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14 articles
Article
Girodet’s ‘Coriolanus taking leave of his family’ rediscovered
10/2023 | 1447 | 165
Pages: 1094–1105
related names
Author:
Wile, Aaron (Wile, Aaron)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Coriolanus taking leave of his family, by Anne-Louis Girodet de Roussy-Trioson. 1786. Oil on canvas, 114 by 146 cm. (National Gallery of Art, Washington).
Attributed works:
10. Horatius killing his sister Camilla, by Anne-Louis Girodet de Roussy- Trioson. 1785. Oil on canvas, 111 by 148 cm. (Musée Girodet, Montargis).
Attributed works:
11. Oath of the Horatii, by Anne-Louis Girodet de Roussy-Trioson Girodet after Jacques-Louis David. 1786. Oil on canvas, 130.2 by 166.7 cm. (Toledo Museum of Art).
Attributed works:
12. Death of Socrates, by Jacques-Louis David. 1787. Oil on canvas, 129.5 by 196.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of Fig.1, showing the pose of Coriolanus and his eldest son.
Attributed works:
14. Detail of Fig.1, showing the altar to the household gods.
Attributed works:
15. Scene from a deluge, by Anne-Louis Girodet de Roussy-Trioson Girodet. 1806. Oil on canvas, 494 by 341 cm. (Musée du Louvre, Paris; Photo Josse; Bridgeman Images).
Attributed works:
16. Intervention of the Sabine women, by Jacques-Louis David. 1799. Oil on canvas, 385 by 522 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Coriolanus leaving his family to fight against his fatherland, by Henri de Favanne. 1725. Oil on canvas, 97.5 by 130 cm. (Musée d’Auxerre; akg-images).
Attributed works:
3. Coriolanus taking leave of his wife to join the Volscians in their attack upon Rome, by Étienne Aubry. c.1780. Oil on canvas, 146.7 by 196.2 cm. (Mount Holyoke College Art Museum, South Hadley).
Attributed works:
4. Coriolanus entreated by his mother, by Nicolas Poussin. c.1650. Oil on canvas, 112 by 198.5 cm. (Musée Poussin, Les Andelys).
Attributed works:
6. Detail from Roman album no.8, by Jacques-Louis David. 1775–80. Pen and black ink, brown and grey wash, black chalk, some red chalk and chalk wash on paper, mounted to album leaves, 48.7 by 33 cm. (Morgan Library and Museum, New York).
Attributed works:
7. Detail of Fig.1, showing the pose of Veturia.
Attributed works:
8. Coriolanus taking leave of his wife. Last quarter of the eighteenth century. Oil on canvas, 125 by 169 cm. (Musée d’Art et d’Histoire, Cholet; RMN-Grand Palais; Gérard Blot).
Attributed works:
9. Horatius killing his sister Camilla, by Jacques-Louis David. 1781. Ink on paper, 27.5 by 38.7 cm. (Albertina, Vienna; akg-images).
Western art unattributed:
5. Detail of Brutus. Roman, 4th century BC. Bronze, height 69 cm. (Capitoline Museums, Rome; photograph Luisa Ricciarini; Bridgeman Images).
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10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
Supplement
Recent acquisitions, Musée Fabre, Montpellier (2004–2022)
12/2022 | 1437 | 164
Pages: 1305-1324
Subjects
artists:
museums and institutions:
Illustrations
Attributed works:
1. Lamentation over the dead Christ, by Leonello Spada. c.1610–11. Oil on canvas, 120 by 158 cm. Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon and various sponsors, 2012, inv. no.2012.10.1.
Attributed works:
10. Anne Melon, by Jean Ranc. 1702. Oil on canvas, 147 by 116 cm. 11. Joseph Bonnier, by Jean Ranc. 1702. Oil on canvas, 146 by 116 cm. Purchases with the support of the FRAM Occitanie, 2017, inv. nos.2017.12.1 and 2017.12.2.
Attributed works:
12. Offering to Priapus, by Jean Raoux. 1720. Oil on canvas, 91.5 by 74 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2010, inv. no.2010.9.1.
Attributed works:
13. Masterpiece of craftsmanship: rattle, by Marc David Pascal Bazille. 1782. Gilded silver, length 13.5 cm. Purchase, 2007, inv. no.2007.11.1.
Attributed works:
14. Display jar, by the workshop of Pierre Favier the Younger. c.1650–60. Tin-glazed earthenware and polychrome grand feu decoration, 46 by 35.5 by 26 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2013, inv. no.2013.8.1.
Attributed works:
15. Silver covered bowl, by Jacques II Bazille. 1741–42. Silver, 12.5 by 17 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.17.1.
Attributed works:
16. The paddle game, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. 17. The seesaw, by Jean Honoré Fragonard. c.1760–65. Oil on canvas, 75.5 by 99 cm. Trésors Nationaux, transfer from the Musée du Louvre to the Musée Fabre; the acquisition of these works was made possible thanks to the patronage of Webhelp, 2022, inv. no.2022.10.1 and inv. no.2022.10.2.
Attributed works:
18. Sarah presenting Hagar to Abraham, by Joseph Marie Vien. 1749. Oil on canvas, 98 by 134.5 cm. Purchase with the support of the Fonds du patrimoine, 2015, inv. no.2015.21.1.
Attributed works:
19. Pyrrhus seeing Philoctetes in his lair on the island of Lemnos, by Pierre Henri de Valenciennes. 1789. Oil on canvas, 68.4 by 98.9 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2019, inv. no.2019.32.1.
Attributed works:
2. Judith and Holofernes, by Filipo Vitale. c.1635. Oil on canvas, 126 by 154 cm. Gift of Didier Malka, 2020, inv. no.2020.34.1.
Attributed works:
20. Bust of Jean-Baptiste Riban, by Augustin Pajou. 1793. Terracotta, 54.5 by 48 by 32.5 cm. Purchase, 2005, inv. no.2005.11.1.
Attributed works:
21. Dying Achilles, by Jean-Baptiste Giraud. 1788. Plaster, 55 by 83 by 37 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.28.1.
Attributed works:
22. Arria and Paetus, by François André Vincent. c.1787. Oil on canvas, 102.8 by 124.5 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2014, inv. no.2014.5.1. 23. Renaud and Armide, by François André Vincent. c.1787. Oil on canvas, 104 by 122.5 cm. Purchase, 2021, inv. no.2021.29.1.
