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308 articles
Editorial
At Tate Britain
07/2023 | 1444 | 165
Pages: 695
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Subjects
museums and institutions:
Tate Britain, London, Great Britain
subjects:
Art museums / Art galleries / Art theory / Displays / Curators / Art history / Cultural history / History / Museology
Book Review
Two Women Patrons of the Russian Avant-Garde: Nadezhda Dobychina and Klavdia Mikhailova
11/2022 | 1436 | 164
Pages: 1170-1170
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related names
Reviewer:
Lodder, Christina (Lodder, Christina; L., C.; Lodder, Christina A.)
Subjects
collectors and dealers:
Dobychina, Nadezdha / Mikhailova, Klavdia
places:
Saint Petersburg / Moscow
subjects:
Patrons / Art dealers / Art galleries / Russian art / Avant-garde / Art market
Reviewed Items
subjects:
Two Women Patrons of the Russian Avant-Garde: Nadezhda Dobychina and Klavdia Mikhailova By Natalia Budanova and Natalia Murray. 240 pp. incl. 64 col. + 86 b. & w. ills. (Unicorn, London, 2021), £30. ISBN 978–1–913491–27–7. | :
Article
The Spanish Gallery, Bishop Auckland
03/2022 | 1428 | 164
Pages: 276-283
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related names
Author:
Kent, Isabelle (Kent, Isabelle )
Subjects
artists:
Zurbarán, Francisco de / El Greco / Velázquez, Diego / Murillo, Bartolomé Esteban / Giordano, Luca / Sánchez Coello, Alonso / Maíno, Juan Bautista / Valdés Leal, Juan de
museums and institutions:
Spanish Gallery, Bishop Auckland, Great Britain / Auckland Castle, Bishop Auckland, Co. Durham, Great Britain
patrons:
Ruffer, Jonathan
subjects:
Art galleries / Spanish art / FACTUM ARTE
Illustrations
Attributed works:
1. The Copatronazgo, by Juan Bautista Maíno. c.1627. Oil on canvas, 145 by 103 cm. (Courtesy Jonathan Ruffer).
Attributed works:
10. The Cardinal Tavera Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Attributed works:
2. The Long Dining Room at Auckland Castle, Bishop Auckland, with Jacob and his twelve sons, by Francisco de Zurbarán. (Photograph House of Hues).
Attributed works:
3. The ‘Cabbages and Kings’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
4. Benjamin, by Francisco de Zurbarán. Oil on canvas, 199.2 by 103 cm. (The Grimsthorpe and Drummond Castle Trust; © Grimsthorpe and Drummond Castle Trust; photograph Robert LaPrelle).
Attributed works:
5. The ‘Eternal Devotion’ Room, The Spanish Gallery, Bishop Auckland. (Photograph House of Hues).
Attributed works:
6. Cardinal Astalli Pamphili, by Diego Velázquez. 1650–51. Oil on canvas, 61 by 48.5 cm. (Hispanic Society of America, New York).
Attributed works:
7. St Ferdinand, by Bartolomé Esteban Murillo. c.1671. Oil on canvas, 170 by 114 cm. (The Zurbarán Trust).
Attributed works:
8. Christ on the Cross, by Doménikos Theotokópoulos, known as El Greco. c.1600–10. Oil on canvas, 179.4 by 103.5 cm. (The Zurbarán Trust).
Attributed works:
9. The Casa de Pilatos Room, The Spanish Gallery, Bishop Auckland. (Photograph © James Morris for Factum Foundation).
Exhibition Review
Galleries for the permanent collection
03/2022 | 1428 | 164
Pages: 290-292
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related names
Reviewer:
Moretti, Laura (Moretti, Laura)
Subjects
dates:
2020-2030
museums and institutions:
Palazzo Maffei, Verona, Italy
patrons:
Carlon, Luigi
subjects:
Art galleries / Collections / Italian art / Italian architecture
Reviewed Items
subjects:
Galleries for the permanent collection Palazzo Maffei, Verona From 23rd October 2021 | :
Illustrations
Attributed works:
10. Installation view of the room ‘On the metamorphoses of landscape and beautiful nature’ at Palazzo Maffei, Verona, in 2021, showing works by Chiara Dynys and Antonio Canova. (Photograph Luca Rotondo).
Attributed works:
11. Installation view of Conversion of St Paul, by Giovanni da Monte at Palazzo Maffei, Verona, in 2021. (Photograph Luca Rotondo).
Attributed works:
9. Installation view of the room ‘At the edge of the world and its limits’ at Palazzo Maffei, Verona, in 2021. (Photograph Luca Rotondo).
