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11 articles
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Advertisements July 2003 (front)
07/2003 | 1204 | 145
Pages: i-xii
Subjects
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subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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Advertisements January 2002 (front)
01/2002 | 1186 | 144
Pages: i-xvi
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
Self-Portrait, by Albrecht Dürer. 1493. Vellum Transferred to Linen, 56.5 by 44.5 cm. (Musée du Louvre, Paris)
Attributed works:
[Aldega-Gordon, New York, New York] Design for a Funerary Monument, with an Inscription in Bernini's Hand by Giovanni Lorenzo Bernini. Pen and Brown Ink, 214 × 199 mm. Exhibition at Berry-Hill Galleries, 11 East 70th Street, January 23rd - March 2nd (Private Gallery Now Located at 257 West 86th Street).
Attributed works:
[Aldega-Gordon, New York, New York] Giovanni Catesi. Active in Florence and Pisa. 1590s and Early 1600s. Pen and Brown Ink over Red Chalk. 11 3/8 x 8 3/8 Inches (288 × 213 mm). Recto. Verso
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Jean Guillaume Moitte (1746-Paris-1810). A Cat Reclining on a Ledge. Red Chalk, 363 × 466 mm (14 1/4 × 18 1/4 Inches), Signed and Dated "Moitte Sculpteur 1775"
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Bartolomeo Montagna (c.1450-1523). The Risen Christ, Brush and Grey Ink, Grey Wash Heightened with White on Grey-Blue Paper 14 1/4 x 9 1/8 in. (362 × 230 mm.). Estimate: €566,500-793,100 ($500,000-700,000)
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Jean-Etienne Liotard (1702-1789). "La sultane lisant": A Lady in Turkish Costume Reading on a Divan. Oil on Canvas, 18 1/8 x 22 1/2 in. (46 × 57 cm.). Estimate: €793,100-1,133,000 ($700,000-1,000,000)
Attributed works:
[Dahesh Museum of Art, 601 Fifth Avenue, New York, New York] Paul Delaroche, Lamentation, 1820. Oil on Canvas, 19 1/4 x 12 3/4 in. (48.9 × 32.3 cm)
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] L'atelier de la rue Séguier, by Raoul Dufy 81 × 65 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] One of a Pair of Mirrors, Venetian, 18th Century. Carved and Mercury-Gilt Wood, 220 × 135 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Pair of Neo-Grec Amphora-Shaped Vases, Designed by Ferdinand Levillain, Cast by Ferdinand Barbédienne, Paris, 1880. Ornolu, ht. 132 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Portrait of Two Children with a Dog, by Mario Balassi (Florence 1604-67). 117 × 87.5 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Still Life with a Glass of Wine by Pieter Claesz. Oil on Wood, 39.5 × 58 cm. Monogrammed on Blade of Knife
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] Terracotta Dancers, Chinese, Han Dynasty. ht. 53 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair] The Prophet Ezekiel, Attributed to Giacomo Piazzetta (From the Library of the Dominicans at S. Giovannie Paolo, Venice). Walnut, 120 cm.
Attributed works:
[Exh. Monte Carlo International Fine Art & Antiques Fair]Pair of Two-Armed Candelabra with Vestal Stems, Milan, Maker's Mark of G. A. Dova and G. B. Sala, 1812-20.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Giovanni Girolamo Savoldo (Active 1508-Brescia-after 1548). The Death of St. Peter Martyr. Oil on Canvas, 118.4 × 142 cm (45 5/16 x 56 Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Sir Anthony van Dyck (1599-1641). Portrait of Tomaso Raggi. Oil on Canvas, 119 × 102 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Jan Muller. 1571 - Amsterdam - 1628. Hercules Slaying the Hydra. Engraving, after Adriaen de Vries; c. 1602. The New Hollstein 87, the Second State of Four before the Addresses of Visscher and Valk. A Very Fine Impression of This Rare Mannerist Engraving.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] The Pancake Woman, by Rembrandt van Rijn (1606-1669). Etching; 1635. Bartsch 124, Second State of Three.
Attributed works:
[Ilaria Quadrani Master Drawings, 305 East 61st Street, New York, New York] Nicolas Mignard (1606-1668). A Seated Scribe. Black Chalk Heightened with White 11 3/4 x 8 1/2 in. (299 × 216 mm).
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Still Life with a Nautilus, Panther Shell and Chip-Wood Box by Sebastian Stoskopff (1597-1657). Oil on Canvas, 47 × 59.5 cm. Old Master Paintings. January 21st - February 8th.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] The Annunciation by Gérard de Lairesse (1640-1711). Signed in Monogram 'GL'. Oil on Canvas, 133 × 168 cm. Old Master Paintings. January 21st - February 8th.
Attributed works:
[Odyssia Gallery, 305 E 61st Street, New York, New York] Head of a Man, by Giorgio de Chirico (1888-1978). Signed 'G. C.'. Graphite 167 × 115 mm.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Pierre Paul Prud'hon. Cluny 1758-1823 Paris. Josseph expliquant les songes. Pen and Black Ink Heightened with White on Buff Paper, 10¼ × 13¼ Inches (260 × 335 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Two Clerics Walking to the Left by Jean-Louis-André-Théodore Géricault. Black Chalk, 160 × 224 mm. Master Drawings 1700-1900. January 22nd - February 9th.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] The Holy Family by Mauro Gandolfi. Black and White Chalk, 295 × 410 mm. Inscribed in Black Chalk, Verso, G. G. dfi f. Ottobre 1802. Master Drawings 1700-1900. January 22nd - February 9th.
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Advertisements January 2000 (front)
01/2000 | 1162 | 142
Pages: i-xvi
Subjects
subjects:
Illustrations
Attributed works:
Detail of Leonard de Vinci. Vitruvian Man. Galleria dell'Academia, Venezia. Photo Osvaldo Böhm. Design Rumeurs
Attributed works:
Tribonian Presenting the Pandects to the Emperor Justinian, Attributed to Lorenzo Lotto. 1511. Fresco (Stanza della Segnatura, Vatican Palace)
Attributed works:
[Aldega-Gordon, New York, New York] Giovanni Catesi (Active Florence and Pisa, 1590s and Early 1600s). Nude Youth Lifting a Nude Man (Recto); Elegantly Dressed Youth Holding Book (Verso). Pen and Brown Ink over Red Chalk, 288 × 213 mm.
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Johann Heinrich Schönfeld (1609 - Biberach - 1682). Democritus. Pen and Ink with Grey Wash. 150 × 95 mm
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] Drawing for a Candlestand by Thomas Chippendale. English. Circa 1760. Pen and Grey Wash. Measurements: Height: 7¼″ (18.5 cm); Width: 3″ (7.7cm).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] François Boucher (1703-1770). The Hurdy-Gurdy Player. Pen and Brown Ink, Brown Wash, Traces of Black Chalk 162 × 205 mm, on a Glomy Mount
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Giovanni Antonio Canal, il Canaletto (1697-1768). The Church of S. Giorgio Maggiore, Venice, with Sandalos and Gondolas. Oil on Canvas. 18 5/8 x 30 1/2 in. (47.3 × 77.5 cm.). Estimate: $1,500,000-2,000,000
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Giovanni Antonio Canal, il Canaletto (1697-1768). The Church of the Redentore, Venice, with Sandalos and Gondolas. Oil on Canvas, 18½ × 29½ in. (47 × 75 cm.). Estimate: $1,500,000-2,000,000
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Pieter Brueghel II (1564-1637). The Wedding Feast. Oil on Panel, 30 3/16 × 42½ in. (76.6 × 108 cm.). Estimate: $400,000-600,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Giuseppe Bazzani (1690-1769). Sts. Longinns, Helen, Andrew with Other Saints. Oil on Paper Laid on Canvas: 49.2 × 35.1 cms.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Francesco Grimaldi Called il Bolognese. Bologna 1606/6 - 1680 Rome. View With Tree and Village, Roman Campagna. Recto (Detail). Pen and Brown Ink 264 × 196 mm (10 2/5 x 7 7/10 Inches)
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] George Stubbs (Liverpool 1724-1806 London) A Lion and Lioness in a Rocky Cavern. Oil on Canvas, 30½ × 38 3/4 ins (77.6 × 98.6 cm), Signed and Dated Lower Right: Geo. Stubbs/Pinxit 1774
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Simon Wynouts Frisius. Harlingen c.1580 - 1629 The Hague. The Betrothal. Etching, after Lucas van Leyden. Hollstein 195. Rare. Hollstein Cites Only Two Impressions, Amsterdam and Berlin
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jan Steen (1626-1679). The Continence of Scipio. Signed 'Jan Steen'. Oil on Canvas 34¼ by 58½ Inches (92 by 150 cm.)
