By using this website you agree to our Cookie policy

Search

17 articles
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
10/2018 | 1387 | 160
Pages: 862-863
related names
Reviewer:
Oliver, Sophie (Oliver, Sophie)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Advertisements
Advertisements (front)
06/2018 | 1383 | 160
Pages: n.p.
Subjects
advertisements:
Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
Exhibition Review
Mexican modernism. Paris and Dallas; Philadelphia, Mexico City and Houston
03/2017 | 1368 | 159
Pages: 247-248
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
Illustrations
Attributed works:
78. Self-portrait on the border line between Mexico and the United States, by Frida Kahlo. 1932 (Banco de México Diego Rivera & Frida Kahlo Museums Trust, Mexico City; exh. Museo del Palacio de Bellas Artes, Mexico City)
Attributed works:
79. Detail of Río Juchitán, by Diego Rivera. 1953-55 (Museo Nacional de Arte, Mexico City, on loan from Instituto Nacional de Bellas Artes; exh. Grand Palais, Paris, and Dallas Museum of Art)
Attributed works:
80. Optic Parable, by Manuel Alvarez Bravo. 1931 (Philadelphia Museum of Art; exh. Museo del Palacio de Bellas Artes, Mexico City)
Exhibition Review
Diego Rivera. New York
04/2012 | 1309 | 154
Pages: 299-301
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Diego Rivera: Murals for The Museum of Modern Art | institution: Museum of Modern Art
Illustrations
Attributed works:
77. The agrarian leader Zapata, by Diego Rivera. 1931. Fresco on reinforced cement in a galvanised-steel framework, 238.1 by 188 cm. (Museum of Modern Art, New York).
Attributed works:
78. Frozen assets, by Diego Rivera. 1932. Fresco on reinforced cement in a galvanised-steel framework, 239 by 188.5 cm. (Museo Dolores Olmedo, Xochimilco; exh. Museum of Modern Art, New York).
Advertisements
Advertisements January 2009 (front)
01/2009 | 1270 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare vase mantel clock with revolving dial by Francois Vigier (c. 1708-1789). Movement signed and dated: VIGIER A PARIS 1767. Sèvres porcelain plaques marked to the reverse with a crossed double L and date-letter D for 1756.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Anonymous Roman. c. 1610-1620. A Deacon Saint (Saint Stephen?). Oil on canvas, 108 x 78,5 cm (42 1/2 x 30 7/8 in)]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Pietro Perugino.]
Attributed works:
[Jean-Luc Baroni Exhibiting at: Adam Williams Fine Art. 24 East 80th Street. Allegory of prudence, by Giandomenico Tiepolo (1727-1804). Signed 'Dom. Tiepolo' in brown ink at lower right. Pen and brown ink with brown wash, over an underdrawing in black chalk, 39.4 by 26.4 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Girolamo Francesco Maria Mazzola, called Parmigianino. Parma 1503 - 1540 Casalmaggiore. A Group of Figures standing by a Column, Two Women, one with a Baby, the other with a Child, and a Man in the Background. Pen and brown ink and wash, heightened with white. The sheet made up at all four edges, 151 by 103 mm. (6 x 4 1/2 in)]
Attributed works:
[Lowell Libson Ltd, Exhibiting at: Mitchell-Innes & Nash, 1018 Madison Avenue. The Isle of Elba from the sea, by Alexander Cozens (c. 1717-1786). Pen and ink and grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Ottavio Leoni, called Ottaviano, Il Padovano or Il Paduano (Rome 1578-1630 Rome). Portrait of the Countess Cantalmaggio. Black, red and white chalk on blue gray laid paper. Size: 8 1/2 x 5 3/4 (21.7 x 14.6 cm)]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Two camels, by Giovanni Benedetto Castiglione (1611-1670). Oil and wash on paper, 35.5 by 27 cm]
Attributed works:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Three putti in the clouds, by Pietro Testa (1607-50). Inscribed: 'Pietro Testa' lower left. Red chalk, 17.5 by 15.9 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Allegory of charity, by Bernardo Strozzi (1581-1644). Oil on paper, 31.5 by 27 cm]
Attributed works:
[Margot Gordon. Shepherd & Derom Galleries. 58 East 79 Street. New York. Niccolò Circignani, called Il Pomarancio. Pomarance 1517/24 - after 179 Citta della Pieve. Duel between Heraclius and Khosrau. Pen, black and brown wash, black chalk, 14 3/16 x 10 1/8 inches (360 x 257 mm).]
