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11 articles
Book Review
L’Amour en scène! François Boucher, du théâtre à l’opéra
09/2023 | 1446 | 165
Pages: 1029-31
related names
Reviewer:
Shahidi, Raha (Shahidi, Raha)
Subjects
museums and institutions:
Reviewed Items
subjects:
L’Amour en scène! François Boucher, du théâtre à l’opéra Edited by Hélène Jagot, Jessica Degain and Guillaume Kazerouni. 240 pp. incl. numerous col. ills. (Éditions Snoeck, Ghent, and Musée des Beaux-Arts, Tours, 2022), €29. ISBN 978–2–903331–25–2. | :
Illustrations
Attributed works:
12. Apollo crowning the arts, by François Boucher. c.1763–66. Oil on canvas, 64.5 by 82 cm. (Musée des Beaux-Arts, Tours).
Attributed works:
13. Sylvia cures Phyllis of a bee sting, by François Boucher. 1755. Oil on canvas, 104.8 by 141.5 cm. (Banque nationale de France, Paris).
Attributed works:
14. Le Bourgeois gentilhomme after Molière, by Laurent Cars after François Boucher. 1734. Etching and burin, 19.4 by 13.9 cm. (Bibliothèque nationale de France, Paris).
Article
Poussin and opera: the subject of ‘Landscape with a man killed by a snake’
06/2023 | 1443 | 165
Pages: 590–600
related names
Author:
Jewitt, James R. (Jewitt, James R.)
Subjects
artists:
dates:
museums and institutions:
patrons:
Illustrations
Attributed works:
1. Landscape with a man killed by a snake, here identified as Landscape with Aristaeus and Python, by Nicolas Poussin. 1648. Oil on canvas, 118.2 by 197.8 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
10. Landscape with Polyphemus, by Nicolas Poussin. 1649. Oil on canvas, 148.5 by 197.5 cm. (State Hermitage Museum, St Petersburg; photograph Vladimir Terebenin).
Attributed works:
2. Landscape with a man killed by a snake, by Étienne Baudet after Nicolas Poussin. 1701. Engraving with etching, 57.5 by 76.0 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Landscape with a man killed by a snake, by J.M.W. Turner after Nicolas Poussin. 1799. Ink and watercolour with scraping-out on white wove paper, 7.9 by 13 cm. (Tate Britain, London).
Attributed works:
4. Landscape with Orpheus and Eurydice, by Nicolas Poussin. c.1650. Oil on canvas, 124 by 200 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
5. The Arcadian shepherds, by Nicolas Poussin. c.1638–40. Oil on canvas, 85 by 121 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
6. Detail of Fig.1, showing the running figure.
Attributed works:
7. The death of Eurydice, by Nicolas Poussin. c.1626. Oil on canvas, 63 by 77 cm. (Private collection; courtesy Robilant+Voena).
Attributed works:
8. The death of Eurydice, by Niccolò dell’Abate. c.1552–71. Oil on canvas, 189.2 by 237.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
9. Aristaeus. Roman. c. AD 130–38. Marble, height 196 cm. (Musée du Louvre, Paris; Bridgeman Images).
Article
Ilse Bing at Glyndebourne
12/2021 | 1425 | 163
Pages: 1140-1147
related names
Author:
Boot, Philip (Boot, Philip)
Subjects
dates:
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Illustrations
Attributed works:
1. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 28 by 19.4 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
10. Carl Ebert, by Ilse Bing. 1937. Gelatin silver print, 26 by 20.5 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
11. The house and lake at Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
12. Member of staff, Glyndebourne, by Ilse Bing. 1937. Gelatin silver print, 19.6 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
2. Ilse Bing at Glyndebourne. Photograph, 1937. (Courtesy Glyndebourne Archive Collection).
Attributed works:
3. Audrey Mildmay as Susanna, Aulikki Rautawaara as Countess Almaviva and Roy Henderson as Count Almaviva in rehearsal for ‘Le nozze di Figaro’, Glyndebourne Festival. 1934. Gelatin silver print, 9.1 by 13.6 cm. (Courtesy Glyndebourne Archive Collection).
