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48 articles
Exhibition Review
Germany’s celebration of Caspar David Friedrich’s 250th anniversary
07/2025 | 1468 | 167
Pages: 694–701
related names
Author:
Scholl, Christian (Scholl, Christian)
Subjects
Illustrations
Attributed works:
1. Front view of Mountainous river landscape (morning), by Caspar David Friedrich. After 1820. Pencil, watercolour, soot ink and black opaque paint on paper, 7.42 by 12.7 cm. (Graphische Sammlung, Kassel; exh. Neues Museum, Kassel).
Attributed works:
2. Front view with backlighting of Mountainous river landscape (night), by Caspar David Friedrich. After 1820. Pencil, watercolour, soot ink and black opaque paint on paper, 7.42 by 12.7 cm. (Graphische Sammlung, Kassel; exh. Neues Museum, Kassel).
Attributed works:
3. Sea of ice, by Caspar David Friedrich. 1823/24. Oil on canvas, 96.7 by 126.9 cm. (© Christoph Irrgang; Hamburger Kunsthalle).
Attributed works:
4. Monastery graveyard in snow, copy by an unknown artist after Caspar David Friedrich. After 1855. Oil on canvas, 120 by 173 cm. (Alte Nationalgalerie, Berlin).
Attributed works:
5. Woman at the window, by Caspar David Friedrich. 1822. Oil on canvas, 45 by 32.7 cm. (Alte Nationalgalerie, Berlin; exh. Albertinum, Dresden).
Attributed works:
6. Large enclosure near Dresden, by Caspar David Friedrich. 1832. Oil on canvas, 73.5 by 103 cm. (Albertinum, Dresden).
Attributed works:
7. Landscape with the flight into Egypt, by Claude Lorrain. 1647. Oil on canvas, 102.5 by 135 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Albertinum, Dresden).
Exhibition Review
Caspar David Friedrich: The Soul of Nature
05/2025 | 1466 | 167
Pages: 491–3
related names
Reviewer:
Amstutz, Nina (Amstutz, Nina)
Subjects
Reviewed Items
museums and institutions:
Caspar David Friedrich: The Soul of Nature Metropolitan Museum of Art, New York 8th February–11th May | :
Illustrations
Attributed works:
10. Ruins at Oybin, by Caspar David Friedrich. c.1812. Oil on canvas, 65 by 47 cm. (Hamburger Kunsthalle; exh. Metropolitan Museum of Art, New York).
Attributed works:
11. The Watzmann, by Caspar David Friedrich. 1824–25. Oil on canvas, 135 by 170 cm. (Alte Nationalgalerie, Berlin; exh. Metropolitan Museum of Art, New York).
Attributed works:
12. The Watzmann, by August Heinrich. 1820–22. Watercolour over charcoal on wove paper, 15.5 by 25.1 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Im Herzen wild: Die Romantik in der Schweiz
04/2021 | 1417 | 163
Pages: 361-364
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
museums and institutions:
places:
styles:
subjects:
Reviewed Items
subjects:
Im Herzen wild: Die Romantik in der Schweiz Edited by Jonas Beyer and Esther Braun-Kalberer. 288 pp. incl. 200 col. ills. (Zürcher Kunstgesellschaft / Kunsthaus Zürich and Prestel, Munich, London and New York, 2020), €49. ISBN 978–3– 7913–5988–5. | :
Illustrations
Attributed works:
12. Passage of Mount St Gotthard from the centre of Teufels Broch (Devil’s Bridge), by J.M.W. Turner. 1804. Watercolour on paper, 101 by 68 cm. (Abbot Hall Art Gallery, Lakeland Arts; The Morse Bequest, 1972; exh. Kunsthaus Zürich).
Attributed works:
13. Summit in the clouds, by Alexandre Calame. 1861. Charcoal and graphite, heightened with white chalk and gouache on blue paper, 15.9 by 23.7 cm. (Musées d’art et d’histoire, Geneva; exh. Kunsthaus Zürich).