Attributed works:
24. Commode ‘sauteuse’. Southern French. c.1774–92. Wood and marble, 92 by 130 by 65 cm. Purchase, 2019, inv. no.2019.26.1.
Attributed works:
25. View of Florence and the Arno, by Joseph Wright of Derby. c.1789–93. Oil on canvas, 58.4 by 76.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, A. d’Espous and the Société Jean Larnaudie 2017, inv. no.2017.1.1.
Attributed works:
26. View of the Arno valley, in Florence, by Louis Gauffier. 1795. Oil on canvas, 82 by 110 cm. Purchase with the support of the Fondation d’entreprise du Musée Fabre, 2016, inv. no.2016.21.1.
Attributed works:
27. Self-portrait as a youth in a frock coat, by Pierre-Paul Prud’hon. c.1784. Brown ink and pen on paper, 21 by 17 cm. Purchase, 2017, inv. no.2017.26.1
Attributed works:
28. The return of Ulysses, by François-Xavier Fabre. 1799. Oil on canvas, 100.5 by 148 cm. Purchase with the support of the FRAM Languedoc-Roussillon and the association of the Friends of the Musée Fabre, 2006, inv. no.2006.4.1.
Attributed works:
29. View of the Benedictine Abbey at Vallombrosa, by Louis Gauffier. 1797. Oil on canvas, 84 by 116 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon, 2008, inv. no.2008.1.1.
Attributed works:
3. Martyrdom of St Agatha, by Andrea Vaccaro. c.1635–40. Oil on canvas, 122 by 159 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2013, inv. no.2013.16.1.
Attributed works:
30. Belisarius, by François-Xavier Fabre. c.1789–1800. Pen, metallic ink and black ink, and metallic ink wash over graphite pencil drawing on laid paper, 20.5 by 15.1 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2009, inv. no.2009.35.2
Attributed works:
31. The martyrdom of St Agnes, by François-Xavier Fabre. 1800–10. Pen and brown ink, and grey wash, over graphite lines, 57 by 48 cm. Purchase, 2017, inv. no.2017.24.1.
Attributed works:
32. Undergrowth, by Antoine Laurent Castellan. 1819. Black chalk, watercolour and white gouache highlights on paper, 14 by 19 cm. 33. The peaks at dusk, by Antoine Laurent Castellan. c.1828. Watercolour over black chalk lines on paper, 15.5 by 23.7 cm. Purchases with the support of the FRAM Languedoc-Roussillon, 2001, inv. no.2001.5.3 and inv. no.2001.5.1.
Attributed works:
34. Marquise Fanny Grimaldi, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. 35. Marquis Luigi Grimaldi della Pietra, by François-Xavier Fabre. 1804. Oil on canvas, 80 by 50 cm. Gift of A. d’Espous and the Société Jean Larnaudie, 2021, inv. no.2021.6.1 and inv. no.2021.6.2.
Attributed works:
36. Conjugal tenderness, by Louis Léopold Boilly. c.1807–10. Oil on wood, 52.5 by 43.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2021, inv. no.2021.5.1.
Attributed works:
37. Mont Saint-Michel in a storm, by Théodore Gudin. 1830. Oil on canvas, 97 by 138 cm. Purchase with the support of the FRAM Occitanie, 2017, inv. no.2017.27.1.
Attributed works:
38. Bust of Henry Vassal-Fox, 3rd Baron Holland, by Joseph Nollekens. 1799. Marble, 69 by 43 by 18 cm. Purchase with the support of the FRAM Occitanie, 2018, inv. no.2018.10.1.
Attributed works:
39. Women at the fountain, by Dominique Papety. c.1839–40. Oil on canvas, 96 by 135 cm. Gift of Marie-Hélène Yseult Sabatier, 2010, inv. no.2010.17.1.
Attributed works:
4. Death of St Joseph, by Bernardo Cavallino. c.1635–40. Oil on canvas, 46.5 by 36 cm. Purchase with the support of the Fonds du patrimoine and various sponsors, 2015, inv. no.2015.4.1.
Attributed works:
40. Mariuccia, by Henri Lehmann. 1841. Oil on canvas, 96.4 by 71 cm. Purchase, 2016, inv. no.2016.17.1.
Attributed works:
41. Countess Victoire de Clermont-Tonnerre, by Alexandre Cabanel. 1863. Oil on canvas, 182.5 by 138 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.2.1.
Attributed works:
42. Michelangelo in his studio, visited by Julius II, by Alexandre Cabanel. 1856. Oil on canvas, 63.3 by 103.1 cm. Purchase, 2015, inv. no.2015.10.1.
Attributed works:
43. Little Italian street singer, by Frédéric Bazille. 1866. Oil on canvas, 131 by 98 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.1.
Attributed works:
44. Head of a faun, by Alexandre Cabanel. 1860. Charcoal, stump and white highlights on paper, 52.9 by 40.8 cm. Gift of the Talabardon & Gautier gallery, 2020, inv. no.2020.29.1
Attributed works:
45. View of Maïre Island, by Carl Frederik Emmanuel Larsen. 1854. Oil on canvas, 32 by 56.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.2.1.
Attributed works:
46. Flowers, by Frédéric Bazille. c.1870. Oil on canvas, 63 by 48.5 cm. Purchase, 2004, inv. no.2004.13.2.
Attributed works:
47. Naked young man lying on the grass, by Frédéric Bazille. 1870. Oil on canvas, 147.5 by 138 cm. Purchase with the support of the Fonds du Patrimoine and the FRAM Languedoc-Roussillon, 2002, inv. no.2002.5.2.
Attributed works:
48. The painter René Andreau, by George Daniel de Monfreid. 1895. Oil on canvas, 97.2 by 130.2 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2020, inv. no.2020.19.1.
Attributed works:
49. Orpheus, by Odilon Redon. c.1910. Oil on card, 63.3 by 61 cm. Gift of Jacqueline Englert-Marchal, 2009, inv. 2009.38.1.
Attributed works:
5. A coastal landscape with shipwrecks and ruins, by Salvator Rosa. c.1637. Oil on canvas, 73.8 by 163.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2019, inv. no.2019.16.1.