Attributed works:
[Piero Corsini Inc., 162 East 63rd Street, New York, New York and Maison d'Art, 27 Ave., De La Costa, Monte Carlo, Monaco] Bartolomeo Cavarozzi. Viterbo, Circa 1585 - Rome, 1625. The Holy Family with the Young Saint John the Baptist. Oil on Canvas, 192 × 137 cm. (75 5/8 × 54 in.)
Attributed works:
[Swann Galleries, Inc., 104 East 25th Street, New York, New York] Luca Cambiaso, "The Martyrdom of St. Sebastian," (Detail) Pen and Ink and Wash, Ex-Collection Carl R. Rudolf (Lugt Supplement 2811b).
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Madame Rumilly, née Genève (1799-1849). Oil on Canvas, 72.5 × 59 cm. Signed with Monogram. Sortie d'une Distribution de prix au Lycée Charlemagne
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] David d'Angers (Angers 1788-1856 Paris). Marquis de Condorcet (1743-1794). Wax Model on Slate 5 1/4 x 4 7/8 Inches (130 × 124 mm). Victor Cousin (1792-1867). Wax Model on Slate 5 3/8 x 4 7/8 Inches (135 × 124 mm)
Western art unattributed:
[L'antiquaire & The Connoisseur Inc., 36 East 73rd Street, New York, New York] Strong Box. Augsburg, Circa 1580. Gilded Bronze and Copper, Blued and Gilded Steel, Velvet and Silk 4½ × 8 3/8 x 4 3/4 Inches
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Advertisements May 1996 (front)
05/1996 | 1118 | 138
Pages: i-xxviii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Bassenge, Erdener Strasse 5A, Berlin Grunewald ] Adolph von Menzel (1815 Breslau - 1905 Berlin). Portrait of a Young Lady. Pencil Drawing. 31 × 24 cm. Signed and Dated: A. Menzel 31 Juli 1874. Hofgastein.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Jan Weenix. 1642 - Amsterdam - 1719 Dead Game and Birds with a Dog and Serving Boy before an Extensive Garden. Oil on Canvas: 112 × 163 cms. Signed and Dated on Plinth: J. Weenix.f.1705
Attributed works:
[ Cover ] Christ on the Cross with the Virgin, St John the Evangelist and the Magdalen, Here Attributed to Fra Angelico. Panel, 63.5 by 38.1 cm. (Private Collection)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Ferdinand Tietz. (Eisenberg 1708 - 1777 Bamberg). The Muses Terpsichore & Euterpe. A Polychrome Wood Group (With a Pair) Presentation Models for the Parnassus Fountain Commissioned by The Prince Bishop of Würzburg Height 32.5 cm. ($12frac{3}{4}$ Inches)
Attributed works:
[ Daniel Katz Ltd, 59 Jermyn Street, London ] Filippo Parodi. (Genoa 1630-1702) Winter. (With Spring as a Pair) A Marble Bust. Height 53 cm (21 Inches)
Attributed works:
[ Daphne Alazraki, 4 East 65th Street, New York ] Bartholomaeus Maton (Leiden c. 1643-1684 Stockholm) An Elegantly Dressed Moor. Oil on Panel, 8½ × 6½ Inches
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Francesco Fontebasso Venice 1709 ∼ 1769 Venice. The Martyrdom of Saint James the Greater. Black Chalk, Pen and Brown ink, Brown Wash and Red-Brown Wash Heightened with White. 466 × 330 mm.
Attributed works:
[ Galerie David Jones, 8 Rue Rossini, Paris ] Lorenzo di Credi (Firenze 1459 - 1537) A Study for an Arm. Metal-Point with White Gouache Highlights on Pink Prepared Paper. 200 × 114 mm.
Attributed works:
[ Galerie Fischer Auktionen Ag., Haldenstrasse 19, Lucerne ] Jacob Van Ruisdael (Haarlem 1628-1682 Amsterdam). A Wooded Landscape with Ruin. Oil on Canvas, 54 × 67 cm, Signed.
Attributed works:
[ Galerie Kornfeld, Laupenstrasse 41, Bern ] Camille Pissarro. Rue de Village avec trois Paysannes causant à gauche (Valhermeil). Gouache. 1881. 29 × 48.5 cm. Pissarro-Venturi 1344.
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger Hof, 85452 Moosinning, Munich ] Adrian Zingg. (St Gallen 1734 - 1816 Leipzig) Summer Landscape with People Walking Beneath Trees Pen and Black Ink with Brown Wash on Paper: Watermark J. Whatmann, 1794 21 1/8 × 16 1/4 Inches (53.7 × 41.9 cm)
Attributed works:
[ Hill-Stone, New York ] Jan van de Velde II (1593 - 1641). The Star of Kings, a night piece.
Attributed works:
[ Kate Ganz Ltd., Jason McCoy Inc. 41 East 57th Street, New York ] Louis Vincent Léon Pallière. Study for Tobias Returning Sight to His Father. Oil on Paper, 19.5 by 23.7 cms. Dated 1819
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Francesco Fontebasso (1709 - Venezia - 1769) Rest on the Flight to Egypt. Pen and Black Ink, Reddish-Brown Wash, Heightened with White; 480 × 346 mm
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Giovanni Maria Morandi. Firenze 1622 - 1717 Roma. Centaur Playing a Lyre for Roman Soldiers. Red Chalk, Red Wash, Some Pale Brown Wash and White Heightening 200 by 294 mm
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Nicholas Beatrizet called Beatricetto. Laocoön, after the Marble Group in the Vatican Engraving. Bartsch 91.
Attributed works:
[ Olympia, The Fine Art and Antiques Fair, London ] Unknown Lady by Thomas Hudson (Detail), Circa 1747-50, by Permission of the Governors of the Dulwich Picture Gallery.
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Valerio Castello Genoa 1624 - 1659. The Massacre of the Innocents Oil on Canvas, 30 1/4 × 39 1/3 Inches (76.8 × 100 cm.)
