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9 articles
Book Review
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655). By Marije Osnabrugge
04/2020 | 1405 | 162
Pages: 358-359
related names
Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
places:
Reviewed Items
subjects:
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655) By Marije Osnabrugge. 400 pp. incl. 20 col. + 89 b. & w. ills. (Amsterdam University Press, Amsterdam, 2019),  130. ISBN 978–94–6298– 820–0. | :
Illustrations
Attributed works:
3. Resurrection of Christ, by Louis Finson. 1610. Oil on canvas, 218 by 168 cm. (Saint-Jeande- Malte, Aix en Provence; Bridgeman Images).
Article
Caravaggio’s other ‘Judith and Holofernes’
09/2019 | 1398 | 161
Pages: 716-731
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
museums and institutions:
places:
sources:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the heads of Abra, Judith and Holofernes.
Attributed works:
14. X-radiograph showing the head of Goliath in David with the head of Goliath, by Caravaggio, 1601/03. Oil on canvas, 110.4 by 91.3 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
15. Detail of Fig.3, showing the pommel of Judith’s sword. 16. Detail of Beheading of St John the Baptist, by Caravaggio, showing the executioner’s face. 1608. Oil on canvas, 520 by 360 cm. (Oratory of Saint John’s co-cathedral, Valletta; Bridgeman Images). 17. Detail of St Francis in meditation, by Caravaggio. c.1607–09. Oil on canvas, 128 by 90 cm. (Museo Civico Ala Ponzone, Cremona; Bridgeman Images).
Attributed works:
18. Detail of Fig.3, showing the sheet. 19. Detail of Fig.3, showing Abra’s tassel and hand. 20. Detail of Fig.4, showing Christ’s loincloth.
Attributed works:
2. Judith beheading Holofernes, after Caravaggio. c.1607. Oil on canvas, 140 by 161 cm. (Collezione Banca Intesa Sanpaolo, Palazzo Zevallos Stigliano, Naples).
Attributed works:
21. Grand Master Alof de Wignacourt with his page, by Caravaggio. Probably 1607. Oil on canvas, 194 by 134 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
22. Detail of Fig.3, showing the arms and upper body of Holofernes. 23. Detail of Flagellation of Christ, by Caravaggio. 1607. Oil on canvas, 286 by 213 cm. (S. Domenico Maggiore, Naples, on loan to the Museo di Capodimonte, Naples). 24. X-radiograph of the face of Holofernes in the painting illustrated in Fig.1, realigned vertically. 25. David with the head of Goliath, by Caravaggio. c.1606–07. Oil on poplar wood, 90.5 by 116.5 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).
Attributed works:
26. Right Detail of Fig.3, showing Judith’s cuff. 27. Detail of Seven works of mercy, by Caravaggio, showing Samson drinking from the jawbone of an ass and, far right, St Martin. 1606–07. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples; Bridgeman Images). 28. Detail of Seven works of mercy, by Caravaggio, showing Pero suckling her father. 1606–07. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples; Bridgeman Images).
Attributed works:
29. Salome with the head of St John the Baptist, by Caravaggio. c.1607. Oil on canvas, 116 by 140 cm. (Palacio Real, Madrid; © Patrimonio Nacional).
Attributed works:
3. Judith beheading Holofernes, here attributed to Caravaggio and dated 1607. Oil on canvas, 144 by 173.5 cm. (Private collection).
Attributed works:
4. Flagellation of Christ, by Caravaggio. c.1607. Oil on canvas, 134 by 175 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
5. Judith beheading Holofernes, by Caravaggio. c.1602 or 1598/1600. Canvas, 145 by 195 cm. (Galleria Nazionale d’Arte Antica; Palazzo Barberini, Rome).
Attributed works:
6. Detail of Fig.3, showing the bedcurtain.
Attributed works:
7. The toothpuller, by Caravaggio. 1608–10. Oil on canvas, 140 by 195 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
8. Detail of Fig.3, showing Holofernes’s head.
Attributed works:
9. Detail of Fig.3, showing the faces of Abra and Judith. 10. X-radiograph of Fig.3, showing the faces of Abra and Judith. 11. Infra-red reflectogram of Fig.3, showing the faces of Abra and Judith. 12. X-radiograph of Fig.3. 13. Infra-red reflectogram of Fig.3.
