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34 articles
Supplement
Recent acquisitions at the J. Paul Getty Museum (2017–21)
01/2022 | 1426 | 164
Pages: 97-116
related names
Author:
Potts, Timothy (Potts, Timothy; Potts, Timothy F.)
Subjects
Illustrations
Attributed works:
11. Corpus Christi, by Veit Stoss (German, 1447–1533). c.1490–1500. Wood, 34.5 by 33 by 6.5 cm. 2019.94.
Attributed works:
12. Annunciation, by Giovanni di Balduccio (Italian, c.1300– after 1349). c.1333–34. Marble with traces of polychromy, angel: 75 by 22.5 by 20 cm.; Virgin: 78.5 by 24 by 19 cm. 2019.117.
Attributed works:
13. Bust of a young boy, by Desiderio da Settignano (Italian, c.1430–64). c.1460–64. Marble, 25 by 24.5 by 14 cm. 2018.5.
Attributed works:
14. Christ as the man of sorrows, by Quentin Metsys (Netherlandish, 1465 or 1466–1530). c.1520–25. Oil on panel, 49.5 by 37 cm. 2018.54.
Attributed works:
15. Anne of Brittany enthroned and accompanied by her ladies-in-waiting, from Ovid, excerpts from Heroides; Octovien de Saint-Gelais, Letters, by the Master of the Chronique scandaleuse (French, active c.1493–1510). c.1493. Tempera colours, gold and ink on parchment, 26.5 by 19 cm. MS. 121, fol.55, 2021.7.
Attributed works:
16. Head of a young man, by Francesco Mazzola, il Parmigianino (Italian, 1503–40). c.1539–40. Pen and brown ink, 16 by 10.5 cm. 2017.79.
Attributed works:
17. Study for the head of St Joseph (recto); Two studies of legs (verso), by Andrea del Sarto (Italian, 1486–1530). c.1526–27. Red and black chalk (recto); red chalk (verso), 37.5 by 22.6 cm. 2017.73.
Attributed works:
18. Study of a mourning woman, by Michelangelo Buonarroti (Italian, 1475–1564). c.1500–05. Pen and brown ink, heightened with white lead opaque watercolour, 26 by 16.5 cm. 2017.78.
Attributed works:
19. Head of a youth, by Domenico Beccafumi (Italian, 1484–1551). c.1530. Oil on paper, 27.6 by 21.1 cm. 2020.54.
Attributed works:
20. Virgin and Child with St Elizabeth and St John the Baptist, by Agnolo Bronzino (Italian, 1503–72). c.1540–45. Oil on panel, 102.7 by 83.4 cm. 2019.116.
Attributed works:
21. Virgin and Child with St John the Baptist and Mary Magdalene, by Parmigianino (Francesco Mazzola) (Italian, 1503–40). c.1535–40. Oil on paper, laid down on panel, 75.9 by 59.7 by 3 cm. 2017.22.
Attributed works:
22. Lucretia, by Artemisia Gentileschi (Italian, 1593–after 1654). c.1627. Oil on canvas, 92.9 by 72.7 cm. 2021.14.
Attributed works:
23. The Miracle of the Quails, by Jacopo dal Ponte, called Jacopo Bassano (Italian, c.1510–92). 1554. Oil on canvas, 150 by 235 cm. 2021.60.
Attributed works:
24. Study for Balthazar, by Peter Paul Rubens (Flemish, 1577–1640). c.1609–11. Oil on paper laid down on panel, 54 by 47.3 cm. 2018.48.
Attributed works:
25. Gospel book, by Ghoukas (Armenian, 16th century). 1583. Tempera colours and ink on paper, 27 by 19 cm. MS. 119, 2020.3.
Attributed works:
26. Crucifixion, by Samuel van Hoogstraten (Dutch, 1627–78). c.1650. Pen and brown ink with grey wash, red chalk and heightening with white opaque watercolour, corrections in white opaque watercolour, 24.5 by 25 cm. 2020.39.
Attributed works:
27. Head of a woman, by Annibale Carracci (Italian, 1560–1609). c.1582. Oil on paper, laid on canvas, 42.8 by 29.5 cm. 2019.4.
Attributed works:
28. Panoramic view of Dordrecht and the River Maas, by Aelbert Cuyp (Dutch, 1620–91). c.1645–52. Brush and dark brown ink with grey wash and ochre watercolour heightened with gum arabic over black chalk, 15.9 by 50.5 cm. 2017.74.
Attributed works:
29. Portrait of Nicolas-Claude Fabri de Peiresc, by Claude Mellan (French, 1598–1688). 1636. Black chalk, 14.5 by 11 cm. 2019.11.
