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Advertisements April 2011 (front)
04/2011 | 1297 | 153
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[A. Clayton-Payne. 14 Old Bond Street. London. John Martin (1789-1854). Diogenes throwing away his Cup. Signed and dated 'J.Martin.1833'. Watercolour with scratching out, heightened with gum arabic. 7 3/4 x 10 1/4 inches (19.5 x 26 cm)]
Attributed works:
[Austin/Desmond Fine Art. Pied Bull Yard. 68/69 Great Russell Street. London. Peter Lanyon, (1918-1964). Bodmin Moor, 1953. Oil on board, 67 x 22 cm]
Attributed works:
[Austin/Desmond, London. The strange coast (Dymchurch), by Paul Nash (1889-1946). 1920. Signed in pencil lower right. A proof impression printed on white wove paper. Lithograph, 31 by 40.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. William James (Active circa 1761-1771). The Entrance of the Grand Canal with Santa Maria della Salute. Oil on canvas, 96 by 155 cm. (37 3/4 by 61 in)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Ludovico Carracci, Portrait of a Youth wearing a Ruff. c.1590, oil on canvas, 47 x 38cm]
Attributed works:
[Emanuel von Beyer, London. Saint Jerome in the wilderness, by Annibale Carracci (1560-1609). Etching with some engraving, 18.2 by 25.5 cm]
Attributed works:
[Fine Art Society, London. The Palaces, by James McNeil Whistler (1834-1903). 1879-80. Signed in pencil Etching drypoint, printed in black ink on laid paper, 31.3 by 40 cm]
Attributed works:
[Frederick Mulder, London. Picador and bull, by Pablo Picasso (1881.1973). 1959. Linocut printed in colours, 53 by 64.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Bartolomeo Bimbi. Settignano, 1648 - Florence, 1730. Exotic Birds from the aviaries of Grand Duke Cosimo III de'Medici in a landscape. Oil on canvas, 119.4 x 151.1 cm (47 x 59 1/2 in)]
Attributed works:
[Gilden's Arts Gallery, London. Four nude women and a sculptured head, by Pablo Picasso (1881-1972). 1934. Vollard Suite pl. 82. Print, 44.5 by 34.5 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. William Etty (1787-1849). Young Negress. Oil on panel, 44 x 32.5 cm (17 1/4 x 12 3/4)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Christoffel Jegher. Antwerp 1596 - 1652/3 Antwerp. Susannah and the Elders. Woodcut after Pieter Paul Rubens. Hollstein I, Leblanc I, the first of two states, with Ruben's privilege. An extremely fine impression with the complete border showing all around.]
Attributed works:
[Hill-Stone, New York. The waterside trees, by Armand Seguin (1869-1903). c.1893. Field, Strauss and Wagstaff 24, only state. Etching, 33 by 43.3 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Young (1564-1638). Temptation of St. Anthony. Oil on wood, 46.5 x 64 cm]
Attributed works:
[Pascoe Pratt, London. Details of Renaissance paintings (Leonardo da Vinci, The Annunciation), by Andy Warhol (1928-87). 1984. Signed in pencil by the artist, numbered from the edition of 60. Screenprint in colours, 63.5 by 94 cm]
Attributed works:
[Richard Saltoun, London. Hole in the Sea, by Barry Flanagan (1941-2009). 1967-70. Photo-etching]
Attributed works:
[Sims Reed, London. Big Sur, by Peter Doig (born 1959). 2000-01. Signed in pencil and numbered from the edition of 46 Etching and aquatint printed in colour, 114 by 160.5 cm]
Attributed works:
[Sims Reed, London. Cheese mold standard with olive, by Ed Ruscha (born 1937). 1969. Signed in pencil and numbered from the edition of 150. Screenprint in colours, 65.5 by 101.5 cm]
Attributed works:
[The Fine Art Society, Ltd. 148 New Bond Street, London, W.1. Paul Nash 1889-1946. On the Western Front. October-November 1917. Watercolour, ink, chalk and pencil on paper 11 1/4 x 11 3/4 inches. 28.5 x 30 cm]
Attributed works:
[The London Original Print Fair. The Royal Academy. Piccadilly. London. Grayson Perry. Map of Nowhere (detail), 2008 © The Artist and Paragon Press, London.]
Attributed works:
[Wolseley Fine Art, Walterstone, Herefordshire. Articulated forms, by Graham Sutherland (1903-80). 1950. Signed an numbered 34/60. Lithograph, 30 by 58 cm]
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Advertisements November 2007 (front)
11/2007 | 1256 | 149
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Subjects
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Illustrations
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: A George III mahogany and crossbanded serpentine Commode attributed to Henry Hill of Marlboroug.]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. Luca Longhi (1507-Ravenna-1580). The Crucifixion. Bodycolour on vellum, 28.4x21 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Knight, Death and Devil (B.98; M., Holl. 74; S.M.S.69) engraving, 1513. P.246x189mm, S.350x250 mm.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Quinten Metsys (Leuven 1466-Kiel 1530). Portrait of a gentleman, bust-length, in a fur-trimmed mantle and black hat, holding a rosary, flanked by marble columns. Oil on panel. 19x16 1/2 in. (48.2 x 41.9 cm)]
Attributed works:
[Fondantico. Via Castiglione, 12b. Bologna. Pier Francesco Cittadini (Bologna, 1615 ca. - Milano, 1681). Diana e Atteone (detail) (oil on canvas, cm 133.5x191 cm)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Recco. Naples, 1634-Alicante, 1695. Slices of Watermelon on a Pewter Tray, with Mashrooms and Fruit. Oil on canvas, 74 x 99 cm (29 1/8 x 39 in) signed "GIOS. R." ("G" and "I" attached) on rock surface at lower right.]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Mariotto ALBERTINELLI (Florence, 1474-1515). The Adoration of the Infant. C. 1505. Oil and tempera on panel - diameter 86 cm]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. 17 East 76th Street. New York. Joseph Wright of Derby, ARA (1734-1797). A Grotto in the GUlf of Salerno, Evening (one of a pair). Black chalk, 28.5 x 46.9 cm (11 1/4 x 18 1/2 cm)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Willem van Herp the Elder (1613/14-Antwerp-1677). On copper. 28.2x44cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Diana preparing for the hunt. Oil on copper, 7 1/2 x 6 1/4 inches.]
