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54 articles
Article
On and off the wall: British murals in the twentieth century
06/2013 | 1323 | 155
Pages: 408-413
related names
Reviewer:
Beechey, James (Beechey, James)
Subjects
Illustrations
Attributed works:
61. Day, by Eric Ravilious. 1933. Mural in the tea-room of the Midland Hotel, Morecambe. Destroyed c.1935
Attributed works:
62. Design for a mural in the foyer of the Telecinema at the Festival of Britain, South Bank, London, by John Armstrong (Exh. Fine Art Society, London)
Attributed works:
63. The Englishman's home, by John Piper (Private collection; exh. Fine Art Society, London)
Attributed works:
64. An English holiday - the puncture, by Mary Adshead. One of eleven panels commissioned by Lord Beaverbrook for Calvin Lodge, Newmarket. (Exh. Fine Art Society, London)
Attributed works:
65. Murals by Charles Mahoney in the Lady Chapel at Campion Hall, Oxford
Attributed works:
66. Adam naming the animals, by Barbara Jones, at Yew Lane School, Sheffield
Attributed works:
67. Fig.66 after its demolition in 2009
Publication Received
Recording Britain
10/2012 | 1315 | 154
Pages: 721
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Advertisements September 2011 (front)
09/2011 | 1302 | 153
Pages: s.p.
Subjects
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artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Metamorphic Venus 4, by William Turnbull (b.1922). 1982. Edition of six. Bronze on stone base. Height: 56.6 cm. Width: 23.5 cm]
Attributed works:
[Austin/Desmon, London. Standing figure, by Keith Vaughan (1912-77), 1948. Signed and dated: Vaughan /48. Gouache, wax crayon and black chalk on paper, 72 by 55.5 cm]
Attributed works:
[Beaux Arts, London. Fawley I, by John Piper (1903-92), 1989. Oil on canvas, 91 by 121. 5 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Henry Moore O.M., C.M. (British, 1898-1986). Shelter Drawing. Seated Mother]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Wolfgang-Adam Topffer (Geneva 1766-1847 Geneva). Scène de village avec montreur d'images (Village scene with image show). Circa 1830. Oil on canvas, 55.5 x 76 cm. (22 by 30 in)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jan Brueghel I (1569 - 1625), Rape of Proserpine, oil on copper, 18.7 x 26 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Simone di Filippo. Simone dei Crocefissi (1355.1399). The Coronation of Mary, tempera on panel, 90 x 56 cm]
Attributed works:
[Dr. Fischer, Fine Art Auctions. Trappenseeschlosschen – 74074 Heilbronn – Germany. Augsburg, circa 1680 / Max Pechstein, 1927 / Juan Pantoja de la Cruz, 1605 / Sèvres, A.-V. Poupart, 1836/37 / Facon de Venise, circa 1600 / Wilhelm Lehmbruck, 1912/14 / Emile Gallé, Nancy, 1902.]
Attributed works:
[Enrico Frascione, Florence. The Horse Gallicus, by Jan van Straet (1523-1605). Pencil on paper, 21 by 30 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Montelatici, called Cecco Bravo. Florence, 1601 - Innsbruck, 1661. Ulysses and Nausicaa. Oil on canvas, 97 x 135 cm (38 3/16 x 53 1/8 in)]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern. Pierre Bonnard (1867 - 1947). "Nature morte et paysage". Gouache and watercolour, 49 x 32 cm]
Attributed works:
[Galleria Il Quadrifoglio, Milan. Portrait of a man, by Jacopo Folchi (1502-6). Oil on wood, 114.3 by 85 cm]
Attributed works:
[Jonathan Clark, London. Your physique, by Eduardo Paolozzi (1924-2005). Signed and dated lower right. Collage on paper, 35.5 by 22.8 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Frans Francken II (detail)]
Attributed works:
[MOMA, New York. Willem de Kooning. Excavation, 1950. Oil and enamel on canvas.]
