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10/2023 | 1447 | 165
Pages: i–xxiv
Subjects
Illustrations
Attributed works:
Thomas Gainsborough R.A. ( 1717-1788) Going to Market, Early Morning, c. 1773 [Dickinson]   
Attributed works:
A lesser coucal on a frangipani branch, a folio from the Impey Album, signed Shaykh Zayn Al-Din (active 1777–82). 1777. Translucent pigments on English paper, 53.3 by 75.2 cm. [CHRISTIE’S, KING STREET, SW1Y/Asian Art London]
Attributed works:
Attributed to Anthonis Mor (Utrecht 1516/1521 – Antwerp 1576) Portrait of a humanist Oil on panel, 62.5 x 42.5 cm PROVENANCE: Probably in the collection of Archduke Léopold Wilhelm, Governor of the Spanish Netherlands 1647–1656 [Jacques Leegenhoek]
Attributed works:
Attributed to SIR PETER PAUL RUBENS (1577 - 1640) Philosophers Studying the Motion of the Spheres at Midnight or, Ptolemaic Exercise in Planispheric Projection Circa 1625. Oil on panel 22.5 in. (H) x 30 in. (W) [Sloane Street Auctions]
Attributed works:
Ceramic cat, by David Hockney (b.1937). c.1956–57. 34.5 x 40 x 15.5 cm [Stacey's]
Attributed works:
Detail of a hanging scroll depicting the Utsusemi Chapter of The Tale of Genji. by Watanabe Hiroteru (1778–1838). Edo period (19th century). Ink, colour and gold pigment on silk, one of a pair, each unrolled including mounts, 248 by 68 cm. ANASTASIA VON SEIBOLD JAPANESE ART, CROMWELL PLACE, SW7/Asian Art London]
Attributed works:
Domenico Corvi (Viterbo 1721–Rome 1803) The Liberation of the Apostle Peter c. 1770, oil on canvas (detail) 24¾ × 19¼ inches | 63 × 49 cm [Nicholas Hall]
Attributed works:
Helene Schjerfbeck, The Lace Shawl, Metropolitan Museum of Art [Amells Konsthandel]
Attributed works:
JOHN SINGER SARGENT RA (1856-1925) A Young Venetian Boy Lying on a Cushion Watercolour on buff paper. Signed and dedicated a mon ami Subercaseaux / John S. Sargent. at the upper centre and upper left. 246 x 330 mm. (9¾ x 13 in.) [sheet] Stephen Ongpin/Frieze Masters]
Attributed works:
Keith Vaughan, Assembly of Figures II (1965). Wash, gouache, pen and ink and wax crayon, 52.5 x 44.8 cm [Chiswick Auctions]
Attributed works:
Miniature from Vies de Romulus et de Caton d’Utique, by the Master of Philippa of Guelders, Jean Coene IV and an artist from the Pichore circle. 1508. Illuminated manuscript on vellum, 35 by 22 cm. [STÉPHANE CLAVREUIL RARE BOOKS LTD, LONDON/Frieze Masters]
Attributed works:
Mount Taibai covered in snow, by Tai Xiangzhou (b.1968). 2022. Ink on silk, 136.5 by 116 cm. [MO HAI LOU, CROMWELL PLACE SW7/Asian Art London]
Attributed works:
Portrait of a young girl in a white apron, by Anthony Van Dyck (1599–1641). c.1630. Oil on canvas, 99 by 83 cm. [PHILIP MOULD & COMPANY, LONDON/Frieze Masters]
Attributed works:
Portrait of Pierre- Edouard Lefebvre de Béhaine, with Florence in the background, by Francois-Xavier Fabre (1766–1837). 1802. Oil on canvas, 96 cm by 74 cm. [GALERIE ERIC COATALEM, PARIS/Frieze Masters]
Attributed works:
Rao Jagat Singh of Kota in his garden, attributed to the Hada Master, India, Rajasthan, Kota. c.1660. Gouache and gold on paper, 27 by 17.7 cm. [SOTHEBY’S, NEW BOND STREET, W1A/Asian Art London]
Attributed works:
Rosalba Carriera (1673–1757) Portrait of a Gentleman, c. 1730 Pastel on paper, laid down on canvas 61 x 45.7 cm (24 x 18 in) Charles H. Schwartz Endowment Fund, 2023.33.1 Recently acquired by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut [Ben Elwes]
Attributed works:
Seaside, by Pierre Bonnard (1867–1947). Gouache, 25 by 32.5 cm. [WILDENSTEIN & CO, INC., NEW YORK/Frieze Masters]
Attributed works:
Still life with a herring, cheese and other comestibles on a table, by Jacob van Hulsdonck (1582–1647). Oil on panel, 46.5 by 69.9 cm. [JOHNNY VAN HAEFTEN, RICHMOND/Frieze Masters]
Attributed works:
Stringed figure (Curlew) (Version 1), by Barbara Hepworth (1903– 75). 1956. Brass and cotton string, 46 by 51 by 35 cm. [HAZLITT HOLLAND HIBBERT, LONDON/Frieze Masters]
Attributed works:
The sisters, by Charles Maurin (1856–1914). 1896. Black chalk and pastel on paper, 52.4 by 44.4 cm. [STEPHEN ONGPIN FINE ART, LONDON/Frieze Masters]
Attributed works:
Théodore GERICAULT (Rouen 1791-Paris 1824) and a collaborator Ving-et-une croupes de chevaux à l'écurie (Twenty-one stabled horse's rumps) Oil on canvas 74 x 92 cm (29,13 x 36,22 in) Provenance: Old collection Frédéric de Meuron (1786-1864) [Briscadieu Bordeaux]
Attributed works:
Untitled, by Ghulam Rasool Santosh (1929–97). 1969. Oil on canvas, 170.7 by 203.2 cm. [DAG, NEW DELHI, MUMBAI AND NEW YORK/Frieze Masters]
Attributed works:
Venice: The Grand Canal with a View of the Church of San Stae, by Michele Marieschi (1710–43). 1730s. Oil on canvas, 83.4 by 114 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS AND NEW YORK/Frieze Masters]
Attributed works:
Westminster Bridge from the north with the Lord Mayor’s Procession, by Canaletto (1697–1768). 1750. Oil on canvas, 47 by 77 cm. [CHARLES BEDDINGTON LTD, LONDON/Frieze Masters]
Non-western art unattributed:
A blue and white ‘sage’ bottle vase with imperial poem. Yongzheng fourcharacter mark and period, 1723–35. Porcelain, height 19.5 cm. [LITTLETON & HENNESSY, 1 PRINCE’S ARCADE, DUKE STREET ST JAMES’S, SW1Y/Asian Art London]
Non-western art unattributed:
A large hardstone embellished ‘Elephant and tribute bearers’ double-sided tablescreen, Mid-Qing Dynasty. [BONHAMS KNIGHTSBRIDGE, MONTPELLIER STREET, SW7/Asian Art London]
Non-western art unattributed:
Anthropic system II, by Emilie Pugh (b.1988). 2021. 6 layers of burnt kozuke paper 150 by 120 by 20 cm. [MICHAEL GOEDHUIS, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Four keris daggers. 19th century, Bali and Lombok. Steel, wood, gilt metals and precious/ semi-precious stones, length each 50–60 cm. [RUNJEET SINGH, CROMWELL PLACE, SW7/Asian Art London]
Non-western art unattributed:
Glazed slipdecorated ‘cat and butterfl y’ stoneware pillow. Northern Song- Jin dynasty, 12th–13th century, Cizhou, probably Guantai kilns, Hebei province. 18.4 by 31 cm. ESKENAZI, 10 CLIFFORD STREET, W1S/Asian Art London]
Non-western art unattributed:
Nanosaurus. Late Jurassic, c.150 million years old. Fossilised bone, 182 by 25 by 62 cm. [DAVID AARON, LONDON/Frieze Masters]
Western art unattributed:
A chessboard. Andalusia, possibly Granada, Nasrid Spain, 14th–15th century. Ebony, ivory and stained wood inlaid. 41.5 by 41.5 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4, Asian Art London]
Western art unattributed:
AMERICAN SCHOOL PORTRAI T OF TWO GIRLS c. 1825–30 Oil on canvas 24 x 20 in. (61 x 50.8 cm) [Philip Mould]
Western art unattributed:
Master of the Corsi Crucifix Florence, first quarter of the XIV century Recently acquired by Galleria dell’Accademia di Firenze Florence, Italy [Moretti]
Western art unattributed:
The Baird Casket [Sam Fogg]
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06/1993 | 1083 | 135
Pages: i-xl
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.