Attributed works:
50. Girls in green, by Auguste Chabaud. c.1907. Oil on canvas, 80 by 65 cm. Purchase, 2018, inv. 2018.2.1.
Attributed works:
51. Two footballers, by Jean Hugo. 1921. Gouache on paper, 30.5 by 25 cm. Purchase with the support of FRAM Occitanie, 2021, inv. no.2021.15.1.
Attributed works:
52. Panic, by Jean Hugo. 1930. Tempera on canvas, 45 by 54 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.8.1.
Attributed works:
53. Paul Eluard, by Valentine Hugo. 1932. Pastel on paper, 47 by 30 cm. Purchase with the support of FRAM Occitanie, 2019, inv. no.2019.4.1.
Attributed works:
54. Marie Bell en Phèdre, by Jean Hugo. c.1946. Folding screen with two leaves, pastel on panel, each panel 122 by 49 cm. Purchase with the support of DRAC Occitanie, 2022, inv. no.2022.2.1.
Attributed works:
55. Composition, by Hans Hartung. 1945. Oil on paper mounted on plywood, 73 by 50 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2009, inv. no.2009.4.1.
Attributed works:
56. Painting, by Simon Hantaï. 1958. Oil on canvas, 232.5 by 214 cm. Purchase, 2002, inv. no.2002.9.1.
Attributed works:
57. The bat, by Germaine Richier. 1946. Cleaned natural bronze, 91 by 91 by 52 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 1996, inv. no.96.10.1.
Attributed works:
58. Fencer with mask, by Germaine Richier. 1943. Bronze, 105 by 70 by 33 cm. Purchase, 2006, inv. no.2006.19.1.
Attributed works:
59. 60-T-26, by Martin Barré. 1960. Oil on canvas, 140 by 130 cm. Gift of the Fondation d’entreprise du Musée Fabre with the support of Société Générale, 2009, inv. no.2009.2.1.
Attributed works:
6. Venus and Adonis, by Nicolas Poussin. c.1625–26. Oil on canvas, 74.5 by 199 cm. Gift of F.-X. Fabre, 1825, inv. 825.1.171, and Oeuvre d’intérêt patrimonial majeur, purchase with the support of the Fonds du patrimoine and the FRAM Languedoc- Roussillon and various sponsors, 2010, inv. no.2010.14.1.
Attributed works:
60. Untitled, by Claude Viallat. 1966. Oil on canvas, 80 by 150 cm. Purchase, 2008, inv. no.2008.10.1.
Attributed works:
61. Large pink space I, by Vincent Bioulès. 1969. Glycerophtalic lacquer on canvas, 195 by 189.5 cm. Gift of the association of the Friends of the Musée Fabre, 1995, inv. no.95.8.1.
Attributed works:
62. Transparency, by Geneviève Asse. 1973–74. Oil on canvas, 82.5 by 10.5 cm. Gift of the artist, 2013, inv. no.2013.3.3.
Attributed works:
63. Untitled, 8 November 1967, by Michel Parmentier. 1967. Lacquer on canvas, 245.5 by 229 cm. Purchase, 2020, inv. no.2020.11.1.
Attributed works:
64. Frame, by Pierre Buraglio. 1974. Wood, paint technique and thread, height 180 cm. Purchase with the support of the FRAM Languedoc-Roussillon, 2015, inv. no.2015.14.1.
Attributed works:
65. White, by Simon Hantaï. 1974. Oil on canvas, 236.5 by 207 cm. Gift of Jean-Marie Bonnet in memory of Jean Fournier, 2006, inv. no.2006.10.1.
Attributed works:
66. Painting 162 x 114 cm, 27 March 1971, by Pierre Soulages. 1971. Oil on canvas, 162 by 114 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.6.
Attributed works:
67. Painting 163 x 434 cm, 28 December 1959, by Pierre Soulages. 1959. Oil on canvas, 163 by 434 cm. Gift of Pierre and Colette Soulages, 2005, inv. no.2005.12.2.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
68. Untitled, by Pierrette Bloch. 1992. Knotted horsehair on foam board, 100 by 70 cm. Purchase, 2019, inv. no.2019.11.3.
Attributed works:
69. The impossible encounter, by Yan Pei-Ming. 2019. Oil on canvas, triptych, each panel 150 by 150 cm. Purchase with the support of the Fonds du patrimoine,
Attributed works:
7. The fall of Phaeton, by Sébastien Bourdon. c.1636–42. Oil on canvas, 137 by 170 cm. Purchase, 2018, inv. no.2018.9.1.
Attributed works:
8. St Paul healing the sick and exorcising a possessed man, by Eustache Le Sueur. 1645–46. Oil on canvas, 175 by 137.5 cm. Gift of the Fondation d’entreprise du Musée Fabre, 2018, inv. no.2018.25.1.
Attributed works:
9. Bust of Jean Deydé, by Christophe Veyrier. 1684. Marble, 50 by 35 by 23.5 cm. Purchase with the support of the Fonds du patrimoine and the FRAM Occitanie, 2017, inv. no.2017.15.1.
Exhibition Review
François-Xavier Fabre. Montpellier and Turin
05/2008 | 1262 | 150
Pages: 352-354
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
François-Xavier Fabre (1766–1837) de Florence à Montpellier | institution: Galleria Civica d'Arte Moderna e Contemporanea , institution: Musée Fabre
Illustrations
Attributed works:
59. Portrait of Count Michal Bogoria Skotnicki (1765–1808), by François-Xavier Fabre. 1806. Canvas, 65 by 45 cm. (Muzeum Narodowe, Krakow; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
Attributed works:
60. The return of Ulysses, by François-Xavier Fabre. 1799. Canvas, 100.5 by 148 cm. (Musée Fabre, Montpellier; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
Attributed works:
61. View of the Porta S. Frediano in Florence, by François-Xavier Fabre. 1806. Brown wash, 45 by 59 cm. (Musée Fabre, Montpellier; exh. Galleria Civica d’Arte Moderna e Contemporanea, Turin).
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06/1994 | 1095 | 136
Pages: i-xl
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[ Antiquus, 90-92 Pimlico Road, London ] One of a pair of pen and wash drawings. 54 × 72 cm. Fantasy villa with view of the 'dependance and garden'. Anonymous XVIII century. Filippo Marchionni. Bibliography: Alessandro Albani, patrono delle arti. Architettura, pittura e collezionismo nella Roma del '700. Bonsignori Editore Roma. 1993.
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (1696-1770). "A Winged Deity and other Figures in the Clouds", Black Chalk, Pen and Brown Ink, Brown Wash, 29.3 × 21 cm.