Attributed works:
[ R.S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] After Michelangelo Buonarroti (1475-1564). A Study for the Tomb of the Medici
Attributed works:
[ Richard L. Feigen & Co, 49 East 68th Street, New York ] A Century of Landscape Painting England and France 1770-1870
Attributed works:
[ The Artemis group, David Garritt Limited/ Artemis Fine Arts Limited, 15 Duke Street, St James's, London ] Albrecht Dürer The Holy Family with Three Hares Woodcut, c.1497, 387 × 280 mm. A Very Fine Meder A Impression on Paper with an Imperial Orb Watermark
Attributed works:
[ The International Fine Art Fair, New York ] A.-E. Michallon (1796-1822), View of Lac Leman, Geneva Oil on Paper, 22 × 43.5 cm. Executed ca. 1821
Attributed works:
[ The International Fine Art Fair, New York ] Adam Franz van der Meulen. Meeting of Philip IV and Louis XVI Jack Kilgore. Stand no. F.1
Attributed works:
[ The International Fine Art Fair, New York ] Albert Gustaf Aristides Edelfelt, News of the Day Thomas Colville, Stand no. E.5
Attributed works:
[ The International Fine Art Fair, New York ] Albert Marquet. Amsterdam Brame & Lorenceau, Stand no. F.5
Attributed works:
[ The International Fine Art Fair, New York ] Bernardo Strozzi. Study of St Peter. Katrin Bellinger, Stand no. E.12
Attributed works:
[ The International Fine Art Fair, New York ] Catharina Treu. Still Life with Fruit Richard Green, Stand no. E.3 & 4
Attributed works:
[ The International Fine Art Fair, New York ] Claude-Joseph Vernet. S. Giorgio in Velabro, Rome. Flavia Ormond, Stand no. B.14
Attributed works:
[ The International Fine Art Fair, New York ] Emily Mary Osborn A Study for 'Nameless and Friendless' Maas Gallery, Stand no. A.8
Attributed works:
[ The International Fine Art Fair, New York ] Giuseppe Gambarini. Peasant Family with Musicians Hazlitt, Gooden and Fox. Stand no. D.5
Attributed works:
[ The International Fine Art Fair, New York ] Jacopo Bassano & workshop. Annunciation to the Shepherds Alex Wengraf, Stand no. A.11
Attributed works:
[ The International Fine Art Fair, New York ] Jean-Bernard Restout. The Pleasures of Anacreon Didier Aaron, Stand no. D.6
Attributed works:
[ The International Fine Art Fair, New York ] Jean-Louis-André-Théodore Géricault. Execution in Rome W. M. Brady & Co., Stand no. B.8
Attributed works:
[ The International Fine Art Fair, New York ] Luca Cambiaso Holy Family with St John the Baptist. Jean-Franois Baroni, Stand no. B.13
Attributed works:
[ The International Fine Art Fair, New York ] Philip Gyselaer. Joseph Explaining Pharaoh's Dream Daphne Alazraki, Stand no. F.7
Attributed works:
[ The International Fine Art Fair, New York ] Puvis de Chavannes. Allegory of History. Ratton & Ladrière, Stand no. F.8
Attributed works:
[ The International Fine Art Fair, New York ] William Hogarth. Character and Caricatura. Thomas Williams, Stand no. A.2
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Emil Nolde. Junges Paar (Young Couple). 1913. Colour Lithograph on Japan. 61.8 × 50.4 cm ($24frac{3}{8}times 19frac{7}{8}$ in.) Signed and Inscribed. Schiefler/Mosel 52 Estimate: DM 300,000 - 400,000
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Max Beckmann. Bruder und Schwester (Brother and Sister). 1933. Watercolour and Brush on Bütten Paper 64.9 × 50.5 cm (25½ × $19frac{7}{8}$ in.). Signed and Dated
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Pierre-Paul Prud'hon (Cluny 1758-1823 Paris) Pyrrhus and Andromache, c. 1793 Black Chalk Heightened with White, Pen & Brown Ink on Buff-Coloured Paper. $10frac{1}{16}times 7frac{1}{16}$ Inches (255 × 195 mm)
Western art unattributed:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] An Italian Gilt Bronze Statuette of St Sebastian 16th Century Height: 37 cm
Western art unattributed:
[ Wiener Kunst Auctionen, Kärntner Ring 5-7, Wienna ] Suzani Lakai Embroidery Usbekistan, 2nd Half of 19th Century, Silk on Silk Emproidered, 136 × 176 cm
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Advertisements November 1995 (front)
11/1995 | 1112 | 137
Pages: i-xxviii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Artemis Group, David Garritt Limited, 15 Duke Street, St James, London ] Rembrandt Harmensz. van Rijn 1606-1669. Nude Woman Seated with Hat beside Her, 1658, Etching Printed on Japan Paper, 196 × 129 mm. B.199
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit Le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Circa 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk. 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ Bassenge, Erdener Strasse 5A Berlin - Grunewald ] After Pieter Brueghel the Elder. The Witch of Mallegem. Engraving. Bastelaer 193, Hollstein 193 I-II (Of V). An Unrecorded State before the Letters in the Lower Plate-Margin.
Attributed works:
[ Bruno Scardeoni, Via Nassa 54, Lugano ] Bernardo Strozzi (Genoa, 1581/2 - Venice, 1644). "Saint Ann (?)". Oil on Canvas, 43.5 × 56 cm
Attributed works:
[ Bukowski's, Aresnalsgatan 4, Stockholm ] Giovanni Panini. His School. Oil on Canvas. (128 × 172).
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan & 11 quai Voltaire, Paris ] A Small Rock Crystal Cup. Byzantine Period. 9.5cm High - 17cm Wide
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 21 East 67th Street, New York ] Theodore Gericault Rouen 1791 - Paris 1824. The Bride of Abydos. Oil on Paper Laid down on Canvas: 17 × 19 cms Stretcher Bears Label with the Following Inscription: Le Gidour (sic) par Gericault donne au duc de Nemours par le general Bro. Scene de pirate. Chateâu d'Eu 1850. Reverse of Canvas Stamped with Number, 15344, and a Crown above a Monogram Reputedly of the Orleans Family.
Attributed works:
[ Compagnia di Belle Arti, Via Olmetto 17, Milan ] Vittore Ghislandi, Called Fra Galgario 1655 - Bergamo - 1743. Portrait of a Gentleman. Oil on Canvas. 100 × 73 cm
Attributed works:
[ Cover ] Virgin and Child with Sts Peter and Paul, by Giuseppe Cesari, Called Il Cavaliere d'Arpino. 1608-09. 174.2 by 119.9 cm. (Nelson-Atkins Museum of Art, Kansas City; Purchase: Nelson Trust [91 14]).
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Theodor Hosemann. The Admired Groom. Oil on Canvas. 1869. Signed and Dated.
Attributed works:
[ F. Dörling Auctioneers, Neuer Wall 40, Hamburg ] Tsugouharu Foujita. Filette au fichu. Watercolour and Indian Ink. 1939. Signed and Dated.
Attributed works:
[ Galerie d' Arte Armondi, S. R. L, C.so Palestro, 37/B, Brescia ] The Holy Family with St John the Baptist by Andrea del Brescianino (Siena XVIth c.). Oil on Panel, 104 × 83 cm.
Attributed works:
[ Galerie Francois Antonovich, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] The Judgement of Solomon and Samson and the Lion. Two Reliefs by Martin Desjardins (van den Bogaert) (Breda 1640 - Paris 1694). Sculptor to Louis XIV. Dimensions: 0.78 × 1.20m, for Each Relief. Limestone
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Giovanni Battista Gaulli, Known as Il Baciccio (1639 - 1709). Marco, Cardinal Gallo. Oil on Canvas, 74 × 59,5 cm.
Attributed works:
[ Hill-Stone, New York ] Lorenzo Sabbatini c. 1530-1576. The Dead Christ Supported by Angels. Etching, after the Painting in Bologna.
Attributed works:
[ Kate Ganz Limited, New York ] Domenico Zampieri, Called Domenichino. Bologna 1581 - Naples 1641. Landscape with Trees, a Town, a Horse and Rider and Some Figures Pen and Brown Ink on Ivory Coloured Paper. $7frac{1}{8}times 4frac{1}{4}$ × 4¼ Inches. 18.1 × 10.8 cms.
Attributed works:
[ Marcello Aldega Margot Gordon, New York ] Jean-Baptiste Wicar, 1762-1834. Black Chalk, White Heightening. 278 × 97mm. Preparatory for La Résurrection du fils de la veuve de Naïm, 1816
Attributed works:
[ Neumeister Fine Art Auctioneers, Barer Strasse 37, Munich ] Abraham Hondius (1625 Rotterdam - 1695 London), Setting-Out with Falcons. Signed and Dated 1654. Oil on Panel. 95 × 124 cm.
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Enea Vico (Parma 1523-1567) Punishment of the Courtesan Who Had Mocked Virgil, after Perino del Vaga. Engraving, 1542. Bartsch 46, Only State
Attributed works:
[ Olympia Fine Art & Antiques Fair, London ] Alfred Lord Tennyson by Samuel Lawrence (Detail), Circa 1840, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Edouard Manet, Civil War, 1871-1873
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Jacopo Bellini Venice, c. 1400 - 1470/71. Two Saints, Parts of an Altarpiece, Circa 1440/1450. Tempera and Gold on Panel, Each 89 × 28.5 cm. (Painted Surface: 86.4 × 24 cm.)
Attributed works:
[ R. S. Johnson Fine Art, 645 n. Michigan Ave., Chicago ] Edgar Degas (1834-1917). Ht: 321 mm.; $12frac{5}{8}$ Inches. Femme s'essuyant (Bronze), 1896-1911. No. 43/0 (Ref: Rewald no. LXXII)
Attributed works:
[ Richard L. Feigen & Company, 49 East 68th Street, New York ] Lavinia Fontana, Holy Family with Infant St. John the Baptist and Saint Catherine, Circa 1570-75, Oil on Panel, 85 × 66 cm.