Exhibition Review
Mika Rottenberg. Goldsmiths Centre for Contemporary Art, London
12/2018 | 1389 | 160
Pages: 1063-1065
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related names
Reviewer:
Caiger-Smith, Martin (Caiger-Smith, Martin)
Subjects
artists:
Rottenberg, Mika, b. 1976 / Craig-Martin, Michael / Barney, Matthew / Assemble (art collective)
dates:
2010-2019
media:
Architecture / Sculpture / Videos / Installations (visual works)
museums and institutions:
Goldsmiths Centre for Contemporary Art, London, Great Britain / Goldsmiths' College School of Art, London, Great Britain
places:
Great Britain / London
subjects:
Art schools / Art galleries / Universities / University museums / Young British Artists / Competitions / Commissions / Globalism / Capitalism
Illustrations
Attributed works:
30. Cosmic Generator, by Mika Rottenberg. 2017. Video and sculptural installation, dimensions variable. (© Mika Rottenberg; courtesy Andrea Rosen Gallery, New York, and Galerie Laurent Godin, Paris; exh. Goldsmiths Centre for Contemporary Art, London).
Attributed works:
31. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
32. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
33. Project space, Goldsmiths Centre for Contemporary Art, London. 2018. (Photograph courtesy Assemble).
Publication Received
Fate, Glory and Love in Early Modern Gallery Decoration: Visualizing Supreme Power: Galerie François Ier at Fontainebleau; Galleria Farnese in Rome; Galerie des Glaces at Versailles; and Karl XI’s Gallery in Stockholm. By Margaretha Rossholm Lagerlöf.
10/2016 | 1363 | 158
Pages: 832-833
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related names
Reviewer:
Mulherron, Jamie (Mulherron, Jamie)
Subjects
museums and institutions:
Château de Fontainebleau, Fontainebleau, France / Palazzo Farnese, Rome, Italy / Musée National des Châteaux de Versailles et de Trianon, Versailles, France / Royal Palace, Stockholm, Sweden
subjects:
Art galleries / Galleries (display spaces) / Palaces / Interiors / Displays
Editorial
Changes of direction
06/2015 | 1347 | 157
Pages: 387
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Subjects
places:
London / England
subjects:
Editorials / Museum directors / Museum policy
subjects:
National museums / Art galleries / Gallery directors
Editorial
In store at the National Gallery
07/2014 | 1336 | 156
Pages: 427
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Subjects
museums and institutions:
National Gallery, London, Great Britain
subjects:
Collections, Public / Displays / Art galleries / Galleries (display spaces)
Illustrations
Western art unattributed:
Fig. I. Italian paintings in Gallery A, the National Gallery, London, 2014
Article
The new Kunstkammer, Kunsthistorisches Museum, Vienna
06/2013 | 1323 | 155
Pages: 402-407
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related names
Reviewer:
Fox, Celina (Fox, Celina)
Subjects
museums and institutions:
Kunsthistorisches Museum, Vienna, Austria
subjects:
Collections, Public / Art museums / Art galleries / Museums / Decorative arts / Kunstkammer / Displays
Illustrations
Attributed works:
53. Aquamanile in the form of a griffin. Lower Saxony, c.1120-30 (workshop of Roger von Helmarshausen?) (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
54. Automaton clock with Diana riding on a centaur, by Hans Jakob I Bachmann (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
55. Three conjoined figures representing the transition from youth to old age, by Jörg Syrlin the Elder or Michel Erhart. Ulm. (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
56. Marble bust of a woman often identified as 'Laura' by Francesco Laurana (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
57. Bowl in the form of a dragon, by Gasparo Miseroni (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
58. The new installation of the salt cellar, by Benvenuto Cellini (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
59. Leopold I on horseback over a fallen Turkish warrier, by Matthias Steinl (Kunstkammer, Kunsthistorisches Museum, Vienna)
Attributed works:
60. Goblet topped with a lid in the shape of a beast sprouting African warthog tusks, attributed to Nikolaus Pfaff (Kunstkammer, Kunsthistorisches Museum, Vienna)
Article
New Islamic galleries
06/2013 | 1323 | 155
Pages: 396-401
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related names
Reviewer:
Stanley, Tim (Stanley, Tim)
Subjects
artists:
Pei, I. M.
museums and institutions:
Musée du Louvre, Paris, France / Metropolitan Museum of Art, New York, United States / Victoria and Albert Museum, London, Great Britain / Benaki Museum, Athens, Greece
museums and institutions:
Museum of Islamic Art, Doha, Qatar / The David Collection, Copenhagen, Denmark
subjects:
Collections, Public / Museums / Museum extensions / Displays / Art galleries / Islamic art / Islamic painting / Islamic sculpture / Islamic architecture
subjects:
Art museums / Ottoman
Illustrations
Attributed works:
47. The Museum of Islamic Art in Doha, Qatar, by I.M. Pei
Non-western art unattributed:
46. Display of Ottoman art at the David Collection, Copenhagen
Non-western art unattributed:
48. Eight medieval mosque lamps of enamelled and gilded glass on display at the Museum of Islamic Art, Doha
Non-western art unattributed:
49. The Moroccan Court at the Metropolitan Museum of Art, New York
Non-western art unattributed:
50. The new gallery for the Art of the Ottoman Court at the Metropolitan Museum of Art, New York
Non-western art unattributed:
51. Entrance chamber from a palatial residence. Egypt, Cairo (Musée du Louvre, Paris)
Non-western art unattributed:
52. The main basement gallery in the new Arts of Islam display at the Musée du Louvre, Paris
Western art unattributed:
45. Incense burner in the shape of a bird. Spain, perhaps Córdoba (David Collection, Copenhagen)
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