Attributed works:
3. Intaglio with bust of Demosthenes, by Dioskourides (Greek, active late 1st century BC). Roman, c.25 BC. Amethyst, 2 by 1.4 by 0.5 cm. 2019.13.15.
Attributed works:
30. Metamorphosis of a small emperor moth on a damson plum, by Maria Sibylla Merian (German, 1647–1717). From the Caterpillar Book, Nuremburg 1679, plate 13. Translucent and opaque watercolour over counterproof print on parchment, 18.7 by 14.9 cm. 2020.10.
Attributed works:
31. La surprise, by Jean Antoine Watteau (French, 1684– 1721). 1718–19. Oil on panel, 36.4 by 28.2 cm. 2017.72.
Attributed works:
32. Box. Saint-Cloud Porcelain Manufactory, France, 1730–40. Soft-paste porcelain with glaze and enamel, 9.1 by 10.2 by 8.9 cm. Gift of MaryLou Boone. 2019.135.
Attributed works:
33. Two boys with a bladder, by Joseph Wright of Derby (English, 1734–97). c.1769–70. Oil on canvas, 92.7 by 73 cm. 2020.20.
Attributed works:
34. José Nicolás de Azara, Marquis of Nibbiano, by Anton Raphael Mengs (German, 1728–79). After 1774. Oil on canvas, 82.6 by 63.5 cm. Gift of Fabrizio Moretti in honour of Davide Gasparotto. 2019.132.
Attributed works:
35. Madame Charles Mitoire with her children, by Adélaïde Labille-Guiard (French, 1749–1803). 1783. Pastel on three sheets of blue paper, mounted on canvas, 98.5 by 79 cm. 2021.37.
Attributed works:
36. Bust of John the Baptist, by Auguste Rodin (French, 1840–1917). Model 1880; cast 1886. Bronze, 48 by 38.8 by 27 cm. 2018.33.
Attributed works:
38. The destruction of Pharaoh’s host, by John Martin (English, 1789–1854). 1836. Watercolour and oil paint with brown ink and scraping out on paper, 58.4 by 85.7 cm. 2018.45.
Attributed works:
39. House at 66 Avenue Montaigne, Paris, attributed to Bisson Frères (French, active 1840–64). c.1857. Hand-coloured salted paper print from a glass negative, 41.7 by 33 cm. 2019.8.
Attributed works:
40. After the bath (woman drying herself), by Edgar Degas (French, 1834–1917). c.1896. Pastel on paper laid down on board, 72 by 58 cm. 2017.75.1.
Attributed works:
41. Young man at his window, by Gustave Caillebotte (French, 1848–94). 1876. Oil on canvas, 116 by 81 cm. 2021.67.
Attributed works:
42. Spring in the Alps, by Giovanni Segantini (Italian, 1858–99). 1897. Oil on canvas, 116 by 227 cm. 2019.3.
Attributed works:
43. Landscape near Arnhem, by Piet Mondrian (Dutch, 1872–1944). 1900–01. Translucent and opaque watercolour over graphite, 52 by 74.8 cm. 2020.43.
Attributed works:
44. Self-portrait with plaster cast of the Elgin Marbles, by Imogen Cunningham (American, 1883–1976). 1909–10. Platinum print, 16.7 by 12.4 cm. 2020.24.1. (© Imogen Cunningham Trust).
Attributed works:
45. The Peugniez affair – view of the kitchen, 5th June, from Crime Album, by Alphonse Bertillon (French, 1853–1914). 1898. Gelatin silver print, 17.1 by 23.1 cm. 2019.22.41.
Attributed works:
46. Reflections on the oil ditch, by Shigemi Uyeda (American, born Japan, 1902–80). c.1925. Gelatin silver print, 33.5 by 26.5 cm. 2019.58.1. (© Family of Shigemi Uyeda).
Attributed works:
47. Hitlerfresse, by Erwin Blumenfeld (American, born Germany, 1897–1969). 30th January 1933. Gelatin silver print collage, 29.2 by 21.3 cm. 2017.108. (© The Estate of Erwin Blumenfeld).
Attributed works:
48. Interior with an easel, Bredgade 25, by Vilhelm Hammershøi (Danish, 1864–1916). 1912. Oil on canvas, 78.7 by 70.5 cm. 2018.59.
Attributed works:
49. Untitled, by Noboru Ueki (Japanese, 1905–91). c.1948. Hand-coloured gelatin silver print, 55.9 by 45.9 cm. 2020.59.1. (© Estate of Noboru Ueki, courtesy MEM, Tokyo).