Attributed works:
14. The three witches, by Henry Fuseli. 1783. Oil on canvas, 65 by 91.5 cm. (Kunsthaus Zürich).
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
related names
Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Exhibition Review
Nature Unleashed: the Image of Catastrophe since 1600. Hamburger Kunsthalle
10/2018 | 1387 | 160
Pages: 850-852
related names
Reviewer:
Saß, Maurice (Saß, Maurice)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
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Advertisements (front)
09/2018 | 1386 | 160
Pages: i–xxiv
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Heickmann, Chemnitz. CASPAR DAVID FRIEDRICH (1774–1840) Bohemian Landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Bonhams, London. JOHN WILLIAM GODWARD, RBA (BRITISH, 1861-1922) Dolce far niente signed and dated ‘J.W.GODWARD.’07’ (lower left) oil on canvas 51.4 x 76.2cm (20 1/4 x 30in). £200,000 - 300,000 *]
Attributed works:
[Bonhams, London. SIR WINSTON SPENCER CHURCHILL O.M., HON. R.A. (1874-1965) The Riviera, a Sketch signed with initials ‘WSC’ (lower right) oil on canvas board 35.4 x 50.8 cm. (13 7/8 20 in.) Painted circa 1930 £100,000 – 150,000*]
Attributed works:
[British Art Fair, London. Apples and pears in a striped bowl, by Matthew Smith (1879–1959). 1952. Canvas, 45 by 61 cm. BROWSE AND DARBY, LONDON]
Attributed works:
[British Art Fair, London. Chariot, by Clive Barker (b.1940). 1974. Chrome-plated brass and bronze, 19 by 23 cm. WHITFORD FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Garden, W6, by Victoria Crowe (b.1945). Oil on board, 58.4 by 71.1 cm. JENNA BURLINGHAM FINE ART, KINGSCLERE, HAMPSHIRE]
Attributed works:
[British Art Fair, London. Helmet head 4, by Henry Moore (1898–1986). 1963. Bronze, 42 by 87 by 52 cm. GOODMAN FINE ART, LONDON]
Attributed works:
[British Art Fair, London. House by a lake, by Ivon Hitchens (1893–1979). 1940. Canvas, 20 by 30 cm. JONATHAN CLARK FINE ART, LONDON]
Attributed works:
[British Art Fair, London. Los Angeles No.1, 2000, by R.B. Kitaj (1932–2007), 2000. Canvas, 121.9 by 121.9 cm. OFFER WATERMAN, LONDON]
Attributed works:
[British Art Fair, London. Pitchfork on green; pitchfork on pink, by Michael Craig-Martin (b.1941). 2003. Acrylic on canvas, 153 by 46 cm. BEAUX ARTS, LONDON]
Attributed works:
[British Art Fair, London. The governess, by Ambrose McEvoy (1878–1927). Canvas, 91.4 by 71.1 cm. MAAS GALLERY, LONDON]
Attributed works:
[British Art Fair, London. Three forms (extra eye), by Barbara Hepworth (1903–75). 1969. Bronze, 22.4 by 20.2 by 15.1 cm. OSBORNE SAMUEL, LONDON]
Attributed works:
[British Art Fair, London. Trio of bowls, by Lucy Rie (1902–1995). Glazed stoneware, various sizes. ASKEW ART, LONDON]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. ERCOLE SETTI (1530 –Modena –1618) A PROCESSION Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[Chiswick Auctions, London. MEDARDO ROSSO (ITALIAN, 1858-1928): ‘BAMBINA RIDENTE’ (BAMBINA CHE RIDE) A wax over plaster head Probably cast by the sculptor’s son, Francesco Rosso, from the original plaster model. Provenance: Sold to the Peridot Gallery, New York in 1959 by the sculptor’s daughter-in-law Clotilde Longoni Rosso. Thence by descent. Estimate £50,000 – 80,000]
Attributed works:
[Christie's, New York. POMPEO BATONI (1708–1787) Portrait of a lady, possibly Alexandrine Eftikhevna Demidoff, née Safonova (1745–1778), halflength, holding a wicker basket with flowers, 1775 (detail) oil on canvas $400,000–600,000]
Attributed works:
[Dulwich Picture Gallery, London. Jusepe de Ribera, Martyrdom of Saint Bartholomew (detail), 1644, Oil on canvas, Museu Nacional d'Art de Catalunya, Barcelona. ©Museu Nacional d'Art de Catalunya, Barcelona. 2018. Photo: Calveras/Mérida/Sagristà.]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Frieze Masters, London. Sebastiano del Piombo, Portrait of a Lady (detail), mid-1520s, The National Gallery, London. On loan from Longford Castle collection. © Private collection. Photography: John Bodkin.]