Attributed works:
4. Aulikki Rautawaara as Countess Almaviva and Irene Eisinger as Susanna in Le nozze di Figaro, by Ilse Bing. 1937. Gelatin silver print, 20 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
5. Set design for Le nozze di Figaro at the Glyndebourne Festival, by Hamish Wilson, 1934. Charcoal and pastel on paper, 38 by 57 cm. (Glyndebourne Productions Ltd; photograph Theo Christelis).
Attributed works:
6. John Brownlee as Don Giovanni and Marita Farell as Zerlina in ‘Don Giovanni’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 19.8 by 28 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
7. Ina Souez as Donna Anna, Koloman von Pataky as Don Ottavio, Luise Helletsgruber as Donna Elvira, Audrey Mildmay as Zerlina, and Roy Henderson as Masetto in ‘Don Giovanni’, Glyndebourne Festival, by Bill Brandt. 1936. Gelatin silver print, 16.8 by 21.5 cm. (© Bill Brandt; courtesy Glyndebourne Productions Ltd).
Attributed works:
8. Aulikki Rautawaara as Countess Almaviva in ‘Le nozze di Figaro’, Glyndebourne Festival, by Ilse Bing. 1937. Gelatin silver print, 27.3 by 16 cm. (Courtesy Glyndebourne Productions Ltd).
Attributed works:
9. Fritz Busch, by Ilse Bing. 1937. Gelatin silver print, 20.5 by 26 cm. (Courtesy Glyndebourne Productions Ltd).
Article
Biagio Rebecca draws the London Opera House: London’s King’s Theatre in the 1790s
05/2019 | 1394 | 161
Pages: 364-373
related names
Author:
Burden, Michael (Burden, Michael)
Subjects
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. The auditorium of the Opera House, London, by Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 66.5 by 54 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019).
Attributed works:
2. An Inside View of the Opera House, by J. Page after R. Arnold, published in Carlton House Magazine (1792). Engraving, 12.4 by 20.6 cm. (Victoria and Albert Museum, London).
Attributed works:
3. The Opera House, by A.C. Pugin after Thomas Rowlandson, hand coloured by J. Black, published in R. Ackermann: Microcosm of London, London 1808–10 (1809). Engraving with acquatint, 26.6 by 33.3 cm. (The Bodleian Library, Oxford).
Attributed works:
4. Opera House or King’s Theatre at the Hay-Market, by James Storer after Anthony van Assen, published by Harrison & Co. 1795. Etching, 10.5 by 14 cm. (Victoria and Albert Museum, London).
Attributed works:
5. The Concert Room, The Opera House, London, attributed to Biagio Rebecca. c.1793. Pen and ink and watercolour on paper, 59.9 by 79.5 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II 2019)
Attributed works:
7. The Prince of Wales as ‘The Modern Atlas’, by Isaac Cruikshank, published by S.W. Fores. 1791. Hand coloured etching, 25.3 by 37.6 cm. (Victoria and Albert Museum, London).
Attributed works:
8. The Opera House and the Concert Room, London, as completed 1794, by J. Willis after A.C. Pugin, published by John Weale, c.1800. Engraving, 13 by 22.3 cm. (Private collection).
Western art unattributed:
6. The Opera House, Haymarket, London. After 1794. Watercolour on paper, 20.6 by 32.7 cm. (British Museum, London).
Exhibition Review
Romanticism. Gallerie d’Italia and Museo Poldi Pezzoli, Milan
02/2019 | 1391 | 161
Pages: 151-154
related names
Reviewer:
Hecker, Sharon (Hecker, Sharon)
Subjects
dates:
places:
Illustrations
Attributed works:
14. Nocturne in Capri, by Salvatore Fergola. 1843. Canvas, 106 by 131 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Gallerie d’Italia, Milan).
Attributed works:
15. Spartacus, by Vincenzo Vela. 1847–50. Marble, 206 by 72.5 by 90 cm. (Museo d’arte della Svizzera italiana, Lugano; photograph Museo Vincenzo Vela / Mauro Zeni; exh. Gallerie d’Italia, Milan).
Attributed works:
16. Meditation, by Francesco Hayez. 1851. Canvas, 92.5 by 71 cm. (Galleria d’Arte Moderna ‘Achille Forti’, Verona; exh. Gallerie d’Italia, Milan).