Attributed works:
50. Aunt Stella, by Ming Smith (American, active 1970s to present). 1992. From the series August Wilson. Gelatin silver print, 48 by 34.5 cm. Purchased with funds provided by the Photographs Council. 2019.125.4. (© Ming Smith).
Attributed works:
51. Three eagles flying, by Laura Aguilar (American, 1959–2018). 1990. Three gelatin silver prints, each approx. 61 by 50.8 cm. Purchased with funds provided by the Photographs Council. 2019.15.1. (© Laura Aguilar Trust of 2016).
Attributed works:
52. Untitled (Self-portrait), by Sally Mann (American, b.1951). 2012. Tintype, each image 25.4 by 20.3 cm. 2018.3 (© Sally Mann, Inc.).
Attributed works:
53. Enduring, by John Edmonds (American, b.1989). 2019. Pigment print, 77.5 by 77.5 cm. In memory of George Floyd with our commitment to continue the fight for justice and racial equality, 25th May 2020; a gift from members of the Photographs Council. 2020.91. (© John Edmonds).
Attributed works:
54. The End, by Ed Ruscha (American, b.1937). 2017. Editioned Hologram, 29.5 by 39.4 cm. Gift of AMPC LLC through the auspices of Guy and Nora Barron. 2018.26.11. (© Ed Ruscha).
Attributed works:
Gallery view of the Getty Museum, Los Angeles.
Western art unattributed:
1.Votive statuette of a male youth (kouros). Greek (Lakonian), 550–530 BC. Bronze, height 18.3 cm. 2019.127.
Western art unattributed:
10. Rothschild Pentateuch. French or German, 1296. Tempera colours, gold and ink on parchment, 27.5 by 21 cm. Acquired with the generous support of Jo Carole and Ronald S. Lauder. MS. 116, 2018.43.
Western art unattributed:
2. Appliqué depicting the Sun God Usil. Etruscan (Vulci), 500–475 BC. Bronze, 20.7 by 18 cm. 2017.126.
Western art unattributed:
4. Intaglio with bust of Antinous (the Marlborough Antinous). Roman, 131–38 AD. Black chalcedony set in a modern gold mount, 3.5 by 2.9 cm. 2019.13.17.
Western art unattributed:
5. Bust of Germanicus. Roman, c.20–40 AD. Marble, height 52.1 cm. 2021.66.
Western art unattributed:
6. Portrait bust of a man. Roman, 140–60 AD. Marble, height 76.5 cm. 2018.31.
Western art unattributed:
7. Funerary relief of Hadirat Katthina, daughter of Sha’ad. Palmyran, 200–20 AD. Limestone with traces of pigment and gold, 50.8 by 40.6 by 20.3 cm. 2019.12.
Western art unattributed:
8. Head of a man (pseudo-Seneca/Hesiod(?) type). Roman, 1st century AD. Marble, height 35.6 cm. 2019.128.
Western art unattributed:
9. Bifolium from the Pink Qu’ran. Spanish, 13th century. Tempera colours, gold, silver and ink on dyed paper, 31.8 by 50.2 cm. MS. 122, 2021.44.
Article
Russia, Rome and the tricky business of disaster painting
12/2018 | 1389 | 160
Pages: 996-1005
related names
Author:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
Illustrations
Attributed works:
1. Last day of Pompeii, by Karl Bryullov. 1830–33. Canvas, 456.5 by 651 cm. (State Russian Museum, St Petersburg).
Attributed works:
10. Ivan the Terrible and his son Ivan. 16th November 1581, by Ilya Repin. 1885. Canvas, 199.5 by 254 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
2. Destruction of Pompeii and Herculaneum, by John Martin. 1822. Canvas, 161.6 by 253 cm. (Tate, London).
Attributed works:
3. Earthquake in Rocca di Papa, near Rome, by Petr Basin. 1830. Canvas, 84 by 99 cm. (State Russian Museum, St Petersburg).
Attributed works:
4. Sketch for ‘Genseric’s invasion of Rome’, by Karl Bryullov. 1835–36. Canvas, 88 by 117.9 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
5. Siege of Pskov by King Stefan Batory of Poland in 1581, by Karl Bryullov. 1839–43. Canvas, 482 by 675 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
6. Death of Camilla, sister of Horatius, by Fedor Bruni. 1824. Canvas, 350 by 526.5 cm. (State Russian Museum, St Petersburg).