Attributed works:
[Galerie Michel Descours, Lyon. Pierre Peyron, The Death of Alcestis, or The Heroism of Conjugal Love, oil on canvas, 96 × 107 cm (37.8 × 42.1 in.)]
Attributed works:
[Hazlitt Holland-Hibbert, London. Barbara Hepworth Five Studies of a Girl, 1951 (detail) Oil and pencil on board]
Attributed works:
[La Biennale de Paris. Sailing downwind, by Charles Lapicque (1898–1988). 1952. Canvas, 116 by 89 cm. ART CUÉLLARNATHAN, ZURICH]
Attributed works:
[La Biennale Paris. Angel, attributed to Giuseppe Sanmartino (1720–93). 1750. Terracotta with glass inlay, 38 cm high. GALERIE SISMANN, PARIS]
Attributed works:
[La Biennale Paris. Mantel clock showing allegories of astronomy and history, by Jean-André Lepaute (1720–1789) and Jean-Baptiste Lepaute (1727–1802). c.1770. Chased, patinated and gilt bronze with a marble base, 68 by 80 by 28.5 cm. GALERIE DE LA PENDULERIE, PARIS]
Attributed works:
[La Biennale Paris. Shell VI, by Eva Vlčková. 2018. Glass, 33 cm high. GALERIE CLARA SCREMINI, PARIS]
Attributed works:
[La Biennale Paris. Still life with a basket of fruit, bouquet of flowers and exotic shells, by Balthasar van der Ast (1590–1656). Panel, 75 by 107 cm. GALERIA ANA CHICLANA, MADRID AND PARIS]
Attributed works:
[La Biennale Paris. Theatrum orbis terrarum, by Abraham Ortelius (1527–98). 1603 posthumous edition. Paper, bound in vellum, 46 by 29.7 cm. LIBRAIRIE CAMILLE SOURGET]
Attributed works:
[Peter Finer, London. A Pair of Flintlock Presentation Pistols by Nicholas-Noël Boutet, 1805. PROVENANCE: Private collection, Germany]
Attributed works:
[Robilant + Voena, London. John Chamberlain, Untitled, c. 1963, painted and chromium-plated steel, 54.6 x 48.3 x 58.4 cm. Lucio Fontana, Concetto spaziale, Attese, 1967, water-based paint on canvas, 80 x 65 cm. The Apollo Vescovali, 2nd century AD, marble, 166 cm (height). Andy Warhol, One Multicolored Marilyn (Reversal Series), 1979/86, acrylic and silkscreen ink on canvas, 45.7 x 35.2 cm.]
Attributed works:
[Venator & Hanstein, Cologne. M.E. Bloch. Ichthyologie. 12 parts in 6 vol. Berlin 1785-97. With 432 coloured copperplates.]