Attributed works:
[ Bonhams Knightsbridge, Montpelier Street, London ] A magnificent rosewood reneer longcase clock, circa 1830, 7ft high, estimate £2,000-3,000. A Gothic Frame (later painting of St Philomena) designed by I. II. V. Pugin for the de Lisle family chapel at Grace Dieu, Leics, 10ft high, estimate £2,000-1,000. A fine Oak Dining Table attributed to I. II. V. Pugin, circa 1815, 8ft long, estimate £7,000-9,000.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Camille Corot (1796 Paris - Ville d'Avray 1875). La rencontre au bosquet. Autography. (1871). 572 × 400 mm sheet-size.
Attributed works:
[ Christie's, 8 King Street, St James, London ] The Master of the Carrand Tondo (Active c. 1430), The Madonna of Humility, Tempera on Gold Ground Panel, 28 1/2 × 20 1/4 in. (72.5 × 51.5 cm.). Estimate: £250,000-350,000.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Jean-Étienne Liotard (1702 - 1769). Portrait of the Comte Jean Diodati Black and Red Chalk, with Touches of White Heightening 9¼ × $7frac{3}{4} text{in}$. (23.5 × 18.8 cm.)
Attributed works:
[ cover ] Allegory of Vice, by Correggio. Red Chalk, 27.9 by 19.4 cm. (British Museum, London; Exh. Kunsthistorisches Museum, Vienna)
Attributed works:
[ David Jones, 8 Rue Rossini, Paris ] Giovanni Francesco Barbieri Called Il Guercino (Cento 1591 - 1666 Bologna). A Pair of Hand Studies, Preparatory for Engravings for Guercino's Academy. Pen & Brown Ink over Black Chalk. Indented for Transfer. 134 × 200; 140 × 207
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Allen Jones Janet 22, Oil on canvas, 1965. Signed and Inscribed on the Reverse
Attributed works:
[ Edoardo Testori and Marco Voena, Via Olmetto 17, Milan ] Daniele Crespi (Busto Arsizio 1597 - Milan 1630). The Flight into Egypt Oil on Panel cm. 40.8 × 59.4
Attributed works:
[ Eric Coatalem, 93 rue du Faubourg St. Honoré, Paris ] Jean Baptiste Deshayes Cléobis et Biton. Oil on Canvas 50 × 58.5 cm
Attributed works:
[ Finarte S. A., 7-8 Mason's Yard, Duke Street, St James, London ] G. De Chirico. Les Plaisirs du Poéte, 1913, Oil on Canvas: 69.5 × 96.5 cms
Attributed works:
[ Flavia Ormond Fine Arts Limited, 24 Brechin Place, London ] Aurelio Luini "Milan" (Circa 1530-1593). St. Matthew - Design for Spandrel over Chapel Entrance. Pen and Brown Ink, Brown Wash, Heightened with White, on Blue-Green Paper. 140 × 202mm.
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St James, London ] Pierre-Alexandre Wille 1748-1837. Portrait of Madame Wille, Wearing a Felt Hat over a Lace Cap. Black, Red and White Chalks on Cream Paper, 39.8 × 31.7 cm. Signed and Dated P. A. Wille Filius 1793
Attributed works:
[ Hill-Stone, New York ] Cornelis Dusart 1660-1704. The Violin Player Seated in the Inn. Etching and Roulette; 1685. Bartsch 15, the Second of Two States. Hollstein 15, the Third of Three States. A Very Fine Impression.
Attributed works:
[ Kunsthandel Dr. Robert Keil, Gloriette Gasse 13, Vienna ] Jacopo Palma il Giovane (Venice 1548-1628) God the Father Black Chalk, Squared, Old Mount, 18.5 × 18 cm. Study for the Painting "The Meeting of Joachim and Anna" in San Geremia, Venice; Executed after 1609
Attributed works:
[ Marcello Aldega Margot Gordon, New York City ] Carlo Maratta Camerano 1625-1713 Rome. Red Chalk, Heightened with White, on Blue Paper 272 × 420 mm.
Attributed works:
[ Marlborough Fine Art Ltd, 6 Albemarle street, London ] R. B. Kitaj, Giotto at 70, 1994. Charcoal and Pastel on Paper, 30¼ × 22 in./76.8 × 55.9 cm
Attributed works:
[ Michael Miller Lucy Vivante Fine Arts Inc., 115 East 89th Street, New York ] Piero Buonaccorsi, Called Perino del Vaga. Study for a Scene in the Sala di Psiche in Castel S. Angelo, 1545-46 Pen and Brown Ink, Brush and Brown Wash, 120 × 250 mm, 4 5/8 × 9 15/16 in.
Attributed works:
[ Paul Drey Gallery, 11 East 57th Street, New York ] Domenico Piola, Genoa, 1627-1703. The Penitent Magdalen, Brush, Light and Dark Brown Wash, Heightened with White, on Gray Paper, 340 × 254 mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] "Bandits in a Landscape", Signed T. Grigg, Gouache, 435mm × 635mm. One of a Pair. Estimate: £8,000-£12,000
Attributed works:
[ Phillips, 101 New Bond Street, London ] Girolamo Mazzola-Bedoli, (c. 1500-1569), "Virgin and Child with Infant St. John", 236mm × 183mm. (Photo Courtesy of the Photographic Survey, Courtauld Institute).
