By using this website you agree to our Cookie policy

Search

19 articles
Supplement
Recent acquisitions, Musée Fabre, Montpellier (2004–2022)
12/2022 | 1437 | 164
Pages: 1305-1324
Subjects
artists:
museums and institutions:
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Leonello Spada. c.1610–11. Oil on canvas, 120 by 158 cm. Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon and various sponsors, 2012, inv. no.2012.10.1.
Attributed works:
10. Anne Melon, by Jean Ranc. 1702. Oil on canvas, 147 by 116 cm. 11. Joseph Bonnier, by Jean Ranc. 1702. Oil on canvas, 146 by 116 cm. Purchases with the support of the FRAM Occitanie, 2017, inv. nos.2017.12.1 and 2017.12.2.
Attributed works:
12. Offering to Priapus, by Jean Raoux. 1720. Oil on canvas, 91.5 by 74 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2010, inv. no.2010.9.1.
Attributed works:
13. Masterpiece of craftsmanship: rattle, by Marc David Pascal Bazille. 1782. Gilded silver, length 13.5 cm. Purchase, 2007, inv. no.2007.11.1.
Attributed works:
14. Display jar, by the workshop of Pierre Favier the Younger. c.1650–60. Tin-glazed earthenware and polychrome grand feu decoration, 46 by 35.5 by 26 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2013, inv. no.2013.8.1.
Attributed works:
15. Silver covered bowl, by Jacques II Bazille. 1741–42. Silver, 12.5 by 17 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.17.1.
Attributed works:
16. The paddle game, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. 17. The seesaw, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. Trésors Nationaux, transfer from the Musée du Louvre to the Musée Fabre; the acquisition of these works was made possible thanks to the patronage of Webhelp, 2022, inv. no.2022.10.1 and inv. no.2022.10.2.
Attributed works:
18. Sarah presenting Hagar to Abraham, by Joseph Marie Vien. 1749. Oil on canvas, 98 by 134.5 cm. Purchase with the support of the Fonds du patrimoine, 2015, inv. no.2015.21.1.
Attributed works:
19. Pyrrhus seeing Philoctetes in his lair on the island of Lemnos, by Pierre Henri de Valenciennes. 1789. Oil on canvas, 68.4 by 98.9 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2019, inv. no.2019.32.1.
Attributed works:
2. Judith and Holofernes, by Filipo Vitale. c.1635. Oil on canvas, 126 by 154 cm. Gift of Didier Malka, 2020, inv. no.2020.34.1.
Attributed works:
20. Bust of Jean-Baptiste Riban, by Augustin Pajou. 1793. Terracotta, 54.5 by 48 by 32.5 cm. Purchase, 2005, inv. no.2005.11.1.
Attributed works:
21. Dying Achilles, by Jean-Baptiste Giraud. 1788. Plaster, 55 by 83 by 37 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.28.1.
Attributed works:
22. Arria and Paetus, by François André Vincent. c.1787. Oil on canvas, 102.8 by 124.5 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2014, inv. no.2014.5.1. 23. Renaud and Armide, by François André Vincent. c.1787. Oil on canvas, 104 by 122.5 cm. Purchase, 2021, inv. no.2021.29.1.
Attributed works:
24. Commode ‘sauteuse’. Southern French. c.1774–92. Wood and marble, 92 by 130 by 65 cm. Purchase, 2019, inv. no.2019.26.1.
Attributed works:
25. View of Florence and the Arno, by Joseph Wright of Derby. c.1789–93. Oil on canvas, 58.4 by 76.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, A. d’Espous and the Société Jean Larnaudie 2017, inv. no.2017.1.1.
Attributed works:
26. View of the Arno valley, in Florence, by Louis Gauffier. 1795. Oil on canvas, 82 by 110 cm. Purchase with the support of the Fondation d’entreprise du Musée Fabre, 2016, inv. no.2016.21.1.
Attributed works:
27. Self-portrait as a youth in a frock coat, by Pierre-Paul Prud’hon. c.1784. Brown ink and pen on paper, 21 by 17 cm. Purchase, 2017, inv. no.2017.26.1
Attributed works:
28. The return of Ulysses, by François-Xavier Fabre. 1799. Oil on canvas, 100.5 by 148 cm. Purchase with the support of the FRAM Languedoc-Roussillon and the association of the Friends of the Musée Fabre, 2006, inv. no.2006.4.1.
Attributed works:
29. View of the Benedictine Abbey at Vallombrosa, by Louis Gauffier. 1797. Oil on canvas, 84 by 116 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon, 2008, inv. no.2008.1.1.
Attributed works:
3. Martyrdom of St Agatha, by Andrea Vaccaro. c.1635–40. Oil on canvas, 122 by 159 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2013, inv. no.2013.16.1.
Attributed works:
30. Belisarius, by François-Xavier Fabre. c.1789–1800. Pen, metallic ink and black ink, and metallic ink wash over graphite pencil drawing on laid paper, 20.5 by 15.1 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2009, inv. no.2009.35.2
Attributed works:
31. The martyrdom of St Agnes, by François-Xavier Fabre. 1800–10. Pen and brown ink, and grey wash, over graphite lines, 57 by 48 cm. Purchase, 2017, inv. no.2017.24.1.
Attributed works:
32. Undergrowth, by Antoine Laurent Castellan. 1819. Black chalk, watercolour and white gouache highlights on paper, 14 by 19 cm. 33. The peaks at dusk, by Antoine Laurent Castellan. c.1828. Watercolour over black chalk lines on paper, 15.5 by 23.7 cm. Purchases with the support of the FRAM Languedoc-Roussillon, 2001, inv. no.2001.5.3 and inv. no.2001.5.1.
Attributed works:
34. Marquise Fanny Grimaldi, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. 35. Marquis Luigi Grimaldi della Pietra, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. Gift of A. d’Espous and the Société Jean Larnaudie, 2021, inv. no.2021.6.1 and inv. no.2021.6.2.
Attributed works:
36. Conjugal tenderness, by Louis Léopold Boilly. c.1807–10. Oil on wood, 52.5 by 43.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.5.1.
Attributed works:
37. Mont Saint-Michel in a storm, by Théodore Gudin. 1830. Oil on canvas, 97 by 138 cm. Purchase with the support of the FRAM Occitanie, 2017, inv. no.2017.27.1.
Attributed works:
38. Bust of Henry Vassal-Fox, 3rd Baron Holland, by Joseph Nollekens. 1799. Marble, 69 by 43 by 18 cm. Purchase with the support of the FRAM Occitanie, 2018, inv. no.2018.10.1.
Attributed works:
39. Women at the fountain, by Dominique Papety. c.1839–40. Oil on canvas, 96 by 135 cm. Gift of Marie-Hélène Yseult Sabatier, 2010, inv. no.2010.17.1.
Attributed works:
4. Death of St Joseph, by Bernardo Cavallino. c.1635–40. Oil on canvas, 46.5 by 36 cm. Purchase with the support of the Fonds du patrimoine and various sponsors, 2015, inv. no.2015.4.1.
Attributed works:
40. Mariuccia, by Henri Lehmann. 1841. Oil on canvas, 96.4 by 71 cm. Purchase, 2016, inv. no.2016.17.1.
Attributed works:
41. Countess Victoire de Clermont-Tonnerre, by Alexandre Cabanel. 1863. Oil on canvas, 182.5 by 138 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.2.1.
Attributed works:
42. Michelangelo in his studio, visited by Julius II, by Alexandre Cabanel. 1856. Oil on canvas, 63.3 by 103.1 cm. Purchase, 2015, inv. no.2015.10.1.
Attributed works:
43. Little Italian street singer, by Frédéric Bazille. 1866. Oil on canvas, 131 by 98 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.1.
Attributed works:
44. Head of a faun, by Alexandre Cabanel. 1860. Charcoal, stump and white highlights on paper, 52.9 by 40.8 cm. Gift of the Talabardon & Gautier gallery, 2020, inv. no.2020.29.1
Attributed works:
45. View of Maïre Island, by Carl Frederik Emmanuel Larsen. 1854. Oil on canvas, 32 by 56.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.2.1.
Attributed works:
46. Flowers, by Frédéric Bazille. c.1870. Oil on canvas, 63 by 48.5 cm. Purchase, 2004, inv. no.2004.13.2.
Attributed works:
47. Naked young man lying on the grass, by Frédéric Bazille. 1870. Oil on canvas, 147.5 by 138 cm. Purchase with the support of the Fonds du Patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.2.
