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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
Article
The lure of the south
08/2023 | 1445 | 165
Pages: 874–881
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
Reviewed Items
subjects:
De Bentvueghels (11th February to 4th June 2023). Centraal Museum, Utrecht | :
subjects:
Theodoor Rombouts: Virtuoso of Flemish Caravaggism (21st January–23rd April). The Museum of Fine Arts in Ghent (MSK). | :
Illustrations
Attributed works:
1. Installation view of Theodoor Rombouts: Virtuoso of Flemish Caravaggism at the Museum of Fine Arts, Ghent, 2023. (Courtesy Museum of Fine Arts, Ghent; photograph © Martin Corlazzoli).
Attributed works:
2. Christ driving the money changers from the Temple, by Bartolomeo Manfredi. c.1616–17. Oil on canvas, 162 by 244 cm. (Musée du Louvre, Paris, on deposit at the Musée des Beaux-Arts, Libourne; exh. Museum of Fine Arts, Ghent).
Attributed works:
3. Christ driving the money changers from the Temple, by Theodoor Rombouts. c.1625–32. Oil on canvas, 168 by 237 cm. (Royal Museum of Fine Arts, Antwerp; exh. Museum of Fine Arts, Ghent).
Attributed works:
4. Installation view of De Bentvueghels at Centraal Museum, Utrecht, 2023. (Courtesy Centraal Museum, Utrecht).
Attributed works:
6. Initiation of a Bentvueghel in Rome, by Matthijs Pool after Domenicus van Wijnen. c.1690–1708. Etching and engraving, 62.9 by 50 cm. (Rijksmuseum, Amsterdam; exh. Centraal Museum, Utrecht).
Western art unattributed:
5. Portraits of Bentvueghels. c.1620. Black and red chalk on paper, 26.5 by 39.5 cm. (Kupferstichkabinett, Kunsthalle Hamburg; courtesy bpk; exh. Centraal Museum, Utrecht).
Exhibition Review
Cecco del Caravaggio: L’allievo modello
04/2023 | 1441 | 165
Pages: 439-441
related names
Reviewer:
Gash, John (Gash, John)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Cecco del Caravaggio: L’allievo modello Accademia Carrara, Bergamo 28th January–4th June | :
Illustrations
Attributed works:
4. Portrait of two friends (Self-portrait with Cecco del Caravaggio?), attributed to Bartolomeo Manfredi. c.1620–22. Oil on canvas, 98.5 by 110.5 cm. (Private collection; exh. Accademia Carrara, Bergamo).
Attributed works:
5. The conjuror /Musical instrument maker, by Francesco Boneri called Cecco del Caravaggio. c.1615–18. Oil on canvas, 117 by 98 cm. (National Gallery, Athens – Alexandros Soutzos Museum; exh. Accademia Carrara, Bergamo).
Attributed works:
6. The conjuror / Musical instrument maker, by Francesco Boneri called Cecco del Caravaggio. c.1615–18. Oil on canvas, 123.8 by 98.4 cm. (Wellington Museum, Apsley House, London; exh. Accademia Carrara, Bergamo).
Attributed works:
7. The tribute money, by Francesco Boneri called Cecco del Caravaggio. c.1611– 15. Oil on canvas, 112.5 by 145 cm. (Kunsthistorisches Museum, Vienna; exh. Accademia Carrara, Bergamo).
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Article
‘The crucifixion of St Peter’: Gerard Seghers, Michelangelo and Caravaggio
02/2022 | 1427 | 164
Pages: 145-154
related names
Author:
Delvingt, Anne (Delvingt, Anne)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. The crucifixion of St Peter, here attributed to Gerard Seghers. c.1620– 22. Canvas, 232 by 201 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
10. The crucifixion of St Peter, by an anonymous painter. c.1601–50. Oil on canvas, 245 by 225 cm. (Formerly Castello Santa Margherita Ligure).