Attributed works:
[ Villa Grisebach, Fasanenstrasse 25, Berlin ] Hermann Max Pechstein. Fisherman. 1909. Oil on Canvas. 96.5 × 71.1 cm. (38 × 28 in.) Monogrammed and Dated. Estimate: DM 350,000-450,000
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Giambattista Tiepolo (Venice 1696-1770 Madrid), Portrait of Giulio Contarini, after the Bust of Alessandro Vittoria. Oil on Paper, 310 × 200 mm (12¼ × $8frac{7}{8}$ Inches). Inscribed Upper Left, Tiziano Vecelli
Non-western art unattributed:
[ Grace Wu Bruce Co., Ltd, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Huanghuali Wine Table, Chinese, Late 16th to Early 17th Century
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] A Chinese Painted Pottery Figure of a Musicienne. Sui Dynasty (A. D. 581-618). Height $8frac{3}{4}$ Inches (22.2 cm)
Western art unattributed:
[ Donati Arte Classica, Via Nassa 3, Lugano ] Torso of a Young Man. Standing Nude Figure, Wearing a Short Cloak. Roman, 1st-2nd c. A. D. Marble, ht. 38 cm.
Western art unattributed:
[ Trinity Fine Art Ltd & Michael Tollemache Limited, Newhouse Galleries Inc., 19th East 66th Street, New York ] Two Mosan Enamelled Plaques of Christ Blessing. Circa 1160-70, Gilt Copper, 7.4 × 7.4 cms. and 7.2 × 7.2 cms.
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01/1995 | 1102 | 137
Pages: i-xvi
Subjects
advertisements:
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artists:
subjects:
Illustrations
Attributed works:
[ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London ] Karel Philips Spierincks Called Carlo Filipo 1609 - Brussels - Rome - 1639. Apollo and Hyacinth. Oil on Canvas, 88.5 × 84.5 cm ($34frac{3}{4}$ × 33¼ Inches)
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Claude Gellée dit le Lorrain (1600 - 1682). "View of an Imaginary Port". France, Cica 1640-1645. Pen and Sepia Ink with Sepia Wash over Traces of Black Chalk 5¼ × $7frac{3}{4}$ Inches (13.4 × 19.8 cm)
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Eugen N. Neureuther. Illustrations to G. A. Bürger's Ballad "Lenore". Pen and Black Ink, Water-Colours and Body-Colour. Signed and Dated. 1835. 420 × 282 mm. Von Boetticher 72.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Jean-François de Troy (Paris 1679 - Rome 1752). La Sainte Famille. Oil on Panel - 26.5 × 25.8cm. Signed "De Troy Fils" - Dated 1732
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Giovanni David (1743-1790). An Allegory of the Wool Guild, with Athena and Fates Pen and Grey Ink and Wash, Heightened with White and Yellow, 16¼ × $9frac{3}{4}$ ins
Attributed works:
[ cover ] The Judgment of Solomon, by Nicolas Poussin. 100 by 150 cm. (Louvre, Paris).
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Luigi Garzi (1638-1721). The Finding of Moses. Oil on canvas. 312 by 221 cms
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter Neefs the Elder. Antwerp 1578-1656. Panel, Signed and Dated 1612. 36,8 × 31,2 cms
Attributed works:
[ Otto Nauman, Ltd, 22 East 80th Street, New York ] Simon Pietersz. Verelst (1644-1721). An Opium Poppy and other Flowers in a Glass Vase.
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Giovanni Paolo Pannini. Piacenza 1691 + Rome 1765. Antique Architectural Capriccio. Pen and Brown Ink, Brown and Indian Ink Wash, 715 × 453.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Nicolas Poussin. Saint Denis couronné par un ange. Oil on Canvas, 173 by 107.5 cms. Musée des Beaux-Arts, Rouen.
Attributed works:
[ Schlichte Bergen, P. C. Hooftstraat 53, Amsterdam / Velazquezstraat 8, Amsterdam ] Jacob Jordaens Antwerp 1593 - 1678. Study of a Man's Head by Candlelight. Oil on Paper Laid down on Panel, 38.5 × 26cm
Attributed works:
[ The Olympia Antiques Fairs, Exhibition Centre, Warwick Road, London ] Gwen John Self Portrait (Detail), Circa 1900, by Courtesy of the National Portrait Gallery, London.
Attributed works:
[ Thomas Colville Fine Art, 58 Trumbull Street, New Haven / 1000 Madison Avenue, New York ] The Three Oaks, c. 1835-40. Oil on Canvas. 20 × 29¼ Inches Initialed Lower Right J. D.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Beaker, façon de Venise Netherlands. ca. 1700. Colourless Glass with Chips of Red, White and Yellow Glass Embedded in the Surface: Trailed and Milled Foot-Rim: Kicked-in Base with Pontil-Mark, Height 18.6 cm.
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12/1994 | 1101 | 136
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Christie's, 502 Park Avenue, New York ] Jacopo del Casentino: (active 1339-died between 1349/58). A Portable Tabernacle: The Madonna and Child enthroned with a Royal female Saint, a Bishop Saint, Saints John the Baptist, Peter and adoring Angels; The wings: the Nativity; and the Crucifixion, with the Annunciation above. Tempera on gold ground panel. Centre: 16 × 8 in. (40.6 × 21.6cm.) wings: 16 × 5 in. (40.6 × 14cm.) Estimate: $250,000-350,000. Property from the Collection of Carel Goldschmidt.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Pierre Henri de Valenciennes. Toulouse 1750 - Paris 1819. An Ideal Classic Landscape with Washerwomen around a Fountain. Oil on Canvas: 205.7 × 162.8 cms. Signed and Dated at lower Right: Valenciennes 1809
Attributed works:
[ cover ] Detail of a Crucifix, Attributed to Andrea del Verrocchio. Limewood and Cork with Stucco and Polychromy, 87 cm High (Whole). (Confraternity of S. Francesco Poverino, Florence).
Attributed works:
[ Flavia Ormond Fine Arts, 24 Brechin Place, London ] Ubaldo Gandolfi, 1728 - 1781. Christ and the Woman of Canaan. c. 1763 - 5. Pen and Brown Ink and Brown Wash over Black Chalk. 212 × 295 mm.
Attributed works:
[ Galerie Sanct Lucas, Palais Pallavicini, Josefsplatz 5, Vienna ] Pieter van LAER. Born between 1582 and 1613 in Haarlem, Died There Approx. 1642 Copper, 9,6 × 11,8 cms.
Attributed works:
[ Hill-Stone, New York ] After Pieter Brueghel, the Elder c. 1525 - 1569 The Battle of the Money-Bags and the Strong-Boxes.
Attributed works:
[ Joanna Barnes Fine Arts, 14 Mason's Yard, Duke Street, St. James, London ] Cardinal Cheverus by Pierre-Jean David d'Angers (Angers 1788 - Paris 1856) Terracotta. H. 49cm Signed: David
Attributed works:
[ Olimpia Theodoli, 55 Cambridge Street, London ] Pietro Testa (1611-1650) The Lyceum of Painting. Etching, c. 1638 (Cropper 41, II/II)
Attributed works:
[ Otto Naumann, Ltd., 22 East 80th Street, New York ] Antiveduto Gramatica (1571 between Siena and Rome - 1626 Rome) Samson and Delilah (One of a Pair) in Its Original 17th Century frame
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Anthonie Palamedesz. (1601-1674). Cavaliers and Ladies Making Music. Signed and Dated 1634. Panel: 23½× 26¼in/52 × 66.5 cm
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York] Abraham Bloemaert, Miracle of the Loaves, 1593. Oil on Canvas Laid down on Panel 15 by 19¼ Inches (38 by 49 cm.) Indistinctly Signed and Dated, lower Right: "A Bloemaert/fecirir 1593"
Attributed works:
[ Sam Fogg, 35 St. George Street, London ] A Seraph, from the Ceiling of the Painted Chamber at Westminster. Painted in about 1265, Probably by Walter of Durham, 'The King's Painter'. Oil on Panel; 45 × 42 cm.
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Giuseppe Bernardino Bison (1762-1844). A Lady and Gentleman Looking out of an Ornate Window. Pen and Brown Ink and Wash and Watercolour. 305×197mm. Estimate:$12,000-$16,000
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] Pierre-Paul Prud'hon (1758-1823). Study for the "Glorification of the House of Burgundy" (Glorification of the Prince de Condè) Oil on Canvas, 136.5cm × 84.5cm). Estimate:$100,00-$150,000.