Attributed works:
48. The painter René Andreau, by George Daniel de Monfreid. 1895. Oil on canvas, 97.2 by 130.2 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.19.1.
Attributed works:
49. Orpheus, by Odilon Redon. c.1910. Oil on card, 63.3 by 61 cm. Gift of Jacqueline Englert-Marchal, 2009, inv. 2009.38.1.
Attributed works:
5. A coastal landscape with shipwrecks and ruins, by Salvator Rosa. c.1637. Oil on canvas, 73.8 by 163.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2019, inv. no.2019.16.1.
Attributed works:
50. Girls in green, by Auguste Chabaud. c.1907. Oil on canvas, 80 by 65 cm. Purchase, 2018, inv. 2018.2.1.
Attributed works:
51. Two footballers, by Jean Hugo. 1921. Gouache on paper, 30.5 by 25 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.15.1.
Attributed works:
52. Panic, by Jean Hugo. 1930. Tempera on canvas, 45 by 54 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.8.1.
Attributed works:
53. Paul Eluard, by Valentine Hugo. 1932. Pastel on paper, 47 by 30 cm. Purchase with the support of FRAM Occitanie, 2019, inv. no.2019.4.1.
Attributed works:
54. Marie Bell en Phèdre, by Jean Hugo. c.1946. Folding screen with two leaves, pastel on panel, each panel 122 by 49 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.2.1.
Attributed works:
55. Composition, by Hans Hartung. 1945. Oil on paper mounted on plywood, 73 by 50 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2009, inv. no.2009.4.1.
Attributed works:
56. Painting, by Simon Hantaï. 1958. Oil on canvas, 232.5 by 214 cm. Purchase, 2002, inv. no.2002.9.1.
Attributed works:
57. The bat, by Germaine Richier. 1946. Cleaned natural bronze, 91 by 91 by 52 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 1996, inv. no.96.10.1.
Attributed works:
58. Fencer with mask, by Germaine Richier. 1943. Bronze, 105 by 70 by 33 cm. Purchase, 2006, inv. no.2006.19.1.
Attributed works:
59. 60-T-26, by Martin Barré. 1960. Oil on canvas, 140 by 130 cm. Gift of the Fondation d’entreprise du Musée Fabre with the support of Société Générale, 2009, inv. no.2009.2.1.
Attributed works:
6. Venus and Adonis, by Nicolas Poussin. c.1625–26. Oil on canvas, 74.5 by 199 cm. Gift of F.-X. Fabre, 1825, inv. 825.1.171, and Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon and various sponsors, 2010, inv. no.2010.14.1.
Attributed works:
60. Untitled, by Claude Viallat. 1966. Oil on canvas, 80 by 150 cm. Purchase, 2008, inv. no.2008.10.1.
Attributed works:
61. Large pink space I, by Vincent Bioulès. 1969. Glycerophtalic lacquer on canvas, 195 by 189.5 cm. Gift of the association of the Friends of the Musée Fabre, 1995, inv. no.95.8.1.
Attributed works:
62. Transparency, by Geneviève Asse. 1973–74. Oil on canvas, 82.5 by 10.5 cm. Gift of the artist, 2013, inv. no.2013.3.3.
Attributed works:
63. Untitled, 8 November 1967, by Michel Parmentier. 1967. Lacquer on canvas, 245.5 by 229 cm. Purchase, 2020, inv. no.2020.11.1.
Attributed works:
64. Frame, by Pierre Buraglio. 1974. Wood, paint technique and thread, height 180 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2015, inv. no.2015.14.1.
Attributed works:
65. White, by Simon Hantaï. 1974. Oil on canvas, 236.5 by 207 cm. Gift of Jean-Marie Bonnet in memory of Jean Fournier, 2006, inv. no.2006.10.1.
Attributed works:
66. Painting 162 x 114 cm, 27 March 1971, by Pierre Soulages. 1971. Oil on canvas, 162 by 114 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.6.
Attributed works:
67. Painting 163 x 434 cm, 28 December 1959, by Pierre Soulages. 1959. Oil on canvas, 163 by 434 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.2.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
69. The impossible encounter, by Yan Pei-Ming. 2019. Oil on canvas, triptych, each panel 150 by 150 cm. Purchase with the support of the Fonds du patrimoine,
Attributed works:
7. The fall of Phaeton, by Sébastien Bourdon. c.1636–42. Oil on canvas, 137 by 170 cm. Purchase, 2018, inv. no.2018.9.1.
Attributed works:
8. St Paul healing the sick and exorcising a possessed man, by Eustache Le Sueur. 1645–46. Oil on canvas, 175 by 137.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2018, inv. no.2018.25.1.
Attributed works:
9. Bust of Jean Deydé, by Christophe Veyrier. 1684. Marble, 50 by 35 by 23.5 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2017, inv. no.2017.15.1.
Article
The marriage contract of Bernardo Cavallino
12/2014 | 1341 | 156
Pages: 801-802
related names
Author:
Lofano, Francesco (Lofano, Francesco)
Subjects
dates:
Book Review
Grazia e tenerezza ‘in posa’. Bernardo Cavallino e il suo tempo, 1616–1656, N. Spinosa
12/2014 | 1341 | 156
Pages: 822-823
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
dates:
Advertisements
Advertisements April 2007 (front)
04/2007 | 1249 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. 'Onward and upwards', by Ray Richardson. 2007. Screenprint with woodlock, 92.5 by 92.5 cm. Edition of 75.]
Attributed works:
[Andrew Edmunds. London. Gin Lane, by William Hogarth (1697-1764). 1751. 38 by 32.1 cm. Paulson 186, second state of four. Gin Lane highlights the vices of the lower classes following an alarming increase in street crime in London around the middle of the eighteenth century. Gin was relatively new import and one that achieved a more rapid and intense level of intoxication than any other readily available means, shown here to result in poverty, misery, vice, even madness and death.]
Attributed works:
[Catherine Hodgkinson. London. Views of hotel well III, by David Hockney. Signed, dated and numbered in pencil. Edition of 80. Colour lithograph on TGL handmade paper, 123.2 by 97.8 cm]
Attributed works:
[Caylus. Lagasca, 28. Madrid. Francisco de Goya Y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828). "La letra con sangre entra" A school scene (detail). Oil on canvas, 19.7 by 38.7 cm. Painted circa 1777-85]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sir Joshua Reynolds, P.R.A. (Devon 1723-1792 London). Portrait of Philip Gell (1723-1795), full-length in a mauve suite, holding a gun, with a dog at his feet, in a wooded landscape. Oil on canvas. 94 x 58 in. (238.7x147.3cm)]
Attributed works:
[Christopher Mendez. London. Self-portrait, smiling, by Wenzel Hollar. 1636. Etching, 74 by 55 cm]
Attributed works:
[Coll & Cortes Fine Art Dealer. C/Justiniano 3. Madrid. Jusepe de Ribera, called Lo Spagnoletto (Jativa, Valencia 1591 - Naples, 1652). Philosopher. Oil on canvas, 129.8 x 101.8 cm]
Attributed works:
[Conchita Romero. Salustiano Olozaga 5. Madrid. Francisco de Goya de Lucientes (Fuendetodos, 1764 - Bordeaux, 1828). Portrait of the artist's wife, Josefa Bayeu. Inscribed: ANO 1805. Chalk and graphite on paper, 111 x 81 mm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Benedetto da Maiano (1442-1497), Pietro Mellini. Terracotta bust, approx. 1474.]
Attributed works:
[Eagle Gallery. London. Harvest 2007, by Tom Hammick. Etching, 50 by 65 cm. Edition of 25]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bernardo Cavallino. Naples, 1616-ca. 1656. The Death of Saint Joseph. Oil on canvas, 46,5 x 36 cm (18 5/16 x 14 3/16)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Augustus John. 1878-1961. Portrait of Ida in a feathered hat, circa 1904. Red chalk. 13 1/4 x 9 3/4 inches; 33.5 x 24 cm. Signed.]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Rossello di Jacopo Franchi (1376-1457). Enthroned Madonna. Signed. Oil on wood, 131 x 91 cm.]
Attributed works:
[London Original Print Fair. Royal Academy of Arts. Burlington Gardens. London. Damien Hirst. Sceptic 2006. Silkscreen print. 150 x 78.7 cm. Edition of 55. Published by Paul Stolper and Other Criteria]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. Parto Iberia or El Coloso. Salvador Dalì, 1904-1989. Signed and dated: "Dalì 1956". Tempera and acrylic on canvas, 242.5 x 328 cm.]