Attributed works:
[Moretti Fine Art, Florence, London and New York. A bishop St and St Bartholomew, by Andrea Bonaiuti (c.1345 - 50 - 79). 157 by 75 cm]
Attributed works:
[Offer Waterman & Co. 11 Langton Street. London. Sir Eduardo Paolozzi, R.A. 1924-2005, A.G.5, 1958, bronze, 40 by 15 ins]
Attributed works:
[Offer Waterman, London. Untitled (lemon), by Diarmuid Kelley (b. 1972). 2011. Oil on linen. 35.6 by 27.9 cm]
Attributed works:
[Osborne Samuel, London. Six forms in a circle, by Barbara Hepworth (1903-73). 1967. Edition of 7. Polished bronze, 33.7 by 60 cm]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Giacomo GUARDI (1764-1835), "Venice, Piazza San Marco", "Venice, Rialto Bridge". Pair of panels, 18 x 30,5 cm.]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Lucas CRANACH the Elder (1472-1553), "The Nymph of the Spring". Oil on panel, signed with the folded wings flying serpent, 48,5 x 74,2 cm]
Attributed works:
[Piano Nobile, London. Linked figures, by Kenneth Armitage (1916-2002). Signed and dated 1949/84. Bronze with brown green patination, 99 by 83 by 28 cm]
Attributed works:
[Redfern Gallery, London. The June of youth, by Leon Underwood (1890-1975). 1933). Signed, dated, titled and numbered II, from an edition of four. Terracotta, 60 by 38 by 26 cm]
Attributed works:
[Robilant + Voena, London and Milan. View of the Arno with the Ponte Santa Trinita, by Tomas Patch (1725-82). Oil on canvas, 85 by 170.5 cm]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Luca Cambiaso (Moneglia 1527 - 1585 El Escorial. Saint Jerome in the Desert. Pen and Brown ink. 242 x 270 mm (9 1/2 x 10 5/8 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. Giovanni Battista Foggini (1652-1725). Il Posquino (Menelaus with the body of Patroclus). Bronze, rich warm brown patina with golden red lacquer]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Alessandro Algardi (Bologna 1598 - Rome 1654). Christ Resurrected. Terracotta. Height: 52 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Charles Baudelaire, Les fleures du mal, Paris, 1857. Presentation copy for Edmond Texier.]
Attributed works:
[Walker Art Gallery. Liverpool. Paul Sérusier, La pluie sur la route (detail), 1893, private collection]
Attributed works:
[Whitford Fine Art, London. Chariot, by Clive Barker (b. 1940). 1974. Edition of 7. Chrome plated brass and bronze, 19 by 23 cm]
Attributed works:
[William Westan Gallery, London. Fruit and bowl, by Patrick Caulfield (1936-2005). 1979/80. Signed in pencil. Screenprint, 83.9 by 59.6 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Early Italian Bowl. Silver, parcel-gilt. Naples ca. 1500. Diameter: 28 cm, weight 270 g. A similar bowl in the painting Sacred and Profane Love by Titian 1515. Galleria Borghese, Rome]
Western art unattributed:
[Guido Bartolozzi Antichità, Florence. Two sculptures of dogs. Tuscany, the first half of the nineteenth century, Marble, Height: 93 cm. Bases: 85 by 40 cm]
Western art unattributed:
[Piva & Cie, Milan. A pair of carved walnut tables, with Verona marble tops. Each, 81 by 99 by 54.5 cm]
Western art unattributed:
[Wannenes. Palazzo Gianfigliazzi. Lungarno Corsini 4. Florence. Palazzo del Melograno. Piazza Campetto 2. Genoa. L'arte del Vasajo. Important Italian maiolica from a private collection]
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05/2011 | 1298 | 153
Pages: s.p.
