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Advertisements March 2012 (front)
03/2012 | 1308 | 154
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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Advertisements June 2009 (front)
06/2009 | 1275 | 151
Pages: s.p.
Subjects
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subjects:
Illustrations
Attributed works:
[Abbott and Holder Ltd. 30 Museum Street. By Keith Vaughan (1912-1977). Dated: '8/3 Nov / 73'. Studio stamped verso. Pencil, 380 by 30 cm]
Attributed works:
[Agnew's, London. Helmet head no.3, Henry Moore (1898-1986). Bronze, 29.5 cm high.]
Attributed works:
[Agnew's, London. Pulteney Bridge, Bath, by Walter Richard Sickert (1860-1942). Signed, inscribed and dated 1918. Oil on canvas, 25.4 by 30 cm.]
Attributed works:
[Agnew's. The Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578-1615). Oil on panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew’s. 8 Grafton Street. London. Study of Angels, by Charles de La Fosse (1636-1716). Verso: Study of an angel. Red and black chalks, 18.8 by 22.4 cm]
Attributed works:
[Bel Elwes Fine Art. View of Parc d'Ermenonville, by Alexandre-Hyacinthe Dunouy (1757-1841). Oil on canvas, 32 by 41 cm.]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustrated: Louis-Ernest Barrias, French (1841-1905). A bronze entitled 'La Nature se devoilant devant la Sciance']
Attributed works:
[Charles Beddington Ltd. Portrait of the sculptor Martin Desjardins (1637-94), by Hyacinthe Rigaud (1659-1743). Oil on paper laid down on canvas, 25 by 20.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 14 rue de Marignan, 75008 Paris. James Forbes (1749-1819). Lapis Lazuli. Original mount by the artist. Bodycolour with gold on paper. Height: 27.5 cm. Width: 31 cm]
Attributed works:
[Christie's. A Blackberry pie, a nautilus cup, a salt cellar, a silver ewer, a roemer, a knife and a knife case, all on a partly draped table, by Willem Claesz Heda (1594-1640). Oil on panel, 71.1 by 91.4 cm]
Attributed works:
[Colnaghi. David and Bathsheba, by Lucas Cranach the Elder (1472-1553). 1534. Oil on limewood panel, 115 by 79.3 cm.]
Attributed works:
[Didier Aaron (London) Ltd. Clifford House, 15 Clifford Street. Hector's farewell to Andromache, by Pietro Antonio Novelli (1729-1804). Signed lower left: 'Petrus Ant. Novelli / venetus pinxit / Anno MXCCLXXII', Inscribed in the upper and lower margin. Pen with brown and chalk ink and grey wash, 35.2 by 44 cm]
Attributed works:
[Fergus Hall Master Paintings. A dune landscape with travellers resting on a path, by Jan Wijnants (1631/32-84). Oil on canvas, 43 by 35 cm.]
Attributed works:
[Fergus Hall. 38 Old Bond Street. London. Anthonie Palamedesz. (Delft 1601-1673 Amsterdam). A Guardroom Interior. Oil on panel, 37.5 x 49.7 cm, Signed A. Palamedes (lower left)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Angelo Caroselli. Rome, 1585-1652. The Holy family with Saint Dorothy. Oil on wood panel, 53 x 45.5 cm (20 7/8 x 17 13/16 cm)]
Attributed works:
[Godson & Coles, London. Red circle and black, by Sir Terry Frost R.A. (1915-2003). 1963. Signed, titled and dated 'May 63' on the reverse. Oil on canvas with collage, 143.5 by 143.5cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Duncan Grant. 1885-1978. Omega Paper Flowers on a Mantlepiece, circa 1914. Oil on canvas. 21 3/4 x 29 7/8 inches; 55.2 x 75.9 cm]
Attributed works:
[Hill-Stone Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Roman Charity, by Giovanni Francesco Barbieri, called Guercino (1591-1666). Drawing in red chalk with some stumping, 23.9 by 18.7 cm]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Carle Vernet (Bordeaux 1758 - 1836 Paris). A Woman Wearing a Chapeu Casque and a Tablier à Fichu. Drawing in sanguigne chalk. Apparently the preparatory drawing for Plate 105 in Costumes Parisiens, Vol. II (1797-1836). 20 1/8 x 15 1/16 inches. (511 x 382 mm)]
Attributed works:
[Hill-Stone, Inc. Box 273, Gracie Station. New York. Studio of Raphael, Pietro or Pedro Serafi (Serafin), called The Greek (Active Rome c. 1520 and Brussels c. 1530 - Barcellona 1567). Two Soldiers, a Portion of a Tapestry Cartoon. Gouache over black chalk. Part of a larger cartoon preparatory for a tapestry The Triumphal Procession of Scipio Africanus. The tapestry was part of a great cycle of 22 pieces, from designs by Giulio Romano and Gianfranco Penni. Following its acquisition by Francois I, it enjoyed enormous celebrity under the name the "Great Scipio". 14 13/16 x 9 13/16 inches. (380 x 253 mm)]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. A mother with a child at her breast; verso: A young woman, seated, with a book open on her lap, by Girolamo Francesco Maria Mazzola, called Parmigianino (1503-40). Recto and verso: Red chalk, 15.8 by 11.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giuseppe Bernardino Bison. Palmanova 1762 - 1844 Milan. A Capriccio with Boatmen by a Lake, a Church and other Buildings on the Shore and Mountains in the Distance. Gouache on paper. 430 by 592 mm. (17 by 23 1/4 in)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Pieter Lastman (1583-Amsterdam-1633). The Baptism of Christ. Oil on panel. Signed and dated 1629. 32 1/4 x 22 5/8 ins. 82 x 57.5 cm]
Attributed works:
[Johnny van Haeften Ltd. A still life of flowers in a blue and white vase, by Jan Brueghel the Elder (1569-1685). Oil on panel, 47 by 34 cm]
Attributed works:
[Jorn Gunther Rare Books, Hamburg. The Pontifical of Ferry de Clugny, Bishop of Tournai. Illuminated by Loyset Liédet and Lieven van Lathem. Bruges, c.1475-76. On vellum, 30.5 by 22.4 cm.]