Attributed works:
[Lopez Aragon. Velazquez 90. Madrid. San Antonio Abad. Francisco de Zurbaran. Oil on canvas, 110x204 cm]
Attributed works:
[Paul Stolper. London. Sceptic, by Damien Hirst. 2006. Silkscreen print, 150 by 99 cm. Edition of 55]
Attributed works:
[Tajan. 37 rue des Mathurins. Paris. Hendrick Ter Brugghen (Deventer, 1588 - Utrecht, 1629). The denial of St. Peter. Canvas. 113.4 in x74.8 in. ]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. A rediscovered Italian Equestrian Group of Carlo Emanuele I, Duke of Savoy (1562-1630) by Antonio Susini (FL 1580-1624)]
Attributed works:
[Uppsala Auktions. Eddagatan 10. Uppsala. Sweden. Pietro Orioli (Siena, 1458-1496). Madonna and CHild with Saints John the Baptist and Paul. Tempera and gold on wood, 73 x 50 cm]
Attributed works:
[Victoria and Albert Museum. Tripod perfume burner, designed by James 'Athenian' Stuart (c.1760)]
Western art unattributed:
[KPM. 1 Stokes Place, St. Stephen's Green. Dublin. Rossborough House, Blessington, Co. Wicklow.]
Short Notice
An early inventory reference and new technical information for Bernardo Cavallino’s ‘Triumph of Galatea’
01/2005 | 1222 | 147
Pages: 40-44
related names
Author:
Marshall, Christopher (Marshall, Christopher)
Subjects
dates:
Illustrations
Attributed works:
David and Bathsheba, by Artemisia Gentileschi. c.1636–38. 265.4 by 209.5 cm. (Columbus Museum of Art).
Attributed works:
The adoration of the shepherds, by Bernardo Cavallino. c.1650–55. 126.8 by 148.3 cm. (Cleveland Museum of Art).
Attributed works:
The triumph of Galatea, by Bernardo Cavallino. c.1650–55. 148.3 by 203 cm. (National Gallery of Art, Washington).
Attributed works:
X-radiograph of the lower-left corner of Fig.34.
Advertisements
Advertisements June 1985 (Front)
06/1985 | 987 | 127
Pages: i-lviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
On the Pont de l'Europe, by Gustave Caillebotte. (Kimbell Art Museum, Fort Worth).
Attributed works:
[Adams, 28 Old Bond Street, London] A Pair of Rare Miniature Meissen Sporting Figures Dressed in Yellow Coats. Model by J. J. Kaendler. c. 1745. Size 3 Inches.
Attributed works:
[Agnew, 43 Old Bond Street, London] Jacopo Amigoni 1682-1752. Venus and Adonis. Canvas: 84 × 58 Inches
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Adriaen Jansz van Ostade, Haarlem 1610-1685. "Interior of a Barn with a Jester Regaling His Companions". Oil on Panel, 42 × 34.3 cms. Signed and Dated 1632.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Charles-Joseph Natoire, Nimes 1700-Castel-Gandolfo, near Rome, 1777. A Study of Venus with Her Putti. Black and Red Chalks Heightened with White 293 × 318
Attributed works:
[Anthony Dallas & Sons Ltd, 17 Clifford Street, London] Circle of Pier Francesco Cittadini (1616-1681). Portrait of a Lady, Three-Quarter Length, Wearing a Black Lace-Embroidered Dress, Holding a Fan in Her Left Hand, Her Right Hand Resting on a Lute, Oil on Canvas, 47¼ × 38½ ins.
Attributed works:
[Artcurial, 9 Avenue Matignon, Paris] Square Seated Figures. Bronze. 1956.
Attributed works:
[Athenaeum, Avenue Princesse Alice 5, Monte Carlo] Marco Ricci. Belluno 1676 - Venise 1729. Oil on Canvas, 30 × 45 cm.
Attributed works:
[Browse & Derby, 19 Cork Street, London] Sickert, Rue St. Catherine, Dieppe, 18¼ × 15 ins.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Anthonie Waterloo. Black Chalk, Brown Pen and Wash in Several Grey Shades. 400: 390 mm. Watermark Three Lilies in Shield Surmounted by Crown.
Attributed works:
[Carré Rive Gauche - J O Leegenhoek, 23 quai Voltaire, Paris] Returning from the Hunt, by Philips Angel. Signed and Dated 1656. Oil on Canvas.
Attributed works:
[Chaucer Fine Art & Galleria Gasparrini, 45 Pimlico Road, London] Francesco Solimena (Canale di Serino 1657-Barra 1747), Solomon and the Queen of Sheba. Canvas, 152 × 120 cm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Cristofano Robetta Florence 1462 - After 1522 Ceres
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Federico Zuccaro Sant' Angelo in Vado 1540-Ancone 1609, Augustus and the Sybil. Red Chalk, Pen and Brown Ink and Wash over Yellow Tinted Paper. Indented with the Stylus for Transfer. 256 × 217 mm.
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[E. & C.T. Koopman & son Ltd, Chancery Lane, London] A Fine Six-Piece Victorian Tea and Coffee Service by Robert Garrard, London 1840 Engraved with Armorials the Bases Stamped Garrard, Panton St. London - 9 ¾ Inches (25cm.) High - Gross Weight: 127 ozs The Arms Are Those of a Lady of the Cadogan Family
Attributed works:
[E. & C.T. Koopman & son Ltd, Chancery Lane, London] A Magnificent George IV Soup Tureen on Stand with a Pair of Matching Entreé Dishes. All by Paul Storr, London 1820. The Arms on the Entreé Dishes Are Those of Herbert.
Attributed works:
[Esperia Arts Ltd, 45,46 New Bond Street, London] Marble Bust of Costanza Bonarelli by G. A. Mazzuoli (1644-1706). Height 27½ ins. Formerly in the Contini Bonacossi Collection in Florence.
Attributed works:
[Galerie d'Arenberg, rue aux Laines 14, Brussels] Pierre Subleyras (1699-1749) Amour et Psyché (135 × 192 cm). Painted in 1732 for the "Académie de France" in Rome
Attributed works:
[Galerie Joseph Hahn, 36 rue de Berri, Paris] Augustin Louis Belle Paris 1757 - Paris 1841. "Hersé apercevant Hermès se rendant dans son palais" Signé - daté 1822 Salon 1824 Toile 95 × 71 cm.
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Glass. Netherlands, c. 1775. Stipple Engraved by Engraver in the Circle of David Wolff. Sheppard & Cooper Ltd
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Two 18th Century Figures, from the Meissen Monkey Band Series, of a Female Singer and Male Viola Player. c 1755. Adams
Attributed works:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Worcester Polychrome Teapot of Small Size. Decorated at the Atelier of James Giles with Brilliantly Coloured Exotic Birds. c. 1765. Aldbury Antiques
Attributed works:
[Graham and Oxley Antiques Ltd, 101 Kensington Church Street, London] An Exceptionally Fine Pair of Barr Worcester Cache Pots Painted in Colours with Studies of Hope and Faith Reserved on a Brilliant Apricot and Gilt Ground. 7 Inches High. Scratch B Marks. Circa 1805. Mint Condition.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Théodore Géricault 1791-1824, Etudes d'un couple enlacé et de diverses figures nues. Pen and Brown Ink and Brown Wash over Pencil, 25.5 × 18.5 cm. Datable Circa 1817
Attributed works:
[Hill-Stone, Inc., Box 535, Lennox Hill Station, New York] Rembrandt van Rijn 1606-1669. Landscape with a Boat beside a Canal. Etching and Drypoint; 1650. Bartsch 236, Hind 239, Biörklund-Barnard 50-B: ii/II. A Brilliant Impression with Much Burr. From the Collections of J. D. Böhm(Lugt 271, 272, and 1442), Samuel, Graf von Festetits(Lugt 926) and Friedrich Kalle(Lugt 1021).
Attributed works:
[Hoff Antiques Ltd, 66A Kensington Church Street, London] Derby - A Rare early Vineleaf Moulded Dish Painted in Colours, Depicting a Pair of Birds. Circa 1756. Width 26.5 cm
Attributed works:
[Ivo Bouwman, Lange Vijverberg 20, The Hague] Joseph-Paul Mesle (Saint Servan 1855 - La Ferté-s-Jouarre 1929), "Madame Memssierre et son fils" Oil on Canvas, 185 × 225 cm. Signed Lower Left, Dated and Inscribed Lower Right, "Courlancy "'83".
