1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
Book Review
Empire to Nation. Art History and the Visualization of Maritime Britain 1768–1829
10. Christmas morning, 1866, by John Brett. 1868. Canvas, 152.4 by 243.8 cm. (Russell-Cotes Art Gallery and Museum, Bournemouth).
Attributed works:
11. Deatil of Fig.10.
Attributed works:
12. Sunrise, Xmas Day, Beaumaris, 1866, by John Brett. 1866. Graphite on paper, page from Sketchbook no.21, ‘Towyn 1866–67’, PAF 9179–80v. (National Maritime Museum, Greenwich, London).
Attributed works:
14. Study of a rough sea, by John Brett. Dated 22nd July 1867. Graphite and white chalk on grey paper, 14 by 35.6 cm. (Private collection).
Attributed works:
15. Sketch for Christmas morning, 1866, by John Brett. 1868. Monochrome wash and white chalk on grey paper, 19 by 29.2 cm. (Private collection).
Attributed works:
16. Photograph of the Music Room, Fonthill Abbey. 1890s. (National Monuments Record, English Heritage, Swindon). Christmas morning, 1866 is hanging over the fireplace on the right-hand wall.
Attributed works:
17. The British Channel seen from the Dorsetshire cliffs, by John Brett. 1871. Canvas, 106 by 212.7 cm. (Tate, London).
Attributed works:
18. Britannia’s realm, by John Brett. 1880. Canvas, 105 by 212 cm. (Tate, London).
Western art unattributed:
13. ‘Foundering of the Australian Screw Steamer, “London”, in the Bay of Biscay, on the 11th of January, 1866’. Engraving from The Life-boat Journal (2nd July 1866), facing p.196. (Bodleian Library, Oxford).
119. Le Naturaliste Kunner Devant le Roi Zaide, by Théodore Géricault. 1819-20. Pencil and Water-Colour, 10 by 16.5 cm. (Sale, Sotheby's, March 1977).
Attributed works:
120. Des Officiers Anglais Visitent Corréard à l'Hôpital, by Théodore Géricault. 1819-20. Pencil and Water-Colour, 10 by 16.5 cm. (Sale, Sotheby's, March 1977).
Attributed works:
124. Le Radeau de la Méduse, by Théodore Géricault. 1819-20. Pencil and Water-Colour, 10 by 16.5 cm. (Sale, Sotheby's, March 1977).
Article
The 'Raft' from the Point of View of Subject-Matter
14. The Wreck of the Nancy Packet, in 1784, Engraved by James Gillray.
Attributed works:
15. Detail from The Patrons of Venice Beating Off the Demons' Ship, Attributed to Palma Vecchio and Paris Bordone. (Scuola Grande di San Marco, Venice.)
Attributed works:
16. Scene of Shipwreck, by John Singleton Copley. Signed and Dated 1792 or 1799. Canvas. (Private Collection.)
Attributed works:
17. Study for the Repulse of the Floating Batteries at Gibraltar, by John Singleton Copley. Canvas, 132 by 188 cm. (Tate Gallery, London.)
Attributed works:
18. Detail from the Raft of the 'Medusa', by Théodore Géricault. (Louvre.)
Attributed works:
19. Plan of the Raft of the Medusa, engraving by Alexandre Corréard.
Attributed works:
20. Detail from the Raft of the 'Medusa', by Théodore Géricault. (Louvre.)
Attributed works:
A. Scene of Shipwreck, Engraved by Blake after an Oil-Sketch by Romney.