Attributed works:
[Robert Simon, Fine Art. Satis House. Tower Hill Road. Tuxedo Park. New York. Salvator Rosa (1615-1673). Latona and the Lycian Shepherd. Signed with 'SR' monogram, lower left. Oil on canvas, 48 1/4 x 38 7/8 inches (122-6 x 98.7 cm).]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. The cabinet, by Giacomo Heman, is part of a group of four shown in 1669 to Cardinal Giacomo Rospigliosi, nephew of Pope Clement IX. Two cabinets are in the Danish Royal Collections and the fourth one was originally in the collection of Jan Sobiesky III, King of Poland. The cabinet depicts view of Roman churches, circa 1669-1675. Fitted with a spinet dated 1676, the clock signed Gioann Wandelino Hessler Romoe. The giltwood sculptural stand, first quarter 18th century. 281 cm. high, 172 cm. wide; 10ft 2 3/4 in., 6ft 7 3/4 in]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Gian Francesco Susini. Florence (1585-1653). Europa and the Bull. Height 33 cms]
Western art unattributed:
[Bonhams. 101 New Bond Street. London. Illustrated: An Egyptian Revival carved stone head of Nefertiti. circa 1880-1900, 13 3/4 in. (34.9cm) high.]
Western art unattributed:
[Sotheby’s & Co. 76, rue de Faubourg Saint-Honoré. Paris. An important Ivory group of the Virgin and child. French, Paris, circa 1250. Haut. 30,5 cm.]
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Advertisements January 1999 (front)
01/1999 | 1150 | 141
Pages: i-xvi
Subjects
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Illustrations
Attributed works:
Meditation on the Harp, by Salvador Dalí. 1932-34. 66.5 by 47 cm. (Salvador Dalí Museum, St Petersburg FL; Exh. Tate Gallery, Liverpool)
Attributed works:
[Aldega-Gordon, New York, New York] Luca Cambiaso, 1527-1585. Fame (Detail). Pen and Brown Ink, 322 × 271 mm.
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] John Piper (1903-1992). Collection of Forms 1936, Oil on Canvas Laid on Board, 35 × 25 cms
Attributed works:
[Bernard Jacobson Gallery, 14a Clifford Street, London, UK] Paul Nash, Farewell, 1944. Oil on Canvas, 51 × 61 cm (20.1 × 24 in)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Joseph Heintz the Younger (Augsburg ca. 1600 - 1678 Venice): Allegory of Drawing, Painting and Architecture. Signed with Monogram and Dated 1660. Pen and Ink, Watercolour and White Heightening. 88 × 137 mm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Saint Roch. Pen and Brown Ink, Brown Wash, Traces of Black Chalk, 235 × 262 mm. From the Collections of Paul Delaroff, St Petersbourg (L.663) and Marie Marignane, Paris (L.1848).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Guido Reni. 1575 - Bologna - 1642. St. Magaret of Antioch. Oil on Canvas: 96 × 75.5 cms
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele. Selbstbildnis, 1910. Gouache, Watercolour & Charcoal on Paper, 45 × 30 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Benedetto Castiglione. Tobit Burying the Dead. (Detail) Brush and Brown Oil Paint with Green, Blue-Green, White and Dark Red-Orange Touches on Buff Paper, Washed Darker. Mounted in Full for the 2nd Duke of Devonshire. 415 × 289 mm (16 3/8 × 11 3/8 Inches).
Attributed works:
[Galleria Nella Longari, Via Bigli 12, 20121, Milan, Italy] Virgin and Child workshop of Lorenzo Ghiberti Florence, first half of the 15th century. Polychrome terracotta, 51 × 34 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jacob de Wit. 1695 - Amsterdam - 1754. Allegory on Music. Signed and Dated '1733'. Oil on Canvas, 40 by 36 5/8 Inches (117 by 93 cm.)
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Eugene Delacroix Studies of Horses and Figures c. 1823-25. Pencil on Paper, 9 1/2 x 11 3/4 Inches (24 × 30 cm). Estate Stamp Lower Left
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] David Bomberg. Self Portrait
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New York, New York] Marco Pino. The Raising of Lazarus, Circa 1570-1580. Oil on Panel, 103 by 137 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Adolph von Menzel. 1815 Breslau - Berlin 1905. Studies for 'The Broken Jug' by Heinrich von Kleist. 1876. Signed, Lower Right. A. Menzel. Graphite. 250 × 375 mm.
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Simon Vouet. Portrait of a Young Girl with Dove. Oil on Panel, Diameter 52 cm
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Baccio Bandinelli (Florence 1493-1560 Florence). The Deposition. Pen and Brown Ink over Traces of Black Chalk, 15 1/8 x 11 1/8 Inches (385 × 284 mm)
Non-western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] "Le scribe accroupi", Louvre, © Photo RMN - Hervé Lewandowski / Design: RUMEURS
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Advertisements March 1998 (front)
03/1998 | 1140 | 140
Pages: i-xxviii
Subjects
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Illustrations
Attributed works:
Still Life: Vase with Twelve Sunflowers, by Vincent van Gogh. January 1889. 92 by 72.5 cm. (Philadelphia Museum of Art)
Attributed works:
[Achim Moeller fine Art. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Edgar Degas: Three Nude Dancers 'en arabesque', c.1905-12. Signed. Pastel, 44.5 × 84.5 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptiste Marie Pierre: Triton and naiad [? Nereid]. Black and White Chalks on Blue Paper. 24.2 by 40.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Attributed to Pietro Liberi, Female Prisoner in the Presence of the Roman Emperor. Pen and Ink with Wash in Brown. 23.2 by 29.8 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Otto Mueller, Standing and Sitting Girl on the Shore. Lithograph 1921/22. Karsch 143, a (of b). Signed. Printed on Japanese Laid Paper. 38.8 by 28.7 cm.
