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2 articles
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Advertisements June 1993 (front)
06/1993 | 1083 | 135
Pages: i-xl
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio della Porta, Called Fra Bartolomeo (1472-1517), A Farm on a Ridge. Pen and Brown Ink, Watermark Flower (Tulip) with Two Leaves (cf. Briquet 6664, Florence and Catania, 1508) 15 × 25 cm.
Attributed works:
[ Buch-und Grafik-Antiquariat Falk+ Falk, Kirchgasse 28, Zurich ] Bry, Theodor de. America Sammlungen von Reisen noch Ost - und Westindien. Pt. I - VI. 1591-1620. Richly Illustrated with Engraved Maps and Views. Contemp. Vellum. Very Rare!
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Desiderio da Settignano (Settignano ca. 1430-Florence 1464), Virgin and Child. Marble Relief - 32,5 × 22,5 cm.
Attributed works:
[ Christie's, 8 King Street, St James, London ] Guido Reni (1575-1642): The Penitent Magdalen, 44¼ × 36in. (112.5 × 91.5cm.). Estimate: £800,000-1,200,000. Removed from Wrotham Park
Attributed works:
[ Christie's, 8 King Street, St James, London ] Michelangelo di Ludovico Buonarroti Simoni, Called Michelangelo (1475-1564): The Meeting of the Infant Saint John the Baptist with the Holy Family on the Rest on the Flight into Egypt, Black and Red Chalk, Pen and Brown Ink, over Stylus Indications, 279 × 391 mm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg Saint-Honoré, Paris / 21 East 67th Street, New York ] Giulio Cesare Procaccini, Bologna 1574 - Milan 1625. The Annunciation. Oil on Panel: 123.5 × 95.5 cms
Attributed works:
[ cover ] Salver with Four Reclining Deities, One of a Pair from the Calverley Toilet Service, by William Fowle. 1683-84. Silver. (Victoria and Albert Museum, London).
Attributed works:
[ De Jonckheere, 100 Rue du Faubourg Saint-Honoré, Paris ] David Teniers (1620 Antwerp-Brussels 1690) - The Alchimist - Oil on Canvas: 34,9 × 47,6 cm, Signed and Dated 1652
Attributed works:
[ Dover Street Gallery, 13 Dover Street London ] Alexandre-Marie Colin (1798-1873) An Odalisque. Oil on Canvas. Signed and Dated 1843. 30 by 36.75 cms
Attributed works:
[ Durham Art Gallery, Aykley Heads, Durham ] George Fennel Robson (1788-1833) 'Durham Cathedral from Prebends Bridge'. The Bowes Museum, Durham County Council.
Attributed works:
[ Flavia Ormond Fine Arts Ltd, 24 Brechin Place, London ] Giovanni Battista Gaulli (Called il Baciccio) 1639-1709. A Preparatory Study for the Group of Charity for an Unexecuted Ceiling Fresco for the Sala del Maggior Consiglio in the Ducal Palace, Genoa. Pen and Brown Ink with Grey Wash over Black Chalk, c.1693. 391 × 278 mm.
Attributed works:
[ Galerie Schmit, 396 Rue Saint-Honoré, Paris ] Stanislas Lépine, "Le Port aux Vins au Pont Sully", Panneau, 15,8 × 23,7 cm. Pient vers 1882 - 1885. "Le Bassin de la Villette", Toile, 34 × 68,5 cm. Peint vers 1876 - 1880.
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Evaristo Baschenis (Bergamo 1617 - Wien 1677), Musical Instruments. Oil on Canvas; 85 × 105 cms
Attributed works:
[ Hill-Stone, New York ] Carlo Maratti 1625-1713, St. Joseph Holding the Christchild with the Virgin.
Attributed works:
[ Les Enluminures, Le Louvre des Antiquaires, 2 Place du Palais Royal, Paris ] King Louis XII and Queen Anne of Brittany in Prayer (200 × 215mm) Attributed to the Master of Philippe of Guelders. Initial from a Royal Antiphonal (Frontispiece?). Paris, France after 1499
Attributed works:
[ Noortman, 40-41 Old Bond Street, London / Vrijthof 49, Maastricht ] Pieter de Hooch 1629-1684. The Courtyard of a House in Delft. Canvas: 68 × 57.5 cm. Signed and Dated 1658
Attributed works:
[ Phillips, 101 New Bond Street, London ] Ludolf Backhuysen, (1631-Amsterdam-1708), "A View of the Texel with a Man-o-War Lying at Anchor", Oil on Canvas, 55cm × 67.5cm. Estimate: £30,000-£50,000
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Sir Thomas Lawrence, Portrait of Thomas Dawson, 1st Viscount Cremorne, c.1780. Oil on Canvas, 241.3 by 144.8 cm.
