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04/2019 | 1393 | 161
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
[Alan Cristea. The stones of Venice, ca’ foscari 2, by Joe Tilson. 2017. Inkjet print with screenprint and hand colouring, 135.8 by 100 cm.]
Attributed works:
[Andrew Edmunds, London. Anti-saccharites, or, John Bull and his family leaving off the use of sugar, by James Gillray (1756–1815). 1792. Etching with watercolour, 31.5 by 40.6 cm.]
Attributed works:
[Boerner. A Stag at sharkey’s, by George Bellows (1882–1925). 1917. Lithograph on Japan paper, 47.5 by 60.5 cm.]
Attributed works:
[Dorotheum. Guido Cagnacci, The Penitent Magdalene, oil on canvas, 96 x 75.5 cm]
Attributed works:
[Elizabeth Harvey-Lee. Albrecht Dürer (1471–1528): The little Fortune Original engraving, c.1495–96]
Attributed works:
[Elizabeth Harvey-Lee. George Pencz (c.1500–1550): Medea Original engraving, 1539]
Attributed works:
[Elizabeth Harvey-Lee. The two ships, James Abbott McNeill Whistler (1834–1903). 1875. Etching, 20.8 by 13.2 cm.]
Attributed works:
[Gilden's Art Gallery, London. The Gourd, by Joan Miró (1893–1983). 1969. Etching and aquatint with carborundum, 101.5 by 70 cm.]
Attributed works:
[Gwen Hughes. Lill Tschudi: Musizierende (Coppel LT 82) Linocut, 1949, edition 21/50]
Attributed works:
[Gwen Hughes. Sortie d’usine no.4, by Anthony Gross (1905–1984). 1931. Etching, 32 by 23.8 cm.]
Attributed works:
[Karsten Schubert. Untitled (fragment 6), by Bridget Riley. 1965. Screenprint on Plexiglas, 74.5 by 73.8 cm.]
Attributed works:
[London Original Print Fair. Kelly Reemtsen, Splitting Hairs,  (detail) Woodcut printed in colours Published by the artist Image courtesy of Lyndsey Ingram]
Attributed works:
[Osborne Samuel. CRW Nevinson, Returning to the Trenches, 1916, Drypoint 15.1 x 20.2 cm]
Attributed works:
[Osborne Samuel. The merry-go-round, by Cyril Power (1872–1951). c.1930. Linocut, 30.5 by 30.4 cm.]
Attributed works:
[Paragon Press. Sarah Morris Vertical Power Screenprint, 2018]
Attributed works:
[Paragon Press.Odysseus factor, (one of a series of six in an edition of sixty-eight), by Sarah Morris. 2018. Screenprint, 90 by 90 cm.]
Attributed works:
[Pratt Contemporary, Sevenoaks. Untitled (2), by Frederic Morris. 2019. Etching and aquatint, 34 by 24 cm.]
Attributed works:
[Pratt Contemporary. Alison Lambert, Wrestlers, 2019. Monotype. Plate: 25 x 20 cm]
Attributed works:
[Redfern Gallery, London, Identical shapes: 16 orientations, by John Carter. 2016. Screenprint, 71 by 52 cm.]
Attributed works:
[The Redfern Gallery. The Skaters by Cyril Power, 1932. Linocut, 20 x 32 cm]
Attributed works:
[Throckmorton Fine Art. Nickolas Muray, Frida on the White Bench, 1939]
Western art unattributed:
[Bonhams. A Roman marble satyr, c. 1st-2nd century AD, Estimate £50,000-£70,000]
Western art unattributed:
[Galerie Chenel. Head of Hermes, Roman, late 1st century AD, marble, 28 x 21 cm]
Western art unattributed:
[Karsten Schubert. Untitled [Fragment 1], 1965 screenprint on plexiglas (on reverse of sheet) 255/8 x 321/8 in, 65.2 x 81.6 cm (image) 261/2 x 33 in, 67.4 x 83.9 cm (plexiglas)]
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Subjects
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Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Sotheby's, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Stephen Ongpin Fine Art, London, Great Britain / Klaas Muller Antiques, Brussels, Belgium / Tomasso Brothers Fine Art, Leeds, Great Britain / Brun Fine Art, London / Trinity Fine Art Ltd, London, Great Britain / James Mackinnon, London, Great Britain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Sam Fogg (dealer), London, Great Britain / Guy Peppiatt Fine Art, London, Great Britain / Irish Art Review / Burlington Contemporary Art Writing Prize / Peter Finer (antique arms), London, Great Britain / Andrew Edmunds (dealer), London, Great Britain / The Art Newspaper, London, Great Britain / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Patricia Wengraf Ltd, London, Great Britain / Masterpiece London / Hazlitt Holland-Hibbert, London, Great Britain / New Art Centre (gallery and sculpture park), Salisbury, Great Britain / Axel Vervoordt, Antwerp, Belgium / Les Enluminures (dealer), Paris, France / N.& I. Franklin, London, Great Britain / Landau Fine Art, Montreal, Canada / Day and Faber, London, Great Britain / Galerie Sismann, Paris, France / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / The-saleroom.com / Timothy Newbery (frames), London, Great Britain / Burlington Magazine / Museo Nacional del Prado, Madrid, Spain / Museum aan de Stroom, Antwerp, Belgium / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Contemporary
subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings, London. JAMES GILLRAY (1756–1815) The Orangerie; –or– the Dutch Cupid reposing, after the fatigues of Planting 1796. Etching & engraving 256 x 359 mm, with publisher’s watercolour]
Attributed works:
[Daniel Katz Gallery, London. SIR FRANCIS CHANTREY. Norton, 1781–1841, London. Lady Gertrude Sloane-Stanley. Marble. 65 cm high. Inscribed Lady Gertrude Sloane Stanley and signed F.L. Chantrey sculptor 1813 on the reverse. Commissioned by Hans Sloane-Stanley, 1813. Kept at Paultons, Romsey, Hampshire, until 1972. Exhibited at the Royal Academy, 1813, no.927]
Attributed works:
[Galerie Sismann, Paris. CHRIST AT THE COLUMN AFTER A MODEL BY FRANÇOIS DUQUESNOY (Brussels 1594–1643 Livorno, Italy). Bronze. France. Late 17th century. H 30.5 cm. Second version at the Metropolitan Museum of New York]
Attributed works:
[Galleria del Laocoonte, Rome. Arthur Segal, self-portrait (detail)]
Attributed works:
[Galleria del Laocoonte, Rome. Roberto Melli, The Little Mask (1913)]
Attributed works:
[Guy Peppiatt Fine Art, London. John Robert Cozens (1752–1797) Near Sallanches, France. Signed and dated 1778 on original mount, watercolour over pencil, 36.8 by 53.7 cm., 14½ by 21 in.]
Attributed works:
[Hazlitt, London. Sir Peter Lely.]
Attributed works:
[James Mackinnon, London. HUMPHRY REPTON (1752–1818) View from Sheffield Park towards Fletching, Kent, 1789 Watercolour, 61/8 x 197/8 in. (15.7 x 50.5 cm.)]