Attributed works:
2. The resurrection, by Gerard Seghers. c.1620. Oil on canvas, 324 by 240 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
3. The raising of the Cross, by Gerard Seghers. c.1623–25. Oil on canvas, 535 by 395 cm. (St Charles Borromeo church, Antwerp; Bridgeman Images).
Attributed works:
4. Christ at the column, by Gerard Seghers, c.1630–35. Oil on canvas, 268 by 144 cm. (St Michael’s church, Ghent; © photograph the author).
Attributed works:
5. The ecstasy of St Francis, by Gerard Seghers. c.1622–24. Oil on canvas, 236 by 161 cm. (Musée du Louvre, Paris).
Attributed works:
6. The crucifixion of St Peter, by Antoon Sallaert. c.1630s. Oil on canvas, 400 by 280 cm. (St Peter’s church, Denderwindeke; © 2014 Kerat bv Kunstatelier-Frederik Cnockaert).
Attributed works:
7. The martyrdom of St Lievin, by Gerard Seghers, 1633. Oil on canvas, 259 by 194 cm. (St Bavo’s cathedral, Ghent; © Lukasweb).
Attributed works:
8. The crucifixion of St Peter, by Michelangelo. c.1545–50. Fresco, 625 by 661 cm. (Pauline chapel, Vatican City; Bridgeman Images).
Attributed works:
9. The conversion of St Paul, by Caravaggio. c.1600–01. Oil on cypress panel, 237 by 189 cm. (Palazzo Odescalchi, Rome; Bridgeman Images).
Article
‘Roman Charity’: a newly discovered painting by Hendrick ter Brugghen
09/2021 | 1422 | 163
Pages: 806-811
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
places:
Illustrations
Attributed works:
1. Roman Charity, by Hendrick ter Brugghen. 1623. Oil on canvas, 149 by 136 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
2. Incredulity of St Thomas, by Hendrick ter Brugghen. c.1622–23. Oil on canvas, 108.1 by 133.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1626–27. Oil on canvas, 132.2 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. The seven works of mercy, by Caravaggio. 1607. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples).
Attributed works:
5. Roman Charity, by Bartolomeo Manfredi. 1610. Oil on canvas, 129 by 96 cm. (Koelliker Collection, Milan).
Attributed works:
6. Roman Charity, by Dirck van Baburen. c.1622–23. Oil on canvas, 127 by 151.1 cm. (York Art Gallery).
Attributed works:
7. Roman Charity, by the workshop of Gerrit van Honthorst. Before 1625. Oil on canvas, 153.5 by 191.2 cm. (LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster).
Book Review
Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco. By Gianni Papi
08/2019 | 1397 | 161
Pages: 692-693
related names
Reviewer:
Gash, John (Gash, John)
Subjects
Reviewed Items
subjects:
Senza più attendere a studio e insegnamenti. Scritti su Caravaggio e l’ambiente caravaggesco By Gianni Papi. 256 pp. incl. 217 col. + 48 b. & w. ills. (artstudiopaparo, Naples, 2018). | :
Exhibition Review
Utrecht, Caravaggio and Europe
04/2019 | 1393 | 161
Pages: 328-330
related names
Reviewer:
Pappi, Gianni (Pappi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
11. Christ before the High Priest, by Gerrit van Honthorst, c.1616–17. Canvas, 272 by 183 cm. (National Gallery, London; exh. Centraal Museum, Utrecht).
Attributed works:
12. Christ among the doctors, by Jusepe de Ribera. 1612–13. Canvas, 188 by 270 cm. (Musée d’Art et d’Histoire de Langres; exh. Centraal Museum, Utrecht).
Attributed works:
13. Christ displaying his wounds, by Giovanni Antonio Galli (Lo Spadarino). Canvas, 132.2 by 97.8 cm. (Perth Museum and Art Gallery; exh. Centraal Museum, Utrecht).
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
related names
Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
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11/2018 | 1388 | 160
Pages: i–xxiv
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