Attributed works:
[ Sotheby's, 34 - 35 New Bond Street, London ] Pier Jacopo Alari-Bonacolsi Called Antico (c. 1460-1528). The Young Hercules Reading, Manua, circa 1495, Bronze and Gilt Bronze. 9ins (22.9cm) High, Later Carved Wood Base.
Attributed works:
[ Spencer A. Samuels & Co, 52 East 78th Street, New York ] Francesco Salviati, Soldier Fleeing (34.6 × 26 cm) Literature: Francesco Salviati by Luisa Mortari, 1992, Illustration no. 400
Attributed works:
[ The Grosvenor House Antiques Fair, London (C. John, 70 South Audley Street, Mayfair, London) ] A French Beauvais Tapestry, Finely Woven in Silk and Wool. From the Series La Noble Pastorale - The Foundation of Love. From the Workshops of Charron, Circa 1760. Dimensions, 276.7 × 292 cm (109 × 115 in).
Attributed works:
[ The Grosvenor House Antiques Fair, London ( Agnew's) ] Sir Peter Paul Rubens (1577-1640), The Holy Family with the Infant St John the Baptist. Canvas, 57 × 46 in (144.7 × 116.9 cm)
Attributed works:
[ The Grosvenor House Antiques Fair, London ] A Very Fine Miniature Tea and Coffee Set by Paul de Lamerie. Circa 1725. This 17 Piece Set Is the Most Expensive Miniature Set Ever.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Caspar Netscher, (1639-84). Self Portrait. Oil on Canvas, 18¼ × 14½ in.
Attributed works:
[ The Grosvenor House Antiques Fair, London ] David Bomberg (1890-1957), A View of the Mount of Olives. Oil on Board, 20 × 26 Inches, Signed and Dated 25
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Fernando Yañez de la Almedina (Active 1501-1531 in Valencia), Christ as Salvator Mundi. Oil on Panel 23.5 × 15.3 cm. Circa 1500-1515
Attributed works:
[ The Grosvenor House Antiques Fair, London ] Jenny Lind by Friedrich Heinrich Karl Schmidt-Carlson (1806-87). Signed and Dated 'Schmidt-Carlson Lubeck 1852'. Oil on Metal, 15.5 × 14 cm (6 × 5½ in).
Attributed works:
[ Thomas Gibson Fine Art Ltd, 44 Old Bond Street, London ] Lucas Cranach the Elder, Judith with the Head of Holofernes, c1530. Oil on Limewood Panel. 29½ × 21¼ Inches / 75 × 54 cm
Non-western art unattributed:
[ Eskenazi, 10 Clifford Street, London ] Earthenware Horse Biting at Its Left Knee, Glazed in Cream and Brown with Pink and Red Pigments and Gilding. Tang Dynasty, 8th Century. Height: 54.7cm
Non-western art unattributed:
[ J. J. Lally & Co., 41 East 57 Street, New York ] Archaic Jade Notched Disk, Xuanji Neolithic/Shang Dynasty, 2nd Millennium B. C. Diameter $4frac{3}{8}$ Inches (11.2 cm)
Non-western art unattributed:
[ Syz, 94 Eaton Place, London ] A Shakudo nanako Tsuba Carved in Low Relief, Details Inlaid in Gold and Silver. Unsigned, Mino-Goto School, Mid-Edo Period. 7.5 × 7.2 × 0.5 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Chinese Stone Head of a Man. Yuan Dynasty, 1279-1368. An Unusual Stone Head of a Man, Wearing a Hat with a Shaped Crest, His Face and Features Well Defined with a Gentle, Sensitive Smile. Height 28.5 cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Fine and Rare Mughal Jade Bowl with Crenellated Rim and S-Curl Handles, the Stone a Green Tone with Russet Markings. Turkestan, 18th Century. Length across the Handles 20 cm (8 in).