Subjects
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Illustrations
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jacques-Laurent Agasse (Geneva 1767 - 1849 London) Portrait of a black and a white mare, 1806. Oil on canvas, 60 by 71 cm(23 1/2 by 28 in). Signed below left: J. L. Agasse.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Joseph Mallord William Turner, R.A. (1775-1851). The Blue Rigi.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Leonello Spada. Bologna, 1576 - Parma, 1622. Lamentation over the Dead Christ. Oil on canvas. 120.5 x 158 cm (47 7/16 x 62 3/16 in)]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Ben Nicholson. 1894-1982. Untitled, 1940. Gouache on board. 8 1/4 x 9 1/4 inches; 21 x 23 cm. Signed, dated and inscribed verso.]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Pieter Brueghel the Younger (1564-1638). Temptation of St. Anthony. Oil on wood. 46.5 x 64 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. John Piper. Painting, 1937.]
Attributed works:
[Wildenstein & co., Ltd. 147 New Bond Street, London, W1. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c. 1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Entertainment in a Harem Garden (detail). Inscribed, "the work of Faizullah". Mughal, Faizabad, circa 1765]
Book Review
John Piper. Myfanwy Piper. Lives in Art
04/2010 | 1285 | 152
Pages: 258
related names
Reviewer:
Rye, Jane (Rye, Jane)
Subjects
print:
Reviewed Items
subjects:
John Piper. Myfanwy Piper. Lives in Art | author: Spalding, Frances
Article
'Powerful emotive agents': the association between Ben Nicholson and John Piper
10/2007 | 1255 | 149
Pages: 694-703
related names
Author:
Spalding, Frances (Spalding, Frances)
Subjects
dates:
print:
Illustrations
Attributed works:
38. 1933 (collage), by Ben Nicholson. 1933. Oil, collage and pencil on canvas, 85 by 67.4 cm. (Private collection).
Attributed works:
39. Abstract construction, by John Piper. 1934. Oil, sand and wood on board, 51.4 by 61.5 cm. (Whitworth Art Gallery, University of Manchester).
Attributed works:
40. 1935 (white relief), by Ben Nicholson. Oil on mahogany board, 98.9 by 164.9 cm. (Tate, London).
Attributed works:
41. Cover design for the first issue of Axis, by John Piper. c.1934–35. (Private collection).
Attributed works:
42. Painting 1935, by John Piper. 1935. Canvas on board, 39.4 by 29.2 cm. (National Museum and Galleries of Wales, Cardiff).
Attributed works:
43. Forms on dark blue, by John Piper, 1936 (Piper estate), hanging in Bowman’s furniture shop, Camden Town, London, 1936.
Attributed works:
44. ‘1938 (faster air services)’, by Ben Nicholson. 1938. Poster for Imperial Airways, 98.2 by 60.4 cm. (Victoria and Albert Museum, London).
Attributed works:
45. Cover of brochure for Imperial Airways, by John Piper. c.1937. 15.4 by 9.2 cm. (Private collection).
Attributed works:
46. Knowlton, Dorset, by John Piper. 1938. Ink and collage, 37.8 by 46.5 cm. (Private collection).
Attributed works:
47. The Royal Pavilion, Brighton, by John Piper. 1939. Ink and wash on paper, 39 by 54.5 cm. (Private collection).
Attributed works:
48. Dungeness, by John Piper. 1938. Collage of cut papers with black ink, 50 by 38 cm. (Private collection).
Attributed works:
49. 1934 (white relief), by Ben Nicholson. 1934. Oil on carved board, 20 by 25 cm. (Private collection; photograph courtesy Christie’s Images, London).
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Advertisements October 2007 (front)
10/2007 | 1255 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
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advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1, John Piper, C.H. (1903-1992). Leeds, 1960. Canvas, 34x44 in]
Attributed works:
[Alan Cristea Gallery. 31 Cork Street, London, W1S 3NU. I.C.I. shed. 1948. Ben Nicholson]
Attributed works:
[Alan Cristea Gallery. London. Blue, by Boo Ritson. 2007. Edition of 25. From a set of 3 archival inkjet prints, 95.4 by 95.4 cm.]