Attributed works:
[Arno Winterberg, D-69115 Heidelberg, Hildastr. 12, Germany] Rembrandt, Landscape with a Cow Drinking. Etching, c. 1650. Bartsch 237. Nowell-Usticke 237, III (of VI). 10.5 by 13 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Niccolo Frangipane (1555-1600) A Lute Player Oil on Canvas, 72 × 54.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK. Exh. TEFAF Maastrich.] Anthony Van Dyck: Portrait of Sir Arthur Hopton. Canvas, 59 by 47.5 cm.
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Sir Anthony Van Dyck Antwerp 1599 - London 1641 Portrait of Sir Anthony Hopton Oil on Oval Canvas: 59 × 47.5 cm
Attributed works:
[David Koetser Gallery, Zurich. Exh. TEFAF Maastrich.] Jan Brueghel the Younger: Horsemen and Waggons on a Country Road. Copper 7 by 9.3 cm.
Attributed works:
[De Jonkheere, Paris. Exh. TEFAF Maastrich.] Herri Met de Bles (1501-After 1555): Landscape with the Flight into Egypt. Signed. Panel, 44 by 74.3 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele Male Nude (Self Portrait) I, 1912 Brush and Ink Lithograph in One Colour on Yellow Velin, 44.8 × 40 cm. Signed and Dated Lower Right.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giovanni Domenico Tiepolo: Centaur on Its Back Teasing a Faun, c.1775. Pen and Brown Ink with Grey Wash over Black Chalk. 19.6 × 27.5 cm. Signed in Brown Ink at Bottom Left.
Attributed works:
[Galerie Antoine Laurentin. Exh. Salon Du Dessin, Salons Hoche, Paris, France] François-Marie Granet: Nun Holding a Book (Allegory of Time) with a View of the Pavillon de Flore. Signed and Dated 1844. 22.5 × 15 cm.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastrich.] Peter Paul Rubens: Portrait of Isabella of Bourbon. Oak panel, 63.6 by 49.1 cm
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK. Exh. TEFAF Maastright] Carlo Saraceni (1579-Venice-1620) Madonna and Child with Saint Ann and an Angel Oil on Copper, 11½ × 14¼ Inches (29.1 × 36 cm)
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Provencal Farm by Henry Herbert La Thangue. Signed. Oil on Canvas, 34 × 29½ in. (86.4 × 74.9 cm). Estimate: £25,000 - £40,000
Attributed works:
[Hamptons International, Baverstock House, 93 High Street, Godalming, UK] Under the Western Sun by Henry Scott Tuke, R. A. RWS. Signed and Dated 1918. Oil on Canvas, 59½ × 44 in. (151.2 × 112.4 cm). Estimate: £40,000 - £60,000
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Aelbert Cuyp: A Guard House along a River with Dordrecht in the Distance. Signed. Panel, 36.8 by 52.8 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York. Exh. TEFAF Maastrich.] Herman van der Mijn: Death of Sophonisba. Signed and Dated 1726. Panel, 84 by 67 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Joachim Beuckelaer circa 1530/33 - Antwerp - 1573/74 Christ Carrying the Cross Signed with Monogram & Dated 'JB 1562' Oil on Canvas, 38 by 31 Inches (96.5 by 78.7 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. TEFAF Maastrich.] Dirck van Delen: A Church Interior with Elegant Figures. Signed and Dated 1629. Copper, 24.5 by 34 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Pietro Testa: The Worship of the Cross. Pen and Brown Ink over Black Chalk. 37.4 × 24.3 cm.
Attributed works:
[Kate de Rothschild, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Study of Santa Rosalia of Palermo by Ciro Ferri (1634-1689). Black Chalk, 204 × 185 cm.
Attributed works:
[Noortman, London and Maastricht. Exh. TEFAF Maastrich.] Pieter de Hooch: A Gentleman Reading a Letter to a Lady in an Interior. Signed. Canvas, 79 by 70 cm.
Attributed works:
[Otto Naumann, New York, New York. Exh. TEFAF Maastrich.] Cornelis de Man: A Gold Weigher, a Woman Seated at a Table and a Boy Preparing a Fire in an Interior. Canvas, 81.6 by 67.6 cm.
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean Auguste Dominique Ingres (Montauban 1780 - Paris 1867). Pyrrhus and Glaucias. Pen and Ink with Grey Wash Touched with Black Chalk and Pen and Brown Ink. Signed in Brown Ink at Lower Right. 240 × 365 mm
Attributed works:
[Paul Proute, Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guercino: St Anthony Tempted by Two Demons. Pen and Brown Ink with Brown Wash. 21.1 × 26.9 cm.
Attributed works:
[Piero Corsini, New York. Exh. TEFAF Maastrich.] Giovannni Battista Salvi, il Sassoferrato: St Cecilia. Canvas, 97 by 74 cm.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Adriaen Cornelisz van Salm (1657-1720) Dutch School A Fleet of 'Bootschepen' Escorted by Dutch Men of War, One Being the Frigate 'T Wapen van Schiedam' Oil on Panel (Grisaille). 29 × 42½ Inches (74 × 108 cms). Indistinctly Signed
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Domenico Brandi - (1683-1736) Italian School Six Guinea Pigs Feeding with a Chicken and a Cockerel in the Background Oil on Canvas. 19 × $31frac{1}{8}$ Inches (48.3 × 79 cms) Signed, Inscribed and Dated 1732
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Jan Siberechts (1627-1703) Flemish School An Extensive English Country Landscape Oil on Canvas. 26 × 28 7/8 Inches (66.6 × 73.2 cms) Signed and Dated 1684
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Simon Kick - (1603-1652) Dutch School A Portrait of a Young Man Wearing a Wide Brimmed Felt hat Oil on Copper. 8 × 6½ Inches (20.5 × 16.5 cms)
Attributed works:
[Richard Green, 39 Dover Street, London, UK. Exh. TEFAF Maastrich.] Jan Miense Molenaer: A Tavern Interior (the 'fat kitchen'). Signed and Dated 1637. Canvas, 81.4 by 102.5 cm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Anne-Louis Girodet-Trioson The Sermon of the Seven Chiefs before Thebes, Circa 1820 Black and White Chalk, 41 by 61 cm.