Attributed works:
[Lawrence Fine art of Crewkerne, Somerset] Stanhope Alexander Forbes, R. A., "Business Slack in the Village - Boys Playing Tops", Signed and Dated 1888. 25½ in. × 18 in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Man in Blue II, 1954, Oil on Canvas, 59⅞ × 45⅞ in/152 × 116.5 cm.
Attributed works:
[Marlborough Graphics Gallery, 39 Old Bond Street, London] Emil Nolde 1867-1956 Mühlen Drypoint 1922 25.0 × 42.7 cm
Attributed works:
[Matthiesen, 7-8 Mason's Yard, Duke Street, London] Domenico Zampieri Called Il Domenichino. St. Ignatius Loyola's Vision at La Storta. Canvas: 165.5 × 98 cms
Attributed works:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Silver Teapot and Burner by Philippe Wolfers. Bruxelles c. 1880. Height 45 cm, Weight 3.900 gr.
Attributed works:
[Nella Longari, via Bigli 75, Milan] "Portrait of Abbot of Cistercian Origin". Painting on Oak Board - 46 × 33 cm. Attributed to Jean Gossaert. Flanders XVI Century
Attributed works:
[Peter and Heather Jackson Antiques, 3 Market Place, Northants] Highly Important Meissen Clock Bearing the Portrait and Arms of Augustus the Strong Complete with Contemporary Movement.
Attributed works:
[Phillips, 7 Blenheim Street, London] Jean Auguste Dominique Ingres: Quatre Portraits (L. D.2-5), the Four Lithographs on a Single Sheet as Printed by Hullmandel. Felix Man Knew of Only Eight Examples with the Four Subjects Intact.
Attributed works:
[Phillips, 7 Blenheim Street, London] John Michael Rysbrack, (1694-1770), "Thuner," One of a Set of Saxon Deities Carved for Lord Cobham's Garden at Stowe. Circa 1730, 170 cm High.
Attributed works:
[Piero Corsini Inc, 162 East 63rd Street, New York] Sebastiano Ricci (Belluno 1659-Venice 1734) Caritas Oil on Canvas, 42.5 × 56.6 cm. 16¾ × 22¼ in.)
Attributed works:
[Redfern Gallery, 20 Cork Street, London] C. R. W. Nevinson, The Temples of New York Drypoint 1919
Attributed works:
[Richard Green, 4 New Bond Street, London] Johan Barthold Jongkind (1819-1891), Pâtineurs à Overshie. Signed and Dated 1867. Canvas: 20½ × 32 in/52 × 81 cm. Exhibited: Galeries Georges Petit, 'Jongkind', 4th-23rd November, 1921
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Bernardo Cavallino, "Triumph of Galatea," Oil on Canvas, 148.5 by 203 cm. Exhibited: "Naples," Royal Academy, London; National Gallery, Washington, 1982-3 "Cavallino," Cleveland Museum; Kimbell Art Museum, Fort Worth, 1984-5.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Albrecht Dürer, Melancolia (B. 74; M., Holl. 75) Engraving, a Very Fine Early Impression of the Second State, with Margins, 24.3 by 19 cm. £18,000-20,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Guido Reni, Lucretia, Oil on Canvas, 128 by 99 cms.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Paul Signac, Les Andelys (Kornfeld & Wick 10) Lithograph Printed in Seven Colours, 1895, the Trial Proof with Final Corrections for the Printer, Extensively Annotated by the Artist, 30.3 by 45.3 cm. £12,000-15,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Pierre Puvis de Chavannes, L'Eté, Ruth et Boaz, Signed with the Initials and Dated '54, Oil on Canvas, 54 by 47 cm. £30,000-40,000
Attributed works:
[Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Jacques Bertaux (c. 1745-1818) H. S. H. Monseigneur the Duke of Orleans and His Suite Hunting in the Ile de France. One of a Suite of Four Oils on Canvas, Each 51 × 77 Inches. Signed and Dated: 1778.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Paul Sandby, R. A. The Welsh Bridge, Shrewsbury
Attributed works:
[Wartski, 14 Grafton Street, London] A Rectangular Gold Dutch Snuff-Box Decorated with Rococo Scrolls and Flowers Amongst Which a Dolphin, Phoenix and Cornucopia Are Seen. These Finely Chased Ornaments Are Pinned to the Polished Surface of the Box; An Unusual Technique for This Period. 7.5 cms and 5.5 cms × 3 cms. Amsterdam c. 1765 by Jean Soumain. (1739-82).
Attributed works:
[William H. Schab Gallery, Inc., 11 East 57th Street, New York] G. B. Tiepolo, Plate 4 from Scherzi Etching, Early Proof (De Vesme 16)
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albermarle Street, London] George Stubbs: A Horse Attacked by a Lion Engraving. 1788.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albermarle Street, London] Piet Mondrian: Field Bordered by Trees Charcoal and Wash. c. 1907. 28¾″ × 37⅝″
Attributed works:
[Wolfgang Wittrick Kunsthandel GMBH, Sternstrasse 42, Dusseldorf] Erich Heckel, Weisse Pferde [White Horses], 1912 Woodcut Printed in Colours 335 × 515 mm, Signed and Dated, Dube 242/IV/A
Non-western art unattributed:
[A.V. & M.R. Santos, 1 Campden Street, London] "Famille Rose" Tureen from a 36 Piece Dinner Service Similar to the One Made for Alexander Henderson (1738-1815) of Dumfries, Virginia. According with A. M. Palmer These Porcelains Are Amongst the Few That Can Be Documented to Colonial America. In Her Book "Winterthur Guide to Chinese Export Porcelain", Colour Plate 3, Is Illustrated an Identical Tureen and a Related Dish. c. 1765.
Non-western art unattributed:
[Bluett, Davies and Sons Ltd, 48 Davies Street, London] Pair of Chinese Porcelain Covered Cups, Both Base and Cover Modelled as Petalled Flowers; Five Dynasties 907-960 AD. Height 7.8 cm.
Non-western art unattributed:
[E & J Frankel, 1020 Madison Avenue, New York] Amber Glazed Bactrian Camel. Tang Dynasty (618-906 AD). Height 15½ Inches.
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Archaic Bronze Wine Vessel (yu). Shang Period, 11th Century BC. Height (To Top of Handle): 29.8cm Weight: 4.30kg.
Non-western art unattributed:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] White Glazed Reticulated Three Peaked Dragon Motif Brush Rest. Wan Ti Period (1577-1619). E & J Frankel
Non-western art unattributed:
[John C. O'Mahony, Flat 10, 15 Westbourne Terrace, London] A Rare Bokhara Suzani from the Early Part of the 19th Century. Ivory Ground with Yellow Palmettes. Size c. 8 Feet × 5 Feet (2.44 m × 1.52 m.)
Non-western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Paire de chiens de fôa en porcelaine de chine de la famille verte. Epoque de Kang-Hy 1662-1722. H 32 cm.
Non-western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Paire de petites soupières hexagonales. Porcelaine de Chine première moitié du 18ième siècle, famille rose.
Non-western art unattributed:
[Robin Symes, 3 Ormond Yard, Duke Street, London] Detail of Copper Figure of a Bull. Sumerian, Circa 3000 BC. Length: 10 7/16″ (26.5 cms) Height: 7½″ (19 cms)
Non-western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] A Chinese Blue and White Porcelain Kendi of the Wan-Li Period (1573-1620) with English 17th Century Silver Mounts.
Non-western art unattributed:
[S. Marchant and Son, 120 Kensington Church, Street London] An Extremely Rare Japanese Porcelain Exportware Blue and White Octagonal Teapot and Cover Painted with Six European Galleons, 11.5 cms High, Circa 1700
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Bactrian Camel, Brown, Yellow and Green Lead Glaze, Tang Dynasty 618-906. Antik West, Grays in the Mews, 1-7 Davies Mews, W1
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Blue-White Chinese Porcelain Gendi, Wan-li Period 1573-1619. Vanderven & Vanderven
Non-western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Imari Square Bottle Decorated with Two Dutchmen, the Reverse with a Dutch Ship. Japan 19th Century. Emile et Mireille Gavage-Longrée
Western art unattributed:
[Bernard Baruch Steinitz, 4 rue Drouot, Paris & 23 Grafton Square, London] A fine and rare early Louis XIV Cabinet. Paris c. 1660. ebonised pearwood inlaid with silver and brass filigree enriched with ormolou mounts. 168.5 cms by 110 cms by 39.5 cms.