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger (1564-1638), "The Wedding Feast", Signed and Dated P. Brueghel 1624, on Panel, 43cm × 56cm. Estimate: £350,000-£450,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] François-Xavier Fabre Portrait of Marquis Don Luigi Grimaldi Leaning on the Tomb of His Fiancée Fanny Grimaldi and Posthumous Portrait of the Marquise Fanny Grimaldi as She Rejoins Her First Husband, the Marquis Giovanni Battista Grimaldi, in His Tomb, 1804 Each, Oil on Canvas, 31½ by $19frac{3}{4}$ Inches (80 by 50cm.) Portrait of the Marquis Signed and Dated: "F. X. F. 1804" Portraitof the Marquise Signed and Dated: "F. X. F.f./1804"
Attributed works:
[ The Grosvenor House Art & Antiques Fair / C. John, 70 South Audley Street, London ] An Exceptional Indian Agra Carpet Finely Woven by the Inmates of Agra Prison, Circa 1880. The Design is Derived from the Traditional Persian Floral Designs of the Late 16th Century. Wool Pile with a Cotton Foundation. Length 439 cm (172½ in). Width 351 cm ($138frac{1}{8}$ in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Devenish & Company, 929 Madison Avenue, New York ] An exceptionally rare and beautifully figured George II mahogany bureau bookcase in the manner of Thomas Chippendale with unusual applied carved moulding and paterae on the fall front, retaining its original handles and lockplates in the form of rococo cartouches. English, circa 1755. Height 269 cm (106 in). Width 111.8 cm (44 in). Depth 61 cm (24 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / Johnny Van Haeften Limited, 13 Duke Street, St James, London ] A Still Life of a Bare and Birds on a Table, by Adriaen van Utrecht (1599-Antwerp-1652). Signed and Dated 1647. Oil on Canvas, 70 × 107 cm (27½ × 42 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London / William Drummond, 8 St James Chambers, Ryder Street, London ] The Itinerant Bagpiper by Walter Geikie R. S. A. (1795-1837). Signed and Dated 'W Geikie 1832'. Oil-Paint on Canvas, 30.5 × 25.4 cm (12 × 10 in).
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Francesco Guardi (1712-1793). The Grand Canal, and The Island of San Cristoforo della Pace, Murano, Agnew's. Stand 59
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ] Peter Brueghel the Younger (Brussels 1564-1637). The Birdnester. 42.5 × 58.1 cm Oil on Panel, Johnny Van Haeften. Stand 61
Attributed works:
[ The Grosvenor House Art & Antiques Fair, London ]The Master B. F. (Binasco) Milan Circa 1510. Jacob and Esau. Tempera and Gold Leaf on Vellum. Signed by the Artist. Italy, 167 × 163mm (6½ × 6½), Circa 1510.
Attributed works:
[ Trinity Fine Art Ltd, 29 Bruton Street, London ] Francesco Guardi View of the Grand Canal with the Church of S. Lucia. Pen, Brown Ink and Brown Wash on White Paper, 285 × 445 mm.
Attributed works:
[ Voena, S. A. S., Via dei Mille 36, Turin ] Charles Dauphin Lorena 1620 ca. ∼ Torino 1677. Bacchus and Arianna. Oil on Canvas, cm. 150 × 220
Attributed works:
[ W. M. Brady & Co., 3 East 76th Street, New York ] Jacques-Louis David (1748-1825). Presumed Portrait of Jean-Baptiste-Robert Lindet (1743-1825). Signed, Left Center, L, David. Pen and Black Ink with Brush and Grey and Brown Washes over Black Chalk Diameter, 7½ inches (190 mm)
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Porcelain Dish Painted in Underglaze Blue with Wave and Trellis Patterns, Six Ruyi-Shaped or Cloud Panels and a Central Scene of Cranes, Ducks and Lotus. Yuan Dynasty, Mid 14th Century Diameter: 46.3cm
Non-western art unattributed:
[ J. J. Lally & Co., Oriental Art, 41 East 57 Street, New York ] Turquoise Inlaid Bronze Axe (Qi) Shang Dynasty (12th Century B. C.) Length 7% Inches (19.6 cm)
Non-western art unattributed:
[ The Chinese Porcelain Company, 822 Madison Avenue, New York ] A Very Rare Pair of Cloisonné Figures of Deer Qianlong Period, (1736-1795), Height: 9 Inches (24 cm.)
Non-western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Grace Wu Bruce Inc, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong kong ] A Superb Huanghuali Wood Side Table. Chinese Ming Dynasty. W 199.8 cm. D 59.1 cm. H 82 cm.
Western art unattributed:
[ Asprey, 165-169 New Bond Street, London ] A Rare English Silvered Pier Glass. Circa 1685. Height 69 ins. 175 cms.
Western art unattributed:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Gold-Ruby Cannikin, Potsdam, Early 18th Century, Mount of Silver-Gilt, Marked "CE" in the Oval. Depressed Globular Form Blown into a Wooden Mould. The Middle of Bowl Considerably Waisted. Two-Piece Silver-Mount with Base and Long Spout, Handle and Cover. On the Base Pontil-Mark. Silver-Mount Slightlymissing at Basal rim. Height 11.8 cm.
Western art unattributed:
[ M. Turpin, 27 Bruton Street, London ] An Extremely Rare George I Wing Armchair in Walnut, the Frame Finely Enriched with Original Gilding. English, Circa 1710.
Western art unattributed:
[ Neumeister Fine Art Auctioneers, Barer Str. 37, Munich ] A Flemish Oak Statuette of the Virgin and Child, Circa 1470/80. 34,5 in. (87 cm).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair / 8-10 Hans Road, Knightsbridge, London ] A Very Fine Pair of George III Carved Mahogany Card Tables. English, Circa 1780. Height 72 cm (28½ in). Width 91.5 cm (36 in). Depth 45 cm (18 in). Literature: 18th Century English Furniture - The Norman Adams Collection, pp. 322-3, for a Pembroke Table and Card Table by the Same Maker.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Kugel, 279 Rue de Saint Honore, Paris ] A Collection of Ormolu Mounted Imperial Porphyry Vases. French, Late 18th and Early 19th Centuries.
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London / Richard Philp, 59 Ledbury Road, London ] Crowned Madonna. German, 14th Century. Walnut. Height 43.5 cm (19¼ in).
Western art unattributed:
[ The Grosvenor House Art & Antiques Fair, London ] A Late 18th Century Drum or "Rent" Table with the Very Rare Feature of Circular Pedestal Base, the Top Laid in Vellum Green Leather with Central Hinged Well, the Frieze with Eight Wedge Shaped Drawers, Each One Numbered and Inlaid with Letters of the Alphabet, with Original Brass Handles, with a Cupboard on a Plinth Base. Height: 32in (81 cm) Diameter: 42in (107cm)
Western art unattributed:
[ Wildenstein, 147 New Bond Street, London ] School of Fontainebleau, Pan Pursuing Syrinx (Detail), Pen and Brown Ink with Black Wash, Squared for Transfer 53.8 × 39 cm; One of a Pair.