Attributed works:
[London Art Week. A mountainous river landscape with fishermen, by Marten Ryckaert (1587–1631). Panel, 26 by 36.5 cm. GALERIE LOWET DE WOTRENGE. EXHIBITING AT: 37 BURY STREET, SW1]
Attributed works:
[London Art Week. A seated young woman, by James Jacques-Joseph Tissot (1836–1902). Pencil, black wash, watercolour and gouache on blue-grey paper, 14.5 by 19.9 cm. STEPHEN ONGPIN FINE ART, 6 MASON’S YARD, SW1]
Attributed works:
[London Art Week. Bacchus and a young satyr, by Giovanni Battista Foggini (1652–1725). Bronze, height 46 cm. TOMASSO BROTHERS FINE ART, 67 JERMYN STREET, SW1]
Attributed works:
[London Art Week. David with the Head of Goliath, by Pier Francesco (1612–1666). c.1660–65. Canvas, 127 by 147 cm. LULLO PAMPOULIDES, 33 CORK STREET, W1S]
Attributed works:
[London Art Week. L’Eté, by Jean-Baptiste Carpeaux (1827–1875). Plaster, height 67 cm. DANIEL KATZ GALLERY, 6 HILLSTREET, W1J]
Attributed works:
[London Art week. Mechanical division of the crowd, by Mori Marisa (1900–1985). 1933. Oil on plywood, 71 by 100 cm. GALLERIA DEL LAOCOONTE. EXHIBITING AT: 6 RYDER STREET, SW1]
Attributed works:
[London Art Week. Monkeys in a guardroom, by Nicolaes van Veerendael (1640–1691). Canvas, 43 by 56.5 cm. KLAAS MULLER. EXHIBITING AT: 40–41 DUKE STREET, SW1]
Attributed works:
[London Art Week. Portrait of a bearded Venetian nobleman, by Peter Paul Rubens (1577–1640). Panel, 60 by 48.6 cm. SOTHEBY’S, LONDON. OLD MASTERS EVENING SALE, 4TH JULY, 34–35 NEW BONDSTREET, W1A]
Attributed works:
[London Art Week. Portrait of a man (Antoine de Ville), by Artemisia Gentileschi (1593–1654). Canvas, 204.5 by 109.2 cm. ROBILANT + VOENA, 38 DOVER STREET, W1]
Attributed works:
[London Art Week. Study of insects and a borage stem, by Jan van Kessel the Elder (1626–1679). c.1660. Oil on paper, 10.4 by 34.7 cm. CARETTO AND OCCHINEGRO. EXHIBITING AT: 21 GEORGIAN HOUSE, 10 BURY STREET, SW1]
Attributed works:
[London Art Week. The genius of the hunt, by Pompeo Marchesi (1790 –1858). c.1830–35. Marble, height 133 cm. TRINITYFINEART, 15 OLD BOND STREET, W1S]
Attributed works:
[London Art Week. Warkworth Hermitage, Northumberland, by Thomas Girtin (1775–1802). 1796. Pencil and watercolour, 25.5 by 30.4 cm. JAMES MACKINNON FINE ART. EXHIBITING AT: 73 NEW BOND STREET, W1S]
Attributed works:
[Masterpiece, London. Form, by Barbara Hepworth (1903–1975). 1936. White marble, 33 by 22.9 by 20.8 cm. HAZLITT HOLLAND HIBBERT, LONDON]
Attributed works:
[Masterpiece, London. Hours of Philippote de Nanterre, by the Master of Raoul d’Ailly (1395 –1463) and a collaborator. Amiens, c.1420s. Parchment, 18.1 by 13.5 cm. LES ENLUMINURES, CHICAGO AND PARIS]
Attributed works:
[Masterpiece, London. Large left-handed drummer, by Barry Flanagan (1941–2009). 2006. Bronze, 490 by 290 by 244 cm. NEW ART CENTRE, SALISBURY]
Attributed works:
[Masterpiece, London. Machine no. 2, by Graham Sutherland (1903–1980). 1959. Oil on canvas, 100 by 80.5 cm. M & L FINE ARTS, LONDON]
Attributed works:
[Masterpiece, London. Portrait of a Lady from Lucca, by Pietro Nocchi (1783–1854). 1823–1825. Oil on canvas, 236.4 by 154.5 cm. BRUN FINE ART, LONDON]
Attributed works:
[Masterpiece, London. Portrait of Ralph Stackpole, by Diego Rivera (1886–1957). 1932. Pencil, 50 by 40.4 cm. DAY AND FABER, LONDON]
Attributed works:
[Masterpiece, London. Sideboard dish, by Louis Mattayer. London, 1720. Silver, diameter 68.6 cm. N. & I. FRANKLIN, LONDON]
Attributed works:
[Masterpiece, London. Sleepers, by Pablo Picasso (1881–1973). 1965. Oil on canvas, 114 by 195 cm. LANDAU FINE ART, MONTREAL]
Attributed works:
[Masterpiece, London. Still life, by Giorgio Morandi (1890 –1964). 1961. Oil on canvas, 25 by 30 cm. ROBILANT + VOENA, LONDON, MILAN AND ST. MORITZ]
Attributed works:
[Museo del Prado, Madrid. Lorenzo Lotto, Portrait of a Young Man with a Lamp, ca. 1508. Oil on panel. Vienna, Kunsthistorisches Museum, Picture Gallery]
Attributed works:
[Nicholas Hall, New York. Carlo Maratti (1625–1713) Portrait of Francesca Gommi 98.5 x 74.5 cm.]
Attributed works:
[Paul Mellon Centre, London. Detail of Conrad Shawcross's The Dappled Light of the Sun (2015) installed in the courtyard of Burlington House alongside Alfred Drury's statue Sir Joshua Reynolds (1931) on the occasion of the 247th Summer Exhibition at the Royal Academy of Arts, 2015. Image courtesy of Getty Images. Photo: Peter Macdiarmid.]
Attributed works:
[Robilant + Voena, London. Il Tavolino di Gioje. The Grand Duke Francesco I de' Medici Table-Top. From 1870s to 1959 belonged to the Dukes of Westminster, London. Florence, circa 1568–1577. Executed by Bernardino Porfirio da Leccio (documented 1557–1588). Designed by Giorgio Vasari (1511–1574). Hardstones (Pietra Dura) set into a white marble support. Length: 160 cm (63 in.). Width: 107 cm (42 1/8 in.). Depth: 8 cm (3 1/8 in.).]
