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28 articles
Exhibition Review
Hugo van der Goes: Between Bliss and Pain
07/2023 | 1444 | 165
Pages: 778–781
related names
Reviewer:
Jones, Susan (Jones, Susan; Jones, Susan Frances)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Hugo van der Goes: Between Bliss and Pain Gemäldegalerie, Berlin 31st March–16th July | :
Illustrations
Attributed works:
1. Virgin and Child (Madonna of the crescent moon), by Hugo van der Goes. After 1476. 40.5 by 27 cm. (Musei Civici, Pavia; exh. Gemäldegalerie, Berlin).
Attributed works:
2. Triptych of the Martyrdom of St Hippolytus, by Hugo van der Goes. c.1475 and 1479. Oil on panel, 91 by 40 cm. (St Salvator’s Cathedral, Bruges; exh. Gemäldegalerie, Berlin).
Attributed works:
3. St Luke drawing the Virgin, attributed to Hugo van der Goes. c.1475–80. Oil on oak, 104 by 62.8 cm. (Museu Nacional de Arte Antiga, Lisbon; exh. Gemäldegalerie, Berlin).
Attributed works:
4. Christ on the Cross, by Hugo van der Goes. c.1480. Brush in dark brown, heightened with white, on violetgrey primed paper. 25.8 by 20.4–21 cm. (Royal Collection Trust; © 2023 His Majesty King Charles III; exh. Gemäldegalerie, Berlin).
Article
The meanings of Domenico Beccafumi’s ‘Nativity’ in S. Martino, Siena
08/2021 | 1421 | 163
Pages: 706-717
related names
Author:
Medicus, Gustav (Medicus, Gustav)
Subjects
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Illustrations
Attributed works:
1. The Marsili Chapel, S. Martino, Siena, showing the Nativity by Domenico Beccafumi, set in a marble frame by Lorenzo di Mariano (‘Il Marrina’). 1522–23. (Bridgeman Images).
Attributed works:
10. Study for St Joseph in the Nativity, by Domenico Beccafumi. c.1522. Pen and brown ink on paper, 18.6 by 16.3 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence; inv. no.10748 F).
Attributed works:
11. Detail of Fig.1, showing the stemma of the Ugolini family.
Attributed works:
12. Detail of Fig.1, showing the stemma of the Marsili family.
Attributed works:
13. Detail of Fig.3, showing the relief on the triumphal arch.
Attributed works:
14. Drawing of Sodoma’s Nativity on the Porta Pispini, Siena, by Johann Anton Ramboux. 1832–42. Pencil on paper, 19.1 by 14.3 cm. (Städelsches Kunstinstitut, Frankfurt).
Attributed works:
15. Nativity, by Bartolomeo Neroni (Il Riccio) and Arcangelo Salimbeni. 1565–79. Oil on panel, 348 by 215 cm. (S. Niccolò al Carmine, Siena).
Attributed works:
16. Detail of Adoration of the shepherds, by Alessandro Casolani. 1591. Oil on canvas, 414 by 190 cm. (Collegiata dei Santi Simone e Giuda, Radicondoli).
Attributed works:
17. Adoration of the shepherds, by Cosimo Gamberucci. 1618. Oil on canvas, 412 by 294 cm. (S. Maria Maddalena de’Pazzi, Florence).
Attributed works:
18. Adoration of the Magi, by Baldassare Peruzzi. 1522–23. Pen and ink and brown wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
2. Nativity, by Francesco di Giorgio. 1485–90. Tempera and oil on canvas, 204 by 239 cm., without the lunette by Matteo di Giovanni or the predella by Bernardino Fungai (S. Domenico, Siena; Scala Archives).
Attributed works:
3. Nativity by Domenico Beccafumi. 1522–23. Oil on panel, 390 by 235 cm. (S. Martino, Siena; Scala Archives).
Attributed works:
4. The stigmatisation of St Catherine, by Domenico Beccafumi. c.1515. Oil on panel, 212 by 162 cm. (Pinacoteca Nazionale, Siena; Scala Archives).
Attributed works:
5. Detail of Fig.3, showing the lamb and Christ Child.
Attributed works:
6. Detail of Fig.3, showing shepherds.
Attributed works:
7. Detail of the shepherds in the Portinari Altarpiece, by Hugo van der Goes. 1474–76. Tempera and oil on canvas, 253 by 304 cm. (Galleria degli Uffizi, Florence; Scala Archives).