Attributed works:
[Katrin Bellinger at Colnaghi, 15 Old Bond Street. The baptism of Christ, by Giovanni Domenico Tiepolo (1724-1804). Pen and brown ink and brown wash over black chalk, 28.8 by 19.7 cm]
Attributed works:
[Koopman Rare Art, London. A silver-gilt royal presentation tray. London, 1805. Maker's mark of Digby Scott & Benjamin Smith. Lenght (across handles): 75 cm. Width: 55 cm. Weight: 250.5 ounces.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The Isle of Elba from the sea, by Alexander Cozens (c.1717-86). Signed on the artist's original backing sheet. Pen and ink grey wash heightened with black chalk, 28 by 44.5 cm]
Attributed works:
[Michal Tollemache Fine Art. A kermesse or village festival (detail), by David Teniers the Younger (1610-90). Oil on canvas, 97.7 by 131.4 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Severo di Domenico di Calzetta, called Severo da Ravenna. Ravenna, active by 1496 - died 1538. Kneeling Satyr. Bronze, height: 19.4 cm excluding later marble base.]
Attributed works:
[Philip Mould Historical Portraits, London. Portrait of a Lady, by Joseph Wright of Derby (1734-97). c.1760. Oil on canvas, 76 by 64.5 cm.]
Attributed works:
[Sims Reed, London. Lithograph of water, by David Hockney. 1980. Signed in pencil and inscribed: AP IX. Lithograph printed in colors, 75.4 by 87.7 cm]
Attributed works:
[Sotheby's. Prometheus, by Jusepe de Ribera (1591-1652). Oil on canvas, 192.5 by 156 cm.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Master of Rimini. Alabaster Pietà.]
Attributed works:
[Sphinx Fine Art Exhibiting at: The Gallery, 28 Cork Street. Death of Seneca, by Giovanni Battista Tiepolo (1697-1770). Pen and brown ink and grey wash over black chalk, 42.8 by 28.2 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church Street. London. Michele Tosini, called Michele di Ridolfo del Ghirlandaio (Florence 1503 - Florence 1577). An Allegory of Fortitude. Oil on panel, 73 x 54.7 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Illustrated letter to Albert Hecht, with a still-life of plums and cherries, by Edouard Manet (1832-83). Watercolour, with writing in pen and brown ink, 24.5 by 15.6 cm.]
Attributed works:
[The FIne Art Society, London. White lilies, by Samuel Peploe (1871-1935). c. 1926. Signed 'S J Peploe', at lower right. Oil on canvas, 61 by 51 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Hans von Aachen (1552-1615). Portrait of Adriaen de Vries. Oil on canvas. 50.3 x 40.4 cms.]
Attributed works:
[Trafalgar Galleries. The Emperor Claudius mounted on a white charger, by Giulio Romano (1499-1546). c. 1536. Oil on panel, 83 by 54 cm]
Attributed works:
[Trinity Contemporary. 29 Bruton Street. London. Head (Drawing 137), by Claude Heath. 1995. Signed, numbered and dated lower right: '137 24.2.95 C HEATH'. Coloured biro on paper, 70 by 50 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Manno Sbarri (Florence 1494-1553) and Guglielmo Della Porta (circa 1500-1577). The Infant Hercules Strangling the Serpents. One of a pair of models for the scenes on the lif of the Farnese Casket. Red wax, patinated in black/brown; modelled in relief on slightly curved timber boards. 16.5x28 cm (the wax)]
Attributed works:
[W/S Fine Art / Andrew Wyld. 27 Dover Street. London. An open landscape with bright clouds and two figures, by William Callow (1812-1908). Signed with initials: W.C. Watercolour and bodycolour, 95 by 13.3 cm]
Attributed works:
[Whitfield Fine Art Ltd. Madonna and CHild, St. John the Baptist, St. Elizabeth and St. Joseph, by Rosso Fiorentino (1494-1540). c. 1513. Oil on panel, 92 by 71.8 cm]
Non-western art unattributed:
[Susan Ollemans, London. A pair of gold and gem-set bangles. Indian, Jaipur, nineteenth century. Length: 20 cm. Width: 6.8 cm.]
Western art unattributed:
[Bernard Steinitz. 9, Rue du Cirque – 77, Rue du Faubourg Saint-Honoré. Paris. An important Gueridon with Winged Lion Décor. French, circa 1815-1820. Chased, patinated and gilded bronze, precious marble top. Height: 85 cm (33 1/2 in). Diameter: 91 cm (35 3/4 in)]
Western art unattributed:
[Joanna Booth. PO Box 50886. London. Tapestry fragment of the figure of Penelope taken from the Triumph of Chastity over Love. Brussels, circa 1510, probably from cartoons created by the Van Orley studio. Woven in wool and silk mounted on modern linen, 147 x 96 cm (58 x 38 in)]
Western art unattributed:
[Lebrun. 155 rue du Faubourg Saint-Honorè. Italian carved and gilded wood frame, early 16th century.]
Western art unattributed:
[Mallett, London. An early eighteenth-century red japanned cabinet on a Regency gilt stand carved to simulate an early eighteenth-century stand. English, cabinet c. 1730; stand c. 1820. Height: 182 cm. Width: 106 cm. Depth: 55 cm]
Western art unattributed:
[Richard Philp, London. An alabaster relief of the Gates of Heaven. 15th century. Nottingham Alabaster. Height: 30.5 cm.]