Attributed works:
[Sotheby's, London. GIAMBOLOGNA (1529-1608) Italian, Florence, before 1587 Mars Estimate £3,000,000–5,000,000]
Attributed works:
[Sotheby's, London. GIOVANNI BATTISTA FOGGINI (1652–1725) Lucretia and Paulina Estimate £180,000–250,000]
Attributed works:
[Sotheby's, Paris. ADÉLAÏDE LABILLE-GUIARD Portrait of the Duchesse d’Aiguillon Estimate €200,000–300,000]
Attributed works:
[Trinity Fine Art, London. FERDINANDO TACCA (Florence 1619–1686). A Highly Important Documentary Group of the Monument to Ferdinando I de' Medici in Livorno, adapted after the original figures by Giovanni Bandini (Florence 1540–1599) and Pietro Tacca (Carrara 1577–Florence 1640). Overall height 73.7 cm (29 in). Pedestal height 33.4 cm (13 1/6 in). PROVENANCE Inventory of Palazzo Pitti, Florence, 1761]
Attributed works:
[W. Apolloni, Rome. Gian Lorenzo Bernini, Samson slaying the lion (detail)]
Attributed works:
[W. Appoloni, Rome. Benedetto Luti, The Golden Age (detail)]
Non-western art unattributed:
[Masterpiece, London. Bastet. Egypt, 664–525 BC. Bronze, height 15 cm. AXEL VERVOORDT GALLERY, WIJNEGEM, BELGIUM AND HONG KONG]
Western art unattributed:
[Axel Vervoort. Gilded bronze. Western Europe, Roman Empire, 1st - 2nd century A.D. 21 x 10,50 x 11 cm]
Western art unattributed:
[London Art Week. A knight’s helmet, Genoa. 19th century. Marble, height 63 cm. BRUN FINE ART, 38 OLD BOND STREET, W1S]
Western art unattributed:
[London Art Week. A Saracen’s head, probably Florence. c.1500–1520. Marble, height 47 cm. GALLERY DESMET. EXHIBITING AT: 40–41 DUKE ST, SW1]
Western art unattributed:
[London Art Week. Aeneas and Achates taking their leave from the other Trojans on the Libyan coast near Carthage, by an unidentified painter close to the ‘Milan Marsyas’ painter, Urbino. c.1530. Tin-glazed earthenware, diameter 25.5 cm. RACCANELLO LE PRINCE. EXHIBITING AT: 32 ST GEORGE STREET, W1S]
Western art unattributed:
[London Art Week. St Mary Magdalene and a bearded prophet. One of three panels of Opus Anglicanum. London. c.1400. Embroidery on linen. Sizes vary. SAM FOGG, 15D CLIFFORD STREET, W1S]
Western art unattributed:
[Masterpiece, London. Anthemion finial of a grave stele, Greece (Attica). c. 4th century BC. Marble, height 47 cm. KALLOS GALLERY, LONDON]
Western art unattributed:
[Peter Finer, London. An Italian Stone Bow, late 16th century. Italy. Walnut wood, iron, leather, cord, and bone. 89 cm by 56 cm. Provenance Private Collection, USA]
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Subjects
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Moeller Fine Art Ltd, New York, United States / London Original Print Fair / Andrew Edmunds (dealer), London, Great Britain / Redfern Gallery, London, Great Britain / Print Quarterly, London / Sarah Sauvin. Old Masters and Modern Prints. Paris / Osborne Samuel Gallery, London, Great Britain / Karsten Schubert, London, Great Britain / Paragon Press, London, Great Britain / Elizabeth Harvey-Lee, Oxford, Great Britain / Pratt Contemporary Art, Sevenoaks, Great Britain / Peter Finer (antique arms), London, Great Britain / Sphinx Fine Art, London, Great Britain / Master Drawings (art periodical) / Yale University Press, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Im Kinsky (auction house), Vienna, Austria / Getty Trust Publications , Great Britain / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Didier Aaron, Inc, New York, United States / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Emanuel Von Baeyer, London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / Museum of the Order of St John, London, Great Britain / Irish Art Review / Caring for your Collection / The Art Newspaper, London, Great Britain / Hazlitt Holland-Hibbert, London, Great Britain / Chanel, firm / Burlington Magazine
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subjects:
Illustrations
Attributed works:
[Andrew Edmunds Prints & Drawings. James Gilray (1756–1815). The Plumb-pudding in danger. 1805. Etching & engraving 258 x 263 mm, with publisher’s watercolour]
Attributed works:
[Dorotheum. Pieter Brueghel II (1564/65-1637/38), The King Drinks (detail), signed, oil on panel, 75 x 105 cm, €700,000 – 900,000, Auction 24 April 2018]
Attributed works:
[Elizabeth Harvey-Lee. Martin de Vos (designer): The Four Seasons. The set of four engravings, c1590 (“Summer” illustrated) First state of two. With Phillips Galle’s address (“Winter” with a Gothic P watermark)]
Attributed works:
[Flowers Gallery. Ken Currie , Head in Profile, 2017]
Attributed works:
[Galerie Sismann. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Im Kinsky Auction House. Georg Raphael Donner. Venus, Vienna, c. 1738/39 lead-pewter-alloy, h. 40 cm € 50,000–100,000]
Attributed works:
[London Original Print Fair. After Dürer #26, by Ann-Marie James. 2017. Ink on paper, 35 by 27 cm. Karsten Schubert, London]
Attributed works:
[London Original Print Fair. Church and farm at Eragny, by Camille Pissarro (1830–1903). c.1890. Etching, 15.3 by 24.2 cm. Elizabeth Harvey-Lee, Oxfordshire]
Attributed works:
[London Original Print Fair. Cottage in Dorset: Wood End, by Graham Sutherland (1903–1980). 1929. Etching, 13 by 17 cm. Redfern Gallery, London]
Attributed works:
[London Original Print Fair. Eros (3), by Ana Maria Pacheco. 2018. Monotype heightened in mixed media, 28.5 by 35 cm. Pratt Contemporary, Sevenoaks]
Attributed works:
[London Original Print Fair. Free Fall #31, by Carol Robertson. 2018. Monoprint. Flowers Gallery, London and New York]
Attributed works:
[London Original Print Fair. Gin Lane, by William Hogarth (1697–1764). 1751. Etching and engraving, 38.3 by 32.4 cm. Andrew Edmunds, London]
Attributed works:
[London Original Print Fair. I’m Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[London Original Print Fair. Oxfordshire (on the Oxford canal), by Muirhead Bone (1876–1953). Drypoint, 15.1 by 22.9 cm. Gordon Cook, London]
Attributed works:
[London Original Print Fair. Pisa, by Ben Nicholson (1894–1992). 1951. Etching, 19.5 by 14.75 cm. Osborne Samuel, London]
Attributed works:
[London Original Print Fair. Reclining artist, by Grayson Perry. Etching, 70.3 by 102.7 cm. Paragon Press, London]
Attributed works:
[London Original Print Fair. Seated woman drying her feet, by Théophile Alexandre Steinlen (1859–1923). 1902. Etching and aquatint, 29.8 by 29.7 cm. Sarah Sauvin, Paris]
Attributed works:
[London Original Print Fair. South South-West 2, by Rachel Gracey. 2018. Lithograph, 26 by 26 cm. Zuleika Gallery, London]
Attributed works:
[Moeller Fine Art. Jean-Étienne Liotard 1702–1789. Portrait de Philibert Cramer, c. 1758. Pastel on blue paper mounted on canvas, 25 × 21 3 ⁄16 in. (63.5 × 53.8 cm). Original frame with period glass]
Attributed works:
[Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Paragon Press. Joana Vasconcelos. Ria Formosa. Colour etching with blockprinting 2017]
Attributed works:
[Pratt Contemporary. Ana Maria Pacheco, Study for Sculpture, 2018. Triptych Monotype (detail). Each sheet: 59 x 56 cm.]
Attributed works:
[Redfern Gallery. Rue de Seine, by David Hockney. 1972. Etching and aquatint, 53 by 45 cm.]
Attributed works:
[Sarah Sauvin. Jean-Étienne Liotard, Self-Portrait as a Young Man Etching, ca.1731 (Tilanus 1; Roethlisberger and Loche 18) Counterproof of an unknown 1st state (of 3). Only one other counterproof known (Fondation Custodia) Provenance: Soliman Lieutaud (Lugt 1682)] (p.v) [Osborne Samuel. Cyril Edward Power (1872– 1951) The Sunshine Roof c1934 Linocut 26 x 33 cm]
Attributed works:
[Sphinx Fine Art. Karel Dujardin, A Horseman Holding a Roemer of Wine with an Ostler Tending the Horses (Detail)]
Attributed works:
[Zuleika Gallery. Man posing, by Lucien Freud (1922–2011). 1982. Etching, 70 by 54 cm. Edition of 50 + 15 AP]
Non-western art unattributed:
[Peter Finer. A Saddle. 15th–17th century. Eastern Tibet or Chinese. Iron, gold, silver, wood, leather and textile. 57 cm / 22.75 inches. Provenance: Private Collection UK]
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Subjects
advertisements:
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collectors and dealers:
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Brimo de Laroussilhe. 7 Quai Voltaire. Paris. Agnolo Gaddi. Florentine (1356-1396). Virgin of Humility with six Angels. Circa 1380-1390. Tempera on panel, gold ground, 93.2 x 58.5 cm.]