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Advertisements July 1993 (front)
07/1993 | 1084 | 135
Pages: i - xii
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Théodore Gericault (Rouen 1791-Paris 1824). The Blacksmith. Pencil and Brown Wash on Paper. 13.5 × 22cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108 - 112 rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Jean Ranc. 1647-1735. Portrait of a Huntsman in a Landscape. Oil on Unlined Canvas: 147 × 114 cm. Signed and Dated 1711 on Reverse
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Egon Schiele (1890-1918). Woman in underClothes 1914. Black Crayon. Signed and Dated. 47.8 × 31.3 cms Kallir D 1589
Attributed works:
[ Agnew's, 43 Old Bond Street, London ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ cover ] Suprematism, by Kazimir Malevich. Plywood, 71 by 45 cm. (State Russian Museum, St Petersburg).
Attributed works:
[ Paul Proute S. A., 74 rue de Seine, Paris ] Francesco Vanni, Adoration of the Host. Verso: Studies of Friars. Pen and Brown Ink, 30.7 by 20.2 cm. Watermark: Small Coat of Arms with Letters P. S.
Attributed works:
[ Richard L. Feigen & Co., 6 Ryder Street St James London / 49 East 68th Street, New York ] François-Xavier Fabre, St. Sebastian, Circa 1789. Oil on Canvas, 59 by 74-13/16 Inches (150 by 190 cm.)
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Pierre-Antoine Quillard (1710 Paris-Lisbon 1733). Fête Champêtre. Red Chalk. 168 × 274 mm.
Attributed works:
[ Venator & Hanstein, Cäcilienstr. 48 (Haus Lempertz), Cologne ] Albrecht Dürer: Sol Justitiae. Engraving 1499
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] François Vincent, The Sculptor, Pen & Wash, 238 × 178mm.
Western art unattributed:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Evangelist. Paris, about 1250. (Probably from the Big Cross of the Sainte Chapelle of Paris) Gilt Bronze, Height: 5.1 cm
Supplement
Recent Acquisitions by the Fitzwilliam Museum Cambridge: Supplement
05/1985 | 986 | 127
Pages: 328-332
Subjects
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
84. Historiated initial 'O'; cutting from a choir-book. Italian, Florentine school. Early fifteenth century. Vellum, 16.9 by 16.7 cm. The initial contains a sainted Pope (St Gregory?). The figure and decoration letter recall the work of Silvestro dei Gherarducci at the Monastery of Santa Maria degli Angeli, Florence. Provenance: J. H. Fitzhenry. Sir Thomas Merton. Purchased from the Leverton Harris and University Purchase Funds.
Attributed works:
86. Leda and the swan, by Massimiliano Soldani-Benzi (1658-1740). Bronze, height 34.5 cm. Given by John Winter, Esq., together with a Ganymede and the eagle by the same artist, in memory of his father, Carl Winter, Director of the Fitzwilliam Museum (1946-1965). From the collection of Prince Lodovico Trivulzio and from the Luccardi Collection, Milan. See C. LUCCARDI and A. MINGHETTI: The Luccardi Collection of Milan, Milan, ill. pl. XXXVIII, attributed to Falconet. For the wax model for the bronze, see K. LANKHEIT: Die Modellsammlung der Porzellanmanufaktur Doccia, Munich [1982], p.119, No.3, ill. pl. 115.
Attributed works:
88. Cabinet, by George Bullock (d. 1818). c. 1817. Larchwood and ebony with brass mounts and boulle-work, the top of Glen Tilt marble, 87.2 by 120.4 by 46 cm. It is perhaps the piece mentioned in the Blair Castle accounts on 12th July 1817, of which the materials are identical, but the width (188 cm) somewhat larger. A design in the Birmingham City Museum and Art Gallery, discovered by Clive Wainwright, shows the pattern of the boulle-work on the doors of the cabinet. It is inscribed 'Mrs. Barrows/Oak Book Commode/Pubd. Augt 1816'. Purchased from the Gow Fund with a contribution from the National Art Collections Fund and Grant-in-Aid from the Victoria and Albert Museum.
Attributed works:
89. Rebecca and Eliezer at the well, by Nicolas Poussin. The painting appears to be of the 1660s. 96.5 by 138 cm. Bought from the Gow Fund and the University Purchase Fund with contributions from the National Art-Collections Fund, The Pilgrim Trust, The Esmeé Fairbairn Trust, The American Friends of Cambridge University, The Goldsmiths' Company, The Grocers' Company, Ciba-Geigy Plastics and with a number of private donations encouraged by the Fitzwilliam Museum Trust.
Attributed works:
90. Allen Smith contemplating by the Arno, Florence, by François-Xavier Fabre. Signed and dated on the Corinthian capital, lower right: 'F. X. Fabri/Florentiae 1797'. Allen Smith must have been a man of some means as, when travelling in Italy he commissioned five paintings from Fabre, mentioned in a letter from the Countess of Albany post-marked 12th July 1797. These included two portraits, of which the second was a life-size painting of Smith amid the ruins of ancient Rome. A letter from Fabre to Lord Holland (24th August 1797) gives full credit for composition to Smith. Given by the Friends of the Fitzwilliam Museum in celebration of their seventy-fifth anniversary, with the aid of a special gift from the Directors of Hazlitt, Gooden and Fox, and contributions from the National Art-Collections Fund, the Cunliffe, Perceval and University Purchase Funds.
Attributed works:
91. Study of a Head of a Youth, by Ludovico Cardi, Called Il Cigoli. Oil on Paper, Laid down on Canvas, 44.3 by 36.4 cm. A Study for The Emperor Heraclius Bringing Back the True Cross to Jerusalem, Dated 1594, in S. Marco, Florence. Bought from the Gow Fund, with a Contribution from the National Art-Collections Fund.
Attributed works:
93. The Last Communion of St Francis of Assisi, by Sir Peter Paul Rubens. Oil on Oak Panel, 104 by 74.5 cm. Modello for Rubens's Altar-Piece Painted for Jasper Charles for the Church of the Recollects at Antwerp, Now in the Musée des Beaux-Arts, Antwerp. The Finished Painting, Which Shows Significant Differences Particularly in the Upper Zone, Was Paid for on 17th May 1619. Given by Edward Speelman.