Western art unattributed:
[C.John, 70 South Audley Street, London] A Very Fine and Rare Early Nineteenth Century Savonnerie Rug. On a Dark Green/Black Background, Bordered in Gold and Orange, There Are Two Griffins in Gold and Ochre Edged in Red. The Garlands and the Urn Are in Graded Colours of Red and Pink. In the Centre of the Bouquet and in Either Garland There Is a Multi-Foliate White Rose with Pink Centre. Size: 2′8″ × 7′1″ (81.3 × 216 cm) Circa 1820.
Western art unattributed:
[Carré Rive Gauche - Biancarelli, 19 rue de Beaune, Paris] A Spinet. Italy - XVIIth Century, the Legs of a Later Date. Red and Gold Lacquers, 150 × 150 cm.
Western art unattributed:
[Carré Rive Gauche - C et P Boucard, 25 rue du Bac, Paris] A Jewellery Casket, Composed of Six Iron Plaques Made in Nuremberg, Depicting the Story of Judith and Holopernes. It Opens When One Dials M. E. R. C. I. 5 × 16.5 × 11.5 cm.
Western art unattributed:
[Carré Rive Gauche - Galerie Chevalier, 15 quai Voltaire, Paris] Joan of Arc's Meeting with Her King at Chinon. Rare Tapestry, Woven in the XVth Century Style in a Flemish Atelier at the Very Beginning of the XIXth Century, 250 × 275 cm.
Western art unattributed:
[Carré Rive Gauche - Galerie Perrin, 3 quai Voltaire, Paris] A Rare Pair of Taps from the Chateau de la Muette, a Royal Residence. France, c. 1755. Bronze.
Western art unattributed:
[Charles van der Heyden, Westersingel 21, Rotterdam] Statue of Flora. Terracotta, Height 157 cm. France, Circa 1700
Western art unattributed:
[Christopher Mendez, 51 Lexington Street, London] German School Circa 1600
Western art unattributed:
[Glass & Ceramics at the Dorchester & Grosvenor House Fairs, London] Rock Crystal Casket Mounted in a Gilt Bronze Frame. Florentine, Early 17th Century. 7 × 5 Inches. Jacob Stodel
Western art unattributed:
[J. Kugel, 279 rue Saint-Honoré, Paris] An Exceptional 18th Century Chinese Porcelain Perfume Fountain with a Fine Regence Ormolu Mount, France Circa 1720. H. 15,5 cm.
Western art unattributed:
[Jacob Stodel, 116 Kensington Church Street, London] A Dutch Delftware Plaque in "Small Fire" Decoration, after a Seventeenth Century Scene in the Manner of A. Brouwer. Middle of 18th C. Size 24 × 24 cm.
Western art unattributed:
[Jacqueline Boccara, 184 Faubourg Saint-Honoré, Paris] La Cour d'Amour: Brussels Manufacture. Around 1520. Dimensions: Hauteur: 2,80m × Largeur: 2,60m. Height: 9′ 2″ × Width: 8′ 6″.
Western art unattributed:
[Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London] Hitherto Unrecorded Model of a Pug Dog. Circa 1749-1754
Western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Magot chinois en faience de Bruxelles, la tête amovible dans les tons verts, jaunes, aubergines. Première moitié du 18ième siècle.
Western art unattributed:
[Miodrag Boskovitch, 13 rue Ravenstein, Brussels] Terrine en forme de tête de sanglier. Faience de Bruxelles, première moitié du 18ième siècle. H 31 cm L 50 cm. le plateau en plus.
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London] An Extremely Fine Set of Six George II Period Carved Mahogany Chairs. Circa 1750. Height of Back 38½ ins. 98 cms. Height of Seat 17½ ins. 44.2 cms Width of Seat 20 ins. 51 cms Depth of Seat 16½ ins. 42 cms
Western art unattributed:
[Sheppherd & Cooper Ltd, 35 St. George Street, London] A Venetian Goblet with Gilt and Enamel Decoration, Early 16th Century, Similar to the Glass Held by One of Lot's Daughters in the Painting by Albrecht Altdorfer in the Kunsthistorisches Museum, Vienna.
Western art unattributed:
[Sotheby's, Monaco] French School, c. 1770, Terracotta Figure of an Antique Woman, Height 77.5 cm. £14,000-16,000. Louis XVI Terracotta Stand, Height 108 cm. £1,800-2,600
Western art unattributed:
[Sotheby's, Monaco] Louis XVI White Marble Stand, Height 110 cm. £14,000-22,000
Western art unattributed:
[Sotheby's, Monte Carlo] An Early 19th Century Marble Statue of a Sleeping Shepherd, Height 106 cm., Width 53 cm, Depth 95 cm. Estimate on Request.
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] A Complete Cabaret. Circa 1790. Davies Antiques
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Derby Jug, Painted in Enamel Colours. Ill. in Derby Porcelain by John Twitchett and by R Williams in His Early Derby Exhibition Catalogue. The Paste and Glaze Is Very Similar to That of the J Boot Vase No 48 in His Catalogue Dated 1764. 7 ins High. William Dewsbury & Co 1760-1765. H & P Jackson
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Dutch Wheelengraved Glass, the Funnel Bowl Engraved with a Continuous Landscape and the Inscription 'A Mon Labeur'. c. 1750. H. 20.7 cm. Peter Korf de Gidts
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Pair of Chelsea Gold Anchor Period, Sweetmeat Figures, with Seated Dogs. Richly Painted and Gilded. 8″ High. c. 1768. Klaber and Klaber
Western art unattributed:
[The International Ceramics Fair and Seminar, Dorchester Hotel, Park Lane, London] Very Rare Derby Figure of a Seated Leopard, c. 1760. Length 4 ins (10cm) Brian Haughton
Exhibition Review
Bernardo Cavallino. Fort Worth
03/1985 | 984 | 127
Pages: 192-194
related names
Reviewer:
Stoughton, Michael W. (Stoughton, Michael W.; Stoughton, Michael William; Stoughton, Michael)
Subjects
dates:
subjects:
Illustrations
Attributed works:
79. Communion of the Apostles, by Bernardo Cavallino. 153 by 115 cm. (Private Collection, Milan; Exh. Kimbell Art Museum, Fort Worth).
Attributed works:
80. St Thomas, by Bernardo Cavallino. 102 by 80 cm. (Marini Collection, Rome; Exh. Kimbell Art Museum, Fort Worth).
Attributed works:
81. David and Bathsheba, by Artemisia Gentileschi and Spadaro and Codazzi. (Columbus Museum of Art, Ohio; Museum Purchase, Schumacher Fund).
Attributed works:
82. Lot and His Daughters, Here Attributed to Artemisia Gentileschi (?). 230.5 by 183 cm. (Toledo Museum of Art, Ohio; Exh. Kimbell Art Museum, Fort Worth).
Advertisements
Advertisements November 1982 (Front)
11/1982 | 956 | 124
Pages: i-xxvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Philip Baptising the Eunuch. Inscribed and Dated 1677. Pen and Brown Wash. 205 × 292 mm
Attributed works:
[ Artemis Fine Arts Limited, 6 Mason's Yard, St James's, London ] Domenico Tiepolo-The Grocer's Shop, Pen and Ink and Grey-Brown Wash over Black Chalk, Signed and Dated 1791, 296 × 222 mm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Jacob de Gheyn II. The Landscape with the Farm-House. Etching. (About 1603 or Later). Hollstein 293.
Attributed works:
[ Chaucer Fine Arts, 45 Pimlico Road, London ] Vincenzo Camuccini (Rome 1771-1844). The Magnanimity of the Roman Women. The Return of Atilius Regulus to Carthage. Oil on Paper Laid on Canvas, a Pair, 25.5 × 43.9 cm. Each
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Salvator Rosa. A Philosopher. Naples 1615-Florence 1673. Oil on Canvas, 136 × 99 cms
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Il Bacchiacca. Woman with a Cat. Panel, 20¾ × 17 in.
Attributed works:
[ Front cover ] Detail from Portrait of Pépin, by Simon Vouet. Black Chalk, White Crayon, with Red, Yellow and Brown Pastel. (Private Collection).
Attributed works:
[ Harari & Johns Ltd, 173 New Bond Street, London ] Anton Rafael Mengs. Self Portrait of The Artist. Painted Circa 1773. Oil on Canvas, 97 × 74cm
Attributed works:
[ Heim, 59 Jermyn Street, St James's Street, London ] Madonna Adoring the Christ Child by Simon Vouet (Paris 1590-1649). Oil on Canvas: 118 × 132 cm. Bibl: Richard E. Spear, Storia dell'arte, no. 14, 1972 pp. 150-1, fig. 3
Attributed works:
[ Kate de Rothschild ] Willem van de Velde the Elder 1611-1693. Figures Riding in a Wagon on the Beach. Pen and Brown Ink and Graphite. 103 × 112mm.