Attributed works:
[Andrew Edmunds Gallery, London. The Royal Academy of Arts, by Richard Earlom after Zoffany. 1773. Mezzotint, 50 by 71 cm]
Attributed works:
[Austin/Desmond Fine Art, London. Flags, by Denis Mitchell. 1951. Signed and dated in pencil. Woodcut, 27 by 25 cm]
Attributed works:
[Austin/Desmond Fine Arts, London. Topsail, by John Wells, 1950. Signed and dated lower right, inscribed: Trial proof /25 lower left: Engraving, 14 by 12 cm]
Attributed works:
[Benjamin Proust. 5th Floor. 43-44 New Bond Street. London Jean del Cour. 1631 - Liège - 1707. Saint James Minor. Circa 1690. Terracotta. Height: 43 cm]
Attributed works:
[Browse & Darby. 19 Cork Street. London. Edgar Degas (1834-1917). Danseuse, grande arabesque, premier temps]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Eve (B., M., Holl. 1). Engraving, 1504. A fine Meder II a impression, 251 x 194 mm]
Attributed works:
[Christopher Mendez, London. St. Jerome in his cell, by Albrecht Durer (1471-1528). 1514. Engraving, 24.6 by 18.5 cm]
Attributed works:
[Frederick Mulder Limited, London. Visage, by Pablo Picasso. 1928. Signed and numbered in pencil. From the edition of 200 printed on Japan paper. Lithograph, 20.3 by 14.3 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Denys Calvaert. Antwerp ?, c. 1540 - Bologna, 1619. Cleopatra, Oil on panel, 145 x 109 cm (19 1/16 x 16 15/16 in)]
Attributed works:
[Hart Gallery, London. Cell 16, by Jo Ganter, Digital Photograph and etching, 93.5 by 98 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Esaias van de Velde. Amsterdam 1587 - 1630 The Hague. Farms to left of a path. Etching and engraving, 1614. Hollstein 41, Almost surely the second state of two. An extremely fine impression in excellent, fresh condition, trimmed to the borderline all around.]
Attributed works:
[Hill-Stone, New York. War, by Henri Rousseau, called Le Douanier (1855-1910). Pen Lithograph on dark orange paper, 22.2 by 33.1 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Seated Girl with Head Thrown Back. Black crayon, 46 x 29.5 cm. Signed & dated at the lower right. "Egon Schiele 1918".]
Attributed works:
[Mark Murray Fine Paintings. 39 East 72nd Street. New York. Sir Lawrence Alma-Tadema, OM, RA (1836-1912). The Roman Architect. Signed and inscribed L. Alma Tadema OP CXLII. Oil on panel, 11 1/2 x 8 3/4 inches (29.2 x 22.3 cm)]
Attributed works:
[Osborne Samuel Gallery, London. The eight, by Cyril Power. 1930. Edition of 50. Signed, titled and numbered within the image. Linocut, 32.3 by 23.4 cm]
Attributed works:
[Paul Stolper Gallery, London. Union Jack, by Peter Blake, 2011. Signed and numbered. Edition of 50. Inkjet on paper, 46.7 by 63.5 cm]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. "The False Start," Collection Yale University Museum]
Attributed works:
[Peter Findlay Gallery. 131 East 66th Street. New York. Edgar Degas. The False Start. c. 1875. (Cheval au Galop Tournant la Tete à droite). 11.4 Inches High. Numbered 32 / J. stamped cire Perdue A.A. Herbrard.]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Mel Ramos. Y from the Hollywood Suite. Oil on canvas.]
Attributed works:
[Schiller & Bodo. 120 East 65th Street. New York. Henri Le Sidaner, French. 1862-1939. L'Ecluse, Montreuil-Bellay, 1909. Signed lower right. Oil on canvas, 32 x 39 1/2 inches (81 x 100 cm)]
Attributed works:
[The London Original Print Fair. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen - edition of 40. Sims Reed Gallery.]
Attributed works:
[The Old Print Shop, Inc., New York. American pattern - barn, by Benton Murdoch Spruance. 1940. Edition of 45. Lithograph printed in two colours, 19.2 by 35.2 cm.]
Attributed works:
[The Old Prints Shop, New York. The red scow, by Blanche Lazzell. 1931. Signed, dated and titled in ink. White-line colour woodcut, 30.7 by 35.4 cm]
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Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
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Advertisements November 1988 (Front)
11/1988 | 1028 | 130
Pages: i-lx
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Harold Gilman. London Street Scene in Snow, 1917-1918. 19½ × 15¼ Inches (49.5 × 38.7 cms.). Oil on Canvas
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 1. Pieter Bruegel the older, Rocky landscape with castle and river valley. Inv.4595 Pen and brown and yellow ink, on white paper, 136 × 210mm. Signed and dated lower left corner "P Brvegel 1559". This drawing is the earliest of Bruegel's small landscapes.
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 2. Isack van Ostade, A Female Peasant Walking with a Boy, Inv.17.119 Pen and Brown Ink and Brown Wash over Graphite, on White Paper, 93 × 66mm.
Attributed works:
[Austin/Desmond, 15A Bloomsbury Square, London] Bryan Wynter (1905-1975). 'Cock in Landscape' 1949 Lithograph
Attributed works:
[Berggruen & Cie, 70 rue de l'Université, Paris] Picasso. Study for the Sculpture. "Ape and Baby" Green Crayon 21 × 13,5
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London] An Early 17th Century Parcel-Gilt Tazza. The Shallow Bowl Lightly Flat-Chased with Interlaced Strapwork Rests on an Elegant Baluster Stem and Circular Foot, all Similarly Flat-Chased. Maker's Mark: Two Bells. Perhaps N. Italian, Circa 1610. Height: 5½ Inches. Diameter: 6½ Inches.
Attributed works:
[C. & J. Goodfriend, 61 East 77th Street, New York] Baldassare Peruzzi (1481-1536), An Allegory of Liberality. Pen and Brown Ink and Wash with White Heightening on Pink Prepared Paper, Lightly Squared for Transfer, 335 × 185 mm. Strong No. 59; Frommel No. 66c, Plate XLIId. Ex Collection Sir Peter Lely (Lugt 2092); Earl of Pembroke; Irma N. Straus.
Attributed works:
[C. John (Rare Rugs) Ltd, 70 South Audley Street, London] An Aubusson tapestry, part of the series, Pastoral Scenes. The scenes in oval picture frame borders, on a foundation of Jaune damassé, are enhanced by festoons, swags of flowers and pendant trophies. Second half of the Eighteenth Century. 12′7″ × 8′2″
Attributed works:
[C.G. Boerner, 13 Kasernenstraße, Dusseldorf] Master Na Dat with the Mousetrap. The Two Armies at the Battle of Ravenna. Engraving. (c.1512/13). 151 × 221 mm Sheet Size. Bartsch XIII, 2. Hind V, 267,2, pl.850.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, Amsterdam] Pieter Stevens, c. 1567 - After 1624: A Wooded Landscape with a Ruined Castle, Dated [15]97, Pen and Brown Ink and Watercolour, 213 × 333 mm. Estimate: £15,000 - £20,000; f150,000 - f170,000
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Engraving. Lady on Horseback and a Lansquenet. Meder 84, State 'b', of 'd'
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Andrea di Vanni d'Andrea (1332-Siena-1413). Crucifixion. Tempera on Panel: 59 × 26 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Bartolomeo Coriolano (Bologna Mid-17th Century). Buste d'Amor after Guido Reni. Chiaroscuro Woodcut. B.2. Size 297 × 374 mm
Attributed works:
[Daniel B. Grossman Galleries, 1100 Madison Avenue, New York] John Gibson (English, 1790-1866). The Sleeping Shepherd. White Carrara marble. 44½″h. × 40½″w. × 22½″ deep. (113.0 × 102.9 × 57.2 cm). Inscribed on the base: Johannis. Gibson Me fecit Roma. Executed Circa 1824
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Rachel Ruysch (1664-Amsterdam-1750). Canvas, 32 × 25.8 cm. Signed and Dated 1695.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Edgar Chahine: La Promenade 1902
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Jean-Léon Gérôme: Portrait d'Homme. Oil on Canvas 57 × 46,5 cm. Signed and Dated 1853.
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] James Jacques Joseph Tissot (1836-1902). Out Post Duty (Grand'garde, souvenir du siege de Paris) Black Chalk on White Paper. 6¾ × 5 Inches (17.1 × 12.7 cm.)