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Advertisements February 2009 (front)
02/2009 | 1271 | 151
Pages: i-xx
Subjects
subjects:
Illustrations
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Bernheimer. Brienner Strasse 7. Munich. Salomon Lilian. Spiegelgracht 5. The Netherlands. Frans Hals (Antwerp 1580-1666 Haarlem), St. Mark. Signed upper right with monogram: FH. Oil on canvas, 27 x 20 3/4 in. (68.5 x 52.5 cm)]
Attributed works:
[De Jonckheere. Paris and Brussels. Adoration of the Magi in a winter landscape, by Pieter Brueghel the Younger (1564/65-1637/38). Signed and dated: P.BREVGHEL, 1633. Oil on panel, 39 by 59 cm]
Attributed works:
[Douwes. Amsterdam. Winter landscape with travellers on a country road and wood gatheres on the ice, by Barend Cornelis Koekkoek (1803-62). Signed and dated 1849. Oil on panel, 55 by 70 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giusepe de Ribera. Jativa, 1591 - Naples, 1652. Saint James the Greater. Oil on canvas, 74 x 64 cm (29 1/8 x 25 3/16 in)]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. The laundry day, by Michael Sweerts (1618-64). Oil on canvas, 49 by 78.5 cm]
Attributed works:
[Galerie Didier Aaron & Cie. Paris, London & New York. The reading lesson, by Jacob van Oost the Elder (1603-71). Oil on canvas, 103 by 81 cm]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Jan van Boeckhorst (Munster 1604-1668). Alexander the Great Crowns Roxana. Oil on panel, 49,4 x 40,6 cm]
Attributed works:
[Galeries Hans. Jungfernstieg, 34 III. D-20354 Hamburg. Raffael and workshop]
Attributed works:
[Jan de Maere. 9, rue des Minimes. B-1000 Brussels. David Teniers II (Antwerp 1610 - 1690 Brussels) A Village Feast (Fete de Village - Kermesse). Oil on canvas, 97.7 x 131.4 cm. Signed D.TENIERS Fec (lower right)]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Anthonie de Lorme (Tournai c. 1610-1673 Rotterdam). The interior of a Protestant church at night with elegant figures in the foreground. Signed centre right, dated and inscribed: HIER.LEYT./BEGRAVEN./NIEMAT./A. DE./LORME/1645. On panel - 46 1/2 x 56 1/2 ins (118.1 x 151.1 cm)]
Attributed works:
[Johnny van Haeften. London. A bouquet of flowers in a glass, by Ambrosius Bosschaert the Elder (1573-1621). Signed with monogram lower left and dated 1610. Oil on paper, 26 by 18.1 cm]
Attributed works:
[Kunsthadel Schlichte Bergen. Amsterdam. Falaises sur la cote normande, by Louis Gabriel Isabey (1803-86). Oil on paper laid down on canvas, 33.5 by 55 cm]
Attributed works:
[Otto Naumann Ltd. New York. Smokers in an interior, by Willrm Cornelisz Duyster (1599-1635). Oil on panel, 38.5 by 49.5 cm]
Attributed works:
[Richard L. Feigen & Co. New York. Town view of The Hague with the Nieuwe Kerk, by Vincent Van Gogh (1853-90). Watercolour, gouache, pen and ink on paper, 24.5 by 35.5 cm]
Attributed works:
[Rubenshuis and Mauritshuis. Antwerp and The Hague. Willem van Haecht, Apelles painting Campaspe, c. 1630, Mauritshuis, The Hague]
Attributed works:
[Salomon Lilian. Amsterdam. A peasant in a green coat and cap, by Pieter Brueghel the Younger (1564/65-1637/38). Signed with monogram. Oil on panel, 10 by 10 cm]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Johann Martin von Rohden. Kassel 1778 - 1868 Rome. A view of the Villa Hadriana in Tivoli, the Tiber valley and the Sabine Hills beyond, before 1810. Oil on paper over traces of pencil laid down on canvas 39.8 x 53 cm.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Luigi Valadier (1726-1785). (attributed to). An 18th Century figure of the Dancing Faun. Height: 77cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. L. N. P. A. de Forbin. Voyage dans le Levant. 1819. 80 plates in aquatint and lithograph]
Attributed works:
[Whitfield Fine Art Ltd. London. The Annuncitation, by Hendrick ter Brugghen (1588-1629). c. 1624. Oil on canvas, 104 by 84 cm]
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07/2003 | 1204 | 145
Pages: i-xii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Felix-Joseph Barrias (Paris 1827 - Paris 1902) Head of a bearded man, turned towards the right Charcoal and pink chalk on blue paper, 321 x 274 mm.
Attributed works:
[Chris Beetles Ltd., 8/9 Ryder Street, London, UK] Ecstasy of a Sainted Nun 223.5 x 131.5 cm., arched top.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Sebastiano Ricci (Belluno 1659-1734 Venice) The Last Communion of St. Mary of Egypt Oil on canvas, 209 x 142 cm 82 1/4 x 55 7/8 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Severo Calzetta da Ravenna, (fl. 1496-1543) A candlestick in the form of a mermaid with twin tails Bronze, height 23.5 cm (9¼ in)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Giulio Carpioni (Venice 1611 - 1678 Venice). Two Male Heads Looking to the Right Red chalk on blue paper (152 x 165 mm)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] Sir Peter Lely (1618 - 1680) The Honourable Leonard Grey. Oil on canvas Size: 29¾ x 25 inches (75.5 x 63.5 cm) Signed with initials Painted circa 1646-50
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Bernardino Gatti, Il Sojaro (Pavia? ca. 1495 - 1576 Cremona) Leg Study, preparatory for the altarpiece Virgin Mourning Dead Christ commissioned for San Domenico, Cremona but since 1797 in the Louvre. red chalk, brush & white gouache. 196 x 110 mm. squared in red chalk.
Attributed works:
[Yale University Press advertisement] Van Dyck. A Complete Catalogue of the Paintings. Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey. This stunning book is the long-awaited catalogue raisonné of Sir Anthony Van Dyck's painted oeuvre. Handsomely designed and illustrated, it includes a reproduction of every known authentic painting by the artist, the provenance and the significant facts and literature on each.
Attributed works:
[Yale University Press advertisement] Whistler, Women and Fashion. Margaret F. MacDonald, Susan Grace Galassi and Aileen Ribeiro, with Patricia de Monfort. Costume and fashion were a lifelong obsession for James McNeill Whistler. This lavishly illustrated book focuses on fashion in Whistler's art as a key to understanding his life and work and as a new means of exploring his relationship with women and his portraits of them.
Western art unattributed:
Interior of St Michael's Cathedral, Coventry, November 15th 1940, by John Piper. 1940. Oil on Canvas Laid on Board, 50 by 61 cm. (Herbert Art Gallery and Museum, Coventry).
Western art unattributed:
[Cambridge University Press advertisement] Book covers. The Cambridge History of Western Textiles Edited by David Jenkins. An authoritative study on the production and uses of textiles in Europe since ancient times. The Roman House and Social Identity Shelley Hales Examines house types from Britain to Syria to understand how people imagined and articulated their place in the Roman world. The Cambridge Companion to Titian Edited by Patricia Meilman. An introduction to one of the giants of Western art.
Western art unattributed:
[Yale University Press advertisement] A Private Passion 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection. Harvard University Stephan Wolohojian et al. The Winthrop Collection of French, British and American art includes the best group of Delacroix and Ingres drawings outside France, the most significant group of pre-Raphaelite paintings outside Britain, and a world-renowned collection of Sargent watercolours. This book is the catalogue for an international travelling exhibition on show at The National Gallery, London from June to September.
Western art unattributed:
[Yale University Press advertisement] Goddess The Classical Mode Harold Koda This beautifully illustrated book explores the continually evolving influence of classical dress through the ages, presenting a historical survey of this fascinating theme.