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Rare Chinese, Porcelain, Oval, White-Glazed, Rococo-Style Tureen and Cover, Modelled from a European Faience Original, Supported on Four Paw Feet Moulded with Irregular Fluted and Ridges; The Sides Set with Scrolling Handles; The Cover Modelled as a Curled Leaf with Spiralling Stem Finial. Early Quianlong Period, 1736-1795. Width: 31½ cm.
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Very Fine and Rare Huanghuali Wood Bookcase. Chinese, Late 16th to Early 17th Century. Height 199.3 cm
Non-western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An Ivory Powder Flask. Indian, 17th Century. Length: 25 cm. Width: 5.5 cm.
Western art unattributed:
[ Aronson of Amsterdam, Nieuwe Spiegelstraat 39, Amsterdam ] A Very Rare Dutch Delftware Polychrome Plaque Showing a Musician Playing a Bright Yellow viola da gamba, within a Yellow Border, ca.1760, 27 × 22cm (Without Frame)
Western art unattributed:
[ Asprey, 165 - 169 New Bond Street, London / 725 Fifth Avenue, New York ] The Tatham of Tatham Mazer. A Highly Important Henry VII Mazer Bowl, Maker's Mark W, London 1501, 7″ diameter. This Is the Earliest Recorded Hallmarked Mazer.
Western art unattributed:
[ M. Bascourt, Mechelsesteenweg 17, Antwerp ] Superb marquetry French Cabinet, 2nd. half of the 17th century. Inlay of flowers from different varieties of wood in the Dutch manner, but the ivory jasmine flowers are typically French. Pewter strips with inlay around the central door with Louis XIVth flowers and vase pattern. The sides are also similarly decorated. (Inside three small drawers) 63 × 95 × 39 cm.
Western art unattributed:
[ Perrin, 98 Faubourg Saint-Honoré and 3 Quai Voltaire, Paris ] Suite of Four Stools c.1800. Height: 85 cm. Width: 89 cm. Depth: 47 cm. A rare group of carved and gilded X-form wooden stools The uprights terminate at the top in carved heads of fantastic beasts, whose plumage continues to the level of the seat. A disk decorated with flower petals makes the junction of the uprights. Each stool rests on four claw feet. This series of exceptionally large stools belongs to the world of decorative objects of high fashion at the end of the eighteenth and the beginning of the nineteenth centuries.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A 19th-Century Onyx and Diamond Set Cameo Brooch. English, Circa 1880.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A George III Carved Giltwood Console Table, the Serpentine Fronted Siena Marble Top Resting above a Giltwood Frieze. The Legs Comprising 'C' Scrolls Are United at the Base by a Cartouche-Shaped Stretcher, Supporting a Springer Spaniel, a Partridge and a Musket. English, Circa 1765. Height: 37 in. (94 cm). Width: 50 in. (127 cm). Depth: 24 in. (61 cm).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Highly Important and Extremely Rare Queen Anne Japanned Bureau Cabinet. Circa 1708. Height: 92 in. Width: 39½ in.
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] A Pair of Empire Giltwood Armchairs of Assyrian Inspiration. French, Circa 1800. The Musee des Arts Decoratifs in Paris Shows an Armchair That Belonged to the President de L'Assemblee Very Similar to These Armchairs, after a Drawing by the Architect Poyet. Height of Back 92 cm (36¼ in). Height of Seat 43 cm (17 in). Width 70 cm (27½ in). Depth 70 cm (27½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] An exceptional George III harewood and marquetry tambour writing table. English, circa 1775. Height 91.5 cm (36 in). Width 82 cm (32½ in). Depth 72 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] French Faience Lion. Early 18th Century. One of a Pair. Height 73.1 cm ($28frac{3}{4}$ in) and 72.4 cm (28½ in).
Western art unattributed:
[ The Grosvenor House Antiques Fair, London ] The 'Pokrov'. Russian, Third Quarter of the 15th Century.
Advertisements
Advertisements May 1992 (front)
05/1992 | 1070 | 134
Pages: i-xxxii
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Silverio Salamon, 9 Via A. Volta, Turin ] Albrecht Dürer, Nuremburg 1471-1528 The Four Horsemen of the Apocalypse, 1497 c.a Woodcut, Meder 167 (mm. 392×167)
Attributed works:
[Buch - und Grafik - Antiquariat Falk + Falk, Kirchgasse 38, Zurich] Chapron, Nicolaus (Caperon). Sacrae historiae Acta a Rhapaele Urbin in Vaticanis xystis...Romae, 1649. Oblong-Imp. Folio. With 54 Engraved Plates. - Nagler II, p. 493/94. A Very Rare Complete Edition in Fine Condition.
