgin and Child (‘The Tempi Madonna’), by Raphael. 1507–08. Oil on panel, 75 by 51 cm. (Alte Pinakothek, Munich).

Attributed works:

5. Dead boy on a dolphin, attributed to Lorenzetto, after a design by Raphael. Marble, 39 by 106 cm (State Hermitage Museum, St Petersburg).

Attributed works:

6. Detail of Procession to Calvary, by an unknown collaborator of Rapahel. c.1504–05. Oil on panel, 24.4 by 85.5 cm. (National Gallery, London).

Attributed works:

7. St George, by Raphael. c.1505. Oil on panel, 30.7 by 26.8 cm. (Musée du Louvre, Paris).

Attributed works:

8. Holy Family with a pomegranate, by Raphael. c.1507–08. Pen and ink and black and red chalk on paper, 35.3 by 23.4 cm. (Palais de Beaux-Arts, Lille).

Attributed works:

9. Vault of the Chapel of St Helena, S. Croce in Gerusalemme, Rome, designed by Baldassare Peruzzi. 1496–1509. Mosaic. (Alamy).

Exhibition Review

Late Gothic: The Birth of Modernity

09/2021 | 1422 | 163

Pages: 840-842

Buy / subscribe

related names

Reviewer:

Lutz, Gerhard (Lutz, Gerhard)

Subjects

artists:

Nikolaus Gerhaert von Leyden / Schongauer, Martin / Riemenschneider, Tilman / Dürer, Albrecht / Witz, Konrad

dates:

2020-2030

museums and institutions:

Gemäldegalerie, Berlin, Germany

styles:

Late Gothic

subjects:

German art / Early Netherlandish art

Reviewed Items

subjects:

Late Gothic: The Birth of Modernity Gemäldegalerie, Berlin 21st May–5th September | :

Illustrations

Attributed works:

5. Annunciation, by Konrad Witz. c.1440. Oil on panel, transferred to board, 158.1 by 120.6 cm. (Germanisches Nationalmuseum, Munich; exh. Gemäldegalerie, Berlin).

Attributed works:

6. Bust of a man, by Niclaus Gerhaert. c.1463. Sandstone, 44 by 30 by 34 cm. (Musée de l’oeuvre Notre-Dame, Strasbourg; exh. Gemäldegalerie, Berlin).

Attributed works:

7. The resurrected Christ appearing to Mary Magdalene, by Tilman Riemenschneider. 1490–92. Limewood, 143.5 by 101.5 cm. (Skulpturensammlung und Museum für Byzantinische Kunst, Berlin; exh. Gemäldegalerie, Berlin).

Short Notice

Aby Warburg’s ‘Bilderatlas Mnemosyne’: systems of knowledge and iconography

12/2020 | 1413 | 162

Pages: 1078-1084

Buy / subscribe

related names

Author:

Zöllner, Frank (Zöllner, Frank)

Subjects

artists:

Warburg, Aby

artists:

Gombrich, E. H.

dates:

2020-2030

museums and institutions:

Haus der Kulturen der Welt, Berlin, Germany / Gemäldegalerie, Berlin, Germany / Warburg Institute, London, Great Britain

subjects:

Bilderatlas Mnemosyne / Art history / Iconography

subjects:

Exhibitions

Reviewed Items

subjects:

Aby Warburg: Bilderatlas Mnemosyne – The Original, at the Haus der Kulturen der Welt, Berlin (1st September–30th November). | :

subjects:

Gemäldegalerie, Berlin, Between Cosmos and Pathos: Berlin Works from Aby Warburg’s Mnemosyne Atlas (8th August–1st November), | :

Illustrations

Attributed works:

1. Panel B from Bilderatlas Mnemosyne, photographed in October 1929. (Warburg Institute, London).

Attributed works:

2. Panel 77 from Bilderatlas Mnemosyne, as reconstructed in the exhibition Aby Warburg: Bilderatlas Mnemosyne – The Original, at the Haus der Kulturen der Welt, Berlin. (Photograph Wootton / fluid).

Attributed works:

3. Panel C from Bilderatlas Mnemosyne, photographed in October 1929. (Warburg Institute, London).

Western art unattributed:

4. A detail from Fig.2, showing W. Riemer: Eßt Fisch dann bleibt ihr schlank gesund u[nd] frisch (Eat fish and you will stay slim, healthy and fresh). 1927. Lithograph poster, 71 by 47.5 cm. (Staatliche Museen zu Berlin, Kunstbibliothek).