Attributed works:
17. Veiled Vestal, by Raffaele Monti. 1845. Marble, 48 by 25.5 by 27 cm. (Castle of Racconigi, Cuneo; exh. Gallerie d’Italia, Milan).
Book Review
Du bist Faust: Goethe’s Drama in der Kunst. Edited by Roger Diederen and Thorsten Valk
09/2018 | 1386 | 160
Pages: 802-803
Article
Gustave Moreau and the theatre
09/2017 | 1374 | 159
Pages: 706-713
related names
Author:
Cooke, Peter (Cooke, Peter)
Subjects
artists:
subjects:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
24. Orpheus, by Gustave Moreau. 1865 (Musée d'Orsay, Paris)
Attributed works:
26. Costume design for Mercury in Theodore de Banville's play La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)
Attributed works:
27. Salome, by Gustave Moreau. 1876 (Hammer Museum, Los Angeles)
Attributed works:
28. Costume design for Pittacus the Tyrant, from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)
Attributed works:
29. Costume design for Pittacus the Tyrant from Charles Gounod's opera Sapho, by Gustave Moreau. 1883 (National Gallery of Art, Washington)
Attributed works:
30. Helen on the Walls of Troy, by Gustave Moreau. Late 1880s (Musée d'Orsay, Paris)
Attributed works:
31. Julia Bartet in Bérénice. c. 1913. Photograph by Chéri Rousseau (Bibliothèque Nationale, Paris)
Attributed works:
32. Costume designs for Julia Bartet in Bérénice, by Gustave Moreau. 1893 (Musée Gustave Moreau, Paris)
Attributed works:
33. Julia Bartet in Bérénice. 1893. Photograph by Reutlinger (Bibliothèque de la Comedie-Française, Paris)
Attributed works:
Costume design for Venus in Théodore de Banville'splay La Pomme, by Gustave Moreau. 1865 (Musée Gustave Moreau, Paris)
Attributed works:
The suitors, by Gustave Moreau, begun 1860 (Musée Gustave Moreau, Paris)
Short Notice
From Farinelli to Monticelli: An Opera Satire of 1742 Re-Examined
05/1999 | 1154 | 141
Pages: 287-289
related names
Author:
Cervantes, Xavier (Cervantes, Xavier)
Author:
McGeary, Thomas (McGeary, Thomas)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
44. Carlo Broschi, Called Farinelli, by Joseph Wagner after Jacopo Amigoni. 1735. Engraving, 29.5 by 21.2 cm. (Bibliothèque Nationale, Paris).
Attributed works:
46. Angelo Maria Monticelli, by John Faber Jr. after Andrea Casali. 1742. Mezzotint, 31.2 by 25.4 cm. (British Museum, London).
Attributed works:
49. Detail of the Music in Fig.46.
Western art unattributed:
45. Satire of a Castrato Singer, Here Identified as Angelo Maria Monticelli. English, 1742. Engraving (Second State), 23 by 27.7 cm. (British Museum, London).
Western art unattributed:
47. Detail of the Music in Fig.45.
Western art unattributed:
48. Excerpt from the Aria 'Se pace Tu non vuoi', from The Favourite Arias in the Opera call'd Scipione in Cartagine, London [1742].
Short Notice
'The Last Scene of "Don Giovanni" ': A Newly Discovered Delacroix
09/1996 | 1122 | 138
Pages: 605-607
related names
Author:
Johnson, Lee (Johnson, Lee)
Subjects
dates:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
44. Portrait of Zuchelli, by Brigeaut after Vigneron. 1823. Lithograph (Bibliothèque nationale, Paris).
Attributed works:
45. The Last Scene from 'Don Giovanni', by Eugène Delacroix. 1824. 55.9 by 45.7 cm. (Private Collection).
Short Notice
A Portrait of Farinelli by Bartolommeo Nazari
09/1950 | 570 | 92
Pages: 266-267+269
related names
Author:
Watson, F. J. B. (Watson, F. J. B.; Watson, Francis John Bagott; W., F. J. B.; Watson, Mr.; Watson, F.J.B.; Watson, Francis)
Subjects
dates:
places:
Illustrations
Attributed works:
22. Portrait of Farinelli, by Bartolommeo Nazari. Signed and Dated 1734. Canvas, 143.2 by 119.4 cm. (Royal College of Music.)
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