Attributed works:
[Simon C. Dickinson Ltd., 58 Jermyn Street, London, UK] Ferdinand Bol (1616-1680) An Allegory of Education Oil on Canvas; 72 × 54 Inches, 183.5 × 140 cm
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Visionary Heads by Blake, including Shakespeare's wife, Xanthippe, Pisistratus, Tom Nixon the idiot, Bothwell, Mary Queen of Scots, Ossian, Robert Bruce, Owen Glendower, Colonel Blood, Vortigern and many others. Eighty nine leaves with forty drawings by William Blake, seventeen by Varley. Estimate: £200,000-300,000
Attributed works:
[Stanza Del Borgo, Via Turati 7, Milano, Italy] Lorenzo de Ferrari (Genua 1680-1744), A Flying Angel. Black Chalk on Blue Paper, Squared. 528 by 393 mm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: Study of a Young Man. (Verso: Fragementary Study of a ?St Peter and a Turbaned Man) Pen and Brown Ink with Grey Wash, 11.3 × 6.5 cm.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Joseph Werner (1639 - 1710) Gouache on Parchment. 11.8 × 9.5 cm. The Bath of Diana Signed and Dated 1668
Attributed works:
[Thomas Williams Fine Art Ltd. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Philips Koninck: The Anointing of a Queen. Signed and Dated 1664. Pen and Brown Ink with Wash. 36 × 20 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Ercole Lelli Bologna 1702 - 1766 Bologna. Head of a Man Red Chalk Heightened with White Inscribed in Gabburri's Hand: Originale / Di Ercole Lelli Pictor Bolognese / no. 1. (Verso) 376 × 270 mm; $14frac{3}{4}$ × 10½ in.
Non-western art unattributed:
[Vanderven & Vanderven, 's-Hertogenbosch. Exh. TEFAF Maastrich.] Head of a Bodhisattva. Chinese, Song Dynasty Stone, ht 38.5 cm.
Western art unattributed:
Console Table by Sébastien Youf. Paris, Signed and Dated 1830. Mahogany and Ormolu, 97 by 151 by 54 cm.
Western art unattributed:
[Buch- und Grafikantiquariat Falk + Falk Auktionen, Friedrich Falk Kirchgasse 28, CH-8001, Zurich, Switzerland] Napoleonica: The Library of Dr. Alfred Schaefer, Zürich Bibliophilia: Masterbindings by the Studio Stemmle, Zürich-Ascona and from the Wollisch Collection, Vienna Rare Books on Hunting, Fishing, Riding, Firearms and Natural History
Western art unattributed:
[Dr Jorn Gunther Antiquariat, Hamburg. Exh. TEFAF Maastrich.] The Seven Days of Creation, from a Biblia Latina. Paris, c.1240 Attributed to the Vie de Saint Denis Workshop
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] The Last Supper, an Extraordinary Miniature from a Franciscan Manuscript of the 'Meditationes Vitae Christi', Made in the Immediate Circle of Giotto di Bondone in Padua, Shortly after 1305. We Offer the Complete Manuscript Containing 27 Miniatures (3 Full Page), an Art Historical 'Find' par Excellence.
Western art unattributed:
[Heribert Tenschert, Switzerland. Exh. TEFAF Maastrich.] Two Double Page Illustrations Consisting of Full-Page Miniatures and Corresponding Text, Both with Borders of Solid Gold with Drolleries, Fruits and Flowers. The Most Important Manuscript Made for the Bridgettine Abbey of Marienwater (Near 'S-Hertogenbosch), c. 1480. The Manuscript, Which Is in the Finest Possible State of Preservation, Has 15 Large and Small Miniatures and Retains Its Original Binding.
Western art unattributed:
[Le Louvre des Antiquaires, 2, Place du Palais Royal, 75001, Paris, France] The Divine Metamorphoses of Alexander by François Antonovich
Western art unattributed:
[Les Enluminures, Paris. Exh. TEFAF Maastrich.] Flight into Egypt (fol. 61), from a Book of Hours. Amiens, c.1480-90
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A 17th Century Florentine Pietra Dura Table Cabinet, 106cm Wide. With Similarities to a Cabinet in the Metropolitan Museum, New York, Which Also Depicts Orpheus Surrounded by Animals. A George III Marquetry Commode, 144cm Wide. With Similarities to Commodes Illustrated and Discussed in "Catalogue of Commodes: The Lady Lever Art Gallery" by Lucy Wood.
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Advertisements March 1997 (front)
03/1997 | 1128 | 139
Pages: i-xxviii
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg, Hildastr. 12, Heidelberg ] Bernardo Bellotto, Called Canaletto (Venice 1720 - 1780 Warsaw), The Old Marketplace at Dresden (View from Seestraße). Etching 1752. De Vesme 18; Print with Little Spots (Plate), but without Perceptible Patches of Rust and Verdigris on the Plate. 54,5 × 84,2 cm.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red. 21.2 × 33.8 cm
Attributed works:
[ August Laube, Trittligasse 19, Zurich ] Pierre Bonnard (1867-1947). Place le Soir. Lithograph in Four Colours on Thin Velin. 1899. Signed in Pencil Lower Right "P. Bonnard". R-M. 62. B. 64. 28:38 cm
Attributed works:
[ C. G. Boerner GmbH, Kasernenstrasse 13, Düsseldorf / 23 East 73rd Street, New York ] Augustin Hirschvogel (Nuremberg 1503-1553 Vienna). Landscape with High Rock and a Castle at Left. Etching. 1546. Bartsch and Schwarz 74. Hollstein 47.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Giovanni Bilivert (1585-1664) and Studio, Tancrède retrouve Clorinde blessée. Oil on Canvas, 121.5 × 160 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Cornelis van Haarlem 1562 - Haarlem - 1638. A Study of Two Goddesses. Oil on Panel: 38.2 × 26.5 mm.