Article

The Nobili altarpiece from S. Maria degli Angeli, Florence

01/2020 | 1402 | 162

Pages: 14-25

Buy / subscribe

related names

Author:

Gordon, Dillian (Gordon, Dillian)

Subjects

artists:

Gaddi, Agnolo / Monaco, Lorenzo

buildings:

Santa Maria degli Angeli, (destroyed), Florence, Italy

collectors and dealers:

Richard L Feigen / Alana Collection, Newark, DE, United States / Clowes Collection, Indianapolis Museum of Art, Indianapolis, United States

dates:

1350-1399

museums and institutions:

Musée du Louvre, Paris, France / Gemäldegalerie, Berlin, Germany / Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy

patrons:

Bartolini Benvenuti de’ Nobili., Bernardo di Cino

places:

Florence / Paris

subjects:

Altarpieces / Fragments / Reconstructions / Predellas / Charles V, le Sage, King of France, 1338-1380 / Chapels / Coats of arms / Christian iconography / Saints / Family portraits / Donors

Illustrations

Attributed works:

1. Hypothetical reconstruction of the Nobili altarpiece, S. Maria degli Angeli, Florence, by Agnolo Gaddi and Lorenzo Monaco. 1387–88. Tempera on wood. Reconstruction by the author with Rachel Billinge. Main tier: Virgin and Child enthroned with Sts John the Evangelist, John the Baptist, James and Bartholomew, each panel: 186 by 70 cm. (Gemäldegalerie, Berlin). Predella: left to right Bernardo di Cino Bartolini de’ Nobili and his sons (see Fig.6); Feast of Herod, Crucifixion and St James and the sorcerer Hermogenes, each panel 43 by 67 cm. (Musée du Louvre, Paris); Piera degli Albizzi and her daughters (see Fig.7). Pinnacles: Angel Gabriel; Blessing Redeemer; Annunciate Virgin, each panel 67.3 by 30.5 cm. (Collezione Fondazione Francesco Federico Cerruti, on permanent loan to Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino). Pilasters: Outer left side, top to bottom Deacon saint (see Fig.9); Mary Magdalene (see Fig.8); and Baptism of Christ (see Fig.3). Inner left side, top to bottom St Peter (see Fig.9); and St Benedict (see Fig.8). Inner right side St Paul (see Fig.9); and St Bernard (see Fig.8). Outer right side Bishop saint (see Fig.9); St Catherine (see Fig.8); and Hermogenes throwing books on sorcery into a river (see Fig.4).

Attributed works:

10. Virgin and Child with Sts Andrew, Benedict, Bernard, and Catherine of Alexandria with Angels, by Agnolo Gaddi. c.1387. Tempera on poplar panel, left panel 197 by 80 cm.; middle panel 204 by 80 cm.; right panel 194.6 by 80 cm. (National Gallery of Art, Washington).

Attributed works:

2. Nobili arms as granted to Bernardo di Cino by Charles V of France in 1379 (repr. R. Ciabani: Le famiglie di Firenze, Florence 1992, III, p.806).

Attributed works:

3. Baptism of Christ, by Lorenzo Monaco. 1387–88. Tempera on panel, 38.4 by 28.7cm. (National Gallery, London).

Attributed works:

4. Hermogenes throwing books on sorcery into a river, by Lorenzo Monaco. 1387–88. Tempera on panel, 30.00 by 21.6 cm. (Alana Collection, Newark DE).

Attributed works:

5. Detail of Fig.6.

Attributed works:

6. Bernardo di Cino Bartolini de’ Nobili and his sons, by Lorenzo Monaco. 1387–88. Tempera on wood, 38.1 by 28.9 cm. (Richard L. Feigen Collection, New York).

Attributed works:

7. Piera degli Albizzi and her daughters, by Lorenzo Monaco. 1387–88. Tempera on wood, 27.4 by 21.7 cm. (Alana Collection, Newark DE).

Attributed works:

8. St Mary Magdalene (73.5 by 19cm.); St Benedict (73.7 by 19.4 cm.); St Bernard of Clairvaux (73.7 by 20 cm.), by Agnolo Gaddi. St Catherine of Alexandria (73.6 by 19.4 cm.), by Agnolo Gaddi and Lorenzo Monaco. 1387. Tempera on wood; all now framed together as a single unit. (Clowes Collection, Indianapolis/Newfields Museum of Art).