Attributed works:
[August Laube. Zurich. Courtyard of a castle, by Augustin Hirschvogel. 1546. Etching. Plate size, 14.4 by 21.8 cm]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir David Wilkie (Scottish, 1785-1841). Guess My Name, 1821. Black and red crayon with graphite, heightened with white chalk on laid paper. 4x7 inches (103x180 mm). Signed lower right, in pen and brown ink: D. Wilkie]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Ivon Hitchens (1893-1979). River Rother near Stedham signed 'Hitchens/1964' (lower left). Oil on canvas. 45.7 x 109.2 cm]
Attributed works:
[C. Bednarczyk. A.1010 Vienna. Dorotheergasse 12. Porcelain Plaque by JOSEPH NIGG (Vienna 1782-1863). 27.3x21.5cm. Impressed moulder's letter P. Year stampo (1)817, signed Nigg]
Attributed works:
[Catherine E. Burns. Oackland. CA. The Woolworth Building from City Hall, by Emile Antoine Verpilleux. 1929. Signed and numbered 4/12 in pencil. Colour woodcut on thick wove paper, 45,7 by 33 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Sit Thomas Lawrence, P.R.A. (1796-1830). Portrait of Arthur Wellesley, 1st Duke of Wellington, K.G., K.B.]
Attributed works:
[Dolan/Maxwell. Philadelphia. Archipelago, by Stanley William Hayter. 1941. Edition 30. Softground etching, scorper, engraving, 12 by 18 cm]
Attributed works:
[Frederick Baker. New York. L'Enfant a la lampe, by Pierre Bonnard. c.1897. Edition of 100, signed in pencil. Colour lithograph, 33 by 45.7 cm]
Attributed works:
[Frederick Mulder. London. La Minotauromachie, by Pablo Picasso. 1935. Etching and engraving, 49.6 by 69.6 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giuseppe Recco. Naples, 1634 - Alicante, 1695. The Five Senses. Oil on canvas, 76x105 cm (29 15/16 x 41 5/16 in) signed and dated on the lute: "GIOS RECCO/F.1676"]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. Francesco TRAINI /Pisa, documented from 1321 to 1345). Virgin and Child. Circa 1325. Tempera on panel, gold ground - 25 x 20 1/8cm]
Attributed works:
[H. Blairman & Sons Ltd. 119 Mount Street. London. Four carved giltwood stands by James Pascall (fl. 1733-54). Height: 48in (122cm). English (London), 1745-46.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. David Bomberg. 1890-1957. Abstract Design, 1914. Chalk and watercolour. 10 3/4 x 10 1/4 inches; 27.3x26cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Rembrandt van Rijn, Leiden 1606 - 1669 Amsterdam. Abraham entertaining the Angels. Etching & drypoint; 1656. Bartsch 29, Hind 286, White-Boon 29, only state.]
Attributed works:
[Hill-Stone. New York. A girl from Kowno (Madchen aus Kowno), by Karl Schmidt-Rottluff. 1918. Woodcut.]
Attributed works:
[Hill-Stone. New York. In the wings (Dans la coulisse), by Hilaire Germain Edgar Degas. Lithograph, 24 by 17.1 cm]
Attributed works:
[Ketterer Kunst. Mebberg 1. Hamburg. Adriaen Van Utrecht. "Still Life With Game And Vegetables". Oil on panel, 2nd half of the 1640s. 47x106cm (29.1x41.7 in)]
Attributed works:
[Ketterer Kunst. Mebberg 1. Hamburg. Adriaen Van Utrecht. Eugen VON BLAAS "The Girl From Chioggia". Oil on panel, c. 1880/1900. Wassibauer 192. 34.4x25 cm (13.1x9.8 in)]
Attributed works:
[Kunstaus Lempertz, 3 Neumarkt. Cologne. Claude Joseph Vernet. Les Baigneuses. Oil on canvas, 66,5x82,5 cm]
Attributed works:
[Mallett, 141 New Bond St., London. George Morland (1763-1804). Selling Peas. Painted circa 1792. Signed, oil on canvas. Contained in its original carved and gilded frame. Unframed: 28x36in / 71x91.4cm]
Attributed works:
[Moretti. 24 East 80th Street. New York. San Lucchese Master. Active in Florence, c. 1340-1370. Madonna and Child between angels: Annunciation: Nativity: Crucifixion. Panel, 24.3 x 13.9 in]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. Diana preparing for the Hunt. Oil on copper, 7 1/2 x 6 1/4 inches.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Thomas Gainsborugh R.A. (1727-1788). Landscape with cattle, a young man courting a milkmaid. Oil on canvas, 120.5 by 147.5 cm, 47 1/2 by 58 in.]