Attributed works:
[ Concorde Art Associates ] Thomas Hovenden (American Genre Artist). Reverie. Signed 'T. H. Hovenden' with Initials in Monogram. Dated 1873, Lower Left. Oil on Canvas, 27 × 22 ins.
Attributed works:
[ Cover ] Rinaldo and Armida, by Domenichino, after Cleaning. 1620-21. 121 by 167 cm. (Louvre, Paris).
Attributed works:
[ Emmanuel Mpoatti, 134 Rue du Faubourg St. Honoré, Paris ] Willem van Mieris, the Elder Leiden 1662 - Leiden 1747. Sarah Bringing Hagar to Abraham. Oil on Panel. Signed Upper Right: "W. van Mieris...". 44.2 cm × 36.3 cm. Circa 1685 - 1690
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Edouard Manet (1832 - 1883) L'enfant à l'épée 1861. Brush and Brown India Ink on Tracing Paper. 25.4 × 18.2 cm. From the H. Guérard Collection.
Attributed works:
[ Galerie Koller Auctioneers, Hardturmstrasse 102, Zurich ] Melchior de Hondecoeter (1636-1695). Study of Ten Ducklings. Around 1669. Oil on Canvas. 32×40 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr., 38, Düsseldorf ] Giovanni Battista Tiepolo.The Madonna of the Goldfinch. Canvas 62 by 49.5 cm (24½ by $19frac{2}{3}$ in.)
Attributed works:
[ Hall & Knight Ltd, 15 Duke Street, St. James, London / 21 East 67th Street, New York ] Joos de Momper II (1546-Antwerp-1635) and Jan Breughel the Younger (1601-Antwerp-1678). An Extensive Landscape with Harvesters in the Foreground. Oil on Panel, 32¼ × 56¼ Inches (82 × 144 cm)
Attributed works:
[ Heribert Tenschert, Bibermühle 1, Ramsen / Kirchplatz 14-15, Rotthalmünster ] Petrarch visiting Boccaccio in his dream; large frontispiece miniature of the 8th book of Boccaccio's "De casibus virorum illustrium" in the French translation of Laurent de Premierfait. In our latest catalogue "Boccaccio und Petrarca in Paris" we offer the complete manuscript (illuminated in Paris by the Maître François workshop c. 1460-70) with 88 miniatures: measuring 500 by 350 mm, this is the largest Boccaccio ms. known.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jacopo Negretti, Called Palma il Giovane. The Penitent Mary Magdalene. Pen and Brown Ink, Brown Wash, Heightened with White, over Black Chalk, on Grey Paper. 305 × 200 mm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Odoardo Fialetti (Bologna 1573 - Venice 1638) The Academy of Drawing. Etching, Bartsch 210, Only State
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Benedetto Castiglione, Called IL Grechetto Genoa 1609 - Mantua 1664. Pastoral Landscape. Signed in Foreground; Datable to the Late 1640s. Oil on Canvas, 24 × 39 Inches (61 × 99.5 cm.)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Leonaert Bramer, Music Making Figures on a Terrace, 1660-70, Oil on Canvas, 175 by 217 cm. Signed, Lower Centre (On Steps): "Bramer".
Attributed works:
[ The European Fine Art Fair, Maastricht ] Adriaen van der Werff, Portrait of the Artist's Daughter, Maria. Signed and Dated 1718 79 × 67.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Alexandre-François Desportes, Still Life with Dead Game and Fruit in a Niche. 110 × 85 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Denys Calvaert, The Agony in the Garden. Signed with Monogram Oil on Copper 54.3 × 41.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Elm and Mahogany Cylindrical Secretaire Designed by K. F. Schinkel and Made by G. W. Dreusike, Neu Ruppin 217 × 150 × 66 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Francesco Cairo, St Agatha. Panel 33.5 × 24.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Frans Floris I, Arithmetica. Signed and Dated 1557 151.5 × 224.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Gérard van Opstal, The Triumph of Silenus. Marble 38 × 58 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Nicholas Berchem, Italianate Mountainous Landscape. Signed and Dated 1670 110.5 × 97.5 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Painted Ivory Marriage Casket. Early 15th Century ht 8.7 cm wdth 7 cm
Attributed works:
[ The European Fine Art Fair, Maastricht ] Paulus Potter, Two Cows and a Bull Beside a Fence. Signed and Dated 1647 Panel 49.5 × 37.2 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Pierre-Paul Prud'hon, Study for Head of Plutus. Black and White Chalk on Blue Paper 35 × 24 cm.
Attributed works:
[ The European Fine Art Fair, Maastricht ] Wilhelm Reinhart Silver Cup of the Hanseatic Order Dated 1591. ht 19cm. wt. 340 kg
Attributed works:
[ The European Fine Art Fair, Maastricht ] Willem van de Velde the Younger, A Calm with a Dutch Smalschip and an English Man o'War at Anchor. Signed with Monogram Panel 50.8 × 45.5 cm.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Mario Balassi, Portrait of Vittoria della Rovere, Copper, 16.5 cm. Commissioned by Cardinal Carlo de' Medici from the Painter in 1637.
Attributed works:
[Brimo de Laroussilhe, 7 quai Voltaire, Paris ] Elijah and the Widow of Sarepta. Mosan, c. 1160-1170. Copper Plaque with Beaded Border, Gilt and Champlevé Enamelled; Height: 59 mm; Width: 75 mm. Gilding Heavily Abraded with Some Areas of Enamel Missing.
Attributed works:
[Dover Street Gallery, 13 Dover Street, London ] Giacomo Ceruti. (1724-?). God the Eternal. Oil on Glass, 66 × 52 cm.
Western art unattributed:
[ Cinq Antiquaires a Paris ] A Louis XVI Pair of Jardinieres. Carved and Painted Wood. Height: 85 in - 216 cm.