Western art unattributed:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Mater Sapientiae. Franconian (? Ca. 1450). Watercolour, Coloured in Redbrown, Greybrown, Pale Yellow and Light Green. Schreiber II, 1046. Unique.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Marriage Goblet for Georg Wolf von Tettau and his wife Dorothea von Wallenfels, Hall in Tirol?, dated 1586. Colourless glass, blown and free-formed, diamond-engraved. Bowl diamond-engraved with the alliance coat-of-arms of Georg Wolf von Tettau and his wife Dorothea von Wallenfels. Above the arms the initials of the married couple GWVT (Georg Wolf von Tettau) and DVWF (Dorothea von Wallenfels) as well as the wedding date 1.5.8.6.; framing scriptband with continous inscription: ICH. STELL. MEIN. SACH. ALLEIN. ZV. GOTT. DER. WIRT. MIR. HELFEN. IN. ALLER. NOT. (I trust in God who will help me in distress.) Height 39.8 cm - 41.2 cm. Upper diam. 26.4 cm.
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] ATTAVANTE Miracle of San Michele on Monte Gargano. Florence, 1480 Circa. Tempera on Vellum, Cut to Shape, 265 × 280 mm. Musical Annotations on Four-Line Stave and Fragments of Text in round Gothic Script on Reverse (Super eum Spiritum Meum) Annotation in Ink, Bottom-Left: 1834 W. E. 324 Master Unknown.
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06/1994 | 1095 | 136
Pages: i-xl
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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03/1990 | 1044 | 132
Pages: i-xlviii
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
artists:
artists:
artists:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Interior Scene in a Kitchen. Pen and Brown Ink, 208 × 149 mm
Attributed works:
[Anna Maria Edelstein, Robyn Symes 25 Jermyn Street St James, London] Cherubino Alberti (Borgo San Sepolcro 1553-Rome 1615). Recto: The Farnese Hercules Seen from behind Admired by Two Ladies. Red Chalk. Verso: A Draped Seated Female Figure, Possibly Diana, with a Dog by Her Side, Both Holding a Stone. Pen and Brown Ink with Brown and Red Washes. 158 by 112 mm.
Attributed works:
[Arnoldi - Livie, Galeriestra. 2B, Munich] Maarten van Heemskerk (Heemskerk 1498-1574 Haarlem). Three Acts of Mercy. Pen and Brown Ink. 19.5 × 24.9cm. Signed and Dated Heemskerk Inventor 1566.
Attributed works:
[Art London Olympia (Art France, 36 avenue Matignon, Paris)] Cathelin, Champ de blés au pied du Vercors.
Attributed works:
[Arturo Cuellar - Nathan, Ramistr. 29, Zurich] Baldasare Franceschini il Volterrano (1611-1689). Young Man in Armour (Study for the Frescoes at the Villa della Petraia). 26.6 × 18.7 cm. Charcoal Heightened with White Chalk.
Attributed works:
[C.&J. Goodfriend, 61 East 77th Street, New York] Francois Boucher (1703-1770): Tête de Bourgeois portant Lunettes, Etching, Baudicour 21, Jean-Richard N. D., 110 × 69 mm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf / 61 East 77th Street, New York] Adolph von Menzel. Hans Karl von Winterfeldt. (c.1850). Black Chalk, Brush and White Bodycolour. 292 × 218 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honore, Paris] Edmé Bouchardon: Study for Autumn. Red Chalk. H. 432 mm; L. 300 mm. Study for One of the Reliefs of the Fontaine de Grenelle in Paris (1739-1745).
Attributed works:
[Chamberlin Gallery Molly Klobe, 121 East 79th Street New York]Théophile-Alexandre Steinlen (1859-1923). Portrait of an African Sailor 1921. Black, White, Blue & Red Chalk on Paper. $24frac{5}{8}times 18frac{3}{4}$ Inches (62.6 × 47.5 CM)
Attributed works:
[Claude Kuhn, Schneidergasse 2, Basel] Jean-Baptiste Greuze 1725-1805. Le désespoir amoureux. Pen and Brown Ink, Grey Wash, 32.8 × 23 cm
Attributed works:
[David Jones, 8 rue Rossini, Paris] Nicolas de Plattemontagne Paris 1631-1706. Sheet of Studies. Red and Black Chalk Heightened with White. 284 × 424mm.
Attributed works:
[Dorotheum, Dorotheergasse11, Vienna] Bartolome Esteban Murillo (Sevilla 1618-1682). "Las dos Trinidades", Oil on Canvas, 52 × 36,5 cm, Framed; Prof. Dr. E. Perez Sanchez, Director General of the Prado Museum in Madrid, Will Publish This Painting in "Archivo Espanol de Arte". Preparatory Study Murillo's for His Important Late Work "Las dos Trinidades" (Oil on Canvas, 293 × 207 cm) in the London National Gallery.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Leo Laporte - Blairsy la Voie Lactée. Silvered Bronze Lamp with Daum Glass Shade
Attributed works:
[European Fine Arts, 6 Lower Merrion Street, Dublin] Johann Schweyer. 1596 Graz 1676. Upper Rhine Landscape with Small Harbour. Signed. Sanguine Drawing 18.5 × 26.4 cm.
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Georges Rouault, 'Cirque - Clown et enfant au chien', Circa 1925-1930, Gouache, 51.5×38 cm (20¼×15 in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Restout (1692-1768). A Nude Man Seated, Leaning and Turning to the Right. Black and White Chalks on Cream Paper. $16frac{5}{8}times 20frac{3}{8}$ Inches; 424 × 520 mm. Signed by the Artist at the Lower Right: Restout Fecit/1734: And in Brown Ink: 109: Lower Left in Brown Ink: A. R. No. IX.
Attributed works:
[Front Cover] Portrait of a Man, Workshop of Hans Holbein the Younger. Panel, 30.5 cm Diameter. (Metropolitan Museum of Art, New York).
Attributed works:
[Galerie 27, 27 rue de Seine, Paris] Picasso. Femme debout. Sculpture en tôle découpée. Hauteur: 42.5 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] François-Joseph Navez (1787-1869), Anacreon and Orpheus, Signed and Dated "F. J. Navez 1822". Canvas, 66,5 × 82 cm.
Attributed works:
[Galerie de Bayser S.A., 69 rue Sainte-Anne, Paris] Jacob Jordaens (1593-1678). Le Christ et les pélerins d'Emmaüs Pierre noire, plume et encre brune, rehauts de gouache bleu, vert et blanc, sur papier beige en plusieurs feuilles assemblées. 24,2 × 30,5 cm.
Attributed works:
[Galerie de la Scala, 68 rue La Boetie, Paris] François Bonvin (1817-1887). "Femme assise". 25 × 16 cm. Signed and Dedicated "A Son vieil ami Ducasse"
Attributed works:
[Galerie Sabrina Forster, Poststrasse 3, Dusseldorf] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). Castle with Boccia Players. Pen and Brown Ink. 27.2 × 42.9 mm.
Attributed works:
[Galerie Siegfried Billesberger, Billesberger Hof, D8059 Moosinning, Munich] Belisario Corenzio (Achaia 1560-1643 Naples). Harbour Scene with Slave Market. Pen and Brown Ink over Red Chalk. 195 × 263 mm. Provenance: Prof. J. Isaacs and Kurt Meissner.
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Edouard Vuillard 'La Chemise Blanche'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich] Henri Fantin-Latour 'Nature Morte au pot blanc'
Attributed works:
[Glennie's, Wensum Hall, Wensum Street, Norwich]Claude Monet 'The Seine at Vétheuil'
Attributed works:
[Guy Loudmer, 18 rue de Provence, Paris] Maurice de Vlaminck - "Les pêcheurs à Nanterre" (1906). Oil on canvas, signed at lower left titled and countersigned on reverse. 81 × 100 cm. Exhibitions:- "Plaisirs de France" Galerie Charpentier, Paris, 1951, n° 191 (titled "Pêcheurs à la ligne") - "Plaisirs de la Campagne" Galerie Charpentier, Paris, 1954, n° 178 - "L'Œuvre de Vlaminck du fauvisme à nos jours", Galerie Charpentier,, Paris 1956. - "Les Fauves", Galerie Charpentier, Paris, 1962, n° 148.....