Attributed works:
[Sragow Gallery, New York. Forward together, by Jacob Lawrence. 1961. 1997. Screen print, 63.5 by 101.6 cm. Edition of 125]
Attributed works:
[Tandem Press. Wisconsin. Half-life Series No.7, by Nicola Lopez. 2007. Lithography and relief on mylar, 91.3 by 119.3 cm]
Attributed works:
[The Fine Art Society. London. Reading by lamplight, by James McNeill Whistler. 1858. Etching, printed in warm black ink on laid paper in the second (final) state, 16 by 11.9 cm]
Attributed works:
[The Old Print Shop, Inc. 150 Lexington Avenue at 30th Street. New York, NY 10016-8108. Saved. Etching by Wislow Homer, 1889.]
Attributed works:
[The Paul Mellon Centenary. Yale Center for British Art. New Haven, Connecticut. Johan Joseph Zoffany. The Drummond Family, ca. 1769, Oil on canvas.]
Attributed works:
[The Paul Mellon Centenary. Yale Center for British Art. New Haven, Connecticut. Joseph Mallord William Turner. Yarmouth Sands, ca. 1840, watercolour and scraping out on wove paper.]
Attributed works:
[W/S Fine Art / Andrew Wyld. 160 New Bond Street, London W1S 2UE. Thomas Gainsborough R.A. (1727-1788). Landscape with a Herdsman driving Cows and Sheep, c. 1784. Oil on canvas 21 1/2 x 29 1/2 inches (54.6x74.9 cm)]
Attributed works:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. Friederich Nerly. Giardino Boboli. Watercolour, pastel, pencil. Signed, titled and illegible marked. 31,8x34,5 cm]
Western art unattributed:
[Winterberg Kunst. D-69115 Heidelberg, Hildastrasse 12. German Artist. The Bearing of the Cross. Gouache, brown and black pen, about 1530. 52x71,5cm]
Article
Evocation or topography: John Piper's watercolours of Windsor Castle, 1941-44
09/2005 | 1230 | 147
Pages: 598-605
related names
Author:
Owens, Susan (Owens, Susan)
Subjects
artists:
dates:
museums and institutions:
museums and institutions:
print:
Illustrations
Attributed works:
13. The North Terrace, Windsor Castle, looking west, by Paul Sandby. c.1777. Pencil, pen and ink, watercolour and bodycolour, 36.5 by 53.5 cm. (Royal Collection).
Attributed works:
14. The Quadrangle, Windsor Castle, looking west, by Paul Sandby. c.1765. Pencil, pen and ink, watercolour and bodycolour, 30.5 by 52.2 cm. (Royal Collection).
Attributed works:
15. The Quadrangle, Windsor Castle, looking west, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 55 by 75.1 cm. (Royal Collection).
Attributed works:
16. The North Terrace, Windsor Castle, looking west, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.1 by 54 cm. (Royal Collection).
Attributed works:
17. The Quadrangle, Windsor Castle, looking east, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 57.5 by 76.2 cm. (Royal Collection).
Attributed works:
18. The Quadrangle from Engine Court, Windsor Castle, by John Piper. 1941/42. Pencil, pen and ink, watercolour, bodycolour and pastel, 41.3 by 55.6 cm. (Royal Collection).