Attributed works:
[ Kate Ganz Ltd, 54 Holland Park Avenue, London ] Annibale Carracci Susanna and the Elders c. 1590; i/iv
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Lyonel Feininger Drobsdorf, 1927, Oil on Canvas, 100.4 × 125.7 cm
Attributed works:
[ Martyn Gregory Gallery, 34 Bury Street, St James's Street, London ] Lymington Quay. Signed & Dated 1826. 11 × 15 cms
Attributed works:
[ Matthiesen, 7-8 Masons's Yard Duke Street, London ] Luca Giordano (1632-1705). Phineas and His Companions Turned to Stone at the Wedding Feast of Perseus and Andromeda. Canvas: 113 × 144 ins.
Attributed works:
[ Maurice Segoura, 58 East 79th Street, New York ] Jean-Honoré Fragonard "Les Deux Jumeaux." Oil on Canvas: 37 × 47 cm.
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Attributed to Pietro da Cortona (Cortona 1596-1669 Rome). Study of a Dioscouros (For the Ceiling of Sala di Marte, Palazzo Pitti, 1644-1646). Red Chalk; 5 × $6frac{3}{4}$"; Verso: Two Male Studies, Black Chalk
Attributed works:
[ Noortman & Brod, Maastricht Galleries, Vrijthof 49, Maastricht ] David Teniers the Younger. 1610-Antwerp-1690. Landscape with Castle and Shepherds with Flock. Panel, 21.5 × 28.5 cm. Signed with Monogram
Attributed works:
[ Pardo, 160 Boulevard Haussmann, Paris ] Eustache Le Sueur. "Alexandre et son médecin". Canvas 123 cm × 67.5 cm
Attributed works:
[ Phillips, 7 Blenheim Street New Bond Street, London ] Jean François Demay. "The Village Fête." Canvas 23 cms × 31.5 cms. Signed & Dated.
Attributed works:
[ Rafael Valls Gallery, 34 Bury Street, London ] Pierre Puget, 1620-1694. A Pair of Mediterranean Port Scenes: Shipping Approaching Harbour; Tradesmen Unloading a Goods Boat in Harbour. Oil on Copper Framed 7¼ by 9 Inches (18.5 by 23 cms)
Attributed works:
[ Richard J. Collins, 605 Madison Avenue, New York ] Pierre Mignard (1612-1695). The Apotheosis of Psyche. Brush and Brown Ink with White Bodycolour over Graphite, ca. 1666. 35½ × 27¼ Inches (90 × 69 cm.)
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Nicholaes Moyaert, "Christ and the Woman Taken in Adultery." Oil on Panel, 100 by 143 cm
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Francisco Jose de Goya y Lucientes, Los Caprichos (D. 38-117; H. 36-115), the Set of 80 Plates, Etchings and Aquatints, Fine Impressions, One of a Small Number of 'Presentation' Copies Specially Bound for the Artist in Contemporary Spanish Mottled Calf Gilt.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Rembrandt Harmensz. van Rijn, Landscape with Cottage and a Haybarn (B. Holl. 225; H. 177; BB 41-A), Etching with Drypoint, 1641, Rich Impression, with Burr, 129 by 320 mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Lambert Sustris, An Allegory of the Pursuit of Fortune, 146 by 228 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Flutiste Assise et Dormeuse, VI (Geiser 469), Monotype, 1933, 150 by 186mm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Pablo Picasso, Portrait of Fernande Olivier (Not in Bloch or Geiser), Drypoint, 1906, Printed with Burr and Plate Tone, One of Only Four Impressions Known, 162 by 118mm.
Attributed works:
[ Thomas Le Claire, Adickestrasse 40, Hamburg ] Julius Schnorr von Carolsfeld (1794-1872): 'Studies of Arms', Preparatoring Drawing for 'The Baptism of Rudiger' in the Hall of Ariost in the Villa Massimo, Rome, Pencil and Black Chalk with Traces of Red Chalk, 307 × 490 mm; With the Estate Stamp.
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St James's, London ] Bernardo Cavallino (Naples 1616-Circa 1656). St. Peter & St. Paul (A Pair) Signed. Canvas 127 × 94cm. Octagonal
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. The Capitol with Santa Maria d'Aracoeli, Rome
Attributed works:
[Ian Birksted Gallery, 37 Great Russell Street, London] William Henderson
Attributed works:
[Kimbell Art Museum, Fort Worth] Jusepe de Ribera, 1591-1652, The Club-Footed Boy (Le Pied-Bot), 1642, Oil on Canvas. Musée du Louvre, Paris.
Western art unattributed:
[ Bernard Baruch Steinitz, 4 Rue Drouot, Paris ] Detail of a pair of console tables, French Consulate period, of exceptional quality, in chased and gilded bronze. They are extremely rare; no other pieces of this type are known. A central column, in the form of a lictor's fasces flanked by flags and trophies of war, rests on a mahogany base. The pair is believed to have been specially ordered by the Emperor Napoleon I and offered as a wedding present to General Le Marois, who after the Italian campaign had the honour of bringing the captured enemy flags back to Paris. Publicité Gerard - Photo Studio Lourmel
Advertisements
Advertisements January 1982 (Front)
01/1982 | 946 | 124
Pages: i-xliv
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Artemis Group] Jean-Antoine Watteau 1684-1721. Heureux Age! Age d'or. Oil on Panel, 19.3 × 22.8 cm. Acquired by the Kimbell Art Museum, Fort Worth, Texas
Attributed works:
[ Athenaeum, Avenue de Grande bretagne 1/5, Les Floralies, Monte Carlo ] Alphonso Lombardi (Ferrara 1487 - Bologna 1537) Terracotta: 173 × 70 cm.
Attributed works:
[ Berko, Kustlaan 163, Knokke-le Zoute / 2 Place du Palais Royal, Paris ] A. Heyligers: Batavia 1828. "Dame au Vase fleuri", Panel, 30 × 24 cm Signed and Dated 1872 Lower Right.
Attributed works:
[ Black-Nadeau Ltd, 6-8 Old Bond Street, London ] Laurent Delvaux. Flemish, 1696-1778. Terracotta Model Executed in Rome Circa 1730 after Bernini's David and Preparatory to the Marble for the Duke of Bedford. On Original Oak Base, Carved by the Sculptor. Total Height 63.5 cm.
Attributed works:
[ Brand Inglis Ltd, 9 Halkin Arcade, Motcomb Street, London ] A Charles II Silver Tankard. Maker's Mark: RF between Pellets London, 1660. Height: 7 ins. Weight: 33 ozs 17 dwts
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] W. R. Sickert. The Green Hat, 1906. Oil on Canvas 24 × 20 ins.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Caspar David Friedrich. Selfportrait. Woodcut, Carved by His Brother Christian. (About 1803). Sumowski p. 138. Börsch-Supan/Jähnig 74. On Whatman-Paper.
Attributed works:
[ Chaucer Fine Arts Inc., 45 Pimlico Road, London ] Carlo Albacini (Rome d. 1807). Bust of Alexander the Great. Height 55.7 cm.
Attributed works:
[ Chaucer Fine Arts Inc., 45 Pimlico Road, London ] Nicolas-Andre Monsiau (Paris 1755-1837). Zeuxis Choosing His Models from the Most Beautiful Girls of Croton. Brown Ink, Brown and Grey Wash, Heightened with White, 400 × 504 mm.
Attributed works:
[ Christopher Gibbs, 118 New Bond Street, London ] A superb early 18th century German pierglass, the original plate enclosed by a frame of mirrorglass elaborately engraved with strapwork and masks, battle scenes and trophies, by Hans Wolfgang Schmidt of Nuremburg, surmounted by an elaborate cartouche engraved with the arms of Merode and Orange Nassau, within a collar of the Golden Fleece. 11′ × 5′1″ (335 × 155 cm)
Attributed works:
[ Colnaghi, 14 Old Bond Street, London ] Bernardo Cavallino 1616-1656. St John the Evangelist 50½ × 40 ins. (128 × 101.5 cms.)
Attributed works:
[ cover page ] Detail from Skeletons in an Interior with a Stove, by James Ensor. (Kimbell Art Museum, Fort Worth).
