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7 articles
Book Review
Inner: The Collected Writings and Selected Interviews. By Sean Scully & Danto on Scully. By Arthur C. Danto
10/2017 | 1375 | 159
Pages: 831
related names
Reviewer:
Masheck, Joseph (Masheck, Joseph; Masheck, Joseph Daniel Cahill)
Subjects
art literature:
artists:
Illustrations
Attributed works:
65. A bedroom in Venice, by Sean Scully. 1988 (Museum of Modern Art, New York; © Sean Scully).
Exhibition Review
London exhibitions (Sean Scully). London
03/2012 | 1308 | 154
Pages: 211-213
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
print:
subjects:
Reviewed Items
subjects:
Sean Scully. Change and Horizontals | institution: Drawing Center , institution: Galleria Nazionale d'Arte Moderna , institution: Middlesbrough Art Gallery , institution: Timothy Taylor Gallery
Illustrations
Attributed works:
39. Horizontals #5, by Sean Scully. 1975. Acrylic, tape, ink and graphite on paper, 55.9 by 76 cm. (Courtesy of Neo Neo Inc., New York; exh. Middlesbrough Institute of Modern Art).
Advertisements
Advertisements April 2009 (front)
04/2009 | 1273 | 151
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s. 8 Grafton Street. London. Ben Nicholson (1894-1982). 1940-1942 (Painting) Gouache, 9x9 in (23 x 23 cm)]
Attributed works:
[Andrew Edmunds. London. Gin Lane and Beer Street (detail), by William Hogarth. 1751. Etching and engraving on paper, 39 by 32.6 cm]
Attributed works:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. Rare cabinet à hauteur d'appui with Ceres and Bacchus inspired marquetry panels in pewter, ebony and amaranth. Supporting an exceptional pair of paragon marble busts featuring young Moors. Marquetry panels by André-Charles Boulle (1642-1732), late 17th century. Cabinet, France, second half of 18th century. Busts, Venice, 17th century.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Victor Pasmore R.A. (1908-1998). Linear projection. Oil, collage and wood relief on panel. 62.5 x 62.5 cm (24 1/2 x 24 1/2 in)]
Attributed works:
[Christopher Mendez. London. Peasant with hands behind his back, by Rembrandt van Rijn. 1631. Bartsch 135, fourth state. Etching and engraving, 5.6 by 4.5 cm]
Attributed works:
[David Case Fine Art. Norfolk. Tampere mirror, by Sean Scully. 2003. Etching and aquatint, 32 by 28 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Bonito. Castellammare di Stabia, 1707 - Naples, 1789. Huntsmen at Rest. Oil on canvas, 167 x 234 cm (65 3/4 x 92 1/8 cm)]
Attributed works:
[Galerie Fetzer. Sontheim an der Brenz. Amière-saison en Nouvelle Angleterre, by Roy Lichtenstein. 1992. Etching and aquatint in colours, 27.9 by 37.5 cm]
Attributed works:
[Ingleby Gallery. Edinburgh. Untitled, by Rachel Whiteread. 2008. From the 'Billboard for Edinburgh' series. Edition of 50, signed numbered and dated by the artist. Archival digital inkjet print, 25.4 by 33.9 cm (image size): 38.2 by 45.8 cm. (paper image)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Master of Attel (active in Munich 1470/1480). Crowning with Thorns. Deposition. Ascension of Christ. Pentecost. Oil on panel, 125 x 116 cm (each)]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Marc Quinn, detail from Untitled 4, from Portraits of Landscapes.]
Attributed works:
[Marlborough Graphic, London. Spider, by Paula Rego. 2008-09. Edition of 35. Etching and aquatint, 63 by 49 cm.]
Attributed works:
[Pratt Contemporary Art. Kent. A modern bestiary: Dachsund, by Ana Maria Pacheco. Screenprint, 24 by 19.5 cm]
Attributed works:
[Redfern Gallery. London. Ploughing pasture, by Sybil Andrews. 1955. Linocut, 29.1 by 37.5 cm]
Attributed works:
[Sims Reed Gallery, London. Flumequine, by Damien Hirst. 2007. Each signed in pencil and numbered from an edition of 75. Etching printed in colours, 139.7 by 107.5 cm]
Attributed works:
[The Fine Art Society. London. Noctes Ambrosianae, by Walter Sickert. c. 1908. Etching and aquatint, printed in black ink on wove paper, 22.8 by 25.8 cm]
Attributed works:
[Wolseley Fine Arts. Horefordshire. Self portrait no. 9 the turban, by Edgar Holloway. 1937. Etching, 12.6 by 10.2 cm]
Attributed works:
[Yale Centre for British Art. 1080 Chapel Street. New Haven, CT. William Powell Frith, The Railway Station (detail), 1862, oil on canvas. Courtesy of Royal Holloway, University of London.]
Exhibition Review
Marden; Scully. New York and San Francisco
02/2007 | 1247 | 149
Pages: 131-132
related names
Reviewer:
Carrier, David (Carrier, David)
Subjects
dates:
print:
print:
subjects:
Reviewed Items
subjects:
Plane Image: A Brice Marden Retrospective | institution: Hamburger Bahnhof - Museum für Gegenwart , institution: Museum of Modern Art , institution: San Francisco Museum of Modern Art
subjects:
Sean Scully: Wall of Light | institution: Metropolitan Museum of Art , institution: Museum of Modern Art
Illustrations
Attributed works:
63. Cold Mountain 6 (Bridge), by Brice Marden. 1989-91. Linen, 274.3 by 365.8 cm. (San Francisco Museum of Modern Art; exh. Museum of Modern Art, San Francisco).
Attributed works:
64. The propitious garden of plane image, second version, by Brice Marden. (Photographed unfinished in May 2006). 2000–06. Linen, six panels, overall dimensions 182.9 by 731.5 cm. (Collection the artist; courtesy Matthew Marks Gallery, New York; exh. Museum of Modern Art, San Francisco).
Attributed works:
65. Wall of Light desert night, by Sean Scully. 1999. Canvas, 274.32 by 335.28 cm. (Modern Art Museum of Fort Worth; exh. Metropolitan Museum of Art, New York).
Book Review
Sean Scully.
05/2005 | 1226 | 147
Pages: 342
related names
Reviewer:
Juncosa, Enrique (Juncosa, Enrique)
Subjects
artists:
dates:
print:
Reviewed Items
subjects:
Sean Scully. | author: Carrier, David
Exhibition Review
Sean Scully. Washington
09/1995 | 1110 | 137
Pages: 642-643
related names
Reviewer:
Carrier, David (Carrier, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
70. Why and What (Yellow), by Sean Scully. 1988. 92.1 by 304.8 cm. (Hirshhorn Museum and Sculpture Garden, Washington).
Attributed works:
71. Enough, by Sean Scully. 1981. 170.2 by 165.1 cm. (Mellon Bank Corporation, Pittsburgh; Exh. Hirshhorn Museum and Sculpture Garden, Washington).
Exhibition Review
Sean Scully. New York and Fort Worth
07/1993 | 1084 | 135
Pages: 506-507
related names
Reviewer:
Carrier, David (Carrier, David)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
61. Magdalena, by Sean Scully. 1993. Linen, 203.2 by 177.8 cm. (Exh. Mary Boone Gallery, New York).
Attributed works:
62. Catherine, by Sean Scully. 1987. 243.8 by 304.8 cm. (Collection of the Artist; Exh. Modern Art Museum, Fort Worth).