Attributed works:
[Carre Rive Gauche / Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] Clerc
Attributed works:
[Carre Rive Gauche/ Charles Ratton & Guy Ladriere, 11 Quai Voltaire, Paris] Statuette of Tormented Figure, Ivory, South German or Austrian, Circa 1650, Attributed to the Master of the Furies. L: 16 cm.
Attributed works:
[Caylus Anticuario S.A., Lagasca 28, Madrid] Felix Castelo (Circa 1600-1652). The Liberation of Saint Peter. Oil on Canvas 168.8 × 125.5 cm.
Attributed works:
[Christie's, 8 King Street, London] Alonso Sánchez Coello (1531/2-1588): Portrait of Hernán Cortés, Oil on Panel, 48¼ × 41 in. (122.7 × 104 cm.)
Attributed works:
[Concha Barrios, C/ Claudio Coello 14 and 17, Madrid] Juan Bautista de Espinosa. Oil on Canvas 59 × 82 cms.
Attributed works:
[cover] Detail of Man in Armour, by Rembrandt. (Art Gallery and Museum, Glasgow; Exh. National Gallery, London).
Attributed works:
[Edmund Peel and Asociados, Plaza de la Indpendenzia 8, Madrid and Pasaje Domingo 2, Barcelona] Francisco José de Goya y Lucientes (1746-1828), Portrait of the Embroiderer Juan López de Robredo, Oil on Canvas, 107×81 cm. Estimate on Request. This Painting May Be Dated to c. 1798. It Is Undoubtedly One of the Most Important Works by Goya Remaining in Private Hands.
Attributed works:
[Galerie Kornfeld, Laupenstrasse 41, Bern] Giulio Campagnola. Shepherds in a Landscape. Engraving. Hind V, 196, 6. 1515-1518.
Attributed works:
[Hilmar M. Klemke oHG, Burchard Strasse 26, Munster] Pieter Molyn (London 1595-1661 Haarlem). Hilly Landscape, in the Centre Peasants Resting in Front of a Group of Trees. Signed and Dated 'PMolyn 1654' with Black Chalk at Top Right, the P and the M in a Ligature. Black Chalk, Grey Wash, Framing Lines in Brown Ink, 147 × 194 mm. Watermark: Non-Existent
Attributed works:
[Marlborough, 6 Albemarle Street, London] Therese Oulton, Close-Up, 1992. Oil on Canvas. $83frac{7}{8}times 91frac{7}{8}$ in./213 × 233.3 cm. Titled, Signed and Dated on Reverse
Attributed works:
[Paul Proute S.A., 74, rue de Seine, Paris] Gabriel-François Doyen (Paris 1726 - St. Petersburg 1806). Brutus and His Sons. Black Chalk, Stumping and Grey Wash with White Heightening on Grey Paper. 42.4 by 53.4 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Anne-Louis Girodet-Trioson, Portrait of Queen Hortense, Circa 1805. Oil on Canvas, 24 by $19frac{11}{16}$ Inches (61 by 50 cm.)
Attributed works:
[Spink & Son Ltd, 5, 6 & 7 King Street, St. James, London] Percy Wyndham Lewis, 1882-1957. Protraction, 1913
Attributed works:
[Stanza del Borgo, Via G. Puccini 5, Milan] Salvator Rosa Naples 1615 Rome 1673. Soldier with a Turban. Pen, Ink and Brown Wash. 17 by 9 cm.
Attributed works:
[The Grosvenor House Antiques Fair/ Acanthus Art Ltd] The Submersion of Pharoah's Army in The Red Sea by Titian (1477/89-1575) and an Anonymous Woodcutter. Woodcut Designed Circa 1515 from the Edition Published by Domenico delle Grecche, 1549. Dimensions 123 × 219 cm (48 × 85 in). Printed on Twelve Sheets of Matching Paper, Each Bearing a Watermark of a Pilgrim with Staff in a Circle.