Attributed works:
[Jean Lupu, 43 rue de Faubourg Saint Honore, Paris] Jan Sanders van Hemessen (Hemiksen Circa 1500-1565 Haarlem). "The Virgin with the Child", Circa 1534, Panel 113 × 83 cm
Attributed works:
[Jean Willems, Rue Ernest Allard 5, Brussels] Sebastien Leclerc Metz 1637-1714 Paris. The Siege of a Town in the Lower Netherlands. Pen and Grey Ink and Wash 228 × 261 mm
Attributed works:
[Kate de Rothschildt] Baron Dominique Vivant-Denon (1747-1825). Study of a Young Girl Playing with a Giant Poodle 'tondu en lion'
Attributed works:
[Katrin Bellinger, Rauchstrasse 2 Munich/ 12 Duke Street, London] Giulio Campi Cremona 1502-1572 Cremona 'Diana with Putti, Carrying a Vase'. Pen and Brown Ink, Brown Wash, Heightened with White; Squared. 160 × 290 mm.
Attributed works:
[Marcello Aldega Margot Gordon] Battista Franco Udine 1510? - Venezia 1580. Red Chalk, Beige Paper
Attributed works:
[Marlborough, 6 Albemarle Street, London] Reflection on the Drawings, 1989. Oil on Canvas, $57frac{1}{2}times 44frac{3}{4}text{in}$./146×114cm.
Attributed works:
[Moatti, 77 rue des Saints - Peres, Paris] Giovanni-Domenico Tiepolo (1727-1804). Christ Received into Heaven. Signed. Black Chalk, Pen and Grey Ink, Brown Wash on Paper. 265 mm × 175 mm
Attributed works:
[Pace, 32 East 57 Street, New York] Giovanni Battista Tiepolo 1696-1770. A Caricature of a Portly Man Wearing a Frock Coat. Pen and Black Ink with Grey Wash. 211 × 145mm. From the Album Tomo Terzo di Caricature
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones Bt Ara 1833-1898. William Morris Climbing a Mountain in Iceland. Pencil on Paper 6½ × 4 Inches, 16.5 × 10 Centimetres.
Attributed works:
[Phillips, 101 New Bond Street, London] Edgar Degas, La Sortie du Bain; Charcoal and Pastel, Circa 1895-98, 90cm × 80cm.
Attributed works:
[Phillips, 101 New Bond Street, London] Ivan Vasilievich Kliun (1873-1942), Composition; Oil on Canvas, 47cm x 35cm. Executed in 1920.
Attributed works:
[Phillips, 101 New Bond Street, London] Paul-Theodor van Brussel (Zind-Polsbroek 1754-1795 Amsterdam). A Still-Life of Assorted Flowers and Fruit Including Poppies, Tulips, Grapes and Peaches upon a Stone Ledge before a Landscape. Signed and Dated 1794, Oil on Panel, 79cm × 62.5cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 113 East 79th Street New York] Adam Pijnacker, Landscape with Cattle. Oil on Canvas, 39¼ by 52 Inches (99.7 by 132.1 cm). Signed, Bottom, Left of Centre [On the Rock]: "A Pynacker"
Attributed works:
[Sotheby's 34-35 New Bond Street, London] Joachim Wtewael (Utrecht 1566-1638), The Wedding of Peleus and Thetis, Dated l.r. 1612, Oil on Copper, 36.5 by 42 cm (14¼ by 16½ in). Estimate: £600,000-800,000
Attributed works:
[Spencer A. Samuels, 39 East 72nd Street, New York] William Hogarth (1697-1764). Hudibras Visiting Sidrophel. Pen and Brown Ink over Pencil $4frac{3}{8}times 3frac{3}{8}$ Inches (123 × 75 mm). Before 1725.
Attributed works:
[The 70th Chelsea Antiques Fair, London] A Late 18th-Century English Bracket Clock. The Case of Fine Mahogany. The Dial Finely Engraved and Silvered. Signed: Wright, Chelmsford. Circa 1790.
Attributed works:
[The 70th Chelsea Antiques Fair, London] George III Silver Gilt Cup and Cover. London 1781. By John Denziloe. The Arms Are of Archibald Acheson, at That Time Baron Gosford of Market Hill, Co. Armagh, Ireland. Height: $10frac{3}{8}$ Inches.
Attributed works:
[The European Fine Art Fair] A Very Fine Cased Set of Presentation Pistols Made by Gastinne Renette, c. 1854. Paris Exhibition 1854
Attributed works:
[The European Fine Art Fair] Albrecht Dürer 1471-1528. The Small Horse. Engraving, 1505, 164 by 109 mm.
Attributed works:
[The European Fine Art Fair] Emanuel de Witte. The Interior of the Oude Kerk, Amsterdam - Signed and Dated 1679. Oil on Canvas, 20.5 by 70 cms.
Attributed works:
[The European Fine Art Fair] Jan van Goyen, 1596 Leiden-The Hague 1656. A Beach Scene. Panel: $15frac{3}{8} text{by} 22frac{5}{8}$ Inches (39 by 57.5 cm.). Signed with Monogram and Dated 1652
Attributed works:
[The European Fine Art Fair] Jean-Baptiste François Pater (Valenciennes 1695-1736 Paris). Le Sultan au Jardin. Oil on Canvas, 60 × 73 cm. Signed: Pater
Attributed works:
[The European Fine Art Fair] Paulus Bor, Still Life with Chest, Saddlebag, Open Book and Other Objects on a Table Before a Window, 1630. Oil on Panel, 22 by 30 Inches (56 by 76 cm.). Signed (On Open Book): "P Bor 1630"
Attributed works:
[The European Fine Art Fair] Quiringh Gerritsz. Van Brekelenkam Zwammerdam, c. 1620-1668 Leiden. An Interior with a Family. Panel: $23frac{3}{8} text{by} 32frac{3}{4}$ Inches (59.5 by 83.2 cm.)
Attributed works:
[The Fine Art Society, 148 New bond Street, London] Frances McNair 1874-1921. L'Esprit de la Rose, 1903. Pencil & Watercolour, 12½″ × 12½″ (32 × 32 cm.)
Attributed works:
[Thomas Le Claire, Elbchaussee 156, Hamburg] Hans Sebald Beham (1500 Nürnberg-Frankfurt 1550). A Standing Female Nude Seen from behind. Pen and Black Ink; Monogrammed and Dated. "HSB 1537". 145 × 94 mm.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Karl-Ernest-Rodolphe-Heinrich-Salem, Called Henri Lehmann (Kiel 1814-1882 Paris). Portrait of Edmond de Pertuis de Laillevault (1822-1904). Signed with the Initials and Dated, Lower Right, 23 Mars/1842/HL. Black Chalk on Cream Paper, 8½ × 6¼ Inches (215 × 160 mm)
Non-western art unattributed:
[Michael B. Weisbrod INC, 987 Madison Avenue, New York] Cloisonne Box and Cover. Qing Dynasty, Qianlong Period. Height: 12¼ in. (31.1 cm.). Width: $9frac{1}{8}text{in}$. (23.1 cm.). Depth: $7frac{5}{8}text{in}$. (19.3 cm.)
Non-western art unattributed:
[The European Fine Art Fair] Chinese Bracket Clock with Rosewood Cabinet, with Brass Mounts and Carrying Handle, Enamel Dial Decorated with Scrolling Flowers. Chinese, 19th Century
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14 rue de Marigan and 11 quai Voltaire, Paris] Keystone with Hercules and Amiral Bonnivet's Coat of Arms. Stone. Diam.: 20 cm. France, First Quarter of the XVIth Century. From the Castle of Bonnivet (Vienne), Built around 1520, Destroyed in 1788. Other Fragments of This Castle Can Be Seen in the Louvre and the Museum of Sainte-Croix in Poitiers.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Cipollino marble seated Togatus figure, adapted as St. Peter in the second half of the 16th century, with gilt bronze head, hands and feet, formerly in the Ludovisi Collection, 38.7cm (15¼in) high. Estimate: £250,000-350,000. The statue is documented in three inventories of the Villa Ludovisi in Rome, dated 1623, 1633 and 1665. In the early 1620s Cardinal Ludovico Ludovisi was forming one of the greatest collections of statuary and paintings of the period, including many antiquities.
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Advertisements November 1988 (Front)
11/1988 | 1028 | 130
Pages: i-lx
Subjects
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artists:
Illustrations
Attributed works:
[Agnew, 43 Old Bond Street, London] Harold Gilman. London Street Scene in Snow, 1917-1918. 19½ × 15¼ Inches (49.5 × 38.7 cms.). Oil on Canvas
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 1. Pieter Bruegel the older, Rocky landscape with castle and river valley. Inv.4595 Pen and brown and yellow ink, on white paper, 136 × 210mm. Signed and dated lower left corner "P Brvegel 1559". This drawing is the earliest of Bruegel's small landscapes.