Attributed works:

9. Bishop saint, St Peter, St Paul and Deacon saint, by Lorenzo Monaco. 1387–88. Now framed together as a single unit, 55.8 by 75 cm. (Gemäldegalerie, Berlin; formerly in Göttingen Universitätsmuseum).

Western art unattributed:

11. Charles V of France and his sons, the future Charles VI, and Louis d’Orléans, with Sts John the Baptist, Charlemagne and Louis of Toulouse; Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.16, Gaignières 444).

Western art unattributed:

12. Queen Jeanne de Bourbon with two of her daughters and Sts Catherine and Louis of France. c.1374. Eighteenth-century watercolour copy of parts of an embroidery once belonging to the duc de Berry. (Bibliothèque nationale de France, Département des Estampes et de la Photographie, Paris, Réserve, OA 13, fol.17, Gaignières 445).

Article

Supplementing the eye: the technical analysis of Frans Hals’s paintings – i

11/2019 | 1400 | 161

Pages: 934-941

Buy / subscribe

related names

Author:

Tummers, Anna (Tummers, Anna)

Subjects

artists:

Hals, Frans

museums and institutions:

Gemäldegalerie, Berlin, Germany

subjects:

Technical analysis / Scientific analysis / Research / Attributions / Connoisseurship / Forgeries / Radiographs / Infrared photography / Dutch art

Illustrations

Attributed works:

1. Portrait of a woman, by Frans Hals. c.1632–35. Oil on canvas, 76 by 61.4 cm. (Staatliche Museen zu Berlin, Gemäldegalerie).

Attributed works:

10. MA-XRF scan of Fig.1, showing the element iron (Fe).

Attributed works:

11. Neutron-Autoradiograph of Fig.1 (second recording).

Attributed works:

12. MA-XRF scan of Fig.1, showing the element copper (Cu).

Attributed works:

13. Neutron-Autoradiograph of Fig.1 (fifth recording).

Attributed works:

14. MA-XRF scan of Fig.1, showing the element calcium (Ca).

Attributed works:

15. MA-XRF scan of Fig.1, showing the element mercury (Hg).

Attributed works:

16. Hyperspectral image of Fig.1 (detail), juxtaposing the ground layer with the adjacent collar.

Attributed works:

17. Hyperspectral image of Fig.1, showing the partially exposed ground layer.

Attributed works:

18. Hyperspectral image of Fig.1, showing the spectral characteristics of flesh tones in the face and hands.

Attributed works:

2. X-radiograph of Fig.1.

Attributed works:

3. Details of Fig.2 showing bottom strip aligned with top part.

Attributed works:

4. Automated Canvas Analysis, showing the cusping (thread intersection angle in degrees).

Attributed works:

5. Photomicrograph of Fig.1, showing the incised line at the right edge.

Attributed works:

6. Reconstruction of the formats of Fig.1. Yellow margins: format of 1767, probably identical to the original dimensions; Blue margins: format of 1786, when the image was clearly reduced in size (the cuffs were covered by the frame at the bottom and slightly at the left edge); Red margins: present format, with extensions at lower and left edges.

Attributed works:

7. Infrared reflectogram of Fig.1.

Attributed works:

8. Neutron-Autoradiograph of Fig.1 (first recording).

Attributed works:

9. MA-XRF scan of Fig.1, showing the element manganese (Mn).

Book Review

Gestatten Suermondt! Sammler, Kenner, Kunstmäzen. Edited by Peter van den Brink and Wibke Vera Birth

08/2019 | 1397 | 161

Pages: 695-696

Buy / subscribe

related names

Reviewer:

Tuohy, Thomas (Tuohy, Thomas)

Subjects

artists:

Knaus, Ludwig

collectors and dealers:

Suermondt, Barthold

museums and institutions:

Suermondt-Ludwig-Museum, Aachen, Germany / Gemäldegalerie, Berlin, Germany / Königliche Museen zu Berlin, Berlin, Germany

subjects:

Collections / Collectors / Dutch art

Reviewed Items

subjects:

Gestatten Suermondt! Sammler, Kenner, Kunstmäzen Edited by Peter van den Brink and Wibke Vera Birth. 440 pp. incl. 660 col. + b. & w. ills. (Belser Verlag, Stuttgart, 2018), | :

Illustrations

Attributed works:

4. Catharina Hooft with her nurse, by Frans Hals. 1619–20. Oil on canvas, 91.8 by 68.3 cm. (Gemäldegalerie, Berlin).

Article

‘Mantegna and Bellini’ in London and Berlin

08/2019 | 1397 | 161

Pages: 660-665

Buy / subscribe

related names

Author:

Campbell, Caroline (Campbell, Caroline)

Subjects

artists:

Mantegna, Andrea / Bellini, Giovanni / Bellini, Jacopo

dates:

2010-2019

media:

Drawings / Prints / Paintings

museums and institutions:

National Gallery, London, Great Britain / Gemäldegalerie, Berlin, Germany

subjects:

Italian art / Venetian art / Exhibitions / Connoisseurship / scholars / Dating / Influence / Curators / Conservation / Attributions

Illustrations

Attributed works:

1. Detail of The Agony in the Garden, by Giovanni Bellini. c.1458–60. Egg tempera on panel, 80.4 by 127 cm. (National Gallery, London).

Attributed works:

2. Crucifixion, by Giovanni Bellini. c.1465. Oil or egg tempera on panel, 71 by 63 cm. (Musée du Louvre, Paris).

Attributed works:

3. Detail of Three stories of Drusiana and St John the Evangelist, showing the raising of Drusiana, by Giovanni Bellini. c.1465. Oil or egg tempera on panel, 32 by 202 cm. (Schlossmuseum, Berchtesgaden, Bavaria).

Attributed works:

4. Dead Christ supported by two angels, by Andrea Mantegna. c.1485– 1500. Egg tempera on panel, 78 by 48 cm. (Statens Museum, Copenhagen).

Attributed works:

5. Installation view of Mantegna and Bellini at the National Gallery, London, showing three canvases from Mantegna’s Triumphs of Caesar. (Photograph National Gallery Image Library).

Attributed works:

6. Nativity, by Giovanni Bellini. c.1480. Pen and brush and brown ink on laid paper, 21.1 by 21.1 cm. (Courtauld Gallery, London).

Attributed works:

7. St Mark healing Ananias, by Giovanni Bellini. c.1485. Pen and brown ink on paper, 18.4 by 17.2 cm. (Kupferstichkabinett, Berlin).

Attributed works:

8. Two studies of the Lamentation over the dead Christ, by Andrea Mantegna. Early 1460s. Pen and brown ink on paper, 15.1 by 10 cm. (Private collection; photograph Art Photo Studio di Paolo Manusardi).

Exhibition Review

Mantegna and Bellini. National Gallery, London

12/2018 | 1389 | 160

Pages: 1038-1041

Subscribe to read

related names

Reviewer:

Christiansen, Keith (Christiansen, Keith; Christiansen, K.)

Subjects

art literature:

Vasari, Giorgio / Venturi, Adolfo

artists:

Mantegna, Andrea / Bellini, Giovanni / Dossi, Dosso / Titian / Donatello / Zoppo, Marco

collectors and dealers:

Bembo, Pietro

dates:

2010-2019

media:

Paintings

museums and institutions:

National Gallery, London, Great Britain / Gemäldegalerie, Berlin, Germany

patrons:

Gonzaga, Ludovico / Alfonso I d’Este, Duke of Ferrara, 1476-1534 / Isabella d’Este, Marquise of Mantua, 1474-1539

places:

Great Britain / London / Germany / Berlin

subjects:

Italian painting / Style / Patronage / Commissions / Attributions / Influence / Copying / Tracings / Altarpieces / Allegory / Christian iconography / Workshops (Organisations) / Courts (social groups) / Devotional images / Exhibition catalogues

Illustrations

Attributed works:

1. Presentation of Christ in the Temple, by Andrea Mantegna. c.1454. Egg tempera on canvas, 77.5 by 94.4 cm. (Gemäldegalerie, Staatliche Museen zu Berlin; exh. National Gallery, London).

Attributed works:

2. Presentation of Christ in the Temple, by Giovanni Bellini, c.1470–75. Panel, 80 by 105 cm. (Museo della Fondazione Querini Stampalia, Venice; exh. National Gallery, London).

Attributed works:

3. Dead Christ supported by four angels, by Giovanni Bellini. c.1470. Egg tempera (?) on panel, 80.5 by 120 cm. (Museo della Città ‘Luigi Tonini’, Rimini; exh. National Gallery, London).

Attributed works:

4. Death of the Virgin, by Andrea Mantegna. c.1460–64. Egg tempera on panel, 54.5 by 42 cm. (Museo Nacional del Prado, Madrid; exh. National Gallery, London).

Sign up to our newsletter