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Advertisements February 1997 (front)
02/1997 | 1127 | 139
Pages: i-xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Viencenzo Gemito Naples 1852 - 1929 Naples. Study of a Sleeping Boy. Pencil, Heightened with White, on Panel. Signed, Dated and Inscribed. V. Gemito/1911/15 settembre/della etá/di 15 mesi. in Pencil at the Right 184 × 240 mm. (7¼ × 9½ in.)
Attributed works:
[ Concorde Art Associates ] Pierre Auguste Renoir. Portrait du Colonel Barton Howard Jenks. Signed and Dated Left Centre, A. Renoir 1865. Oil on Canvas, 29 × $23frac{3}{4}$ (73.7 × 60.3 cm).
Attributed works:
[ cover ] Madonna with Child and Saints, by Domenico Puligo, in Its Original Frame by Baccio d'Agnolo. 1526. Panel, 175 by 214 cm. (S. Maria Maddalena dei Pazzi, Florence; Exh. Uffizi, Florence).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Girolamo Da Santa Croce (Active 1503 - 1556). The Agony in the Garden. Oil on Panel. $17frac{3}{4}times 15frac{5}{8}$ in.: 45.2 × 39.7 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] The Holy Family Attacked by Brigands within a Landscape. Canvas 117.5 by 96 cm (46 by 38 in.)
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Robert Colquhoun, Self Portrait, Circa 1940, Oil on Canvas, Scottish National Portrait Gallery
Attributed works:
[ Robert B. Simon, Satis House, Tower Hill Road, Tuxedo Park, New York ] Giovanni Maria Butteri (Florence, ca. 1540 - 1606). Madonna and Child Enthroned with Saints Jude, Simon, and John the Baptist. Oil on Panel, 90 × 62 in. (228 × 157 cm). Signed and Dated 1586
Attributed works:
[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam ] Cornelis van Dalem Antwerp before 1534 - Bavel 1573. Landscape with the Dawn of Civilization. Circa 1565. Oil on Panel, 88 × 165 cm.
Attributed works:
[ The Dictionary of Art, MacMillan publishers Ltd] , Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ The Williamson Art Gallery and Museum, Birkenhead with Joanna Barnes Fine arts, 14 Mason's Yard, London ] Patience and Hope Steering the Boat of Education by Ellen Mary Pope (1855 - 1934). Plaster, 44 × 77.5 cm
Advertisements
Advertisements February 1996 (front)
02/1996 | 1115 | 138
Pages: i-viii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Gaetano Gandolfi. San Giovanni in Persiceto 1734 - Bologna 1802. A Portrait of a Young Girl in a Turban. Oil on Canvas: 57 × 40 cm
Attributed works:
[ Cover ] The Countess of Altamira and Her Daughter, by Francisco Goya. 194.3 by 114.9 cm. (Robert Lehman Collection, Metropolitan Museum, New York).
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St James, London ] Dryope by Robert Wiedeman Barrett Browning, Called Pen Browning (1849-1912). Bronze H. 203cm. Signed: R. Barrett Browning 1883. Foundry Mark: Thiebault Freres Fondeurs. Exh: Grosvenor Gallery 1884, No.407
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Samuel Linley by Thomas Gainsborough (Detail), Circa 1777, by Permission of the Governors of the Dulwich Picture Gallery.
Editorial
Art History and the Museum
06/1995 | 1107 | 137
Pages: 355
Subjects
dates:
places:
subjects:
Advertisements
Advertisements March 1993 (front)
03/1993 | 1080 | 135
Pages: i-xxxvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Arno Winterberg Auction 46, Blumenstr. 15, Heidelberg ] Gustav Klimt, Tänzerin (Also Named Corinna). Pencil, about 1904. 55 × 34.9 cm. (Strobl. Nr.1182).
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Anthony van Dyck. Philippe Le Roy, Baron de Broechem. Etching (1631). Mauquoy-Hendrickx C I (of IX). Hollstein 19 I (of VIII). From the Collections of the Duke of Arenberg and Otto Schäfer.
Attributed works:
[ Caylus Anticuario, Lagasca 28, Madrid ] Vicente Macip (1475-1550). The Madonna and Child with Saint Anne. Oil on Panel 46.5 × 52 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg de Saint-Honoré, Paris / 21 East 67th Street, New York ] Matthias Stomer. Amersfoort 1598/1600 - Messina, after 1651 Christ Carrying the Cross. Oil on Canvas: 153 × 141 cms
Attributed works:
[ Concha Barrios Fine Arts, C/Claudio Coello n. 14 and 17, Madrid ] Juan de Roelas. 16th Century. Oil on Panel 300 × 210 cms.
Attributed works:
[ cover ] The Forum in Rome, by Christoffer Wilhelm Eckersberg. 1814. 31.4 by 41 cm. (National Gallery, London).
Attributed works:
[ Daxer & Marschall, Wittelsbacherplatz 6, Munich ] Thomas Roberts, Dublin 1748-1778 Stormy Landscape, 1775, Oil on Canvas, 63 × 96cm. David Roentgen (1741-1809), an Important Neoclassical Oval Table, Neuwied 1780/85. Featuring a Central Concealed Drawer Flanked by Concealed Compartments, Mechanically Released. Interior Drawers in Solid Rosewood. h 72cm, w 73cm, d 51cm.
Attributed works:
[ Didier Aaron & Cie, 118 Faubourg Saint-Honore, Paris / 21 Ryder Street, London / 32 east 67th Street, New York ] Marten de Vos. The Last Supper. Oil on Canvas: 146.5 × 213 cm. $57frac{5}{8}$ × $83frac{7}{8}$ in.). Signed, Lower Right: F. M. D. Vos Executed ca. 1580
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Jacques Barraband (1767-1809). Bohemian Waxwing Signed Watercolour and Gouache, 44.7 by 29 cms. A Preparatory Painting for Plate No.49 in François Le Vaillant, Histoire Naturelle des Oiseaux de Paradis..., Paris 1801-1806. (Other Works by This Artist Can be Seen at the Gallery)
Attributed works:
[ Eufemio Diez Monsalve, C. Prado 28, Madrid ] Hubert Robert (1733-1808). Capriccio with a Monk Preaching a Group of Peasants: Oil on Canvas. Signed and Dated 1786 64 × 80 cm.