Attributed works:
[Galerie Charles & André Bailly, 25 quai Voltaire, Paris] B. E. Murillo. Le Christ au Jardin des Oliviers. 53,5 × 38,8 cm
Attributed works:
[Galerie de la Scala, 68 rue de la Boétie, Paris] Pieter Molyn (1595-1661). Landscape. 15 × 20 cm. Signed and Dated (1657) Lower Centre.
Attributed works:
[Galerie du Fleuve, 6 rue de Seine, Paris] Gligor Tchemersky. 'Les Insectes Viennent'
Attributed works:
[Galerie Gerda Bassenge, 5A Erdener Strasse, Berlin] Käthe Kollwitz (1867 Königsberg - 1945 Moritzburg). Die Klage (Zum Gedenken von Ernst Barlach). Bronze. 1940.
Attributed works:
[Galerie Perrin, 98 Faubourg Saint Honore, Paris] Jean-Baptiste Greuze 1725-1805. French School. Study of the Head of a Child for Une jeune enfant qui joue avec son chien (Salon of 1769, Representing the Third Daughter of the Artist). Edgar Munhall Has Kindly Confirmed This Identification. H. 31.5 cm; L. 24.9 cm. Charcoal and White Chalk on Brown Paper.
Attributed works:
[Galerie Pierre-Yves Gabus Gallery, 2022 Bevaix, Switzerland] Foujita « Le Colin-Maillard ». Tempera on Gold, 42×32 cm, Signed and Dated 1918 - Estimated 340 000 / 380 000 S. Ref. « La vie et l'œuvre de Foujita », by S. and D. Buisson.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] E W Godwin 1833-1866. A Design for Northampton Town Hall, 1861. Brown Pen & Washes. 17¾ × 23 Inches
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Adriaen de Gryef (1670-1715). 'Hunting Trophies'. Two Pendant Panels, Signed. 32 by 39 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Bartolomé Esteban Murillo. Seville 1618-1682. Virgin of the Flowers. Oval, 81 by 65 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Christian George Schutz I, 1754. Landscape on the Banks of the Rhine. 50 by 119 cm.
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Giovanni Battista Salvi, Called Il Sassuferrato (1609-85). Copy of the Predella of Raphael's Vatican Coronation of the Virgin. Each Panel 27 by 51 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Circle of Cristoforo Orimina. Naples c. 1350
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Marten-Jacobsz van Veen Heemskerk 1498-1574
Attributed works:
[Heim Gallery Limited, 59 Jermyn Street, London] Louis Michel van Loo (Toulon 1707-Paris 1771). Portrait of the Président Jacques Julien, Comte Devin, His Wife Comtesse Devin and Their Son Jean Jacques Devin, Marquis de Fontenay. Signed and Dated 1767. Oil on Canvas 160 by 150 cms.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road, London] Veduta del Sotterraneo. Etching. 715 × 455 mm. Fondamento del manusoleo. Etching for Le Antichità Romane. Rome. 1756. 1st Paris Edition 1800-1807.
Attributed works:
[Herbert Roman Inc., 17 East 77th Street, New York] John Rollin Tilton (1828-1888). The Ruins of Kom Ombos, Upper Nile, Egypt. Oil on Canvas, 30 × 48 Inches. Signed with Hieroglyphic Monogram Lower Right
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil, Paris] Henry-Joseph Boichard. Né à Versailles en 1783. 'La générosité de Bayard'. Huile sur toile; signée et datéc: "Boichard 1827"; 90 × 117 cm.
Attributed works:
[Kate de Rothschild & Didier Aaron Inc., 32 East 67th Street, New York] Charles-Joseph Natoire (1700-1777). Christ on the Cross
Attributed works:
[Kate Ganz Ltd, 49 Maddox Street, London] Guido Reni (1575-1642) Study for The Nativity, 1642, Red and Black Chalk on Blue Grey Paper 28.4 × 17.2 cms.
Attributed works:
[Katrin Bellinger, exhibiting at Harari & Jones Ltd, 12 Duke Street, London] Rosalba Carriera Venice 1675-1757 Venice. Diana, Pastel on Paper 450 × 340 mm
Attributed works:
[Laurance D. Strapelias, Galerie del Borgo, 5 rue de l'Université, Paris] Louis Galloche 1670-1761. 522 × 415mm
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris] Jean-Charles Delafosse (Paris 1734-1791). Prison Gate. Pen and Grey and Brown Wash, Signed Bottom Left. On the Back of the Old Mount Is the Left-Hand Part of an Elevation by the Same Artist.
Attributed works:
[Marcello Aldega-Margot Gordon] Giovanni Francesco Barbieri detto il Guercino. Cento 1591 - Bologna 1666. Red Chalk, Buff Paper. 298 × 217 mm
Attributed works:
[Marlbourgh Fine Art (London) Ltd, 6 Albemarle Street, London] The Space Beyond 1988 Paint on Canvas and Board. 48 × 79in./122 × 200.7cm. Signed with Initials Lower Centre
Attributed works:
[Mathias F. Hans, Jungfernstieg 34, Hamburg] Francesco Ubertini. Bacciacca. Florenz 1494 - 1575. Portrait of Vittoria Colonna. Oil on Panel, 72 × 52 cm
Attributed works:
[Mia N. Werner, 36 East 44th Street, New York] P. F. Mola Caricature. Pen & Brown Ink & Wash. 13⅜ x 10⅜.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Orazio Sammachini (1532-1577). 'The Flagellation of Christ'. Oil on Canvas, 18½ × 13½ ins.
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Jean-Louis Lemoyne (Paris 1665-1755). A Companion of Diana. Black and White Chalk. 368 × 157 mm.
Attributed works:
[Paul McCarron, 1014 Madison Avenue, Graham Gallery Building, New York] Kathe Kollwitz 1867-1945 Besuch im Krankenhaus. Woodcut, 277 × 359 mm., 1929 Klipstein 236, V/VIb. A Proof before the Final Edition of 130. A Brilliant Impression on Japan Paper.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris] Baldassare Franceschini dit Il Volterrano. Volterra 1611 + Florence 1689. Study for an Altar, Possibly Made for the Canonization of Santa Maria Maddalena de'Pazzi Which Was Celebrated in Florence in 1669. Red Chalk, Pen and Brown Ink. 383 × 250
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Aert Schouman, (1710-1792), "A Shoveler Duck on a River Bank," Signed Verso, with Initials, Dated 1755 and Inscribed. "Een Berg Eerd Nag Nict Half Levers Groot," Watercolour, 325mm × 245mm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Giovanni Bernardo Carbone, (1614-1683), "Portrait of a Young Nobleman Standing before a Red Curtain" Oil on Canvas 143cm × 117cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Henri Martin, "Le Berger", Oil on Canvas, Signed, 65 cm × 100 cm. Estimate: £30,000-£40,000
Attributed works:
[Phillips, Hayes Place, Lisson Grove, London] Attributed to Abraham Bisschop, (1670-1731), "Still Life of Exotic and Domestic Fowl in a Landscape," Oil on Canvas, 99.8cm × 133cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jan van der Straet (Called Stradanus). The Charity of St. Nicholas. Black Chalk and Brown Wash Heightened with White on Paper Washed Light-Brown. 283 by 426mm
Attributed works:
[Société Labatut, 199 bis Boulevard Saint-Germain, Paris] Gabriel-François Doyen. The Death of Virginia. Canvas 77 × 129 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Marble Bust of Christ by Giovanni Battista Caccini (Circa 1598), 72.5 cm High (28½ in). Estimate: £40,000-60,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-François Millet, La Provende des Oisons, Signed, Black Chalk and Pastel, 57 by 40cm (22½ by 15¾ in). Estimate: £300,000-400,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sebastiano Mazzoni (Circa 1611-1678), Portrait of Two Small Girls, Oil on Canvas, 112 by 95cm (44 by 37½ in). Estimate: £80,000-120,000
Attributed works:
[Sotheby's, Monaco] Marinus van Reymerswael, The Two Tax Gatherers, Oil on Panel, 94 by 78cm (37 by 30¾ in). Estimate: FF2,400,000-2,800,000 (£240,000-280,000)
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Guillaume de Groot, A Mediaeval Soldier, Bronze, Signed, 165cm (65 in) High.
