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3 articles
Exhibition Review
Mika Rottenberg. Goldsmiths Centre for Contemporary Art, London
12/2018 | 1389 | 160
Pages: 1063-1065
related names
Reviewer:
Caiger-Smith, Martin (Caiger-Smith, Martin)
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Illustrations
Attributed works:
30. Cosmic Generator, by Mika Rottenberg. 2017. Video and sculptural installation, dimensions variable. (© Mika Rottenberg; courtesy Andrea Rosen Gallery, New York, and Galerie Laurent Godin, Paris; exh. Goldsmiths Centre for Contemporary Art, London).
Attributed works:
31. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
32. Installation view of Mika Rottenberg at Goldsmiths Centre for Contemporary Art, London, 8th September–4th November 2018. (Photograph Andy Keate; courtesy the artist).
Attributed works:
33. Project space, Goldsmiths Centre for Contemporary Art, London. 2018. (Photograph courtesy Assemble).
Exhibition Review
Recent and current exhibitions. London (Matthew Barney)
04/2010 | 1285 | 152
Pages: 264-265
related names
Reviewer:
Major, George (Major, George)
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artists:
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Reviewed Items
subjects:
Matthew Barney | institution: Sadie Coles HQ
Illustrations
Attributed works:
64. KA: Galena summit, by Matthew Barney. 2009. Graphite and ink on paper, 41.9 by 33 cm. (Courtesy of the artist; exh. Sadie Coles HQ, London).
Exhibition Review
Matthew Barney. San Francisco
11/2006 | 1244 | 148
Pages: 797-799
related names
Reviewer:
Bedford, Christopher (Bedford, Christopher)
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artists:
dates:
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Reviewed Items
subjects:
Matthew Barney: DRAWING RESTRAINT | institution: San Francisco Museum of Modern Art
Illustrations
Attributed works:
70. Still from DRAWING RESTRAINT 2, by Matthew Barney. 1988 (Gladstone Gallery, New York; exh. San Francisco Museum of Modern Art).
Attributed works:
71. Installation view of Flensing of the Occidental guest, by Matthew Barney. 2005. Mixed media, dimensions variable. (Gladstone Gallery, New York; exh. San Francisco Museum of Modern Art).