Attributed works:
[Akademie der Bildenden Kunste, 32 Schillerplatz, Vienna] 2. Isack van Ostade, A Female Peasant Walking with a Boy, Inv.17.119 Pen and Brown Ink and Brown Wash over Graphite, on White Paper, 93 × 66mm.
Attributed works:
[Austin/Desmond, 15A Bloomsbury Square, London] Bryan Wynter (1905-1975). 'Cock in Landscape' 1949 Lithograph
Attributed works:
[Berggruen & Cie, 70 rue de l'Université, Paris] Picasso. Study for the Sculpture. "Ape and Baby" Green Crayon 21 × 13,5
Attributed works:
[Brand Inglis Limited, 9 Halkin Arcade, Motcomb Street, London] An Early 17th Century Parcel-Gilt Tazza. The Shallow Bowl Lightly Flat-Chased with Interlaced Strapwork Rests on an Elegant Baluster Stem and Circular Foot, all Similarly Flat-Chased. Maker's Mark: Two Bells. Perhaps N. Italian, Circa 1610. Height: 5½ Inches. Diameter: 6½ Inches.
Attributed works:
[C. & J. Goodfriend, 61 East 77th Street, New York] Baldassare Peruzzi (1481-1536), An Allegory of Liberality. Pen and Brown Ink and Wash with White Heightening on Pink Prepared Paper, Lightly Squared for Transfer, 335 × 185 mm. Strong No. 59; Frommel No. 66c, Plate XLIId. Ex Collection Sir Peter Lely (Lugt 2092); Earl of Pembroke; Irma N. Straus.
Attributed works:
[C. John (Rare Rugs) Ltd, 70 South Audley Street, London] An Aubusson tapestry, part of the series, Pastoral Scenes. The scenes in oval picture frame borders, on a foundation of Jaune damassé, are enhanced by festoons, swags of flowers and pendant trophies. Second half of the Eighteenth Century. 12′7″ × 8′2″
Attributed works:
[C.G. Boerner, 13 Kasernenstraße, Dusseldorf] Master Na Dat with the Mousetrap. The Two Armies at the Battle of Ravenna. Engraving. (c.1512/13). 151 × 221 mm Sheet Size. Bartsch XIII, 2. Hind V, 267,2, pl.850.
Attributed works:
[Christie's, Cornelis Schuytstraat 57, Amsterdam] Pieter Stevens, c. 1567 - After 1624: A Wooded Landscape with a Ruined Castle, Dated [15]97, Pen and Brown Ink and Watercolour, 213 × 333 mm. Estimate: £15,000 - £20,000; f150,000 - f170,000
Attributed works:
[Christopher Mendez, 58 Jermyn Street, London] Albrecht Dürer (1471-1528). Engraving. Lady on Horseback and a Lansquenet. Meder 84, State 'b', of 'd'
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Andrea di Vanni d'Andrea (1332-Siena-1413). Crucifixion. Tempera on Panel: 59 × 26 cm
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Bartolomeo Coriolano (Bologna Mid-17th Century). Buste d'Amor after Guido Reni. Chiaroscuro Woodcut. B.2. Size 297 × 374 mm
Attributed works:
[Daniel B. Grossman Galleries, 1100 Madison Avenue, New York] John Gibson (English, 1790-1866). The Sleeping Shepherd. White Carrara marble. 44½″h. × 40½″w. × 22½″ deep. (113.0 × 102.9 × 57.2 cm). Inscribed on the base: Johannis. Gibson Me fecit Roma. Executed Circa 1824
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] Rachel Ruysch (1664-Amsterdam-1750). Canvas, 32 × 25.8 cm. Signed and Dated 1695.
Attributed works:
[Editions Graphiques Gallery, 3 Clifford Street, London] Edgar Chahine: La Promenade 1902
Attributed works:
[Elisabeth Royer, 6 rue de Commaille, Paris] Jean-Léon Gérôme: Portrait d'Homme. Oil on Canvas 57 × 46,5 cm. Signed and Dated 1853.
Attributed works:
[Frederick Cummings, 146 West 57th Street, New York] James Jacques Joseph Tissot (1836-1902). Out Post Duty (Grand'garde, souvenir du siege de Paris) Black Chalk on White Paper. 6¾ × 5 Inches (17.1 × 12.7 cm.)
Attributed works:
[Galerie Charles & André Bailly, 25 quai Voltaire, Paris] B. E. Murillo. Le Christ au Jardin des Oliviers. 53,5 × 38,8 cm
Attributed works:
[Galerie de la Scala, 68 rue de la Boétie, Paris] Pieter Molyn (1595-1661). Landscape. 15 × 20 cm. Signed and Dated (1657) Lower Centre.
Attributed works:
[Galerie du Fleuve, 6 rue de Seine, Paris] Gligor Tchemersky. 'Les Insectes Viennent'
Attributed works:
[Galerie Gerda Bassenge, 5A Erdener Strasse, Berlin] Käthe Kollwitz (1867 Königsberg - 1945 Moritzburg). Die Klage (Zum Gedenken von Ernst Barlach). Bronze. 1940.
Attributed works:
[Galerie Perrin, 98 Faubourg Saint Honore, Paris] Jean-Baptiste Greuze 1725-1805. French School. Study of the Head of a Child for Une jeune enfant qui joue avec son chien (Salon of 1769, Representing the Third Daughter of the Artist). Edgar Munhall Has Kindly Confirmed This Identification. H. 31.5 cm; L. 24.9 cm. Charcoal and White Chalk on Brown Paper.
Attributed works:
[Galerie Pierre-Yves Gabus Gallery, 2022 Bevaix, Switzerland] Foujita « Le Colin-Maillard ». Tempera on Gold, 42×32 cm, Signed and Dated 1918 - Estimated 340 000 / 380 000 S. Ref. « La vie et l'œuvre de Foujita », by S. and D. Buisson.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] E W Godwin 1833-1866. A Design for Northampton Town Hall, 1861. Brown Pen & Washes. 17¾ × 23 Inches
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Adriaen de Gryef (1670-1715). 'Hunting Trophies'. Two Pendant Panels, Signed. 32 by 39 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Bartolomé Esteban Murillo. Seville 1618-1682. Virgin of the Flowers. Oval, 81 by 65 cm
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Christian George Schutz I, 1754. Landscape on the Banks of the Rhine. 50 by 119 cm.
Attributed works:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Giovanni Battista Salvi, Called Il Sassuferrato (1609-85). Copy of the Predella of Raphael's Vatican Coronation of the Virgin. Each Panel 27 by 51 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Circle of Cristoforo Orimina. Naples c. 1350
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Marten-Jacobsz van Veen Heemskerk 1498-1574
Attributed works:
[Heim Gallery Limited, 59 Jermyn Street, London] Louis Michel van Loo (Toulon 1707-Paris 1771). Portrait of the Président Jacques Julien, Comte Devin, His Wife Comtesse Devin and Their Son Jean Jacques Devin, Marquis de Fontenay. Signed and Dated 1767. Oil on Canvas 160 by 150 cms.
Attributed works:
[Henry Sotheran Limited, 80 Pimlico Road, London] Veduta del Sotterraneo. Etching. 715 × 455 mm. Fondamento del manusoleo. Etching for Le Antichità Romane. Rome. 1756. 1st Paris Edition 1800-1807.
Attributed works:
[Herbert Roman Inc., 17 East 77th Street, New York] John Rollin Tilton (1828-1888). The Ruins of Kom Ombos, Upper Nile, Egypt. Oil on Canvas, 30 × 48 Inches. Signed with Hieroglyphic Monogram Lower Right
Attributed works:
[Jacques Fischer - Chantal Kiener, 46 rue de Verneuil, Paris] Henry-Joseph Boichard. Né à Versailles en 1783. 'La générosité de Bayard'. Huile sur toile; signée et datéc: "Boichard 1827"; 90 × 117 cm.
Attributed works:
[Kate de Rothschild & Didier Aaron Inc., 32 East 67th Street, New York] Charles-Joseph Natoire (1700-1777). Christ on the Cross
Attributed works:
[Kate Ganz Ltd, 49 Maddox Street, London] Guido Reni (1575-1642) Study for The Nativity, 1642, Red and Black Chalk on Blue Grey Paper 28.4 × 17.2 cms.