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Théodore Géricault, Mameluck Ramassant sa Lance, on the Reverse, Composition Classique (Circa 1810), Pen and Brown Ink Heightened with Charcoal, 17.3 by 22.1cm (7 by 9 in). Estimate: FF200,000-300,000 (£20,000-30,000)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, London] Philip James De Loutherbourg (Strasbourg 1740-1812 London). Skating in Hyde Park. Signed and Dated 1776 Lower Left. Oil on Canvas. 36 1/16 x 48¾ Inches (89 × 124cms).
Attributed works:
[Stanza del Borgo, via G. Puccini 5, Milan] Domenico Campagnola, St. Sebastian, Pen and Ink, 318 by 217 mm, Dateable 1530.
Attributed works:
[Stephen Mazoh & Co. Inc., 43 East 75th Street, New York] Paul Cezanne Studies. Black Crayon and Pencil on Blue Paper 6 11/16 x 9⅞ Inches (17 × 25.1 cm.) 1867-69
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] Francis Towne. Naples, 1781
Attributed works:
[Thomas Le Clair, 156 Elbchausse, Hamburg] Giulio Campi (Cremona c.1505-1572). Danae, Pen and Brown Ink, Yellow and Grey Washes, White Heightening. 145 × 247mm.
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] John Hamilton Mortimer A. R. A. (1741-1779). Salvator Rosa. Signed and Dated 1776. Pen and Black Ink, 11 × 8¼ Inches (280 × 210 mm)
Attributed works:
[Wildenstein & Co. Inc., 19 East 64th Street, New York] H. Robert (1733-1808) 'Cascade in Tivoli'. Oil on Canvas: 24⅞ x 20 1/16 Inches
Attributed works:
[William Drummond at the Chinese Porcelain Company, 822 Madison Avenue, New York] James Seymour 1702-1752. Haute Ecole. Red Chalk 6½ × 7 Inches.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Toulouse-Lautrec: Un Monsieur et une Dame. Colour Lithograph. 1895. 12½" x 9⅜"
Attributed works:
[Yale University Press, 13 Bedford Square/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] Claude Lorraine, Scène de Brigands, 1633
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Large Chinese Seated Wood Figure of a Bodhisattva. Song Dynasty 960-1279. Height: 172cm
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Two Chinese Standing Wood Figures of Bodhisattvas. Late Tang Period 9-10th Century. Height: 142.3 and 144cm
Non-western art unattributed:
[Ming Furniture, 4400 N. Federal Hwy, Boca Raton, Florida] Ming Dynasty chi-ch'ih-mu Side or Altar Table - Circa 16th Century. Length: 71 ins (177 cm)
Western art unattributed:
[Christie's, 8 King Street, London] A late 11th or early 12th century Byzantine bronze incense burner, cast with scenes from the life of Christ, 4⅔ in. high. Estimate: £40,000-£60,000. A rare late 12th century Limoges copper gilt and enamel plaque of a bearded apostle, 7 × 3½ in. Estimate: £15,000-£20,000. An early 16th century Malines polychrome and gilt-wood group of the Virgin and Child, 15 in. high. Estimate: £8,000-£12,000.
Western art unattributed:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Dutch school, 18th Century. Trompe l'œil, with Three Engravings. Superimposed over French Landscape Subjects. Oil on Canvas, Inscribed at Top. 73 by 54.5 cm
Western art unattributed:
[Trinity Fine Art Ltd, 23 Ellington Street, London] The Visconti/Annoni Marriage Bowl. Bronze. Lombard, c. 1580. Width 37.5cm.
Advertisements
Advertisements June 1985 (Front)
06/1985 | 987 | 127
Pages: i-lviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
On the Pont de l'Europe, by Gustave Caillebotte. (Kimbell Art Museum, Fort Worth).
Attributed works:
[Adams, 28 Old Bond Street, London] A Pair of Rare Miniature Meissen Sporting Figures Dressed in Yellow Coats. Model by J. J. Kaendler. c. 1745. Size 3 Inches.
Attributed works:
[Agnew, 43 Old Bond Street, London] Jacopo Amigoni 1682-1752. Venus and Adonis. Canvas: 84 × 58 Inches
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Adriaen Jansz van Ostade, Haarlem 1610-1685. "Interior of a Barn with a Jester Regaling His Companions". Oil on Panel, 42 × 34.3 cms. Signed and Dated 1632.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Charles-Joseph Natoire, Nimes 1700-Castel-Gandolfo, near Rome, 1777. A Study of Venus with Her Putti. Black and Red Chalks Heightened with White 293 × 318
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] Circle of Pier Francesco Cittadini (1616-1681). Portrait of a Lady, Three-Quarter Length, Wearing a Black Lace-Embroidered Dress, Holding a Fan in Her Left Hand, Her Right Hand Resting on a Lute, Oil on Canvas, 47¼ × 38½ ins.
Attributed works:
[Artcurial, 9 Avenue Matignon, Paris] Square Seated Figures. Bronze. 1956.
Attributed works:
[Athenaeum, Avenue Princesse Alice 5, Monte Carlo] Marco Ricci. Belluno 1676 - Venise 1729. Oil on Canvas, 30 × 45 cm.
Attributed works:
[Browse & Derby, 19 Cork Street, London] Sickert, Rue St. Catherine, Dieppe, 18¼ × 15 ins.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Anthonie Waterloo. Black Chalk, Brown Pen and Wash in Several Grey Shades. 400: 390 mm. Watermark Three Lilies in Shield Surmounted by Crown.
Attributed works:
[Carré Rive Gauche - J O Leegenhoek, 23 quai Voltaire, Paris] Returning from the Hunt, by Philips Angel. Signed and Dated 1656. Oil on Canvas.
Attributed works:
[Chaucer Fine Art & Galleria Gasparrini, 45 Pimlico Road, London] Francesco Solimena (Canale di Serino 1657-Barra 1747), Solomon and the Queen of Sheba. Canvas, 152 × 120 cm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Cristofano Robetta Florence 1462 - After 1522 Ceres
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Federico Zuccaro Sant' Angelo in Vado 1540-Ancone 1609, Augustus and the Sybil. Red Chalk, Pen and Brown Ink and Wash over Yellow Tinted Paper. Indented with the Stylus for Transfer. 256 × 217 mm.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[E. & C.T. Koopman & son Ltd, Chancery Lane, London] A Fine Six-Piece Victorian Tea and Coffee Service by Robert Garrard, London 1840 Engraved with Armorials the Bases Stamped Garrard, Panton St. London - 9 ¾ Inches (25cm.) High - Gross Weight: 127 ozs The Arms Are Those of a Lady of the Cadogan Family
Attributed works:
[E. & C.T. Koopman & son Ltd, Chancery Lane, London] A Magnificent George IV Soup Tureen on Stand with a Pair of Matching Entreé Dishes. All by Paul Storr, London 1820. The Arms on the Entreé Dishes Are Those of Herbert.
Attributed works:
[Esperia Arts Ltd, 45,46 New Bond Street, London] Marble Bust of Costanza Bonarelli by G. A. Mazzuoli (1644-1706). Height 27½ ins. Formerly in the Contini Bonacossi Collection in Florence.
Attributed works:
[Galerie d'Arenberg, rue aux Laines 14, Brussels] Pierre Subleyras (1699-1749) Amour et Psyché (135 × 192 cm). Painted in 1732 for the "Académie de France" in Rome
Attributed works:
[Galerie Joseph Hahn, 36 rue de Berri, Paris] Augustin Louis Belle Paris 1757 - Paris 1841. "Hersé apercevant Hermès se rendant dans son palais" Signé - daté 1822 Salon 1824 Toile 95 × 71 cm.