Attributed works:
[Mary-Anne Martin. 23 East 73rd Street. New York. Study for the figure of 'Song', Creation mural, Bolivar Auditorium, National Preparatory School, Mexico City, by Diego Rivera (1886-1957). Pastel and charcoal on blue paper, 61.7 by 46.5 cm]
Attributed works:
[Mia N. Weiner. Exhibiting at: L’Antiquaire & The Connoisseur. 36 East 73rd Street. New York. Study of a neo-attic relief fragment of a dancing maiden before a candelabrum, by Pietro Testa (1612-1650). Black chalk underdrawing, pen and brown ink and wash, 26.8 by 21 cm]
Attributed works:
[Museo Thyssen-Bornemisza. Madrid. Pieter Jansz. Saenredam. The West Front of the Sint-Mariakerk in Utrecht, 1662. Museo Thyssen-Bornemisza, Madrid.]
Attributed works:
[Nissman, Abromson Ltd, Exhibiting at: Praxis International Art, 25 East 73rd Street. New York. Seated angel, by Bernardino Poccetti (1548-1612). Black chalk with white heightening on blue paper, 30.1 by 21 cm]
Attributed works:
[Stephen Ongpin Fine Art Exhibiting at: Mark Murray, 39 East 72nd Street, Suite 4C. Portrait of Philip Rot, by R. B. Kitaj (1932-2007). 1985. Charcoal on handmade paper, 77.5 by 57 cm]
Attributed works:
[Stiebel Ltd. 252 East 68th Street. New York. Caricature of a man holding a three-cornered hat pointing with his left hand, by Giovanni Battista Tiepolo (1696-1770). Pen and grey wash on white paper, 25 by 14 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartholomeus Spranger (1546-1611). Penitant Magdalene. Signed. Currently on loan at Prague Castle Picture Gallery for exhibition "Rudolfine Beauty"]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Project for a door of St. Peter's, Rome, by Paolo Posi (1708-1776). Signed and dated on paper 47 by 30 cm]
Attributed works:
[Trinity Fine Art Inc. 23 East 73rd Street. Sicilian, Trapani, mid-eighteenth century. Attributed to the Workshop of Andrea Tipa (1725-1783). The Holy Family with Angels. Alabaster 40 cm (15 3/4 ins) high overall]
Attributed works:
[W/S Fine Art / Andrew Wyld, Exhibiting at: Dickinson, 19 East 66th Street. New York. Storm at sea, by Joseph Mallord William Turner R.A. (1775-1851). Watercolour, 18.3 by 29.1 cm]
Western art unattributed:
[Mia N. Weiner. PO Box 100, Norfolk, CT. Head Study for figure in Murder of Spurius Melius, Palazzo Publico, Siena, ca. 1529.]
Article
Breaking open the wall: the Morelia mural of Guston, Kadish and Langsner
07/2008 | 1264 | 150
Pages: 452-459
related names
Author:
Boime, Albert (Boime, Albert)
Subjects
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
14. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
15. The struggle against terror and fascism (the Inquisition), digital reconstruction, by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
16. Klansman flogging a negro, by Philip Guston. c.1930–31. Fresco. Lost or destroyed. (From D. Ashton: Yes, but. . . A Critical Study of Philip Guston, New York 1976, p.28).
Attributed works:
19. The torture methods of the Inquisition, by Bernard Picart. Eighteenth century. Etching. (Biblioteca Nacional, Madrid).
Attributed works:
20. An Inquisitional torture, by Ioan van Hertz. Nineteenth century. Etching, dimensions unknown. (Biblioteca Nacional, Madrid).
Attributed works:
21. The struggle against terror and fascism (the Inquisition), by Philip Guston, Reuben Kadish and Jules Langsner. 1934–35. Fresco, approx. 10 m. high. (Museo Regional Michoacano, Morelia, Michoacán, Mexico).