Attributed works:
19. The Round Tower and the Upper Ward from the Quadrangle, Windsor Castle, by John Piper. 1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 43.8 by 56.8 cm. (Royal Collection).
Attributed works:
20. Advance Gate and Castle Hill, Windsor Castle, by John Piper. 1941/42. Pencil, pen and ink, watercolour, bodycolour and pastel, 41.8 by 56.1 cm. (Royal Collection).
Attributed works:
21. The North Terrace and Brunswick Tower, Windsor Castle, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.6 by 55.1 cm. (Royal Collection).
Attributed works:
22. The Round Tower from the roof of St George's Chapel, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 40 by 54.3 cm. (Royal Collection).
Attributed works:
23. The Dean's Cloisters, St George's Chapel, Windsor, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 54.2 by 40.2 cm. (Royal Collection).
Attributed works:
24. Windsor town, railway and the Curfew Tower and Horseshoe Cloister, Windsor Castle, by John Piper. c.1941-44. Pencil, pen and ink, watercolour, bodycolour and pastel, 42.5 by 54 cm. (Royal Collection).
Attributed works:
25. Windsor Castle and Guildhall, by John Piper. 1941/42. Pencil, pen and ink, watercolour and bodycolour, 42.1 by 55.9 cm. (Royal Collection).
Attributed works:
26. Windsor Castle from the north east, by John Piper. 1941/42. Pencil, pen and ink, watercolour and bodycolour, 28.1 by 56.2 cm. (Royal Collection).
Attributed works:
27. The Gothic Ruin at Frogmore, by John Piper. c.1941-44. Pencil, pen and ink, watercolour and bodycolour, 42.1 by 56.2 cm. (Royal Collection).
Attributed works:
28. The ruins from Leptis Magna, Virginia Water, by John Piper. c.1941-44. Pencil, pen and ink, watercolour and bodycolour, 42.6 by 55.1 cm. (Royal Collection).
Advertisements
Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
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Article
John Piper and Coventry, in War and Peace
07/2003 | 1204 | 145
Pages: 488-500
related names
Author:
Spalding, Frances (Spalding, Frances)
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Illustrations
Attributed works:
11. Cathedra Petri, by Gianlorenzo Bernini. Gilt bronze and stucco. (St Peter's, Rome).
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12. Colour Sketch for baptistery window, by John Piper. 1957. Chalk, water-colour and gouache, 109 by 73.5 cm. (Private collection; photograph courtesy of the University of Warwick Photograph Collection).
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14. The baptistery window, Coventry Cathedral. (Photo courtesy of Sonia Halliday Photographs).
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15. Detail of the baptistery window, Coventry Cathedral.
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16-17. Coventry Cathedral vestments, designed by John Piper. (Coventry Cathedral).
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16-17. Coventry Cathedral vestments, designed by John Piper. (Coventry Cathedral).
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18. The baptistery window, Coventry Cathedral, in full sunlight. 2003. Photograph by the author.
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3. Coventry Cathedral, 15th November 1940, by John Piper. 1940. 76.2 by 63.5 cm. (Manchester Art Gallery).
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4. The passage to the control room at South-West Regional Headquarters, Bristol, by John Piper. 1940. Panel, 76.2 by 50.8 cm. (Imperial War Museum, London).
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5. Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Canvas on board, 50.8 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
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6. Coventry Cathedral, November 1940, by John Piper. 1940. Pastel on paper, 14.7 by 18.5 cm. (Ashmolean Museum, Oxford).
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7. Coventry Cathedral, November 1940, by Randolph Schwabe. 1940. Pencil and wash on paper, 37.8 by 37.1 cm. (Imperial War Museum, London).
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9. Coventry Cathedral ruins, by Muirhead Bone. 1944. Water-colour, 131 by 77 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
1. Coventry Cathedral, 15th November 1940. Photograph taken from the tower and reproduced in the Daily Mirror.
Western art unattributed:
2. The ruined cathedral, looking eastwards towards the apse. Photograph. (Coventry Cathedral Archives).
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