Attributed works:
8. Madonna of the blue diadem, by Raphael or Gianfrancesco Penni. 1510–12. Oil on panel, 68 by 48.2 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
9. Detail of Fig.3, showing the trellis with a vine and sheaves of wheat.
Article
New Documentation for the Portinari Altar-Piece
03/2003 | 1200 | 145
Pages: 164-179
related names
Author:
Koster, Margaret L. (Koster, Margaret L.)
Subjects
dates:
museums and institutions:
patrons:
Illustrations
Attributed works:
29. Portinari altar-piece, by Hugo van der Goes. c. 1473-82. Central panel, 253 by 304 cm.; wings 253 by 141 cm. (Galleria degli Uffizi, Florence).
Attributed works:
30. IRR scan of Fig.29, left wing.
Attributed works:
31. IRR scan of Fig.29, left wing, detail of Antonio and Pigello Portinari.
Attributed works:
32. IRR scan of Fig.29, left wing, detail of St Anthony Abbot.
Attributed works:
33. IRR scan of Fig.29, right wing, detail of Margherita Portinari.
Attributed works:
34. IRR scan of Fig.29, right wing.
Attributed works:
35. X-ray of Fig.29, left wing, head of Tommaso Portinari.
Attributed works:
36. IRR scan of Fig.29, left wing, detail of Tommaso Portinari.
Attributed works:
37. X-ray of Fig.29, right wing, head of Maria Maddalena Portinari.
Attributed works:
38. IRR scan of Fig.29, right wing, detail of Maria Maddalena Portinari.
Attributed works:
39. Tommaso Portinari, by Hans Memling. c. 1470. Panel, 44.1 by 33.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
40. Maria Maddalena Baroncelli Portinari, by Hans Memling. c. 1470. Panel, 44.1 by 34 cm. (Metropolitan Museum of Art, New York).
Attributed works:
41. Detail of Fig.29, central panel, detail of the devil.
Attributed works:
42. Detail of Fig.29, central panel, detail of man in profile in the background.
Attributed works:
43. IRR scan of Fig.29, central panel, detail of man in profile in the background.
Attributed works:
45. Lamentation (right wing of diptych; left wing: Fall of Man), by Hugo van der Goes. c. 1470/75? Panel, 32.3 by 21.9 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
46. Mérode triptych, by Robert Campin and/or assistants. c. 1425. Panel, 64.1 by 63.2 cm. (central panel); each wing 64.5 by 27.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
47. IRR scan of Fig.29, central panel.
Attributed works:
48. IRR scan of Fig.29, central panel, detail of upper left.
Attributed works:
49. Monforte altar-piece, by Hugo van der Goes. c. 1470? Panel, 146.5 by 241.5 cm. (Staatliche Museen, Berlin).
Attributed works:
50. IRR scan of Fig.29, central panel, detail of the Virgin's hands.
Attributed works:
51. IRR scan of Fig.29, central panel, detail of flowers.
Attributed works:
52. Virgin Annunciate, exterior of left wing of the Portinari altar-piece.
Attributed works:
53. IRR scan of Fig. 52.
Attributed works:
54. Gabriel, exterior of right wing of the Portinari altar-piece.
Attributed works:
55. IRR scan of Fig.54. The right edge of this scan is irregular due to the immobile position of the triptych and the limits of the machinery to reach further into the corner.
Western art unattributed:
44. St Luke, copy after Hugo van der Goes? Panel, 101.5 by 61 cm. (Museu Nacional de Arte Antiga, Lisbon).
Short Notice
Edward Bonkil and Hugo van der Goes
03/2001 | 1176 | 143
Pages: 157-158
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
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Illustrations
Attributed works:
31. 'Edward Bonkil with two angels', by Hugo van der Goes. c.1475-80. Panel, 202 by 100.5 cm. (National Gallery of Scotland, Edingurgh, lent by Her Majesty the Queen). Reproduced by Gracious Permission of Her Majesty The Queen.