Western art unattributed:
[Yale University Press advertisement] The Pleasures of Antiquity. Jonathan Scott. In this first comprehensive history of the collecting of antiquities in Great Britain, Jonathan Scott examines how the great British antiquities collections were put together and displayed, from Lord Arundel's collection of marbles in the seventeenth century to the Grand Tour acquisitions of the eighteenth century, and the greatest art acquisition of all time, that of the Elgin Marbles.
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05/2003 | 1202 | 145
Pages: i-xvi
Subjects
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artists:
subjects:
Illustrations
Attributed works:
Portrait of a Woman Holding a Fan, by Orazio Gentileschi. c.1624-30. 125 by 93.5cm. (Private collection).
Attributed works:
[Aldega-Gordon, New York, New York] Florentine School Mid-16th Century Black chalk 7½ x 4⅞ inches (190 x 124 mm)
Attributed works:
[Beddington & Blackman Limited, 16 Savile Row, London, UK] Willem Bartsius Active in Alkmaar and Amsterdam in the 1630s Young Man in a planned Hat playing a Theorbo-Lute, with a Vanitas Still-Life Oil on canvas, 44¼ x 41¼ inches (112.5 x 106 cm.)
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Jacques Stella (Lyon 1596 - Paris 1657) Saint Agnes being crowned by an angel Oil on canvas, 68.5 x 58 cm. Circa 1648.
Attributed works:
[Chelminski, 616 King's Road, London, UK] Laughing Boy with Frog Fountain by Raffaello Romanelli (1856-1928) Signed An important Florentine Renaissance Revival fountain on Rosso Verona marble and bronze. Accompanied by a letter from Romanelli, the leading Italian sculptor of his day, whose commissions included Donatello's tomb of 1886 in San Lorenzo. Height: 68" (173 cm). Diameter: 36" (91 cm)
Attributed works:
[Exh. International Fine Art Fair, New York] Annunciation by Benvenuto Tisi called 'Il Garofalo' (Ferrara 1475/6-1539). Oil on panel 47.5 x 31 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Brindisi by George Groz (1893-1959) Watercolour, pen and ink on paper, 43.2 x 30.2 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Danseuse assise by Edgar Degas (1834-1917). Pastel and charcoal, 57 x 42 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Isabel I (Head) by Jacob Epstein (1880-1959). Bronze, 33 cm high.
Attributed works:
[Exh. International Fine Art Fair, New York] La Pulce by Giuseppe Maria Crespi. Oil on canvas, 72 x 54.5 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] La Statue de la Liberté by Frédéric-Auguste Bartholdi (1834-1904). Watercolour
Attributed works:
[Exh. International Fine Art Fair, New York] Le Garçon d'Etage c. 1927-28, by Chaim Soutine (1894-1943). Oil on canvas, 55 x 38 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] One of a pair: A River Landscape with Fishermen, Travellers and Herdsmen with cattle and sheep by Giuseppe Bernardino Bison (1762-1844). Gouache on paper, 20.3 x 30.4 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Study of a Horse by Emile-Jean-Horace Vernet. Oil on paper, laid down, 50.2 x 60.8 cms.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Claude Gellée called Le Lorrain (1605-1682) Harbour Scene Oil on canvas, 74 x 99 cm (29 x 39 in) Datable to 1637/38
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Giambattista Tiepolo Venice 1696 - 1770 Madrid Figure seen from below holding drapery Drawing in brown pen and wash, 251 x 191 mm.
Attributed works:
[Jean-Luc Baroni Ltd, 8 Masons Yard, London, UK] Francisco Goya (1746-1828), The Young St. John the Baptist in the Wilderness. Oil on unlined canvas: 112 x 81.5 cm
Attributed works:
[Oliver Forge and Brendan Lynch Ltd., 2 Georgian House, 10 Bury Street, London, UK] The Carlos Cameo A Roman Sardonyx Portrait Possibly of Faustina the Younger, wife of Antoninus Pius Second century A.D. Height including mount 4.2 cm.
Attributed works:
[Richard L. Feign & Company, 34 East 69th Street, New York, New York] Orazio Gentileschi, Vision of St Francis, circa 1600-01 oil on canvas, 162.5 by 116 cm.
Attributed works:
[Robert Simon Fine Art Art, Inc., Satis House, Tower Hill Road, London, UK] Bartolomeo Manfredi (Ostiano 1582 - 1622 Rome) A Bravo Oil on canvas, 36 x 27⅞ inches (91.5 x 71 cm)
Attributed works:
[Thomas Colville Fine Art, 58 Trumbull Street, New Haven, CT, USA] La Mare, circa 1855-60 Oil on panel, 10⅝ x 16⅛ inches, signed.
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04/2003 | 1201 | 145
Pages: i-viii
Subjects
advertisements:
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artists:
subjects:
Illustrations
Attributed works:
Les comédiens italiens, by Antoine Watteau. 1719-20. 63.8 by 76.2 cm. (National Gallery of Art, Washington).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Jean-Baptiste Santerre (1651-1717) Young woman drawing by candlelight Oil on canvas, 65 x 81 mm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Annunciation by Benvenuto Tisi called 'Il Garofalo' (Ferrara 1475-1539). Oil on panel 47.5 x 31 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Danseuse assise by Edgar Degas (1834-1917). Pastel and charcoal, 57 x 42 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Figure humaine (Les oiseaux) by Max Ernst. Oil on canvas, 61 x 50 cm. Signed lower right.
Attributed works:
[Exh. International Fine Art Fair, New York] Isabel I (Head) by Jacob Epstein (1880-1959). Bronze, 33 cm high.
Attributed works:
[Exh. International Fine Art Fair, New York] La Statue de la Liberté by Frédéric-Auguste Bartholdi (1834-1904). Watercolour
Attributed works:
[Exh. International Fine Art Fair, New York] Le Garçon d'Etage c. 1927-28, by Chaim Soutine (1894-1943). Oil on canvas, 55 x 38 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Musical Company by Jan van Bijlert (Utrecht 1597/98-1671). Oil on panel, 97 x 114.5 cm.
Attributed works:
[Exh. International Fine Art Fair, New York] Saddled Horse Tied to a Fence by Horace Vernet. Signed and dated 1828. Oil on canvas, 82 x 101 cms.