Attributed works:
7. The brazen serpent, by Fedor Bruni. 1834–41. Canvas, 565 by 852 cm. (State Russian Museum, St Petersburg).
Attributed works:
8. Sketch for ‘St Eustace Placidus in the Colosseum’, by Aleksei Markov. 1836–42. Canvas, 98 by 136.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
9. Morning of the execution of the Streltsy, by Vasily Surikov. 1881. Canvas, 218 by 375 cm. (State Tretyakov Gallery, Moscow).
Exhibition Review
Nature Unleashed: the Image of Catastrophe since 1600. Hamburger Kunsthalle
10/2018 | 1387 | 160
Pages: 850-852
related names
Reviewer:
Saß, Maurice (Saß, Maurice)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. View of Delft after the explosion of 1654, by Egbert Lievensz van der Poel. c.1654. Panel, 36.2 by 9.5 cm. (National Gallery, London; exh. Hamburger Kunsthalle).
Attributed works:
2. The sea of ice, by Caspar David Friedrich. 1823–24. Canvas, 96.7 by 126.9 cm. (Hamburger Kunsthalle).
Attributed works:
3. Flood, by Kota Ezawa. 2011. Transparency, 100 by 150 cm. (Collection the artist and Galerie Anita Beckers, Frankfurt a.M.; exh. Hamburger Kunsthalle).
Exhibition Review
Romanticism in the North
04/2018 | 1381 | 160
Pages: 329-331
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
dates:
media:
Illustrations
Attributed works:
7. A cottage on fire, by Joseph Wright of Derby. 1793. Canvas, 63.5 by 76.2 cm. (Derby Museums; exh. Groninger Museum, Groningen).
Attributed works:
8. Winter landscape, by Caspar David Friedrich. 1811. Canvas, 33 by 46 cm. (Staatliches Museum, Schwerin; exh. Groninger Museum, Groningen).
Attributed works:
9. View of the Roman Campagna, by Martinus Rørbye. 1835. Oil on paper, 32 by 41 cm. (Göteborgs Konstmuseum, Göteborg; exh. Groninger Museum, Groningen).
Advertisements
Advertisements March 2017 (front)
03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
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03/2013 | 1320 | 155
Pages: s.p.
Subjects
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collectors and dealers:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Sussex. A fine small Charles II spring table clock by Johannes Knibb of Oxford. c.1685. Height: 30cm]
Attributed works:
[Arturo & Corinne Cuéllar, Zurich. View of the Sciora, Bregaglia valley, by Giovanni Giacometti (1868-1933). Watercolour and pencil, 33 by 42 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Jean François Millet (Gruchy 1814 - 1875 Barbizon). Le Vigneron, ca. 1851. Signed bottom right. Charcoal heightened with white, 36.5 x 28 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Jacques-Louis David (Paris 1748 - Brussels 1825). Portrait of a man with hat, in profile. Graphite on paper, signed 'L.David' lower right. Diameter: 7 cm (including frame)]
Attributed works:
[Christie’s, 9 Avenue Matignon, 75008 Paris. Charles Le Brun (1619-1690). The sacrifice of Polyxena, 1617 (detail), oil on canvas, 179 x 131 cm. (70 1/2 x 51 1/2 in). Monogrammed and dated lower left, on the edge: C.L.B.F./ 1647]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Paolo Farinati (Verona 1524-1606). Saint Anthony of Padua. Brown ink over traces of black chalk, highlighted with white feather work and white washes. 41.5 cm x 27 cm]
Attributed works:
[David Lévy & Associates, Brussels. Gouache Drwing, by Joan Mirò (1893-1983). 1914. Gouache and pencil, 69.9 by 104.8 cm]
Attributed works:
[Day & Faber, London. St. Augustin, St. Jerome (possibly St. Mark), St. Bartholomew and an unidentified saint, by Ciro Ferri (1634-89). Quill and brown wash on black chalk, 38 by 43.4 cm]
Attributed works:
[Dickinson, London and New York. Annette, Venice, by Alberto Giacometti (1901-66). c.1960. Signed and numbered: 'Alberto Giacometti 6/6', inscribed with the foundry mark: 'Susse Fondr Paris'. Bronze with brown patina, 47.5 by 26.5 by 12.7 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Study of a dog, by Jean-Baptiste Oudry (1686-1755). Black chalk with white chalk highlights on blue paper, 23.3 by 35.2 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jusepe de Ribera (1591-1652), The Mocking of Christ, oil on canvas (detail), 106 x 87 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Romantic village, by William Lee-Hankey. Signed. British. Oil on canvas, 51 by 61 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Sir Edward Burne-Jones. Study for the central head in the painting The Car of Love. Black chalk, 365 x 550 mm]