Attributed works:
22. The street meeting, by David Alfaro Siqueiros. 1932. Fresco. (Formerly Chouinard Art Institute, Los Angeles).
Attributed works:
23. Drawing for The conspirators, by Philip Guston. 1932. Graphite, ink, crayon and coloured pencil on paper, 57.2 by 36.8 cm. (Whitney Museum of American Art, New York).
Attributed works:
24. The studio, by Philip Guston. 1969. Canvas, 121.9 by 106.7 cm. (Private collection; courtesy of David McKee Gallery, New York).
Western art unattributed:
17. Photograph of Philip Guston, Reuben Kadish and Jules Langsner with David Alfaro Siqueiros, posed in front of the mural in Fig.14. c.1934. (Photograph courtesy of Andrew Langsner).
Western art unattributed:
18. Photograph of Philip Guston, Reuben Kadish and Jules Langsner, standing in front of the completed mural. 1935. (Photograph courtesy of Skip Kadish).
Article
Anthony Blunt's Picasso
01/2005 | 1222 | 147
Pages: 26-33
related names
Author:
Green, Christopher (Green, Christopher)
Subjects
dates:
Illustrations
Attributed works:
Anthony Blunt reading his press conference statement, 20th November 1979, in the offices of The Times in London.
Attributed works:
Guernica, by Pablo Picasso, and a detail of a mural by Diego Rivera in Detroit, illustrating A. Blunt: ‘Two Artists and the Outside World’, The Listener (28th July 1938).
Attributed works:
Large bather, by Pablo Picasso. 1921. 180 by 98 cm. (Musée de l’Orangerie, Paris).
Attributed works:
Manuscript page from Anthony Blunt’s paper given to Marlborough College’s ‘Anonymous Society’, 1924. (A. Blunt papers, Courtauld Institute of Art, London).
Attributed works:
Sleeping nude, by Pablo Picasso. 1932. 130 by 161.7 cm. (Musée Picasso, Paris).
Attributed works:
Study for ‘The Crucifixion’, by Pablo Picasso. 1929. Pencil on paper, dimensions unknown. (Whereabouts unknown; repr. in A. Blunt: Picasso’s ‘Guernica’, Oxford 1969).
Attributed works:
The dream and lie of Franco, by Pablo Picasso. 1937. Etching, 31.4 by 42.1 cm. (Musée Picasso, Paris).
Western art unattributed:
Cover of <i>The Heretick</i>, Marlborough College, 1924.
Exhibition Review
Diego Rivera. Houston and Mexico City
12/1999 | 1161 | 141
Pages: 776-777
related names
Reviewer:
Craft, Catherine (Craft, Catherine)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
100. Portrait of Lupe Marín, by Diego Rivera. 1938. 171.3 by 122.2 cm. (Museo de Arte Moderno, Mexico City; Exh. Museum of Fine Arts, Houston).
Attributed works:
97. Tortilla Makers, by Diego Rivera. 1926. 126 by 114 cm. (San Francisco General Hospital, California; Exh. Museum of Fine Arts, Houston).
Attributed works:
98. Classical Figure Leaning on an Urn, by Diego Rivera. 1899. Pencil on Paper. 50.5 by 35.1 cm. (Escuela Nacional de Artes Plásticas, Mexico City; Exh. Museum of Fine Arts, Houston).
Attributed works:
99. Zapatista Landscape, by Diego Rivera. 1915. 145 by 125.1 cm. (Museo Nacional de Arte, Mexico City; Exh. Museum of Fine Arts, Houston).
Exhibition Review
Diego Rivera at the Hayward. London
01/1988 | 1018 | 130
Pages: 47-49
related names
Reviewer:
Milner, John (Milner, John)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
48. Zapatista Landscape - The Guerilla, by Diego Rivera. 1915. 144 by 123 cm. (Museo de Arte, Mexico City; Exh. Hayward Gallery, London).
Attributed works:
49. Portrait of David Alfaro Siqueiros, by Diego Rivera. 1921. Charcoal and Red Chalk on Tan Paper, 38.8 by 24.4 cm. (Museo Diego Rivera, Guanajuato; Exh. Hayward Gallery, London).
Attributed works:
50. Our Bread, by Diego Rivera. 1928. Mural. (The Court of Fiestas, Ministry of Education, Mexico City).
load more