Book Review
Musees royaux des Beaux-Arts de Belgique. The Flemish Primitives II: The Dirk Bouts, Petrus Christus, Hans Memling and Hugo van der Goes Groups
11/2000 | 1172 | 142
Pages: 704
related names
Reviewer:
Dijkstra, Jeltje (Dijkstra, Jeltje)
Subjects
artists:
artists:
artists:
Reviewed Items
subjects:
Musees royaux des Beaux-Arts de Belgique. The Flemish Primitives II: The Dirk Bouts, Petrus Christus, Hans Memling and Hugo van der Goes Groups | author: Dubois, Anne , author: Slachmuylders, Roel , author: Stroo, Cyriel , author: Syfer-d'Olne, Pascale
Book Review
Hugo van der Goes: Stilentwicklung und Chronologie (Berliner Schriften zur Kunst, Bd. 3)
09/1994 | 1098 | 136
Pages: 624-625
related names
Reviewer:
Evans, Mark L. (Evans, Mark L.; Evans, Mark)
Subjects
dates:
places:
Reviewed Items
subjects:
Hugo van der Goes: Stilentwicklung und Chronologie (Berliner Schriften zur Kunst, Bd. 3) | author: Sander, Jochen
Article
Edward Bonkil: A Scottish Patron of Hugo van der Goes
05/1984 | 974 | 126
Pages: 265-267+271-274
related names
Author:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
patrons:
places:
subjects:
Illustrations
Attributed works:
12. Edward Bonkil with Two Angels, by Hugo van der Goes. Panel, 202 by 100.5 cm. Reverse of Right Wing of the Trinity Altar-Piece. (Royal Collection; On Loan to National Gallery of Scotland, Edinburgh). Reproduced by Gracious Permission of H. M. The Queen.
Book Review
Hugo van der Goes and the Trinity Panels in Edinburgh
05/1976 | 878 | 118
Pages: 319-321
related names
Reviewer:
Bruyn, Josua (Bruyn, Josua; Bruyn, J.)
Subjects
dates:
places:
places:
Reviewed Items
subjects:
Hugo van der Goes and the Trinity Panels in Edinburgh | author: Campbell, Lorne , author: Thompson, Colin
Illustrations
Attributed works:
66. Photomontage of Flémallesque Elements (Musée de Douai, No.305) and Goesian Ones (Bayer. Staatsbibliothek, Munich, Cod. lat. 23637, fol. 118v) Which Were Possibly Combined in the Lost Central Panel of a Triptych by Hugo van der Goes.
Supplement
Notable Works of Art Now on the Market: Supplement
12/1966 | 765 | 108
Pages: ii
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Illustrations
Attributed works:
Plate I. Part of a Deposition, by a Follower of Hugo van der Goes. Panel, 10½ by $7frac{7}{8}$ in. (Sight Size.) (The Property of Messrs Ronald A. Lee, 1-9 Bruton Place, London w1.)
Attributed works:
Plate II. Madonna with St Anne, by Andrea Sansovino. Bronze; Height, 12¼ in. (The Property of Messrs David Peel & Co., Ltd., 2 Carlos Place, London w1)
Attributed works:
Plate III. Adoration of the Shepherds, Attributed to the Master of the Prodigal Son. Panel, $32frac{3}{4}$ by 43¼ in. (The Property of Messrs Brimo de Laroussilhe, 58 rue Jouffroy, Paris 17e, France)
Attributed works:
Plate IX. Porcellino, in the Manner of Giovanni Francesco Susini. Bronze, Mounted on Antico Giallo Marble Base; Height, $7frac{1}{8}$ in. (The Property of Messrs Michael Hall Fine Arts, Inc., 6 East 79th Street, New York, N. Y. 10021, U. S. A.)
Attributed works:
Plate VI. Cimon and Iphigenia, by Barthlomeus Breenberg. Signed with Initials. Panel, 14 by 18½ in. (The Property of Galerie Cramer, Javastraat 38, The Hague, Holland)
Attributed works:
Plate VII. Evening in the Meadows, by Albert Cuyp. Signed. Canvas, $41frac{3}{4}$ by 54½ in. (The Property of Galerie Cramer, Javastraat 38, The Hague, Holland)
Attributed works:
Plate XI. The Hon. Charles Hamilton, by Sir John Baptist Medina. Canvas, 50 by 40 Inches. (The Property of The Bonfiglioli Gallery, 13 The Turl, Oxford)
Attributed works:
Plate XII. Halting at an Inn in Winter, by Isaac van Ostade. Signed and Dated 1644. Panel, 25½ by 35 in. (The Property of the H. Terry-Engell Gallery, 8 Bury Street, London SW1)
Attributed works:
Plate XIII. Drum Salt. Maker's Mark IP. London, 1622. Silver; Height, 3.9 in. (The Property of How of Edinburgh, 2/3 Pickering Place, St James's Street, London SW1)
Attributed works:
Plate XIV. Pair of Wine Cups. Maker's Mark WS. London, 1627. Silver; Height, 10.3 in. (The Property of How of Edinburgh, 2/3 Pickcring Place, St James's Street, London SW1)
Attributed works:
Plate XIX. Landscape with Tobias and the Angel, by Paul Brill. Canvas, 43 by 56¼ in. (The Property of The Leger Galleries Ltd., 13 Old Bond Street, London w1)
Attributed works:
Plate XL. Rosa Viereck (No.264), by Wassily Kandinsky. Signed and Dated 1923. Canvas, 41½ by 38½ in. (The Property of Marlborough Fine Art Ltd., 39 Old Bond Street, London w1)
Attributed works:
Plate XLI. Portrait of M. Desboutin, by Mary Cassatt. Canvas, $23frac{3}{4}$ by $19frac{3}{4}$ in. (The Property of Hirschl & Adler Galleries, Inc, 21 East 67th Street, New York 21, N. Y., U. S. A.)