Attributed works:
[Exh. International Fine Art Fair, New York] Solomon's Wall, Jerusalem (The Western Wall) by Jean-Léone Gérôme (1824-1904). Oil on canvas. 92.4 x 73.7 cm.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Edward Lear (1812-1888) View of Florence Oil on canvas, 47 x 76 cm (18½ x 30 in) Signed with initials and dated 1861
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Sigismondo Coccapani (Florence 1583-1643) Standing Male Figure, his right arm raised; study of a dog (recto) Man wearing a clock; study of a Soldier (verso) Pen, brown ink and red chalk (recto); red chalk (verso), 412 x 262 mm.
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03/2003 | 1200 | 145
Pages: i-lv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Frederico Barocci (1535 - Urbino - 1612) The Stigmatisation of St Francis, c. 1590. Brush. red and white bodycolor, 495 x 370 cm.
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Master of the View of Sainte Gudule (active Brussels c. 1470- c. 1490) St Sebastian Oil on panel, 49¾ x 21 inches (126.4 x 53.3 cm).
Attributed works:
[Adrian Sassoon, 14 Rutland Gate, London, UK] A Very Rare Sèvres Porcelain Cuvette Mahon, 2nd size 1760, bleu céleste ground Flowers painted by J.-B. Noualhier l'aîné Width 9¼ in. (23.5 cm.)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Juan de Valdés Leal (Seville 1622 - 1690) The Annunciation Canvas, 32¼ x 25½ inches (82 x 65 cm)
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Macrino d'Alba (Gian Giacomo de Alladio) Alba c. 1470 - before 1528 Adoration of the Christ Child with two Franciscan Friars, c. 1505 Grey pen and brown wash with light beige wash over pencil: 27.7 x 24.8 cm Provenance: K. E. Hasse, Goettingen (Lugt 860). Conte Gelozzi, (Lugt 545)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona) Study for the West Octant of the Cupola of the Florentine Cathedral, ca. 1574-76 Pen and ink, brown, grey and pink wash heightened with white. 29.5 x 42.9 cm.
Attributed works:
[BAS Printers advertisement] David Hockney "Cherry Blossom", 2002 Watercolour & Crayon on Paper (4 sheets) 36 x 48 in © 2002 David Hockney courtesy of Annely Juda Fine Art, London
Attributed works:
[BAS Printers advertisement] Georges Lemmen Dans la Cour, 1903 from the catalogue 'Female Form', courtesy of James Roundell, London
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] René Dudot (active 1640-1659) Christ presented to the temple oil on canvas, 99 x 74 mm.
Attributed works:
[Christie's Education] Jeff Koons Pink Panther, 1988
Attributed works:
[Christie's Education] The Jenkins Venus circa late 1st/mid-2nd Century A.D.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Pieter Brueghel II (Brussels c. 1564-1637 Antwerp) A winter landscape with peasants skating and playing kolf on a frozen river, a town beyond signed and dated 'P.BRUEGHEL.1621.' (lower right) oil on panel, unframed 16⅜ x 22¼ in. (41.5 x 56.5 cm.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Francois Rude (Dijon 1780 - 1855 Paris) Old Gaul Plaster. Height: 24 3/4 inches (63 cm). Signed Fcois RUDE under proper left shoulder
Attributed works:
[Derek Johns Limited, 12 Duke Street, London, UK] François Chauveau Paris 1616 - 1676 Paris THE FALL OF ROME Pen and brown ink with grey wash, 255 x 191mm
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Hans Bollongier (circa 1600-Haarlem-1681) "Flowers in a Glass Vase on a Stone Ledge". Oil on panel: 45 x 31.5 cm. Signed and dated 1627.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jacob Gerritsz Cuyp (1594-Dordrecht-1651) "Portrait of Johanna van Diemen, aged 57". Oil on panel: 59 x 49 cm. Signed, dated 1645 and inscribed "Aetatis 57". Expertise: Dr Alan Chong inspected the painting and has identified the sitter.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Karel Dujardin (Amsterdam 1622-1678 Venice) "An Italianate River Landscape with Travellers and Bathers, a Castle beyond". Oil on canvas: 60 x 66.5 cm. Expertise: Dr M-F. Kilian. To be included in forthcoming catalogue raisonné.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Philips Wouwerman (1619-Haarlem-1668) "Peasants resting on their way in a Hilly Landscape". Oil on panel: 31.5 x 41.5 cm. Signed with monogram.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Exh. BADA Fair, London] A Midnight Feast by Frederick Daniel Hardy (1826-1911). Signed and dated 1866. Oil on panel, 22 x 35.5 cm (8 3/4$ x 14 in).
Attributed works:
[Exh. BADA Fair, London] Les Etangs a Chalou-Moulineux - Effet de Soleil couchant by Albert Lebourg (1849-1928). French. Signed. Circa 1910. Oil on panel, 41 x 27 cm (16 x 10 1/2 in).
Attributed works:
[Exh. BADA Fair, London] St Julian the Hospitalier by Lorenzo di Niccolo (fl. 1392-1412). Tempera on gold ground panel.
Attributed works:
[Exh. BADA Fair, London] Two Lovers in a Garden by Frans Francken the Younger (1581-1642). Flemish School. Oil on panel, 17.8 x 14 cm (7 x 5 1/2 in).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France and Exh. TEFAF Maastricht] Adolph Von Menzel Breslau 1815-1905 Berlin Studies of a Man Holding a Rod (preparatory for the painting The Iron Roll Mill, 1875) Carpenter's pencil, 399 x 259 mm
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A wild male teal, by Johann Jakob Walther (1600-1677). Black chalk and body colour, 25.7 x 40.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Fishing boats at sunset, by William Callow (1812-1908). Watercolour, 23.6 x 31.8 cm. Signed.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Madonna and child with Saint Gaetano of Thiene, by Ubaldo Gandolfi (1728-1781). Black chalk, pen and brown ink and brown wash, 27 x 20.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of Lady Hamilton, by Jean-Baptiste-Joseph Wicar (1652-1734). Black chalk, 18.7 x 22.1 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portraits of sixteen members of La Société des Amis des Arts, by Louis Léopold Boilly (1761-1845). Black and white chalk on blue-yellow paper, 57.5 x 45.5 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Reclining nude, 1954-1955, by Nicolas de Stael (1914-1955).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Scene from classical antiquity: A young man on his deathbed, supported by his father and surrounded by his wife and children, by François-Pascal-Simon Gérard, called Baron Gérard (1770-1837). Pen and brown ink and brown wash, heightened with white, 29.8 x 22.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Self-portrait, by Annibale Carracci (1560-1609). Pen and brown ink, 12 x 19 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The artist drawing inside the ruins of a watermill, by Caspar Wolf (1735-1783). Gouache, 43.7 x 55.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The music room in the Sanssouci Palace, Potsdam, 1852, by Eduard Gaertner (1802-1877). Watercolour, 18 x 26.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Turkish sentinel, 1854, by Théodore Valério (1819-1879). Watercolour, 30.2 x 22.3 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] View of a pavillion in Arcueil park with a fountain and basin, by Jean-Baptiste Oudry (1686-1755). Black and white chalk, 30 x 52.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Woman and bird in front of the sun, 1942, by Joan Miro (1893-1983). Watercolour, 62 x 47 cm.