Attributed works:
94. The Holy Family on the return from Egypt meets the Infant St John, by Ludovico Carracci. Tempera on canvas, 52.7 by 66 cm. Michael Jaffé, to whom the attribution to Ludovico Carracci of this well-preserved guazzo from the celebrated collection of the Marques del Carpio, Governor of Naples, is due, has suggested a date in the 1580s, and points out how the landscape background anticipates Guercino. Given by the Friends of the Fitzwilliam Museum with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Attributed works:
95. The month of June, by Giuseppe Zocchi. Oil on paper, laid down on canvas, 33.6 by 43.9 cm. A modelletto for Francesco Bartolozzi's print of a corresponding size in etching and engraving. The Bartolozzi Months, reversing Zocchi's compositions, were published at Wagner's in Venice in 1761. Giugno is lettered: 'bello e il veder, quando nel Cancro e il Sole'. Bought from the Gow Fund, with a contribution from the Victoria and Albert Museum Grant-in-Aid.
Non-western art unattributed:
87. Wine Bottle. Korean, Koryŏ Dynasty, Early Twelfth Century. Stoneware with Celadon Glaze, Height 28.6 cm. Given by Mr and Mrs G. St G. M. Gompertz. See Korean and Chinese Ceramics, Exh. cat., Fitzwilliam Museum, Cambridge, 24th February-28th March 1975, p.35, No.76, ill. on Front Cover.
Western art unattributed:
82. 'Oriental' Eros Leaning on Herm. Tarentine (?), Late Third Century BC. Terracotta, Height 18.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
83. Standing Goddess (Persephone?). Corinthian, Mid-Fifth Century BC. Terracotta, Height 17.5 cm. Both Statuettes Are from the Chesterman Collection, Acquired in Its Entirety by the Museum.
Western art unattributed:
85. Gospel book, in Latin, with Anglo-Saxon glosses. West France (Brittany?). Ninth-tenth century. Vellum, 27 by 19 cm. Fol. 14, a full-page miniature, shows Eusebius wearing blue robes, surrounded by the symbols of the Four Evangelists, each holding a lectern with an open book. Purchased by the Marlay, Perceval, Cunliffe and University Purchase Funds, with the aid of the Victoria and Albert Museum Grant-in-Aid, and the National Heritage Memorial Funds, and with a contribution by Dr G. D. S. Henderson in memory of Francis Wormald.
Western art unattributed:
92. Elizabeth Vernon, Countess of Southampton. Anonymous English School. c. 1603. 188 by 109 cm. Elizabeth Vernon, born in 1573, was one of Elizabeth I's Maids of Honour. She married in secrecy Henry Wriothesley, Third Earl of Southampton, the intimate of Shakespeare. Two miniatures of her husband, by Nicholas Hilliard and Peter Oliver, are in the Museum's collection. The painting hangs near the Van Dyck portrait of her daughter-in-law, Rachel de Ruvigny (reproduced in the October 1984 issue of this Magazine, p.603). Bought from the Perceval Fund with contributions from the National-Art Collections Fund and the Victoria and Albert Museum Grant-in-Aid.
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Advertisements January 1985 (Front)
01/1985 | 982 | 127
Pages: i-xxxiv
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
Detail from Las Meninas, by Velázquez. (Museo del Prado, Madrid).
Attributed works:
[A.D.C. Heritage Limited, 2 Old Bond Street, London] A rare George II Chamber Pot by the Huguenot silversmith David Willaume, London 1744. The Arms are those of George Boothe, 2nd Earl of Warrington. The Pot is referred to in his personal inventory: "The particular of my Plate and it's weight" in folio 15, No. 2 of 10. Provenance: Formerly in the collection of Sir John Foley-Grey, sold at Christies' in 1921.
Attributed works:
[Asprey & Company Plc, 165-169 New Bond Street, London] A Rare Charles II Silver Inkstand, 6¼″ × 4¼″, Maker's Mark Only for John Ruslen, Circa 1677. Engraved with the Arms of Pullen of Scotton, co. York, Impaling Sherwood.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Bessie Macnicol (1869-1904)
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Francois Xavier Fabre 1766-1837. Lord Holland Dated 1795. Canvas: 40¾ × 31¼ Inches
Attributed works:
[David Koester Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger Signed Panel, 21 × 16 cm
Attributed works:
[De Havilland (antiques) Ltd, 48 Sloane Street, London] An Unusual Set of 4 Silver Gilt Candlesticks 4¾″ (14½ cm) High. 1881. Maker J. E. B. The Arms Are Those of Fitzpatrick (Baron Castletown)
Attributed works:
[Galerie Joseph Hahn, 36 rue de Berri, Paris] Adam Camerarius, Signé. Toile 118 × 93 cm. "Apollon".
Attributed works:
[Gallery Lingard, 250 King's Office, Chelsea] Office of Sir Charles Barry (fl. 1829-1860) Competition Design for Birmingham Town Hall, 1830. Pen & Ink with Brown & Grey Wash. 14⅜ times 23⅛ Inches (36.6 × 58.8 cms)
Attributed works:
[Hancocks & Co, 1 Burlington Gardens, London] An Unusual 18th Century Punchbead Creamboat Made in Chester in 1775. James Dixon or James Duke (Jackson Page 390).
Attributed works:
[Hoogsteder-Naumann Ltd, 4 East 74th Street, New York] Adriaen van de Venne. Winter Scene with Ice Boats. c. 1610. Panel 52 × 100cm.
Attributed works:
[I.J. Mazure & Co Ltd, 53 Chancery Lane, London] Cigarette Case by Fabergé, Made of Coloured and Ribbed Gold with Cabochon Sapphires. Made before 1899 by Workmaster Erik Kollin, St. Petersburg.
Attributed works:
[J. Kugel, 279 rue Saint-Honoré, Paris] Swedish Gilt Lead Mirror by Precht, Circa 1720. 120 × 69 cm.
Attributed works:
[J.H, Bourdon-Smith Ltd, 24 Mason's Yard, Duke Street, London] 'An Attractive, Parcel-Gilt, Aesthetic Movement Teaset. Made in London in 1879 by Stephen Smith. It Weighs 19 Ounces and the Teapot Stands 3.75 Inches High.'
Attributed works:
[Jean Willems, rue Ernest Allard 5, Brussels] Gabriel de Saint-Aubin, (Paris 1724-1780) Black and White Chalk on Brown Paper, 254 × 213 mm. Verso: Study with 7 Figures. Authentified by A. Ananoff.