Attributed works:
[ David M. Koetser Gallery, Talstrasse, Zurich ] Matthias Stomer. "St. Onuphrius" 128 × 175 cm
Attributed works:
[ Douwes Fine Art, 38 Duke Street, St James's, London ] Adriaen van Eemont (1627-Dordrecht-1662). Wayside Inn in Italian Landscape. Oil on Canvas: 57 × 70 ins 129 × 178 cm
Attributed works:
[ Galerie de La Scala, 68 rue La Boetie, Paris ] Lagrenee Louis-Jean-François, the Elder "Venus and Love" (1725-1805)
Attributed works:
[ Gallery P. de Boer, Herengracht 512, Amsterdam ] Simone Kick. Panel, 122 × 122 cm.
Attributed works:
[ Garrard, 112 Regent Street, London ] A Gold and Enamel, Swiss Box, Length 2¾ Inches, Date circa 1780. Enamel Miniatures, on Gold, of Miss Harriet Eliza Garrard and Sebastian Garrard by John Simpson 1851/2. Holbeinesque Enamel and Gold Suite Set with Emeralds, Diamonds, Rose Diamonds and Pearls, Date Circa 1850. Holbeinesque Enamel and Gold Pendant Set with Diamonds, Rubies and Opals Date Circa 1870. A Gold and Enamel Swiss Box, Length 3 Inches, Date Circa 1825. A Gold and Enamel Box by Bautte & Moynier, Geneva. Length $3frac{1}{8}$ Inches, Date Circa 1810. A Verge Automaton Quarter Repeating Pocket Watch in 18ct Gold and Enamel by Menard de Mons. Diameter 2¼ Inches, Date Circa 1820.
Attributed works:
[ Heim, 59 Jermyn Street, St James's, London ] Still-Life with Game in a Landscape by Jean-Baptiste Oudry (Paris 1686-Beauvais 1755) Oil on Canvas: 213.5 × 161.5 cm
Attributed works:
[ J.P.L. Fine Arts, 24 Davies Street, London ] Camille Pissarro (1830-1903). La Cueillette des Pommes, Eragny. c. 1888. Watercolour and Gouache 47 × 59 cm. Signed. PV.1423
Attributed works:
[ Johnny Van Haeften, 13 Duke Street, St James's, London ] Adriaen Hanneman (c.1601 - The Hague - 1671). On Panel. 109 × 36.5 cm. Portrait of a Lady. Signed and Dated 1625, and Inscribed with the Age of the Sitter "21"
Attributed works:
[ Julius Böhler, Pacellistrasse 8/11, Munich ] The Madonna in Clouds Revered by Four Saints. By Corrado Giaquinto. Molfetta-Bari 1703-Naples 1765). Canvas, 48 × 23.5 cm.
Attributed works:
[ Leger Galleries Ltd., 13 Old Bond Street, London ] The Blair Conversation Piece, Painted at Cawnpore, India, 1786. Oil Painting on Canvas. Size: 38 × 54 Inches
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle Street, London ] Henry Moore. Reclining Figure '80 No. 1, 1980, Bronze, Length with Base 94 cm., Edition of Nine.
Attributed works:
[ Matthiesen, Mason's Yard Duke Street, St James's, London ] Pietro Berrettini da Cortona. Cortona 1596 - Rome 1669. Landscape with a Lake and Distant Town Canvas 62.3 × 77.7 cms
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] Lattanzio Gambara (Brescia, Ca. 1530-1573/4) Allegory of Justice, Study for the Ceiling of the Palazzo LaLatta, Parma; Verso: An Ornamental Object. Black Chalk, Pen and Brown Ink and Wash with White Gouache Highlights on Blue Paper: 12 × 7⅞″.
Attributed works:
[ Noortman Ltd, 8 Bury Street, St James's, London ] Jacob Jordaens 1593-1678. The Road to Calvary. Canvas, 239 × 174.5 cm
Attributed works:
[ Richard L. Feigen & Company, 900 Park Avenue, New York ] Januarius Zick, 'St. Jerome,' Oil on Canvas, 47.9 by 34.1 cm.
Attributed works:
[ Ronald A. Lee, 1-9 Bruton Place, London ] This magnificent firearm is entirely covered in inlaid horn and profusely decorated with engraved ivory scenes. Last quarter of the 16th century. The engraved and gilded lockplate bearing the guildmark of Strasbourg with maker's mark E. G. with bird below; This mark referring to Elias Gessler (New Stockel 7471). Most of the scenes are taken directly from engravings by Virgil Solis. The lemon-shaped ivory butt is secured by a silver gilt butt cap and is finely engraved with 8 various figures, including Bacchus, Mars, Apollo, Minerva and Ceres; the group is surmounted by the Arms of Italia, Francia, Germania and Hispania. The reverse side of the lockplate depicts the myth of Pyramus and Thisbe; the underside includes the bagpiper taken from a 1514 engraving by Albrecht Dürer; these panels are supported by other small panels of interest; the gilded barrel bearing the engraved figure of St. George and the Dragon with decorated and engraved strapwork; the gilded lockplate includes a rabbit and a squirrel. The mechanism is of the typical wheel-lock design of the period. Length of gun: 81 cms (35 inches).
Attributed works:
[ Sabin Galleries, Campden Lodge, 82 Campden Hill Road, Kensington, London ] John Opie R. A. Signed and Dated 1788 Verso. Lady Ann Fox. Canvas 30 × 25 Inches
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Francesco Guardi, A Capriccio View of the Lagoon, 47.5 by 53.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Giovanni Francesco Barbieri, Called Il Guercino, The Penitent Magdalen, 232 by 179 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Jan Wynants, A Dune Landscape with Travellers on a Well-Worn Path, Signed, Oil on Canvas, 30.5 by 36.5 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] John Frederick Herring Snr., Birmingham: A Bay Racehorse with P. Conolly Up Wearing Pink Silks and Cap, His Owner Mr. Beardsworth to the Left, Signed, Oil on Canvas, 34 by 46 cm.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Diamonds, English c.1750. Gold Mounted Agate, English c. 1740, Carved Carnelian by Faberge.
Attributed works:
[ William Drummond, Covent Garden Gallery Ltd, 20 Russell Street, London ] Michael 'Angelo' Rooker 1743-1801 Watercolour 14¾ by 20⅞ ins. Signed and Dated. Westminster Hall, the North Front, Palace Yard
Non-western art unattributed:
[ Entwistle, Seventy South Audley Street, London ] This serene and dignified royal portrait from Benin in Nigeria is one of the finest of a handful of bronze heads cast in the fifteenth century as memorials to deceased kings or obas. Terracotta heads of the same subject are equally rare. Exceptionally this sixteenth century example shares the expressive qualities of its bronze predecessor.
Non-western art unattributed:
[ John Sparks, 128 Mount Street, London ] A Pair of Chinese Porcelain Figures of Hawks on Rock-Work Bases, Richly Decorated in 'Famille Rose' Enamels. Ch'ien Lung Period 1736-1795 A. D. 20½″ High
Non-western art unattributed:
[ Rabi Gallery, 94 Mount Street, London ] Rare 19c. Bidjar
Non-western art unattributed:
[ Spink & Son Ltd, King Street, St James's, London ] A Terracotta Head. Gupta, Kausambi, 5th Century. Height: 8 Inches.
Western art unattributed:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Fine 16th Century Red Wax Model of a Bearded Man. (Possibly Neptune) Dated 1547 & Monogrammed MB - Roma Height: 23 cm
Western art unattributed:
[ Antony Embden, 15 Quai Voltaire, Paris ] An Exceptional 16th Century Small French Walnut "armoire à deux corps". Painted in Sepia Monochrome & Gilding. (Formerly Chateau Ancy-le-Franc) Height. 160 cm - Depth - 048 cm - Width - 126 cm.
Western art unattributed:
[ Apollo Gallery, Bundenweg 7, Frankfurt ] Tetrarch, Roman, c.295-305, Marble. Height 35 cm. Sold to J Paul Getty Museum
Western art unattributed:
[ Mallett, 2 Davies Street, Berkeley Square, London ] A Rare Portrait Head of Alexander the Great in Huranic Basalt. Círca 330 B. C. Height: 11 Inches (28 cms.)