Attributed works:
[Katrin Bellinger, exhibiting at Harari & Jones Ltd, 12 Duke Street, London] Rosalba Carriera Venice 1675-1757 Venice. Diana, Pastel on Paper 450 × 340 mm
Attributed works:
[Laurance D. Strapelias, Galerie del Borgo, 5 rue de l'Université, Paris] Louis Galloche 1670-1761. 522 × 415mm
Attributed works:
[Marc Villette, 12 rue de l'Abbaye, Paris] Jean-Charles Delafosse (Paris 1734-1791). Prison Gate. Pen and Grey and Brown Wash, Signed Bottom Left. On the Back of the Old Mount Is the Left-Hand Part of an Elevation by the Same Artist.
Attributed works:
[Marcello Aldega-Margot Gordon] Giovanni Francesco Barbieri detto il Guercino. Cento 1591 - Bologna 1666. Red Chalk, Buff Paper. 298 × 217 mm
Attributed works:
[Marlbourgh Fine Art (London) Ltd, 6 Albemarle Street, London] The Space Beyond 1988 Paint on Canvas and Board. 48 × 79in./122 × 200.7cm. Signed with Initials Lower Centre
Attributed works:
[Mathias F. Hans, Jungfernstieg 34, Hamburg] Francesco Ubertini. Bacciacca. Florenz 1494 - 1575. Portrait of Vittoria Colonna. Oil on Panel, 72 × 52 cm
Attributed works:
[Mia N. Werner, 36 East 44th Street, New York] P. F. Mola Caricature. Pen & Brown Ink & Wash. 13⅜ x 10⅜.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] Orazio Sammachini (1532-1577). 'The Flagellation of Christ'. Oil on Canvas, 18½ × 13½ ins.
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Jean-Louis Lemoyne (Paris 1665-1755). A Companion of Diana. Black and White Chalk. 368 × 157 mm.
Attributed works:
[Paul McCarron, 1014 Madison Avenue, Graham Gallery Building, New York] Kathe Kollwitz 1867-1945 Besuch im Krankenhaus. Woodcut, 277 × 359 mm., 1929 Klipstein 236, V/VIb. A Proof before the Final Edition of 130. A Brilliant Impression on Japan Paper.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris] Baldassare Franceschini dit Il Volterrano. Volterra 1611 + Florence 1689. Study for an Altar, Possibly Made for the Canonization of Santa Maria Maddalena de'Pazzi Which Was Celebrated in Florence in 1669. Red Chalk, Pen and Brown Ink. 383 × 250
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Aert Schouman, (1710-1792), "A Shoveler Duck on a River Bank," Signed Verso, with Initials, Dated 1755 and Inscribed. "Een Berg Eerd Nag Nict Half Levers Groot," Watercolour, 325mm × 245mm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Giovanni Bernardo Carbone, (1614-1683), "Portrait of a Young Nobleman Standing before a Red Curtain" Oil on Canvas 143cm × 117cm.
Attributed works:
[Phillips, 7 Blenheim Street, New Bond Street, London] Henri Martin, "Le Berger", Oil on Canvas, Signed, 65 cm × 100 cm. Estimate: £30,000-£40,000
Attributed works:
[Phillips, Hayes Place, Lisson Grove, London] Attributed to Abraham Bisschop, (1670-1731), "Still Life of Exotic and Domestic Fowl in a Landscape," Oil on Canvas, 99.8cm × 133cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jan van der Straet (Called Stradanus). The Charity of St. Nicholas. Black Chalk and Brown Wash Heightened with White on Paper Washed Light-Brown. 283 by 426mm
Attributed works:
[Société Labatut, 199 bis Boulevard Saint-Germain, Paris] Gabriel-François Doyen. The Death of Virginia. Canvas 77 × 129 cms
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] A Florentine Marble Bust of Christ by Giovanni Battista Caccini (Circa 1598), 72.5 cm High (28½ in). Estimate: £40,000-60,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jean-François Millet, La Provende des Oisons, Signed, Black Chalk and Pastel, 57 by 40cm (22½ by 15¾ in). Estimate: £300,000-400,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Sebastiano Mazzoni (Circa 1611-1678), Portrait of Two Small Girls, Oil on Canvas, 112 by 95cm (44 by 37½ in). Estimate: £80,000-120,000
Attributed works:
[Sotheby's, Monaco] Marinus van Reymerswael, The Two Tax Gatherers, Oil on Panel, 94 by 78cm (37 by 30¾ in). Estimate: FF2,400,000-2,800,000 (£240,000-280,000)
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Guillaume de Groot, A Mediaeval Soldier, Bronze, Signed, 165cm (65 in) High.
Attributed works:
[Sotheby's, Sporting d'Hiver, Place du Casino, Monte Carlo] Théodore Géricault, Mameluck Ramassant sa Lance, on the Reverse, Composition Classique (Circa 1810), Pen and Brown Ink Heightened with Charcoal, 17.3 by 22.1cm (7 by 9 in). Estimate: FF200,000-300,000 (£20,000-30,000)
Attributed works:
[Stair Sainty Matthiesen, 42 East 74 Street, London] Philip James De Loutherbourg (Strasbourg 1740-1812 London). Skating in Hyde Park. Signed and Dated 1776 Lower Left. Oil on Canvas. 36 1/16 x 48¾ Inches (89 × 124cms).
Attributed works:
[Stanza del Borgo, via G. Puccini 5, Milan] Domenico Campagnola, St. Sebastian, Pen and Ink, 318 by 217 mm, Dateable 1530.
Attributed works:
[Stephen Mazoh & Co. Inc., 43 East 75th Street, New York] Paul Cezanne Studies. Black Crayon and Pencil on Blue Paper 6 11/16 x 9⅞ Inches (17 × 25.1 cm.) 1867-69
Attributed works:
[The Leger Galleries, 13 Old Bond Street, London] Francis Towne. Naples, 1781
Attributed works:
[Thomas Le Clair, 156 Elbchausse, Hamburg] Giulio Campi (Cremona c.1505-1572). Danae, Pen and Brown Ink, Yellow and Grey Washes, White Heightening. 145 × 247mm.
Attributed works:
[W.M. Brady & Co., 3 East 76th Street, New York] John Hamilton Mortimer A. R. A. (1741-1779). Salvator Rosa. Signed and Dated 1776. Pen and Black Ink, 11 × 8¼ Inches (280 × 210 mm)
Attributed works:
[Wildenstein & Co. Inc., 19 East 64th Street, New York] H. Robert (1733-1808) 'Cascade in Tivoli'. Oil on Canvas: 24⅞ x 20 1/16 Inches
Attributed works:
[William Drummond at the Chinese Porcelain Company, 822 Madison Avenue, New York] James Seymour 1702-1752. Haute Ecole. Red Chalk 6½ × 7 Inches.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Toulouse-Lautrec: Un Monsieur et une Dame. Colour Lithograph. 1895. 12½" x 9⅜"
Attributed works:
[Yale University Press, 13 Bedford Square/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] Claude Lorraine, Scène de Brigands, 1633
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Large Chinese Seated Wood Figure of a Bodhisattva. Song Dynasty 960-1279. Height: 172cm
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Two Chinese Standing Wood Figures of Bodhisattvas. Late Tang Period 9-10th Century. Height: 142.3 and 144cm
Non-western art unattributed:
[Ming Furniture, 4400 N. Federal Hwy, Boca Raton, Florida] Ming Dynasty chi-ch'ih-mu Side or Altar Table - Circa 16th Century. Length: 71 ins (177 cm)
Western art unattributed:
[Christie's, 8 King Street, London] A late 11th or early 12th century Byzantine bronze incense burner, cast with scenes from the life of Christ, 4⅔ in. high. Estimate: £40,000-£60,000. A rare late 12th century Limoges copper gilt and enamel plaque of a bearded apostle, 7 × 3½ in. Estimate: £15,000-£20,000. An early 16th century Malines polychrome and gilt-wood group of the Virgin and Child, 15 in. high. Estimate: £8,000-£12,000.
Western art unattributed:
[Groupe Gersaint, 20 rue Danielle Casanova, Paris] Dutch school, 18th Century. Trompe l'œil, with Three Engravings. Superimposed over French Landscape Subjects. Oil on Canvas, Inscribed at Top. 73 by 54.5 cm
Western art unattributed:
[Trinity Fine Art Ltd, 23 Ellington Street, London] The Visconti/Annoni Marriage Bowl. Bronze. Lombard, c. 1580. Width 37.5cm.
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