Attributed works:
I. Portrait of Maria Marow Gideon (1767-1834) and her brother, William (1775-1805), by Sir Joshua Reynolds. 1786-87 (Barber Institute of Fine Arts, Birmingham)
Attributed works:
II. Nude, Miss Bentham, by George Bellows. 1906 (Barber Institute of Fine Arts, Birmingham)
Attributed works:
III. Sheet of caricature heads, by Agostino Carracci. 1594 (Barber Institute of Fine Arts, Birmingham)
Attributed works:
IV. Portrait of Gustavus Hamilton, 2nd Viscount Boyne (1710-1746), by Rosalba Carriera. Probably 1731 (Barber Institute of Fine Arts, Birmingham)
Attributed works:
IX. The Highgate Ponds album, by Keith Vaughan. 1933 (Aberystwyth University School of Art Museum and Galleries)
Attributed works:
V. The death of Archbishop Sharpe, by John Opie. 1797 (University of St Andrews)
Attributed works:
VI. Le petit monde, by Ethel Leontine Gabain. 1922 (Aberystwyth University School of Art Museum and Galleries)
Attributed works:
VII. In the tube, by John Copley. 1930s/1940s (Aberystwyth University School of Art Museum and Galleries)
Attributed works:
VIII. Still life, by Giorgio Morandi. 1954 (Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
X. Primrose Hill - winter, by Frank Auerbach. 1981/82 (Barber Institute of Fine Arts, Birmingham)
Attributed works:
XI. Assembly of figures I, by Keith Vaughan. 1950 (Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
XII. Front runner, by Dame Elisabeth Frink. 1987 (Victoria Gallery & Museum, Liverpool)
Attributed works:
XIII. Head of Gerda Boehm, by Frank Auerbach. 1964 (Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
XIV. First flight, by Lynette Yiadom-Boakye. 2015 (University of Leeds Art Collection)
Attributed works:
XIX. Composition, by Philip King. 1995 (University of Hertfordshire Art Collection)
Attributed works:
XV. Great Goxhill, Lincolnshire, by John Piper. 1947 (University of Hull Art Collection)
Attributed works:
XVI. Dark fields, Essex, by William Crozier. 1960 (Bishop Otter Gallery, Chichester)
Attributed works:
XVII. Entrapped, by Robin Philipson. Mid-20th century (University of St Andrews)
Attributed works:
XVIII. Toppesfield Farm, by Keith Vaughan. 1972 (University of Hull Art Collection)
Attributed works:
XX. Zibra, by Caroline Achaintre. 2011 (University of Hertfordshire Art Collection)
Attributed works:
XXI. Nocturne to the city, by Maurice Cockrill. 1979-80 (Victoria Gallery & Museum, Liverpool)
Attributed works:
XXII. Jerusalem, by Cornelia Parker. 2015 (The Whitworth Art Gallery, Manchester)
Attributed works:
XXIII. Ten thousand waves, by Isaac Julien. 2010 (The Whitworth Art Gallery, Manchester)
Attributed works:
XXIV. Sign for art (stelae 2014), by Keith Wilson. 2014 (University of Leeds Art Collection)
Attributed works:
XXIX. Match head: Buddha in yellow, by David Mach. 2007 (University of St Andrews)
Attributed works:
XXV. A spire, by Simon Fujiwara. 2015 (University of Leeds Art Collection)
Attributed works:
XXVI. Mountain, by Victoria Morton. 2016 (University of Warwick Art Collection)
Attributed works:
XXVII. Model of Tatlin's tower, by Jeremy Dixon. 2011 (Sainsbury Centre for Visual Arts, Norwich)
Attributed works:
XXVIII. Exfoliating curve lines (total cushioning), by Helen Marten. 2014 (Co-owned by Manchester City Galleries, The Grundy Art Gallery, Blackpool, The Whitworth Art Gallery, Manchester, the Walker Art Gallery and the Victoria Gallery & Museum, Liverpool)
Attributed works:
XXX. Southern light station II, by Noemie Goudal. 2015 (University of Hertfordshire Art Collection)
Attributed works:
XXXI. Gwari casserole, by Michael Cardew. c.1790 (Aberystwyth School of Art Museum and Galleries, Aberystwyth)