Attributed works:
[JPL Fine Arts, 24 Davies Street, London] Autoportrait, c. 1888-9 Oil on Canvas. 26 × 20.2 cm. Stamped with Signature lower Left
Attributed works:
[Mallory of Bath, 1-4 Bridge Street & 5 Old Bond Street, Bath] Silver Tankard. Wm III London 1700 by Francis Singleton Wt. 32 ozs 7 dwt (1005 gms) Ht. 8¼ ins (20.5 cms)
Attributed works:
[Marlborough, 6 Albemarle Street, London] Les Desmoiselles de Marseilles, 1984, Cardboard, Glue & Collage, 27 × 15¾ × 32⅛ in/68.6 × 40 × 81.6 cm.
Attributed works:
[Maurice Asprey Ltd, 41 Duke Street, London] A Pair of George III Shell Dishes, Each on Three Small Shell Feet and Engraved with Coat of Arms, Made by William Burwash and Richard Sibley, 1810. Weight 12.8 Ounces.
Attributed works:
[Mia Weiner, 36 East 64th Street, New York] Francesco Salviati. Study of a Seated Nude Man. Red Chalk; 9½ × 6⅝″
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Max Ernst, "Figure Humaine", 1932. Oil on Canvas, 100.5 by 81.4 cm. Signed, lower Right: "Max Ernst". Signed and Inscribed on Reverse: "Max Ernst/Figure Humaine". Literature: Spies, no. 1693
Attributed works:
[S.J. Shrubsole, 43 Museum Street, London] A Fine George I Tazza of Britannia Standard Silver. Made in London in 1721 by Humphrey Payne Whose Workshop Was at the Hen and Chickens, Cheapside. Weight 9ozs 2 dwts. Width 7½″
Attributed works:
[Sotheby's 34-35 New Bond Street London] Six Lion Sejant Spoons, John Parnell, Truro, c. 1630.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] Joseph Mallord William Turner, R. A., The Lake of Thun, Watercolour, 28 × 39.4 cm. (£16,500-210,000) $200,000-250,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Parcel-Gilt Coffee Service, Roberto Tombesi, Rome, 1811, Diameter of Tray 34 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] David Teniers the Younger, The Temptation of St. Anthony, Oil on Canvas, Signed, 83.5 by 120.5 cm. £80,000-100,000.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69th Street, New York] Giuseppe de Nittis 1846-1884. The Serpentine, Kensington Palace Gardens, London. Oil in Panel, 10½ × 13¾ Inches
Attributed works:
[Steppes Hill Farm Antiques, The Hill Farm, Stockbury] A George III Oval Silver Salver, with Gadrooned Border on Four Claw Feet by Hannan and Crouch, London 1773.
Attributed works:
[Thomas Le Claire, Adickstrasse 40, Hamburg] Donato Creti (1671 Cremona-Bologna 1749) Oil on Paper, Laid down on Canvas 298 × 178 mm.
Attributed works:
[Wartski, 14 Grafton Street, London] An English Gold Box the Lid and Base Decorated with Arcadian Scenes within Rococo Cartouches. c.1740. A Fabergé Carved Flecked Bowenite Pig the Eyes Set with Rubies. A Blue Enamel and Composition Pendant Depicting an Amorino and the Legend 'Je Pense à tol' within a Frame of Rose Diamonds. Probably French c. 1780. A Fabergé Carved Orange Chalcedony Fo dog; From the Collection of Prince Felix Youssoupoff. An Italian Mid Sixteenth Century Enamelled Gold Jewel Depicting the Nativity. The Holy Family Shown Against a Background of Classical Ruins. The Panle Held within a Seventeenth Century Locket Frame of Rubies and an Outer Pierced Border of Shaded Black and White Enamel. The Captured Heart; The Red Enamelled Brooch with a Diamond Set Magnet. A Plique à Jour Enamelled Gold Peacock Brooch Set with Diamonds and With an Opal Drop by Gautrait. Paris 1900. All Shown Actual Size.
Western art unattributed:
[Antiquaria Limited, 40 Bury Street, London] Florentine "Famiglia Gotica" Two-Handled Drug Jar. Third Quarter of the XVth Century
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, London] A fine Louis XIV centre and corner frame second half 17 century.
Western art unattributed:
[E & C.T. Koopman & Son Ltd, Chancery Lane, London] A Magnificent George II Chinoisserie Epergne on Stand by William Cripps, London 1757.
Western art unattributed:
[Frederick P. Victoria & Son, Inc, 154 East 55th Street, New York] A Large and Exceptional Queen Anne Period Pier Mirror Having a Shaped and Engraved Glass Cresting Centered by Plumes; The Borders of Diamonded Glass Divided and Framed by Gilded Lead Mouldings. 93″ × 38″
Western art unattributed:
[Jack Ogden Limited, 42 Duke Street, London] Specialists in Classical and Other Ancient Goldwork for Museums and Private Collectors Throughout the World.
Western art unattributed:
[Paul Mitchell, 99 New Bond Street, London] Florentine Sixteenth Century Cassetta Frame Sight 47 × 34ins Width 6½ins
Short Notice
François-Xavier Fabre's 'Venus and Adonis'
06/1983 | 963 | 125
Pages: 358+360
related names
Author:
Laing, Alastair (Laing, Alastair)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
54. Venus and Adonis, by François-Xavier Fabre. Sight Size 180 by 230 cm. (Schloss Emkendorf, Schleswig-Holstein).
Exhibition Review
Current and Forthcoming Exhibitions: Florence and France
12/1977 | 897 | 119
Pages: 882+884-885
related names
Reviewer:
Vertova, Luisa (Vertova, Luisa; Vertova, Luisa Felicita)
Subjects
art literature:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
115. Self Portrait, by Jacques Courtois. Canvas, 83 by 66 cm. (Exh. Palazzo Pitti, Florence).
Attributed works:
116. Henrietta Maria, by Frans Pourbus the Younger. Canvas, 54 by 44.5 cm. (Exh. Palazzo Pitti, Florence).
Attributed works:
117. Madonna with Infant St John, by Jacques Stella. Slate (Octagonal), 22.5 by 18 cm. (Exh. Palazzo Pitti, Florence).
Attributed works:
118. Portrait of Carlo Placci, by Victor Hammer. Signed and Dated 1923. Pencil, Orange Chalk and White and Pink Body-Colour on Green Paper, 29 by 23.5 cm. (Gabinetto dei Disegni, Galleria degli Uffizi; Exh. Biblioteca Marucelliana, Florence).
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