Supplement
Notable Works of Art Now on the Market: Supplement
06/1975 | 867 | 117
Pages: xii
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
Plate IX. Crucifixion on Mount Calvary, with Donor, by Barend van Orley. Panel, 130 by 140 cm. (The Property of H. G. Klein, St Apernstrasse 2, Cologne, and Meckenheimer Strasse 24, Bonn)
Attributed works:
Plate V. Centre Panel of Polyptych: Madonna and Child; Redeemer Blessing in Pinnacle, by Luca di Tommè. Panel, 155 by 73.7 cm. (The Property of Barling of Mount Street Ltd., 112 Mount Street, London W1)
Attributed works:
Plate VI. Crucifixion with Virgin, St John, Magdalen and Donor, by Giovanni di Paolo. Panel, 114.5 by 88.5 cm. (The Property of Christopher Gibbs, Ltd., 118 New Bond Street, London W1)
Attributed works:
Plate VII. Project for the Astronomical Clock-Salt of Sir Anthony Denny, by a Follower of Hans Holbein the Younger. Pen and Brown Ink and Grey Wash, 43 by 26.4 cm. (The Property of Rainer Zietz, Friedrichswall 19, 3 Hannover)
Attributed works:
Plate VIII. Project for the Astronomical Clock-Salt of Sir Anthony Denny, by a Follower of Hans Holbein the Younger. Pen and Brown Ink and Grey Wash, 43 by 26.4 cm. (The Property of Rainer Zietz, Friedrichswall 19, 3 Hannover)
Attributed works:
Plate X. The Adoration of the Magi, by Pieter Coeck van Aelst. Panel, 104 by 70 cm. (The Property of Galerie Jean Ribet, 30 rue de Miromesnil, 75008 Paris)
Attributed works:
Plate XIII. Tower of Babel, by Hans Vredeman de Vries. Panel, 67 by 94 cm. (The Property of Helmut Peter Buchen, Keithstrasse 16, 1 Berlin 30)
Attributed works:
Plate XVI. Plate XVII. David with the Head of Goliath; Esau Selling His Birthright (2 Canvases), from the School of Caravaggio, Tondo, Diameter, 46.5 cm. (The Property of Hazlitt Gallery, 4 Ryder Street, St James's, London SW1)
Attributed works:
Plate XVIII. Plate XIX. Lot and His Daughters; Drunkenness of Noah, by Bernardo Cavallino (A Pair). Both Panels (Oval), 41.5 by 38 cm. (The Property of Silvano Lodi, 6911 Campione D'Italia, Viale Marco d. C. 32, Switzerland)
Attributed works:
Plate XX. Christ Disputing with the Doctors in the Temple, by Luca Giordano. Canvas, 194.5 by 349.5 cm. (The Property of Heim Gallery, 59 Jermyn Street, St James's, London SW1)
Attributed works:
Plate XXI. Merry Company of Peasants, by David Vinckboons. Signed. Panel, 29.5 by 46.8 cm. (The Property of Friederike Pallamar Gallery, Dorotheergasse 7, Vienna)
Attributed works:
Plate XXII. Tankard, by R. Lassels or Ralph Leeke. London 1691; Weight, 27 ozs 12 dwts: Height, 16.5 cm. (The Property of How (Of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)
Attributed works:
Plate XXIII. Tankard, by R. Bruce. Edinburgh 1697; Weight, 34 ozs 14 dwts; Height, 21.5 cm. (The Property of How (Of Edinburgh), 2-3 Pickering Place, St James's Street, London SW1)
Attributed works:
Plate XXIV. St Louis with Putti, by Giuseppe Bazzani. Canvas (Oval), 95 by 72 cm. (The Property of Galleria Previtali, via T. Tasso 21, 24100 Bergamo)
Attributed works:
Plate XXIX. The Broken Bridge at Narni, by Richard Wilson. c.1753. Canvas, 97.8 by 135.8 cm. (The Property of Spink and Son Ltd., King Street, St James's, London SW1)
Attributed works:
Plate XXV. Plate XXVI. The Grand Canal from the Dogana to S. M. della Salute; The Rialto to the Palazzo dei Camerlenghi and the Fondaco dei Tedeschi (A Pair), by Canaletto. Both Canvases, 81.7 by 44 cm. (The Property of Galleria Pontremoli, Via Durini 19, Milan)
Attributed works:
Plate XXVII. Figure of an Oriental. Göggingen Factory. About 1750. Height, 32 cm. (The Property of Kate Foster Ltd., 17 Ryder Street, St James's, London SW1)
Attributed works:
Plate XXVIII. Laocoon Group after the Antique, by Jacques Buirette. Clear Brown Bronze under Rich Golden Yellowish-Brown Varnish; Height, 58 cm. (The Property of Alain Moatti, 77 rue des Saints-Pères, 75006 Paris)
Attributed works:
Plate XXX. A Poor Family, Attributed to Henry Walton. Canvas, 101.6 by 127.6 cm. (The Property of Marshall Spink Ltd., 18 Albemarle Street, London W1)
Attributed works:
Plate XXXI. Tea Urn, by Marc Augustin Lebrun. Silver; Urn, Height, 54 cm.; Salver, 65 by 55 by 10 cm. (The Property of F. K. A. Huelsmann, Hohe Bleichen 15, Hamburg)
Attributed works:
Plate XXXII. Le Général Duroc, by J.-L.-E. Meissonier. 1890. Bronze, 49.5 by 50.2 cm. (The Property of Schweitzer Gallery, 958 Madison Avenue, New York, N. Y. 10021)
Attributed works:
Plate XXXIII. Expulsion of Adam and Eve, by Cecco Bravo. Canvas, 36 by 50 cm. (The Property of Stanza del Borgo, via G. Puccini 5, Milan)
Attributed works:
Plate XXXIV. In the Court Riding School, by Rudolf Kuntz. Signed and Dated 1823. Canvas, 45.2 by 51 cm. (The Property of Galerie G. Paffrath, Königsallee 46, D 4000 Düsseldorf)
Attributed works:
Plate XXXIX. Entrée du port de Saint-Valéry, by Eugène Boudin. Signed and Dated 1891. Canvas, 36 by 58.5 cm. (The Property of H. Terry-Engell Gallery, 8 Bury Street, St James's, London SW1)
Attributed works:
Plate XXXV. A View of St Peter's, Rome from the North West, by William Marlow. Canvas, 90 by 127 cm. (The Property of Herner Wengraf Ltd., 67/8 Jermyn Street, St James's, London SW1)
Attributed works:
Plate XXXVI. Portrait of Vittoria Alfieri, by François-Xavier Fabre. Signed and Dated 1794. Canvas, 94 by 73.7 cm. (The Property of P. & D. Colnaghi and Co. Ltd., 14 Old Bond Street, London W1)
Attributed works:
Plate XXXVII. Mrs Herbert Duckworth, by Julia Margaret Cameron. c.1867. Photograph, 31 by 26.3 cm. (The Property of Howard Ricketts Ltd, 180 New Bond Street, London W1)
Attributed works:
Plate XXXVIII. Portrait of a Young Girl, by Germaine Richier. Signed. Bronze; Height, 33 cm. (The Property of Galleria dell'Angelo, Piazza Cioccaro 11, 6900 Lugano)
Non-western art unattributed:
Plate III. Standing Figure of the Buddha. Early Nepalese, Eight-Ninth Century. Bronze, 28.5 cm. (The Property of Galerie Spink, Schifflande 12, Hechtplatz, 8001 Zurich)
Western art unattributed:
Plate I. Portrait Bust of Plato. Roman Copy of Greek Sculpture. Bronze; Height, 13.5 cm. (The Property of Münzen und Medaillen A. G., Malzgasse 25, Basle)
Western art unattributed:
Plate II. Apotheosis of an Emperor and His Wife. Roman, Second-Third Century A. D. Silver, Partly Gilt; Height, 15.4 cm. (Private Collection. Enquiries Should be Addressed to Box 10675, c/o The Burlington Magazine, Elm House, 10/16 Elm Street, London WC1)
Western art unattributed:
Plate IV. Crouching Venus. Roman, First-Second Century A. D. Rock Crystal; Height, 8.5 cm.; Width, 6.5 cm. (The Property of Galerie Uraeus, 24 rue de Seine, 75006 Paris)
Western art unattributed:
Plate XI. Plate XII. Pendant with a Miniature Portrait Probably of Lucrezia Medici-Este; Allegory on Reverse. Silver; Oval, 8 by 6.3 cm. (The Property of Julius Böhler, Briennerstrasse 25, Munich 2)
Western art unattributed:
Plate XIV. A Siegburg Schnelle. German. c.1580. Height, 28.2 cm. (The Property of Objects, 69 Mount Street, London W1)
Western art unattributed:
Plate XV. Processional Cross. Coptic. Carved Wood, 53 by 20.5 cm. (The Property of Nella Longari, via Bigli 15, 20121 Milan)
load more