Attributed works:
Plate XLII. Candlesticks and Salts, by Paul de Lamerie. Height of Candlesticks, 7¼ in. Diameter of Salts, $3frac{1}{8}$ in. (The Property of S. J. Shrubsole Ltd., 43 Museum Street, London w1)
Attributed works:
Plate XV. Christ and the Canaanite, by Philippe de Champaigne. Canvas, 98 by 76 in. (The Property of the Heim Gallery, 59 Jermyn Street, London SW1)
Attributed works:
Plate XVI. Winter. One of a Pair of Figures of Seasons, by Artus Quellinus. Signed. Marble; Height, 35½ in. (The Property of the Heim Gallery, 59 Jermyn Street, London SW1)
Attributed works:
Plate XVII. Moses Striking the Rock, by Francesco Zuccarelli. Canvas, 29 by 50 in. (The Property of the Trafalgar Galleries Ltd., 35 Bury Street, London w1)
Attributed works:
Plate XVIII. Landscape with Venus and Adonis, by Joos de Momper and Frans Francken II. Panel, 26 by 36¼ in. (The Property of Messrs Julius Böhler, Briennerstrasse 25, Munich 2, Germany)
Attributed works:
Plate XX. Flagellation, Attributed to Palma Giovane. Slate, $12frac{7}{16}$ by $9frac{7}{16}$ in. (The Property of Gallery Lasson, 57 Jermyn Street, London sw1)
Attributed works:
Plate XXI. Interior of a Meat Shop, by Willem van Mieris. Signed and Dated 1733. Panel, 14¼ by 12½ in. (The Property of the Bond Street Galleries, 9 New Bond Street, London w1)
Attributed works:
Plate XXII. Christ Ministered by the Angels after the Temptation in the Wilderness, by Alessandro Magnasco. Canvas, 76 by 56 in. (The Property of The Hallsborough Gallery, 143 New Bond Street, London w1)
Attributed works:
Plate XXIII. Penitent Magdalen, by Giuseppe Maria Crespi. Canvas, 19¼ by $15frac{5}{8}$ in. (The Property of the Hazlitt Gallery, 4 Ryder Street, London sw1)
Attributed works:
Plate XXIV. The Island of San Giorgio Maggiore. From the School of Canaletto. Canvas, 17¼ by $23frac{3}{4}$ in. (The property of Oscar and Peter Johnson Ltd., Lowndes Lodge Gallery, Cadogan Place, London SW1)
Attributed works:
Plate XXV. Bacino di S. Marco, from the Piazzetta, from the School of Canaletto. Canvas, 17¼ by $23frac{3}{4}$ in. (The Property of Oscar and Peter Johnson Ltd., Lowndes Lodge Gallery, Cadogan Place, London SW1)
Attributed works:
Plate XXVI. A View of the Arno, Florence, by Antonio Joli. Canvas, 38 by 28 in. (The Property of Richard Green (Fine Paintings) Ltd., 36 Dover Street, London W1)
Attributed works:
Plate XXVII. Still Life, by Ambrosius Bosschaert the Elder. Copper, 24 by 17½ in. (The Property of Mr H. Parkin Smith, 36 Gay Street, Bath, Somerset.)