Attributed works:
[ Galerie d' Arenberg, 14 rue aux Laines, Brussels ] Abraham Janssens (Antwerp c. 1575 - 1632), Ceres, c. 1615, Oil on Canvas, 90 × 114.5 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] Jan Boeckhorst. Münster c.1604 - 1668 Antwerp. Minerva Bridling Pegasus with the Help of Mercury. Oil on Canvas 145.5 × 209.5 cm ($57frac{7}{8}$ by 821/2 in) Painted by Boekhorst for the Pompa Introitus Ferdinandi of 1635
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, Moosinning, Munich ] Bonaventura Genelli (Berlin 1798-1868 Weimar). The Three Witches. Charcoal and Grey Wash, 382 × 478 mm. Inscribed: 'Bonawentura Genelli seinem Freunde Zimmermann'.
Attributed works:
[ Hill-Stone, New York ] Attributed to Hans Leonard Schäufelein (1480/85-1540). Wild Man and His Family. Woodcut; 1530. With the Lines of Verse by Hans Sachs. Dodgson, II; p. 52, No. 237. J. Chipps Smith, Nuremberg: A Renaissance City, 1500-1618, cat. No. 50. A Fine Impression of This Exceedingly Rare Print.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Le Blond Excudit Engraving and Etching, Apparently Unrecorded
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Jacopo Palma, Called Palma il Giovane (Venice 1544-1628). The Virgin and Child, with the Head of an Old Man in Profile to the Right. Pen and Brown Ink, with Brown Wash. 266 by 186 mm.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street St James, London / 49 East 68th Street, New York ] Claude Lorrain, Landscape with Argus Guarding Io, 1646. Oil on Copper, 7½ by 10 Inches (19 by 25.5 cm.) Engraved on the Verso: "Cla de Gillee Inv / Rome 1646"
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Adriaen van Ostade, 1610-Haarlem-1685. Peasants Celebrating and Drinking at an Inn, about 1636. Graphite, Pen and Light and Dark Brown Ink, Washes in Grey and Brown, 159 × 279 mm. Inscribed on the Left "Avo". Preparatory Drawing for the Painting in the Mauritshuis, Den Haag.
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Francesco Guardi (1712 - Venice - 1797). Architectural Capriccio, about 1755, Pen and Brown Ink, Wash, 183 × 130 mm
Attributed works:
[ Senger Bamberg, Karolinenstrasse 8 - 10, Bamberg ] Adoration of the Christ Child, Erasmus II. Quellinus (1607-1678), Signed and Dated 1669. Oil on Canvas, 176 × 218 cm.
Attributed works:
[ The Manchester Fine Art Fair 1993, The G-Mex Centre, Manchester ] John Piper C. H. L. G. (1903-1992) 'Fenland Abbey, West Front, Crowland'. Signed Lower Right, Signed again and Inscribed with Title, Verso. Painted 1942. Size 24 × 20 Inches. Oil on Canvas Laid on Panel. Exhibited: Leicester Galleries, London, 1942. Courtesy of Jonathan Clark Ltd - Stand 25
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] A. Schelfhout
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] A. Schelfhout
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] B. C. Koekkoek
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] J. Coomans
Attributed works:
[ Vendu Notarishuis, Kipstraat 54, Rotterdam ] W. Koekkoek
Western art unattributed:
[ Alexander George Ley & Sons, 13 Brecknock Road, London ] French Louis XIV Carved Centre and Corner Running Pattern Frame Fine Original Gilding.
Western art unattributed:
[ Galerie François Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] Roman Marble. 2nd Century. H. 28 cm.
Western art unattributed:
[ Julius Böhler, Pacellistrasse 4, Munich ] Madonna and Child on a Halfmoon. Holland, ca. 1475. Oak, Height 76 cm.
Western art unattributed:
[ Richard Philp, 59 Ledbury Road, London ] Brescian School. Circa 1600. Head of a Youth. Black Chalk, 25.9 × 18.3 cms.
Western art unattributed:
[ Tennants Auctioneers, The Auction Centre, Harmby Road, Leyburn, North Yorkshire ] Included in the Sale this English Delftware Spouted Posset-Pot, 28 cms High, First Quarter of the 18th Century Estimate £5000-£8000.
Advertisements
Advertisements September 1992 (Front)
09/1992 | 1074 | 134
Pages: i-xxxii
Subjects
Illustrations
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Adriaen van Ostade - Circle. Seated Farmer with Hat. About 1680. Pen and Brown Ink with Wash. 11.2 × 7.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Attributed to Frans Lucas Peters (1606-1654). Landscape with Historical Buildings. Pen and Ink with Wash. 21.6 × 34.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Gottfried Bernhard Göz. St. Augustin. Brush and Pen Drawing with Wash, about 1740. 15 × 9.7 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Philipp Friedrich von Hetsch. (1758-1838). Two Muses. Gouache on Black Background. 50.5 × 41.4 cm.
Attributed works:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] Pieter Mulier the Younger (1637-1701). Landscape with Farmhouse and Ruin. Brush Drawing with Chalk. 18.1 × 27.2 cm.
Attributed works:
[Axel Vervoordt, Castle of 's-Gravenwezel, Belgium] Throne from the Studio of the Painter Louis David and Executed by George Jacob ca. 1790.
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] Après le bain, femme s'essuyant la nuque, by Edgar Degas. (Musée d'Orsay, Paris).
Attributed works:
[Burlington Magazine, 6 Bloomsbury Square, London] The Guitar Player, by Edouard Manet. 1860. (Metropolitan Museum of Art, New York.)
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Jan Cossiers. The Artist's Son Cornelis. Black and Red Chalk.
Attributed works:
[Cailleux, 136 Faubourg Saint-Honore, Paris] Gilles Marie Oppenord (1672-1742) Architecture Capriccio with Sculptures. Pen, China Ink, Grey Wash. H. 427mm; W. 562mm
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris] A Stereographic Northern Astrolabe by J. Fusoris - Late 14th Century. Bronze - Diameter: 16.7 cm.