Attributed works:
[The Grosvenor House Antiques Fair/ Ackermann & Johnson, 27 Lowndes Street, London] The Timber Waggon by George Barret (1732-1784). Gouache; Sight 18 × 23.5 Inches
Attributed works:
[The Grosvenor House Antiques Fair/ Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Alessandro Magnasco Called Alessandrino (Or Il Lissandrino) (1667-Genoa-1749). Landscape with Hunters. Oil Painting on Canvas, 27½ × 36½ Inches (70 × 92.8 cm)
Attributed works:
[The Grosvenor House Antiques Fair/ Galerie Bruno Meissner, 32 St George Street, Mayfair, London] Le Braconnier by Gustave Courbet (Ornans 1819-77 La Tour de Peilz). Signed, Inscribed and Dated Lower Right 'G. Courbet St. Cloud 67'. Oil on Canvas, 33 × 40.6 cm (13 × 16 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Johnny van Haeften, 13 Duke Street St James, London] A Brazilian Landscape with a Procession Emerging from the Ruined Cathedral of the See of Olinda, Exotic Animals in the Foreground by Frans Post (Leiden 1612-80 Haarlem). Signed. Oil on Canvas, 61 × 83.3 cm (24 × 33 in).
Attributed works:
[The Grosvenor House Antiques Fair/ Rafael Valls Limited, 11 Duke Street, London] A View of the Thames at Westminster Bridge, with Westminster Abbey, the Palace of Westminster and St. John's, Smith Square. by Joseph Nicholls (fl.1730-1760). Oil on canvas, 78.8 × 134.6 cm (31 × 53 in). Very little is known about the life of Joseph Nicholls, apart from the fact that some of his topographical views of London were engraved in 1738 and that there is a signed view of Twickenham painted in 1755. Nicholls's style comes closest to that of Samuel Scott, and many of his works have probably passed under Scott's name over the decades. Both artists painted many views of the Thames, and both were influenced by the arrival of Canaletto in London in 1746. There are two paintings by Nicholls in the Mellon University Collection at Yale and one in the Tate Gallery, London.
Attributed works:
[The Grosvenor House Antiques Fair/ Ronald A. Lee, 1-9 Bruton Place, London] A Late 15th Century Limewood Carving of Saint Stephen, Circa 1490-1500. Attributed to the Workshops of Tilman Riemenschneider (1460-1531). Height: 31 Inches. Compare with Two Female Saints in the Museum in Frankfurt-am-Main and the Figures of St Lawrence and St Stephen in the Cleveland Museum, Ohio.
Attributed works:
[The Grosvenor House Antiques Fair/ William Drummond, Covent Garden Gallery Ltd] Johan Christian-Clausen-Dahl 1788-1857. Clouds and Landscape by Moonlight. Oil-Paint on Paper Laid-down 6¼ × $7frac{3}{8}$ Inches 15.8 × 18.6 cms. Inscribed and Dated "27 Novbr 1822". Painted after Joining Caspar-David Friedrich at Dresden
Attributed works:
[The Grosvenor House Antiques Fair]/ D. S. Lavender (antiques) Ltd, 16b Grafton Street, London] An Important Louis XV Gold Mounted Piqué Snuffbox Set with a Portrait Miniature of the Empress Maria Theresa of Austria by Jean Etienne Liotard. Circa 1760.
Attributed works:
[W. M. Brady & Co., 3 East 76th Street, New York] Eugene Delacroix (1789-1863). Study of Horses. Pen and Brown Ink 205 × 260 mm. Ex-Coll. Georges Aubry
Western art unattributed:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Crucifixion, by an Umbrian Master, c.1370. Tempera on Gold-Ground Panel. 24.5 by 12 cms.
Western art unattributed:
[C. John, 70 South Audley Street, Mayfair, London] A Rare Caucasian Rug from the Town of Lenkoran in the Talish District. Circa 1880. Size: 9′ 1″ × 3′ 9″ (277 × 114)
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] A Fine Walnut Bureau Cabinet, George II, Circa 1730, 238cm High, 109cm Wide. From the Sale of Important English Furniture, London, 22nd May. Estimate: £25,000-30,000.
Western art unattributed:
[The Grosvenor House Antiques Fair/ Sheppard and Cooper Ltd, 11 George Street, London ] , A Rare German Footed Reichsadlerhumpen (Or Imperial Eagle Beaker) Dated 1632, Enamelled with the Black Double-Headed Eagle of the Holy Roman Empire with Its Wings Outspread and Hung with Fifty-Six Shields Representing the Constituent Parts of the Empire. Height 26 cm (10¼ in).