Attributed works:
Plate XXVIII. Lioness and Lion, by George Stubbs. Signed and Dated 1774. Canvas, 30½ by 38½ in. (The Property of Mr C. Marshall Spink, 18 Albemarle Street, London W1)
Attributed works:
Plate XXXI. Trafalgar Square, by Frank M. Boggs. Signed. Canvas, $15frac{7}{8}$ by 25½ in. (The Property of the M. R. Schweitzer Gallery, 958 Madison Avenue, New York 21)
Attributed works:
Plate XXXII. Sea and Rocks during a Storm, by Winslow Homer. Signed and Dated 1894. Water-Colour, 16 by 22½ in. (The Property of Kennedy Galleries Inc., 20 East 56th Street, New York, N. Y. 10022, U. S. A.)
Attributed works:
Plate XXXIII. Promenade des Artistes à Toulouse, by Henri (-Jean-Guillaume) Martin. c. 1900. Canvas, (The Property of the Wiener Gallery, 963 Madison Avenue, New York)
Attributed works:
Plate XXXIV. Venice, by Jean Dufy. Signed and Dated 1922. Canvas, 28 by 39½ in. (The Property of the Wiener Gallery, 963 Madison Avenue, New York)
Attributed works:
Plate XXXIX. Tree-Rhythm, by Paul Klee. Signed and Dated 1920. Oil on Cardboard, $18frac{3}{4}$ by $11frac{5}{8}$ in. (The Property of Marlborough Fine Art Ltd., 39 Old Bond Street, London w1)
Attributed works:
Plate XXXV. Self Portrait, by Robert Delaunay. 1906. Canvas, 23 by 17 in. (The Property of Messrs Arthur Tooth & Sons Ltd., 31 Bruton Street, London w1)
Attributed works:
Plate XXXVI. La Femme au corsage bleu, by Pablo Picasso. Signed and Dated 5th October, 1941. Canvas, $45frac{3}{4}$ by 35 in. (The Property of Galerie Beyeler, Bäumleingasse 9, Basle, Switzerland)
Attributed works:
Plate XXXVII. Elephant, Horse and Cow, by Franz Marc. Canvas, 33¼ by $30frac{7}{8}$ in. (The Property of Marlborough Fine Art Ltd., 39 Old Bond Street, London w1)
Attributed works:
Plate XXXVIII. Rest Room, by Oskar Schlemmer. Signed on Reverse. Canvas, 43¼ by $35frac{3}{8}$ in. (The Property of Marlborough Fine Art Ltd., 39 Old Bond Street, London w1)
Non-western art unattributed:
Plate V. Mask. Olmec. Guerrero, Western Mexico, c.600 B. C. Blue-Green Jade; Height $5frac{3}{4}$ in.; Width, 5½ in. (The Property of Everett Rassiga, Inc., 13 East 75th Street, New York, U. S. A.)
Non-western art unattributed:
Plate VIII. Tomb Figure of a Camel. T'ang Dynasty (c. Seventh to Eighth Century A. D.). Polychromed Pottery; Height, $18frac{3}{4}$ in.; Length, $20frac{3}{4}$ in. (The Property of Ralph M. Chait Gallcries, Inc., 12 East 56th Street, New York 22, U. S. A.)
Non-western art unattributed:
Plate X. Torso. Cambodia, Eighth Century A. D. Bronze; Height, 19½ in. (The Property of Frank Caro, 41 East 57th Street, New York, N. Y. 10022, U. S. A.)
Western art unattributed:
Plate IV. Lamentation over the Body of Christ. ?Augsburg, c.1520. Brown Ink on Buff Paper, 8 by 11 in. (The Property of L'Art Ancien S. A., Signaustrasse 6, Zurich 8, Switzerland)
Western art unattributed:
Plate XXIX. Plaque. Bristol, c.1777. Porcelain, 6 by 4½ in. (without Frame). (The Property of Winifred Williams (Antiques), 38 South Street, Eastbourne, Sussex)
Western art unattributed:
Plate XXX. Lady's Writing Cabinet. English, c.1795. Mahogany; Height, 6 ft 2 in.; Width, 3 ft 9 in.; Depth, 17 in. (The Property of Messrs Spink & Son Ltd., 5, 6 & 7 King Street, St James's, London SW1)
Letter
The Master of Moulins and Hugo van der Goes
08/1963 | 725 | 105
Pages: 370-371
related names
Author:
Bruyn, Josua (Bruyn, Josua; Bruyn, J.)
Author:
Châtelet, Albert (Châtelet, Albert; Chatelet, A.)
Subjects
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