Attributed works:
[Francesca Antonacci Damiano Lapicella Fine Art, Rome and Florence. Head of Minos after Michelangelo, by Vincenzo Camuccini (1771-1844). Red chalk on ivory card, 47.8 by 33.2 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Carlo Ceresa. San Giovanni Bianco, 1609 - Bergamo, 1679. Portrait of a gentleman with a Wig. Oil on canvas, 196.5 x 115.3 cm (77 3/8 x 45 3/8 in)]
Attributed works:
[Galerie Cenesso, Paris. Allegory of Peace, by Francesco Furini (1603-46). Inscribed on the shield: 'optima rerum'. Oil on canvas, 84 by 70 cm]
Attributed works:
[Galerie Eric Coatelem, Paris. Studies of young oriental with sword for the 'Revolt of Cairo', by Anne Louis Girodet de Roucy-Trioson (1767-1824). Pencil, stump, white chalk highlights, 28.4 by 36.8 cm]
Attributed works:
[Galerie Paul Prouté, Paris. Landscape with herders (verso: study of a tree), by Giovanni Benedetto Castiglione, called Il Grechetto (1609-64). Pen and brown ink, over black chalk, 10.5 by 15.4 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Johann Georg Platzer. Adoration of the Shepherds & Deposition from the Cross (Pendants)]
Attributed works:
[Jean-Luc Baroni, London. The earthly paradise, by André Derain (1880-1954). Signed at bottom right: 'A. Derain'. Watercolour, 50 by 65 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Alonso Sanchez Coello. Valencia 1531-1588 Madrid. Portrait of a Young Noblewoman wearing Fine Jewels and a Black Dress with Gold Embroidery in the form of Wheatsheaves and a High White Ruff Collar. Oil on canvas: 35.2 x 25.3 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Attributed to Gaspare Diziani. Belluno 1689-1767 Venice. Venetian Acrobats forming a Pyramid known as the 'Forze d'Ercole'. Oil on canvas: 72.3 x 88 cm]
Attributed works:
[Katrin Beelnger, Munich. View of the Bay of Posillipo, by Claude-Joseph Vernet (1714-1789). Inscribed in pen and brown ink: 'vue de pousilipo'. Pen and grey ink and grey wash over black chalk on two joined sheets of paper, 45 by 70.7 cm]
Attributed works:
[Katrin Bellinger. 15 Old Bond Street. London. Luigi Sabatelli (Florence 1772 - 1850 Milan). Portrait of Luigi Ricasoli (b.1801), at the Age of Seven. Signed and dated, lower right: Luigi Sabatelli / fece 1808; inscribed, lower left: Luigi Ricasoli. Pen and brown ink, 298 x 208 mm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Eglon Hendrik Van der Neer. Noble lady at a table with a lute and sheet music. Around 1667. Oil on panel. 31.6 x 22.8 cm (detail)]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Willem van Aelst (1627 - after 1683). Still life with Fish, Bread and a Nautilus Cup. Oil on canvas, 67.8 x 54.6 cm. Signed and dated 1678]
Attributed works:
[Mia N. Weiner. Mountain Road. Norfolk. CT. Attrib. to Anne-Louis Girodet de Roussy- Trioson. Montargis 1767-1824 Paris. Pyrrhus Before Glaucius, ca. 1790. Graphite underdrawing, brush & grey wash, white gouache heightening on brown prepared laid paper. 225 x 302 mm]
Attributed works:
[Paul Proute. 74 Rue de Seine, 75006. Paris. John Martin. Haydon Bridge 1789 - Douglas 1854. A stream flowing into a pool in a forest, June 1841. Signed and dated (with pen and brown ink lower left): 'J. Martin. June. //1841'. Watercolour, bodycolour heightenings, 9 3/4 x 13 1/2 in. (24. x 34.2 cm)]
Attributed works:
[Rafael Valls, Ltd, London. A view of Frankfort, by Christian Schutz I. Signed and dated 'SCHÜZ. F/1754'. Oil on canvas, 51 by 119.5 cm]
Attributed works:
[Rountree Fine Arts Ltd, London. The racehorse Belfonds with H. Semblat up, at Chantilly by Sir Alfred James Munnings KCVO, PRA (1878-1959). Signed 'A.J. Munnings' (lower right). Oil on canvas, 78.7 by 96.5 cm]
Attributed works:
[Sanda Lipton, London. A George II circular silver counter dish by Joseph Sanders. London 1733. The centre is engraved with a widow's lozenge surrounded by engraved decoration. The arms on the lozenge are those for a woman whose maiden name was probably Carey. Diameter: 12 cm]
Attributed works:
[Schlichte Bergen Old Master Painting & Drawings, Amsterdam. Landscape with figures with the Ponte Reale over the Volturno, by Luigi Fergola (1768-1834). Signed and dated 1801. Gouache on paper, 67 by 96 cm]