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Glass. Netherlands, c. 1775. Stipple Engraved by Engraver in the Circle of David Wolff. Sheppard & Cooper Ltd
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Two 18th Century Figures, from the Meissen Monkey Band Series, of a Female Singer and Male Viola Player. c 1755. Adams
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Worcester Polychrome Teapot of Small Size. Decorated at the Atelier of James Giles with Brilliantly Coloured Exotic Birds. c. 1765. Aldbury Antiques
Attributed works:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] An Exceptionally Fine Pair of Barr Worcester Cache Pots Painted in Colours with Studies of Hope and Faith Reserved on a Brilliant Apricot and Gilt Ground. 7 Inches High. Scratch B Marks. Circa 1805. Mint Condition.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Théodore Géricault 1791-1824, Etudes d'un couple enlacé et de diverses figures nues. Pen and Brown Ink and Brown Wash over Pencil, 25.5 × 18.5 cm. Datable Circa 1817
Attributed works:
[Hill-Stone, Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a Boat beside a Canal. Etching and Drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A Brilliant Impression with Much Burr. From the Collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Hoff Antiques Ltd, 66A Kensington Church Street, London] Derby - A Rare early Vineleaf Moulded Dish Painted in Colours, Depicting a Pair of Birds. Circa 1756. Width 26.5 cm
Attributed works:
[Ivo Bouwman, Lange Vijverberg 20, The Hague] Joseph-Paul Mesle (Saint Servan 1855 - La Ferté-s-Jouarre 1929), "Madame Memssierre et son fils" Oil on Canvas, 185 × 225 cm. Signed Lower Left, Dated and Inscribed Lower Right, "Courlancy "'83".
Attributed works:
[Lawrence Fine art of Crewkerne, Somerset] Stanhope Alexander Forbes, R. A., "Business Slack in the Village - Boys Playing Tops", Signed and Dated 1888. 25½ in. × 18 in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Man in Blue II, 1954, Oil on Canvas, 59⅞ × 45⅞ in/152 × 116.5 cm.
Attributed works:
[Marlborough Graphics Gallery, 39 Old Bond Street, London] Emil Nolde 1867-1956 Mühlen Drypoint 1922 25.0 × 42.7 cm
Attributed works:
[Matthiesen, 7-8 Mason's Yard, Duke Street, London] Domenico Zampieri Called Il Domenichino. St. Ignatius Loyola's Vision at La Storta. Canvas: 165.5 × 98 cms
Attributed works:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Silver Teapot and Burner by Philippe Wolfers. Bruxelles c. 1880. Height 45 cm, Weight 3.900 gr.
Attributed works:
[Nella Longari, via Bigli 75, Milan] "Portrait of Abbot of Cistercian Origin". Painting on Oak Board - 46 × 33 cm. Attributed to Jean Gossaert. Flanders XVI Century
Attributed works:
[Peter and Heather Jackson Antiques, 3 Market Place, Northants] Highly Important Meissen Clock Bearing the Portrait and Arms of Augustus the Strong Complete with Contemporary Movement.
Attributed works:
[Phillips, 7 Blenheim Street, London] Jean Auguste Dominique Ingres: Quatre Portraits (L. D.2-5), the Four Lithographs on a Single Sheet as Printed by Hullmandel. Felix Man Knew of Only Eight Examples with the Four Subjects Intact.
Attributed works:
[Phillips, 7 Blenheim Street, London] John Michael Rysbrack, (1694-1770), "Thuner," One of a Set of Saxon Deities Carved for Lord Cobham's Garden at Stowe. Circa 1730, 170 cm High.
Attributed works:
[Piero Corsini Inc, 162 East 63rd Street, New York] Sebastiano Ricci (Belluno 1659-Venice 1734) Caritas Oil on Canvas, 42.5 × 56.6 cm. 16¾ × 22¼ in.)
Attributed works:
[Redfern Gallery, 20 Cork Street, London] C. R. W. Nevinson, The Temples of New York Drypoint 1919
Attributed works:
[Richard Green, 4 New Bond Street, London] Johan Barthold Jongkind (1819-1891), Pâtineurs à Overshie. Signed and Dated 1867. Canvas: 20½ × 32 in/52 × 81 cm. Exhibited: Galeries Georges Petit, 'Jongkind', 4th-23rd November, 1921
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Bernardo Cavallino, "Triumph of Galatea," Oil on Canvas, 148.5 by 203 cm. Exhibited: "Naples," Royal Academy, London; National Gallery, Washington, 1982-3 "Cavallino," Cleveland Museum; Kimbell Art Museum, Fort Worth, 1984-5.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Albrecht Dürer, Melancolia (B. 74; M., Holl. 75) Engraving, a Very Fine Early Impression of the Second State, with Margins, 24.3 by 19 cm. £18,000-20,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Guido Reni, Lucretia, Oil on Canvas, 128 by 99 cms.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Signac, Les Andelys (Kornfeld & Wick 10) Lithograph Printed in Seven Colours, 1895, the Trial Proof with Final Corrections for the Printer, Extensively Annotated by the Artist, 30.3 by 45.3 cm. £12,000-15,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Pierre Puvis de Chavannes, L'Eté, Ruth et Boaz, Signed with the Initials and Dated '54, Oil on Canvas, 54 by 47 cm. £30,000-40,000
Attributed works:
[Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Jacques Bertaux (c. 1745-1818) H. S. H. Monseigneur the Duke of Orleans and His Suite Hunting in the Ile de France. One of a Suite of Four Oils on Canvas, Each 51 × 77 Inches. Signed and Dated: 1778.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Paul Sandby, R. A. The Welsh Bridge, Shrewsbury
Attributed works:
[Wartski, 14 Grafton Street, London] A Rectangular Gold Dutch Snuff-Box Decorated with Rococo Scrolls and Flowers Amongst Which a Dolphin, Phoenix and Cornucopia Are Seen. These Finely Chased Ornaments Are Pinned to the Polished Surface of the Box; An Unusual Technique for This Period. 7.5 cms and 5.5 cms × 3 cms. Amsterdam c. 1765 by Jean Soumain. (1739-82).
Attributed works:
[William H. Schab Gallery, Inc., 11 East 57th Street, New York] G. B. Tiepolo, Plate 4 from Scherzi Etching, Early Proof (De Vesme 16)
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albermarle Street, London] George Stubbs: A Horse Attacked by a Lion Engraving. 1788.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albermarle Street, London] Piet Mondrian: Field Bordered by Trees Charcoal and Wash. c. 1907. 28¾″ × 37⅝″
Attributed works:
[Wolfgang Wittrick Kunsthandel GMBH, Sternstrasse 42, Dusseldorf] Erich Heckel, Weisse Pferde [White Horses], 1912 Woodcut Printed in Colours 335 × 515 mm, Signed and Dated, Dube 242/IV/A
Non-western art unattributed:
[A.V. & M.R. Santos, 1 Campden Street, London] "Famille Rose" Tureen from a 36 Piece Dinner Service Similar to the One Made for Alexander Henderson (1738-1815) of Dumfries, Virginia. According with A. M. Palmer These Porcelains Are Amongst the Few That Can Be Documented to Colonial America. In Her Book "Winterthur Guide to Chinese Export Porcelain", Colour Plate 3, Is Illustrated an Identical Tureen and a Related Dish. c. 1765.
Non-western art unattributed:
[Bluett, Davies and Sons Ltd, 48 Davies Street, London] Pair of Chinese Porcelain Covered Cups, Both Base and Cover Modelled as Petalled Flowers; Five Dynasties 907-960 AD. Height 7.8 cm.