Western art unattributed:
[Galerie Sismann, Paris. APOSTLE Limestone, traces of polychromy and gilt Lorraine 1330–1340 H. 90 cm]
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
related names
Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
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Advertisements (front)
08/2018 | 1385 | 160
Pages: i–xviii
Subjects
subjects:
Illustrations
Attributed works:
[Auktionshaus Hecikmann, Chemnitz. Caspar David Friedrich (1774–1840) Bohemian landscape. Watercolour. 126 x 208 mm. Dated by the artist "den 16ten May 1828" and entitled "Morgennebel" (Morning fog).]
Attributed works:
[Auktionshaus Heickmann, Chemnitz. Edvard Munch (1863–1944) "The Woman II, Sphinx/Woman in three Stages". 1895. Drypoint and line etching in black ink. Signed. Woll 22 VIII. 295 x 345 mm.]
Attributed works:
[Bonhams, London. Frederic, Lord Leighton, PRA (British, 1830-1896) Little Fatima oil on canvas 40.7 x 25.4cm (16 x 10in). £100,000-150,000*]
Attributed works:
[Bonhams, London. William Roberts R.A. (1895-1980) Demolition Squad pencil and watercolour Executed circa 1941 Sold in June 2018 for £125,000 *]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Ercole Setti (1530 –Modena –1618) A Procession Pen and brown ink, black chalk, 10.5 x 30 cm]
Attributed works:
[F. Baulme Fine Arts, Paris. Jan Van Bijlert, Paris and Oenone, oil on canvas, 123.5 x 91 cm, signed, lower left ‘J Bijlert fecit’ Provenance: Collection of the painter Jean-Baptiste Marie Pierre (1714- 1789); thence by descent]
Attributed works:
[Robilant + Voena, London. Alighiero Boetti (1940 - 1994) Mappa, 1983 Signed and dated ‘Kabul Afghanistan 1983’ on the overlap Embroidery 114 x 176 cm; (44 7/8 x 69 1/4 in.)]
Attributed works:
[Trinity Fine Arts, London. Anton Raphael Mengs (Aussig 1728–Rome 1779) Portrait of José Nicolás de Azara (1730–1804) Oil on canvas 82.6 x 63.5 cm / 32 1/2 x 35 in Provenance Probably Giuliana Falconieri, Principessa di Santacroce]
Western art unattributed:
[Bonhams, London. A French late 17th/early 18th century gilt and patinated bronze group of the Laocoon After the Antique £60,000–80,000 Provenance U.K. Private Collection]
Western art unattributed:
[Galerie Sismann, Paris. Apostle Limestone, traces of polychromy and gilt Lorraine 1330–1340 H.90 cm]
Western art unattributed:
[Peter Finer, London. A Pair of Spanish Bronze cannon barrels, circa 1600 Provenance: The Duke of Lerma (b.1552 – d.1625) Private Collection UK]
Exhibition Review
Romanticism in the North
04/2018 | 1381 | 160
Pages: 329-331
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
dates:
media:
Illustrations
Attributed works:
7. A cottage on fire, by Joseph Wright of Derby. 1793. Canvas, 63.5 by 76.2 cm. (Derby Museums; exh. Groninger Museum, Groningen).
Attributed works:
8. Winter landscape, by Caspar David Friedrich. 1811. Canvas, 33 by 46 cm. (Staatliches Museum, Schwerin; exh. Groninger Museum, Groningen).
Attributed works:
9. View of the Roman Campagna, by Martinus Rørbye. 1835. Oil on paper, 32 by 41 cm. (Göteborgs Konstmuseum, Göteborg; exh. Groninger Museum, Groningen).
Book Review
Dahl und Friedrich. Romantische Landschaften, B. Kuhlmann-Hodick, G. Spitzer, E. Haverkamp and B. Sørensen, eds.
10/2015 | 1351 | 157
Pages: 714
related names
Reviewer:
Schmid, F. Carlo (Schmid, F. Carlo)
Subjects
dates:
Illustrations
Attributed works:
40. Evening, by Caspar David Friedrich. 1824 (Private collection)
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