Attributed works:
[Exh. TEFAF Maastricht] Figures in an elegant interior by Eglon Hendrik van der Neer (Amsterdam 1634-1703 Düsseldorf) On canvas, 85.5 x 70.1 cm
Attributed works:
[Exh. TEFAF Maastricht] 'The interior of a Picture Gallery' On panel 21⅜ x 29¾ ins. 54.2 x 75.5 cm. Frans Francken the Younger 1581 - Antwerp - 1642 and Hendrick van Steenwyck the Younger Frankfurt or Antwerp c. 1560 - 1642 London
Attributed works:
[Exh. TEFAF Maastricht] A Bandit seated at the entrance to a Cave by Eugene Delacroix (1798-1863) Signed upper right Eug. Delacroix Oil on canvas, 32.5 x 24.5 cm
Attributed works:
[Exh. TEFAF Maastricht] A Vase with a large colourful Bouquet of Flowers by Jean François Raffaëlli (1850-1924). Signed. On canvas, 92 x 80 cm.
Attributed works:
[Exh. TEFAF Maastricht] A View from the Terrace at Palazzo Doria Pamphili by Francois-Marius Granet (1775 - Aix en Provence - 1849) Oil on canvas, 37 x 28 cm
Attributed works:
[Exh. TEFAF Maastricht] Nature morte aux pommes by Gustave Caillebotte (Paris 1848 - 1894 Gennevilliers) Oil on panel, 26 x 36.6 cm
Attributed works:
[Exh. TEFAF Maastricht] New York, Times Square by Jean-Emile Laboureur (1877-1943) Ink on paper, 50 x 37 cm
Attributed works:
[Exh. TEFAF Maastricht] Paris, le pont Marie et le quai de l'Hôtel de ville, circa 1882 by Armand Guillaumin (1841-1927). Oil on canvas, 59.6 x 81 cm. Signed lower left 'Guillaumin'.
Attributed works:
[Exh. TEFAF Maastricht] Portrait of Duke Alessandro Farnese by Otto van Veen (1545-1592). Oil, heightened with gold on copper, 20.25 x 13 cm.
Attributed works:
[Exh. TEFAF Maastricht] William Blake (1757 - 1827) The Virgin Hushing the Young John the Baptist 1799 pen and ink tempera on paper on linen, laid down on canvas, 27 x 38 cm (10 5/8 x 15 inches) signed with monogram and dated at lower left WB inv 1799
Attributed works:
[Exh. TEFAF Maastrich] Femme se coiffant - La Lettre, by Edgar Degas (1834-1917). Pastel on paper, 49.5 x 58 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Flotilla of Dutch Vessels, including a Zeeland States yacht and a masting hulk flying the Flag of Flushing, in Zeeland waters by Bonaventura Peeters (1614 - 1652, Flemish School) Signed and Dated 1637. Oil on Panel, 50 x 96 cm.
Attributed works:
[Exh. TEFAF Maastrich] A river landscape with the Blind leading the Blind, a carnival in a village beyond by Lucas van Valckenborch I (Louvain after 1535-1597 Frankfurt am Main) Panel, circular: 25.2 cm diameter.
Attributed works:
[Exh. TEFAF Maastrich] A still life with a lemon, grapes, cherries and apricots on a pewter plate by Cornelis de Heem (1631-1695). Canvas, 27.5 x 38 cm
Attributed works:
[Exh. TEFAF Maastrich] Les Demoiselles au bord de l'eau ou jeunes Femmes au bord de l'eau, 1908 by Pierre Bonnard (1867-1947). Signed lower left Bonnard. Oil on canvas, 108 x 124cm
Attributed works:
[Exh. TEFAF Maastrich] Portrait of Denis Diderot by Jean-Baptiste Greuze (Tournus 1725-1805 Paris). Oil on canvas, oval, 61 x 49 cm
Attributed works:
[Francois Delestre, 36 rue Laffitte, Paris, France] Scène de patinage, 1864 Oil on canvas, 42.8 x 57 cm (16⅞ x 22⅜ in).
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Antonio d'Enrico, called Tanzio da Varallo Riale d'Alagna, 1575 or 1580 (?) - Varallo Sesia, 1632/1633 The Virgin and Child with Saints Charles Borromeo and Francis Oil on canvas, 39 9/16 x 28 7/8 inches (100.5 x 73.4 cm.)
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Monnoyer Still-life with flowers, fruit, a parrot and a monkey Oil on canvas, 109.5 x 150 cm Signature, lower left: J Baptiste
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Giovanni Pedrini, known as Giampietrino (Italy about 1510 - after 1540). A half-length female figure with a red coat and a fine veil before a landscape. Oil on panel. 60.3 x 46 cm.