Non-western art unattributed:
[E & J Frankel, 1020 Madison Avenue, New York] Amber Glazed Bactrian Camel. Tang Dynasty (618-906 AD). Height 15½ Inches.
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Archaic Bronze Wine Vessel (yu). Shang Period, 11th Century BC. Height (To Top of Handle): 29.8cm Weight: 4.30kg.
Non-western art unattributed:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] White Glazed Reticulated Three Peaked Dragon Motif Brush Rest. Wan Ti Period (1577-1619). E & J Frankel
Non-western art unattributed:
[John C. O'Mahony, Flat 10, 15 Westbourne Terrace, London] A Rare Bokhara Suzani from the Early Part of the 19th Century. Ivory Ground with Yellow Palmettes. Size c. 8 Feet × 5 Feet (2.44 m × 1.52 m.)
Non-western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Paire de chiens de fôa en porcelaine de chine de la famille verte. Epoque de Kang-Hy 1662-1722. H 32 cm.
Non-western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Paire de petites soupières hexagonales. Porcelaine de Chine première moitié du 18ième siècle, famille rose.
Non-western art unattributed:
[Robin Symes, 3 Ormond Yard, Duke Street, London] Detail of Copper Figure of a Bull. Sumerian, Circa 3000 BC. Length: 10 7/16″ (26.5 cms) Height: 7½″ (19 cms)
Non-western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] A Chinese Blue and White Porcelain Kendi of the Wan-Li Period (1573-1620) with English 17th Century Silver Mounts.
Non-western art unattributed:
[S. Marchant and Son, 120 Kensington Church, Street London] An Extremely Rare Japanese Porcelain Exportware Blue and White Octagonal Teapot and Cover Painted with Six European Galleons, 11.5 cms High, Circa 1700
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Bactrian Camel, Brown, Yellow and Green Lead Glaze, Tang Dynasty 618-906. Antik West, Grays in the Mews, 1-7 Davies Mews, W1
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Blue-White Chinese Porcelain Gendi, Wan-li Period 1573-1619. Vanderven & Vanderven
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Imari Square Bottle Decorated with Two Dutchmen, the Reverse with a Dutch Ship. Japan 19th Century. Emile et Mireille Gavage-Longrée
Western art unattributed:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris & 23 Grafton Square, London] A fine and rare early Louis XIV Cabinet. Paris c. 1660. ebonised pearwood inlaid with silver and brass filigree enriched with ormolou mounts. 168.5 cms by 110 cms by 39.5 cms.
Western art unattributed:
[C.John, 70 South Audley Street, London] A Very Fine and Rare Early Nineteenth Century Savonnerie Rug. On a Dark Green/Black Background, Bordered in Gold and Orange, There Are Two Griffins in Gold and Ochre Edged in Red. The Garlands and the Urn Are in Graded Colours of Red and Pink. In the Centre of the Bouquet and in Either Garland There Is a Multi-Foliate White Rose with Pink Centre. Size: 2′8″ × 7′1″ (81.3 × 216 cm) Circa 1820.
Western art unattributed:
[Carré Rive Gauche - Biancarelli, 19 rue de Beaune, Paris] A Spinet. Italy - XVIIth Century, the Legs of a Later Date. Red and Gold Lacquers, 150 × 150 cm.
Western art unattributed:
[Carré Rive Gauche - C et P Boucard, 25 rue du Bac, Paris] A Jewellery Casket, Composed of Six Iron Plaques Made in Nuremberg, Depicting the Story of Judith and Holopernes. It Opens When One Dials M. E. R. C. I. 5 × 16.5 × 11.5 cm.
Western art unattributed:
[Carré Rive Gauche - Galerie Chevalier, 15 quai Voltaire, Paris] Joan of Arc's Meeting with Her King at Chinon. Rare Tapestry, Woven in the XVth Century Style in a Flemish Atelier at the Very Beginning of the XIXth Century, 250 × 275 cm.
Western art unattributed:
[Carré Rive Gauche - Galerie Perrin, 3 quai Voltaire, Paris] A Rare Pair of Taps from the Chateau de la Muette, a Royal Residence. France, c. 1755. Bronze.
Western art unattributed:
[Charles van der Heyden, Westersingel 21, Rotterdam] Statue of Flora. Terracotta, Height 157 cm. France, Circa 1700
Western art unattributed:
[Christopher Mendez, 51 Lexington Street, London] German School Circa 1600
Western art unattributed:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Rock Crystal Casket Mounted in a Gilt Bronze Frame. Florentine, Early 17th Century. 7 × 5 Inches. Jacob Stodel
Western art unattributed:
[J. Kugel, 279 rue Saint-Honoré, Paris] An Exceptional 18th Century Chinese Porcelain Perfume Fountain with a Fine Regence Ormolu Mount, France Circa 1720. H. 15,5 cm.
Western art unattributed:
[Jacob Stodel, 116 Kensington Church Street, London] A Dutch Delftware Plaque in "Small Fire" Decoration, after a Seventeenth Century Scene in the Manner of A. Brouwer. Middle of 18th C. Size 24 × 24 cm.
Western art unattributed:
[Jacqueline Boccara, 184 Faubourg Saint-Honoré, Paris] La Cour d'Amour: Brussels Manufacture. Around 1520. Dimensions: Hauteur: 2,80m × Largeur: 2,60m. Height: 9′ 2″ × Width: 8′ 6″.
Western art unattributed:
[Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London] Hitherto Unrecorded Model of a Pug Dog. Circa 1749-1754
Western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Magot chinois en faience de Bruxelles, la tête amovible dans les tons verts, jaunes, aubergines. Première moitié du 18ième siècle.
Western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Terrine en forme de tête de sanglier. Faience de Bruxelles, première moitié du 18ième siècle. H 31 cm L 50 cm. le plateau en plus.
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London] An Extremely Fine Set of Six George II Period Carved Mahogany Chairs. Circa 1750. Height of Back 38½ ins. 98 cms. Height of Seat 17½ ins. 44.2 cms Width of Seat 20 ins. 51 cms Depth of Seat 16½ ins. 42 cms
Western art unattributed:
[Sheppherd & Cooper Ltd, 35 St. George Street, London] A Venetian Goblet with Gilt and Enamel Decoration, Early 16th Century, Similar to the Glass Held by One of Lot's Daughters in the Painting by Albrecht Altdorfer in the Kunsthistorisches Museum, Vienna.
Western art unattributed:
[Sotheby's, Monaco] French School, c. 1770, Terracotta Figure of an Antique Woman, Height 77.5 cm. £14,000-16,000. Louis XVI Terracotta Stand, Height 108 cm. £1,800-2,600
Western art unattributed:
[Sotheby's, Monaco] Louis XVI White Marble Stand, Height 110 cm. £14,000-22,000
Western art unattributed:
[Sotheby's, Monte Carlo] An Early 19th Century Marble Statue of a Sleeping Shepherd, Height 106 cm., Width 53 cm, Depth 95 cm. Estimate on Request.
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] A Complete Cabaret. Circa 1790. Davies Antiques
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Derby Jug, Painted in Enamel Colours. Ill. in Derby Porcelain by John Twitchett and by R Williams in His Early Derby Exhibition Catalogue. The Paste and Glaze Is Very Similar to That of the J Boot Vase No 48 in His Catalogue Dated 1764. 7 ins High. William Dewsbury & Co 1760-1765. H & P Jackson
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Dutch Wheelengraved Glass, the Funnel Bowl Engraved with a Continuous Landscape and the Inscription 'A Mon Labeur'. c. 1750. H. 20.7 cm. Peter Korf de Gidts
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Pair of Chelsea Gold Anchor Period, Sweetmeat Figures, with Seated Dogs. Richly Painted and Gilded. 8″ High. c. 1768. Klaber and Klaber
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Very Rare Derby Figure of a Seated Leopard, c. 1760. Length 4 ins (10cm) Brian Haughton