Attributed works:
[Sperone Westwater, New York. Rosso scuro, by Carla Accardi (born 1924). 1974. Enamel on sicofoil, 115 by 180 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Willem van Mieris. The Penitent Mary Magdalene]
Attributed works:
[Talabardon & Gautier, Paris. Portrait of the founder Ferdinard Barbedianne, by Thomas Couture (1815-70). Monogrammed at bottom right: 'TC'. Charcoal, pencil and white chalk, 53 by 40.5 cm]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. Piccadilly. London. Cyril Power. The Tube Station. c.1923. Linocut. Osborne Samuel Ltd]
Attributed works:
[Tomasso Brothers Fine Art, Leeds, England. Michel de Montaigne, by Gilles-Lambert Godecharle (1750-1835). Terracotta. Height: 60 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Bartolomeo Cavaceppi (c. 1716-1799) (attributed to) Monumental Marble Bust of Alexander the Great. White marble, 80 cm high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Giuseppe Piamontini (1664-1742). Milo of Croton. Bronze, 43.5 cm high]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Albrecht Durer, Das Wappen mit dem Totenkopf. 1503. Copper engraving. Meder 98. I a. Ex coll. H. A. Cornill d'Orville and Sir Henry Studdy Theobald.]
Western art unattributed:
[Cesati, Milan. St. John the Evangelist, by Silvestro dell'Aquila (c.1450 - 1504). Central Italy. Late 15th century.]
Western art unattributed:
[Lennox Cato Antiques, Edenbridge, Kent. An eighteenth-century mahogany bureau bookcase of the Chippendale period. c.1765-70. Height: 214 cm. Width: 106 cm. Depth: 58 cm.]
Western art unattributed:
[Mark Gallery, London. Birth of the Virgin, showing St. Anne attended by a midwife with St. Joachim and below the infant Virgin in the arms of a Nursemaid. Northern Russian icon, early seventeenth century. 62.5 by 53 cm]
Western art unattributed:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. Angel with Tambourine. Walnut, with original polychrome and gilding. Italy, Lombardy, mid 15th century. H. 69.5 x W. 17 x D. 15 cm]
Exhibition Review
John Martin. Newcastle and London
03/2012 | 1308 | 154
Pages: 209-210
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
John Martin: Apocalypse | institution: Laing Art Gallery , institution: Tate Britain
Illustrations
Attributed works:
33. The fall of Babylon, by John Martin. 1819. Canvas, 155 by 244 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
34. The great day of his wrath, by John Martin. 1851–53. Canvas, 196.5 by 303.2 cm. (Tate Britain, London).
Attributed works:
35. Sadak in search of the waters of oblivion, by John Martin. 1812. Canvas, 183.2 by 131.1 cm. (Saint Louis Art Museum; exh. Tate Britain, London).
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Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
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Pages: i-xx
Subjects
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artists:
subjects:
Illustrations
Attributed works:
[A. Pallesi & C. Rome. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Serpentin - Tanzerinnen, by Franz Von Stuck (Tettenweis 1863-Monaco 1928). Painted plaster, 62 by 100 cm.]
Attributed works:
[Adam Williams Fine Arts, Ltd. New York. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Rinaldo and Armida, by Paolo de Matteis (Salerno 1662-Naples 1728). Oil on canvas, 51.1 by 59.1 cm.]
Attributed works:
[Agnew, LTD, 43 Old Bond Street, London, W.1 JOHN MARTIN (1789-1854). Joshua commanding the sun to stand upon Gibeon, 1816. Oil on canvas, 150x231 cm (59 1/16 x 90 15/16 in)]
Attributed works:
[Caiati-Salamon. Milan. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. View of the Santa della Salute Church in Venice, by Francesco Zanin (active in Venice in the late 19th century). Oil in canvas, 113 by 114.5 cm]
Attributed works:
[Cesare Lampronti – Rome. XXIV Biennale - Florence, Palazzo Corsini. 30 September - 9 October 2005. Landscape of the ROman country side with passers-by and peasants, by Jan Frans Van Bloemen Orizzonte (Antwerp1662-Rome 1749). Oil on canvas, 122 by 176 cm.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. A recently rediscovered Penitent Magdalen, by JEAN FRANçOIS DE TROY (1679-1752). Oil on canvas, 46.5 x 38 cm.]