Attributed works:
[Galerie Neuse Kunsthandel, Contrescarpe 14, Bremen, Germany] Leonhard Kern (Forchtenberg 1588-1662 Schwäbisch Hall) "Gaea or the allegory of famine" Ivory, ca., 1630/35 Monogrammed: LK Height: 24 cm
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Domenico Pieratti (Florence 1600 - Rome 1656) Ferdinando II of the Medici Porphyry yellow mischio marble. Height 82 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Thomas Hudson (Devonshire 1701-1779 Twickenham) The Thistlethwayte Family Oil on canvas, 184.7 x 214.6 cm (72 3/4 x 84 1/2 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Alexandre Calame (1810-1864) Lac de Neuchâtel Oil on paper laid down on canvas, 40 x 52 cm (15¾ x 20½ in)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Pietro Serafi, called the Greek active Rome c. 1520. Brussels c. 1530, died Barcelona 1567 Two Soldiers, a fragment of a Tapestry Cartoon
Attributed works:
[Lawrence Steigrad Fine Arts, 42 East 76th street, New York, New York] Joachim Anthonisz Wtewael (Utrecht 1566 - 1638 Utrecht) The Evangelist Luke Oil on panel, 31¾ x 24½ inches (79.3 x 62.2 cm)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Guiseppe Passeri (Rome 1654 - 1714 Rome), Rest on the Flight to Egypt (recto) Hagar and Ishmael (verso) 195 x 150 mm Red and brown ink (recto and verso), over red chalk (verso only)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Sell Cotman 1782 - 1842 The Cow Tower, Norwich Watercolour Size: 13⅞ x 10⅝ inches (357 x 270 mm) Painted in 1807
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Niccolò Reneiri called Nicolas Regnier Maubeuge 1591 - 1667 Venice The Death of Sophonisba Oil on canvas, 126 x 161 cm.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Giovanni Battista Tiepolo (Venice 1696-1770 Madrid) The Crucifixion black chalk underdrawing, brush & brown ink & wash. 439 x 312 mm
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Claude Monet la chapelle de Notre-Dame de Grâce, Honfleur oil on canvas: 52 x 68 cm signed provenance & literature list available
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giovanni Battista Tiepolo Venice 1696 - Madrid 1770 Male Faun Holding a Palm Branch and Female Faun Holding a Crown Pen and brown ink and wash over traces of black chalk 182 x 260 mm
Attributed works:
[Richard Green, 39 Dover Street, London, UK] A portrait of a silversmith, identified as Christian van Vianen (circa 1600-1667) Signed with monogram and dated centre left: TDK 1630 Panel: 25¾ x 21⅛ in / 65.4 x 53.5 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] François Diday (Geneva 1802 - 1877) A View of the Rosenlaui, the Wellhorn and the Wetterhorn near Lucerne Canvas, 121 x 162 cm In its original frame Signed and dated 1844
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Edouard Traviès (1809 - after 1866), Watercolour and gouache on vellum, 25.5 x 32.1 cm Butterflies, signed and dated 1831, Exhibition: Paris, Salon, 1831, no 1966
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Venice, The Lion of Saint Mark, 1915 Etching · 5⅛ x 4¾ (13.2 x 12 cm) Provenance: The Leicester Galleries' Collection of Sickert Etchings
Attributed works:
[Thomas Boller Zurich, Mythenschloss, Mythenquai 28, Zurich, Switzerland] Lorenzo Tiepolo (Venice 1736-1776 Madrid) Portrait of a bearded man Pastel on paper, 59 x 46 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Godfried Maes Antwerp 1649-1700
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Girolamo Muziano (Brescia 1532 - Rome 1592) St Jerome Red chalk, 440 x 270 mm. Preparatory for a painting formerly in the Torlonia collection, now in Palazzo Barberini in Rome
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Francesco Barbieri, called Il Guercino Cento 1591-1666 Bologna Saint Francis in a Landscape, Kneeling in Adoration before a Crucifix Brush and brown wash with pen and brown ink (recto); writing in pen and brown ink (verso); laid down. 9½ x 7¾ inches, 242 x 197 mm
Attributed works:
[Wallace Collection, London, UK] French Bronzes in the Wallace Collection by Robert Wenley This book is one of only a handful devoted to the subject and the first in English for many years. Featuring over fifty of the finest French bronzes in the Wallace Collection, all of them reproduced in colour, mostly for the first time.
Attributed works:
[Wallace Collection, London, UK] Richard Parkes Bonington by Stephen Duffy This publication discusses and illustrates the Wallace Collection's paintings and watercolours by Bonington, comprising of richly costumed historical scenes and views of France and Northern Italy. In colour for the first time.
Western art unattributed:
[Exh. BADA Fair, London] A George IV breakfront bookcase in finely figured mahogany. English, circa 1825.
Western art unattributed:
[Exh. BADA Fair, London] A massive brass-bound chest of Zambezi teak, from Groote Schuur, Cape Province, South Africa, circa 1909.
Western art unattributed:
[Exh. BADA Fair, London] Tin glazed Earthenware Dish. Circa 1720-40. Diameter: 30 cm (11 3/4 in).
Western art unattributed:
[Getty Publications advertisement] Elementary Instructions for Students of Sculpture A translation of Carradori's 1802 introduction to studio practices for sculpture students, considered vital to understanding the art and craft of sculpting as they were practiced before the 20th century.
Western art unattributed:
[Getty Publications advertisement] Nine Letters on Landscape Painting Written in the Years 1815-1824; with a Letter from Goethe by Way of Introduction An elegant appeal for the alliance of artistic skill, scientific observation, and emotional truth in the depiction of nature.
Western art unattributed:
[Prestel (printers) advertisement] Flora Symbolica Flowers in Pre-Raphaelite Art Debra N. Mancoff This beautifully illustrated book brings together forty outstanding examples of Pre-Raphaelite art, and looks at the meaning of flowers in all aspects of Victorian culture.
Western art unattributed:
[Prestel (printers) advertisement] Icons of Renaissance Architecture Alexander Markschies This latest volume in the popular Icons series spans the European continent to present a new look at one of the most exciting periods in architectural history.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Eclipse of Art Tackling the Crisis in Art Today Julian Spalding One of the art world's most outspoken critics explores the modern public's alienation from contemporary art and makes a powerful plea for the revival of communication, accessibility, and traditional skills in this field.
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Advertisements February 2003 (front)
02/2003 | 1199 | 145
Pages: i-viii
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
After Muybridge - Study of 'the human figure in motion: Woman emptying a bowl of water and paralytic child walking on all fours', by Francis Bacon. 1965. 198 by 147.5 cm. (Stedelijk Museum, Amsterdam).