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] James Barry ra (Expelled) 1741-1806. The Adoration of the Shepherds, Brush and Grey Wash, over Pencil. 518 × 397mm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Carlo Carlone, 1686 - Scaria - 1775. The Descent from the Cross, Oil on Canvas: 80 × 45.5 cms
Attributed works:
[Didier Aaron Inc., 32 East 67th Street, New York] Joseph-Marie Flouest, Le Serment du Jeu de Paume, Pencil, Pen and Brown Ink and Grey Wash: 131×356 mm., Signed
Attributed works:
[Flavia Ormond Fine Arts Limited, 24 Brechin Place, London] Giuseppe Passeri (Rome 1654-1714), Ecstasy of the Blessed Giacinta Marescotti. Pen and Brown Ink, Brown Wash and Sanguine with White Highlights; 321 × 226 mm.
Attributed works:
[Galerie du Carrousel, 11 Quai Voltaire, Paris] Degas Danseuse aux bas rouges. vers 1880. Pastel et craie blanche
Attributed works:
[Galerie Neuse, Contrescarpe 14, Bremen] Joachim Fries (Lübeck 1579-1620 Augsburg). Diana Borne upon a Stag. Table Automaton, Silver and Silver-Gilt, Augsburg 1610-15.
Attributed works:
[Galerie Salis, Imbergstrasse 25, Salzburg] Edgar Degas (1834-1917) "Buste de femme" 1897. Charcoal on Paper 23 × 35 cm, Signed with the Red Signature Stamp Lower Left
Attributed works:
[Huguette Beres, 25 Quai Voltaire, Paris] Delacroix Cavalier mamelouk. 1849
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Frans Pourbus I, (Bruges 1545 - Anvers 1581). Le Paradis Terrestre, Oil on Panel 55 × 71,5 cm. Signed and Dated "F. Pourbus fe(cit)inv(enit) 1566"
Attributed works:
[Jean-Max Tassel, 15 Quai Voltaire, Paris] Théodore Géricault (Rouen 1791-Paris 1824), "Portrait de cheval". Oil on Canvas 34 × 44 cm. (13⅜ × 17¼ in.).
Attributed works:
[Julius Böhler, Pacellistrasse 4, Munich] A Bronze Statuette of Mercury Playing the Flute, from the workshop of Barthélemy Prieur, ca. 1600. Olive coloured patina under traces of dark brown lacquer, height 20.2 cm. A version of this rare model appears in the inventory of the collection of André le Nostre drawn up in 1700, under no.350 (see J. Guiffrey, Testament et Inventaire après décès de André le Nostre, in: Nouvelles Archives de l'Art français, 1911, p.254).
Attributed works:
[Marlborough Fine Art (London) Ltd/Marlborough Graphics Ltd, 6 Albemarle Street, London] Space, Life and Time, 1991. Oil and Spray Paint on Canvas, 71 × 73⅞ in./180.3 × 187.6 cm.
Attributed works:
[Paul Prouté S.A., 74 Rue de Seine, Paris] Marcantonio Franceschini, (Bologna 1648 - 1729). Two Angels and a Putto (From the Right Side of a Composition Showing the Virgin with S. Caterina dei Vigri Taking the Christ Child into Her Arms). Black Chalk Heightened with White, and Grey Wash on Several Joined Sheets of Paper Laid on Canvas. 173 by 147 cms.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street, London] Jacques Stella, Bathsheba Receiving the Message of King David, Circa 1635-40. Oil on Canvas, 38⅞ by 51¾ Inches (99 by 132 cm.). Signed and Dated on the Fountain, Lower Left: "J. Stella 16..."
Attributed works:
[Société Labatut, 199bis Bld Saint-Germain, Paris] Bartolomeo Manfredi (Ostiano 1582 - Rome 1622). The Apostles Peter and Paul, Canvas, 55.5 × 72 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Urbino Dish, 1540, Painted by the "Della Rovere" Painter, with Paris Assassinating Achilles in the Temple of Apollo. From the Sale of Continental Ceramics & Glass, 6 October. Estimate: £8,000-12,000
Attributed works:
[Tzwern - Aisinber Fine Arts S.A., 36 rue aux Laines, Brussels] On the Cliffs, Langland Bay, Wales 1897. Pastel on Paper, 28.5 × 36.5 cm. Signed and Dated "Sisley 97"
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] Giovanni Francesco Grimaldi, Bologna 1606-1680 Rome. Two Figures Overlooking a Landscape from a Fortress. Pen and Brown Ink with Brown Washes, 14¼ × 11 Inches (362 × 280 mm)
Western art unattributed:
[Alexander George Ley & Sons, 13 Brecknock Road, London] George II Kent Style Frame with Carved Top Shell, Running Egg and Dart Outset Corners, with Husk Drops and Pierced Chain to Centre
Western art unattributed:
[Arno Winterberg, Blumenstr. 15, P.O. Box 105927, Heidelberg] South German, 2nd Half of the 15th cent. St. Maria Magdaleny. Pen and Brown Ink with Wash. 70.2 × 29.7 cm.
Western art unattributed:
[Bernard Blondeel, Schuttershofstraat 5, Antwerp] Court Scene. Brussels, c. 1525, H. 335 cm. × W. 200 cm.
Western art unattributed:
[Brimo de Laroussilhe, 11 rue de Lille, Paris] Fragment from a voussoir England (Probably St Albans), about 1160-1175, Stone, Height 32cm
Western art unattributed:
[Galeire Achkar Charrière, 232 Boulevard Saint Germain, Paris] Lit de repos (or lit de jour), Louis XIV Period. Carved Giltwood (Retaining Its Original Gilding) the Central Medallion of the Headboard Containing Two Interlaced Ls and the Letter M. 163 cms Long by 75 cms Wide by 113 cms High.
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] "Miniatore di S. Michele a Murano", Initial "G": "S. Biagio". XV cent., Tempera on vellum 157 × 120 mm.
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