Attributed works:
[Derek Johns, Ltd. London. XXIV Biennale - Florence, Palazo Corsini. 30 September-9 October 2005. Crucifixion, by Maestro del Codice Squarcialupi (15th century). Tempera on panel on a gold background, 65,4 by 38.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Tiziano Vecellio, called Titian (Pieve di Cadore 1488/89-Venice 1576). Dian and her Nymphs Surprised by Actaeon. Oil on canvas, 55.2 x 66.5 cm (21 3/4 x 26 3/16 in)]
Attributed works:
[Galleria Carlo Orsi – Milan. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Portrait of a young woman with a fur cap, by Giandomenico Tiepolo. (Venice 1727-1804). Oil on canvas, 60 by 50 cm.]
Attributed works:
[Galleria Nella Longari. Milan. XXIV Biennale- Florence, Palazzo Corsini. 30 September-9 October 2005. Triton playing 'la bucina' astride a dolphin, attributed to Ercole Ferrata (active in Rome 1660-1680). White marble, 101 by 72 cm]
Attributed works:
[Grassi Studio. New York. XXIV Biennale - Florence, Palazzi Corsini. 30 September-9 October 2005. Madonna and Child by Pier Francesco Fiorentino (late 15th century). Tempera and gold on panel, 62. 5 by 43.5 cm.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. THE REVEREND THOMAS KERRICH (1748-1828). Portrait of the Artist. Black and white chalk on grey paper, 31 x 25.5 cm (12 x 10 in)]
Attributed works:
[Jean-Luc Baroni. London. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. L'alzaia, by Telemaco Signorini (1835-Florence-1901). Oil on canvas, 58.4 by 173.2 cm. Signed at lower right: TSignorini.]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Albrecht Kauw (Strassburg 1616-1681 Bern). Stillife with a Sitting Woman. Oil on canvas. 121x180 cm. Estimate on request. Auction 21 September 2005.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. SAMUEL PALMER. 1805-1881. Modern Rome during the Carnival. Watercolour. 16 x 22 inches; 406 x 572 mm. Signed, dated 1838 and inscribed 'Rome']
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Master of the Spinola Annunciation. Florentine painter, pupil of Giotto, active in the second decade of the 14th century. Nativity. Panel, 20.5x16.5 cm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Holy family, by Giovanni Battista Naldini (1637-1591). Panel, 46 by 60 cm.]
Attributed works:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland Raffaello Arcangelo SALIMBENI (Florence 1914-1991). Woman with a fan. Bronze cast from a lost wax. 1960. Height: 162 cm]
Attributed works:
[Trinity Fine Art, London. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Allegorical group of Charity, by Balthasar Permoser (Kammer 1651-Dresden 1732) and workshop. Sandstone, 157 cm high.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Andreas Cellarius, Hermonia macrocosmica. Amsterdam, 1708.]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. Peter de Wint (1784-1849). Still life with a wooden pail and earthenware vessels, Watercolours, 6x 7 1/4 inches.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. CAMILLE PISSARRO. Flower Market in Paris (Quai de l'Horloge). Watercolour. Signed. 10.5 x 8.1 cm]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. HANS JEGGLI. Companion and Shield. Pen-and-indian ink with wash 1603. Signed, dated, etc. 22,5 x 16 cm.]
Attributed works:
[Winterberg Kunst. D-80799 Munich, Barer Strasse 46. MARTIN SCHONGAUER-CIRCLE. Christ's entry into Jerusalem. Brush drawing in brown with with gouache, darkgrey tinted ground, about 1500. 20,1 x 17,7 cm.]
Western art unattributed:
[Falanga Art Antica. Naples. XXIV Biennale - Florence, Palazzo Corsini. 30 September-9 October 2005. Writing table in rosewood and violet wood with 5 drawers, the top and sides decorated with geometric patterns. Naples, mid-18th century, 129 by 70 by 82 cm]
Western art unattributed:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. NORTH ITALIAN, mid fifteenth century. The Duke of Ferrara Missal Box. Red goatskin cuir bouilli and cuir ciselé, 20 x 19 x 5 cm.]
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04/2005 | 1225 | 147
Pages: i-xii
Subjects
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Advanced Graphics, London. The London Original Print Fair. Royal Academy, Burlington Gardens, 20th-24th Arpil 2005. Glad, by Ray Richardson. 2004. Screenprint with woodblock. Edition of 95. Image size 305 x 305 mm.]