Attributed works:
[Elwes & Hanham LTD, 14 Old Bond Street, London, UK] Alexandre-Marie Colin (1798-1873) Portrait of Eugene Delacroix in his Studio Oil on wooden cigar-box lid 10 x 6 / inches: 25.2 x 16.5 cm Painted circa 1830
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A James II tankard; engraved with a contemporary Armorial. Made in London in 1686 by Benjamin Traherne. Height: 15.5 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A small William and Mary period oyster veneered chest of drawers. English, c. 1690. Height: 79 cm. Width: 85 cm. Depth: 56 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Articulated Form, 1951, chalk and gouache on board. Private Collection
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Bouquet on a table with a wine glass, by S.J. Peploe. Scottish, c. 1906. Oil on canvas, 24.4 x 35.6 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Christ Appearing to St Mary Magdalene, 1961, oil on canvas. Pallant House Gallery, Chichester
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Eve Dansant, by Enoch-Henryk Glicenstein. Italian, c. 1920. Bas relief. Oak, 115 x 29 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Graham Sutherland (1903-1980) Self-portrait 1977 Oil on canvas Private collection. Italy, © estate of Graham Sutherland
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Grey Day, Cagnes by Sir Matthew Smith RA, French, c. 1933. Oil on canvas, 38 x 46 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Landscape Study of Cairns, 1944, gouache and ink. Pallant House Galley, Chichester All images © Estate of Graham Sutherland
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Seated female nude, by George Grosz. German, c. 1915. Crayon with stamped signature, 30 x 22 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] The Deposition (detail) 1946, oil on millboard. The Syndics of the Fitzwilliam Museum, Cambridge
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] George Richmond, RA (1809-1896) Self Portrait Oil on canvas, 60 x 47 cm (23⅝ x 18½ in)
Attributed works:
[Marlborough Gallery, 40 West 57th Street, New York, New York] Study for Portrait of John Edwards, 1986, oil and pastel on canvas, 78 x 58 in. / 198 x 147.5 cm
Attributed works:
[Tony Shafrazi Gallery, 119 Wooster Street, New York, New York] Bacon. Study from the Human Body, 1991, Oil on canvas, 78 x 58 inches / 198 x 147.5 cm
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An Adam period elliptical card table of exotic timbers. English, c. 1785. Height: 74 cm. Width: 122 cm. Depth: 53 cm. Anthemion, Grange-Over-Sands
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] An early eighteenth century elaborately carved wooden console with the original mecca gilding and a breccia fantasia marble top. Italian, circa 1715. Height: 91.4 cm. Width: 152.3 cm. Depth: 66 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Detail of a fine limewood statue of the Virgin and Child with polychrome and gilt decoration. German, c. 1500. Height: 120 cm.
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Advertisements January 2003 (front)
01/2003 | 1198 | 145
Pages: i-xvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Lorenzo Lippi (c.1606-1665) The Creation of Music Oil on canvas: 86 x 72 cm (33⅞ x 28⅜ in)
Attributed works:
[Aldega-Gordon, New York, New York] Head of a Man by Marco Benefial (1684-1764). Black chalk, 89 by 99 cm. Disegni Italiani, xvi-xx Secoli at Gelabert Gallery. January 23rd - February 1st.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Alessandro Casolani (Siena 1552-1606) The Holy Family with the Infant Saint John the Baptist oil on panel, circular 42 in. diameter (106.6 cm.) Estimate: US$200,000-300,000 (£129,000-193,550)
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] The Holy Family with the Infant St. John the Baptist, by Alessandro Casolani
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Francesco Guardi 1712 - Venice - 1793 A View of the Square of St. Mark's, Venice - The Façade of the Torre dell'Orologio, to the right the left hand side of the Duomo, figures and tents in the Piazza Painted ca. 1785, oil on canvas, 34.5 x 43.1 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Still Life of a Basket of Fruit with Grapes, Pomegranates, Figs and Apples by Master of the Acquavella still life. Oil on canvas, 49.9 by 68 cm. Fine Old Master and Nineteenth Century Paintings, at Phillips de Pury & Luxenbourg. 18th January to 2nd February, 2003.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Graham Sutherland (1903-1980) Self-portrait 1977 Oil on canvas Private collection. Italy © estate of Graham Sutherland
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Head of Saint James the Greater by Bernardo Strozzi (1581-1644). Black chalk heightened with white, 19.4 by 16.6 cm. Master Drawings, at Adelson Galleries 20th January to 7th February, 2003
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Seated Woman by John Singer Sargent (1856-1925). Pencil, 27.6 by 21.9 cm. Master Drawings, at Adelson Galleries 20th January to 7th February, 2003
Attributed works:
[Gallerie D'Arte Armondi, C. SO Palestro, 37/B - 25121, Brescia, Italy] Lucrezia by Ambrosius Benson oil on panel 95.5 x 79.2 cm.
Attributed works:
[Gelabert Gallery, 255 West 86 Street, New York, New York] Antonio Mancini Albano Laziale 1852 - 1930 Rome Charcoal heightened with white chalk (289 x 239 mm)
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, London, UK] Henry Moore 1898-1986 Sleeping Shelterer Pencil, wax crayon, watercolour wash and pen and ink 8⅞ x 6⅞ inches; 22.5 x 17.5 cm Signed and dated 1942 HMF 1839a
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Adam and Eve with the infant Abel attributed to Francesco Salviati Florence 1510 - 1563 Rome Drawing in red chalk over traces of black chalk. The contours incised for transfer and blackened on the verso. The preparatory drawing for the print of the same subject attributed to Girolamo Fagiuoli.
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Le soleil levant (Harbour Scene with rising sun) by Claude Lorrain (1600-1682) Etching; 1634. Mannocci 15, the rare fourth state of eight before the addition of the date. Exhibiting at the 49th Winter Antiques Show, 17-26 January 2003 at the Park Avenue Armory
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Dirck Santvoort (1610 - Amsterdam - 1680) Portrait of a Lady in an Interior Oil on panel, 28¾ by 33⅛ inches (73 by 84.2 cm.) Signed and dated 'D.D. Santvoort 1637'
Attributed works:
[Jean-Luc Baroni Ltd, 8 Masons Yard, London, UK] Head of an Old Man by Jean-Honoré Fragonard Oil on canvas, 22.9 by 18.1 cm. Master Paintings, at Adam Williams Fine Art Ltd 17th January to 21st February, 2003
Attributed works:
[Sotheby's, 1334 York Avenue, New York, New York] Polidoro Caldara called Polidoro da Caravaggio (1499-1543) A double-sided sheet of studies with the head of a youth, the Madonna of the Annunciation and other figures and heads red chalk (Recto) 4 3/8 x 6 1/8 in. 110 by 156mm Estimate: $140,000-160,000 £88,000-100,700
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Pietro Antonio De'Pietri (Premia [Piedmont] 1663/5-1716 Rome) The Madonna of Loreto (recto) Another Study for the Madonna of Loreto (verso) The verso inscribed in brown ink, lower center, Di Pietro de Petri/No. 241.; also with graphite inscription, lower left, Pietro di Pietri No 4 Brush and brown wash with pen and brown ink over black chalk (recto); pen and brown ink, heightened with white, over black chalk (verso), 16½ x 10⅝ inches (419 x 270 mm)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Standing Man Wearing a Hat, in Profile to the Right by Giovanni Francesco Barbieri, called Il Guercino (1591 - 1666) Pen and brown ink and brown wash, 26 by 16.8 cm. Recent acquisitions, 22nd January to 14th February, 2003
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