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2 articles
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Advertisements February 2011 (front)
02/2011 | 1295 | 153
Pages: s.p.
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[Charles Beddington Limited. 16 Saville Row, London, W1S 3PL. Antoine de Lohny (active in Autun, Toulouse, Barcelona and Piedmont 1446 - c.1490). Saint Vincent Ferrer Proaching. Tempera on gold ground panel, 41 3/4 x 16 3/8 in. (106 x 41.5 cm)
Attributed works:
[Charles Beddington, London. A capriccio of classical ruins on a Mediterranean coast, by Leonard Coccorante (1680-1750). Signed with monogram 'LC' (lower right). Oil on canvas, 75 by 126 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Attributed to Pieter Balten (Antwerp 1525 - 1598). Kermesse with the feast of Saint Georges. Oil on canvas, 153 by 286 cm (60 1/4 by 112 1/2 in.).]
Attributed works:
[David Koetser, Switzerland. A wooded dune landscape, by Jacob van Ruisdael (1628/29-82). Signed and dated lower center: JVRuidfael 1648. Oil on panel, 27.5 by 31 cm]
Attributed works:
[De Jonckheere, Paris and Geneva. The siege of Therouanne, with the army led by Charles V camping at the foot of the town, by Henri Met de Bles (c.1510 - 1560). Oil on panel, 118.1 by 181 cm]
Attributed works:
[Galerie Canesso, Paris. Exotic birds from the aviaries of Grand Duke Cosimo III de' Medici in a landscape, by Bartolomeo Bimbi (1648-1730). Oil on canvas, 119.4 by 151.1 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellamare di Stabia, 1707 - Naples, 1789. The Painter's Studio. Oil on canvas, 168 x 235 cm /66 1/4 x 92 1/2 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Bijlert (Ultrecht 1597-1671). Young Woman with a cat. Allegory of the sense of touch. Oil on canvas, 76.5 x 64.5 cm.]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Nicolas Maes. 'The presentation of Christ in the temple. Pen, brush and brown ink, 13.7 x 14.7 cm)]
Attributed works:
[Gallery Matthiesen. 7/8 Manson’s Yard, Duke Street, St. James’s. London, W.1. WERNER VAN DER VALKERT (In or nr. The Hague c.1580/85 - c-1627 Amsterdam). Omnia Vincit Amor. Circa 1616. Oil on panel; 78 x 63 cm (30 3/4 x 24 3/4 in)]
Attributed works:
[Haboldt & Co. Paris. 'Tronie' of an old man, by Jan Lievens (1607-74). c. 1629. Oil on panel, 60.1 by 47.8 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Peter Lanyon 1918-1964. Coast Wind, 1957. Oil on board. 72 x 48 inches; 183 x 122 cm. Signed and dated.]
Attributed works:
[Johnny van Haeften Ltd, London. The Hofstede Wolf en Hoeck on the Pumer, by Jan van der Heyden (1637-1712). Signed lower left. Oil on panel, 33.8 by 39.7 cm.]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Michael Sweerts (Brussels 1618 - 1664 Goa). A Portrait of a Gentleman. On canvas, 25 1/4 x 20 1/4 ins (64.1 x 51.4 cm) - oval.]
Attributed works:
[Koetser Gallery Ltd. Talstrasse 37. Zurich. Jan Luijkenstraat 62 (sous). Amsterdam. Oil sketch by Sir Peter Paul Rubens (1577 Siegen - Antwerp 1640). Alexander and Roxana. Oil on panel, 40 x 35.5 cm]
Attributed works:
[Oskar Reinahrt. Haldenstrasse 95. Winterthur. Camille Corot, La Petite Liseuse of Jeune bergère aussie et liant, c.1855/65]
Attributed works:
[Otto Naumann Ltd. New York. Architectural capriccio with a self-portrait of Bellotto in the costume of a venetian nobleman, by Bernardo Bellotto (1721-80). Oil on canvas, 155 by 112 cm]
Attributed works:
[Richard L. Feigen & Co., New York. Mountainous landscape with Hunters, by Jan Looten (c.1618-c.1680). Oil on canvas, 112.5 by 146.5 cm]
Attributed works:
[Schlichte Bergen, Amsterdam. An ideal landscape with an epitaph for Epaminondas, by George Augustus Wallis Merton (1761-1847). One of pair of neoclassical drawings in their contemporary frames. Black chalk on brown paper, 72 by 101 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Adrian Ludwig Richter. Dresden 1803-1884 Loschwitz. Am Brunnen bei Grottaferrata. Signed and dated L. Richter/1832. Canvas 113 x 99.5 cm]
Attributed works:
[The Burlington Magazine, London. Study for the Age of Bronze, by Pietro da Cortona. 1641. Pen and ink over black chalk, 35 by 25 cm (Dulwich Picture Gallery)
Attributed works:
[The Burlington Magazine. London. Head of St. Peter from the Last Supper, after Leonardo da Vinci (Giovanni Antonio Boltraffio ?). Black chalk, pastel and watercolour. (Cabinet des Estampes at des Dessins, Stasbourg)]
Attributed works:
[The Burlington Magazine. Study after Ruben's 'Peace and War', here attributed to Eugène Delacroix. c.1825. Watercolour and gouache, 33.5 by 26 cm. (Private collection)]
Attributed works:
[The Matthisen Gallery, London. Huntsmen in a landscape, by Paul Brill (1554-1626). Signed and dated 1612. On canvas, 59 by 87 cm]
Attributed works:
[The Rubens House Museum. Anthony van Dyck (1599-1641), Isabella Brant. @ National Gallery of Art, Washington, DC.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico Road. London. Wilhelm de Groff (early 18th Century). A monumental portrait of Maximilian II Emanuel, Elector of Bavaria (1662-1726). Bronze.]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: A needlework mirror with folding shutters. English, late 17th Century.]
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Advertisements April 2009 (front)
04/2009 | 1273 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]