Attributed works:
[Alfonsi Dipinti Antichi, Vicenza. The International FIne Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Still life with flowers (one of pair), by Jan Frans Eliaerts (1761-1848). 1838. Oil on canvas, 530 x 450 mm.]
Attributed works:
[Anna Maria Wager, Munich. The Milan International fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Portrait of ELiza Bonaparte, sister of Napoleon, Princess of Piombino and Grand Duchess of Tuscany (miniature), by Carl Joseph Alois Agricola (1779-1852). Painted on ivory with oak leaf ornaments and small corals, 54 x 44 mm.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The London original print fair. Albrecht Durer 1471-1528. St. Sebastian, bound to a column. Engraving. c. 1498-9.]
Attributed works:
[C. G. Boerner, Dusseldorf. 13 Kasernenstr 13. USA 23 East 73rd Street, New York. England. 15 Duke Street, St. James’s London, SW1Y 6DB. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. St. Sebastian, bound to a column, by Albrecht Durer (1471-1528). c. 1498-99. Engraving.]
Attributed works:
[De Jonckheere, Paris. The Milan International fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. The payment of the tithe, by Pieter Brueghel the Younger (1564-1638). 1816. Oil on panel, 650 x 890 mm.]
Attributed works:
[Di Robilant – Voena. 38 Dover Street, London W1S 4LN. The Milan International Fine Art & Antiques show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Landscape with ruins, by Giovanni Migliara (1785-1837). c. 1810. Oil on canvas, 470 x 890 mm.]
Attributed works:
[Galerie Canesso. 8 rue Rossini, Paris. Gregorio De Ferrari. Porto Maurizio, 1647 - Genoa 1726. Rinaldo Abducted by Armida. Oil on canvas, 141 x 167 cm. (55 1/2 x 65 3/8 in.)]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. JOHN MARTIN (1789-1854). The End of the World. Watercolour, 61 x 89 cm (24 x 35 in).]
Attributed works:
[Markus Nass, Berlin. The London Original Print Fair. Royal Academy, Burlington Gardens, 20th-24th April 2005. The Saxony Prince on a boar hunt, by Lucas Cranach the Elder, c. 1507. Woodcut.]
Attributed works:
[Marlborough Graphic, London. Fold, by Riley, 2004. Colour Silkscreen. Edition of 250 plus 20 artist's proofs.]
Attributed works:
[Rebecca Hossack Gallery, London. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Awai Yithyil (detail), by Dennis Nona, 2004. Hand-coloured linocut. Edition of 45.]
Attributed works:
[Robert Simon, Fine Art. 355 East 72nd Street. New York. ABRAHAM BLOEMAERT (Dordrecht 1564 - Utrecht 1651). Lot and his daughters. Oil on canvas, 65 x 91 inches (167 x 233 cm). Signed and dted lower right: 'A. Bloemart 1624'.]
Attributed works:
[Sims Reed Gallery, London. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Couple et Flutistes au Board d'un Lac, by Pablo Picasso (1881-1973). 1959. Linoleum cut printed in colours. Signed in pencil, 620 x 750 mm.]
Attributed works:
[The Fine Art Society, Ltd. 148 Mew Bond Street, London, W.1. The London Original Print Fair. Royal Academy of Arts, Burlington Gardens, 20th-24th April 2005. Gwendolen, by Augustus John. c. 1902. Etching, 140 x 95 mm]
Western art unattributed:
[Bruno Cooper, Norwich. The Milan International Fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Marble head of the Roman tribune Caius Ennius Restio. 1st century B.C. Height: 240 mm.]
Western art unattributed:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008, Paris. Glass goblet with the Sforza coat of arms. Murano, late fifteenth century. Total height: 28.2cm. Height of the glass: 14 cm. Diameter of the glass: 12.3 cm.]
Western art unattributed:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. The Milan International Fine Art & Antiques Show. Palazzo della Permanente, Milan. 2nd-10th April 2005. Madonna with Child enthroned with two angels, by Giovanna Mazone (documented from 1453-1510). Oil on panel, 800 x 570 mm.]
Western art unattributed:
[Selective Art, sa. Via Prevedina 3, CH-6834. Switzerland. SAN MICHELE ARCANGELO. Central-northern Italy. 1st half 12th century. Wooden sculpture with extensive traces of polychromy. Height:77 cm. Authenticated and dated with C14 SMI-ASA.]
Western art unattributed:
[Zendrini, Turin, Rome and Montecarlo. Necklace of sapphires of the French crown. Sapphire from Nitot jeweller, 1811; re-set by Bapst, 1819; acquired at auction in 1887 by Lady Sasson.]
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