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
related names
Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
Article
Caravaggio’s ‘Crucifixion of St Andrew’ and the problem of autograph replicas
06/2018 | 1383 | 160
Pages: 454-461
related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
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dates:
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museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the soldier’s armour.
Attributed works:
2. Detail of Fig.4, showing the soldier’s armour.
Attributed works:
3. Crucifixion of St Andrew, by Caravaggio. 1606–07. Canvas, 202.5 by 152.7 cm. (Cleveland Museum of Art; Leonard C. Hanna Jr. Fund, 1976.2).
Attributed works:
4. Crucifixion of St Andrew, here identified as a copy after Caravaggio. Canvas, 198 by 148.5 cm. (Spier Collection, London).
Attributed works:
5. Detail of Fig.3, showing St Andrew’s head.
Attributed works:
6. Detail of Fig.4, showing St Andrew’s head.
Attributed works:
7. Detail of Fig.3, showing St Andrew’s right foot (Photograph author).
Attributed works:
8. Detail of Fig.4, showing St Andrew’s right foot (Photograph author)
Attributed works:
9. Overlay of the contours of Flagellation, by Caravaggio (Museo Nazionale di Capodimonte, Naples) in green, onto a copy of Flagellation in S. Domenico Maggiore, Naples, in red. From G.S. Ghia and C. Strinati, eds.: Caravaggio nel patrimonio del Fondo Edifici di Culto. Il Doppio e la Copia, Rome 2017.
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Advertisements June 2010 (back)
06/2010 | 1287 | 152
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Whitfield FIne Art. Louis Finson. Adam and Eve. Museum fur Kunst und Kulturgesschichte der Philipps-Universitat Marbur. Signed and dated "Ludovicus Finsonius Belga Brugensis fecit anno 1610 in Neapoli" (detail)]
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Advertisements February 2010 (front)
02/2010 | 1283 | 152
Pages: s.p.
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Bernheimer/Colnaghi, Munich and London. Spring: a landscape with elegant company on a tree-lined road, by Joos de Momper the Younger (1564-1635). Oil on canvas, 128.6 by 188.9 cm]
Attributed works:
[Charles Beddington, London. King William III at Namur, by Jan Wyck (1652-1700). Oil on copper, 25.7 by 30.2 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Still life with a guitar, by Sebastiano Lazzari (active in Verona, second half on the 18th century). One of a pair. Oil on canvas, 49 by 62.5 cm]
Attributed works:
[French & Company, New York. A young man at a stone window playing a Theorbo, by Jacob van Oost (1601-71). Signed and dated on the ledge lower centre: I.V.OOST.F: 1646. Oil on canvas, 89 by 72.5 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Cornelis Cornelisz van Haarlem. Haarlem, 1562-1638. Portrait of a Man. Oil on wood panel. Oval, 50,6 x 38 cm (19 15/16 x 15 in). Inscribed on right "A[nn]° 158[?]7"]
Attributed works:
[Gallerie Canesso, Paris. The arrival of Cleopatra at Tarsus, by Agostino Tassi (1578-1644). Oil on canvas, 119 by 170 cm.]
Attributed works:
[Johnny van Haeften Ltd, London. Travellers with packhorses and wagons near a wooden bridge, by Philips Wouverman (1619-68). Signed in monogram, lower right. Oil on canvas, 49 by 55.5 cm]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. Adriaen Coorte (active 1683 - in or after 1707). A Still Life of Fruit on a Stone Ledge. On canvas. Signed and dated lower right, A.Coorte,i688. 22 3/4 x 18 1/2 ins (57.5 x 46.3 cm)]
Attributed works:
[Johnny van Haeften, London. A posy of flowers on a marble ledge, by Rachel Ruysch (1664-1750). Signed, lower right: Rachel Ruysch. Oil on canvas, 33 by 26.4 cm.]
Attributed works:
[Moatti Fine Art, London. St. Paul and St. Barnabas in Lystra, by Willem van Nieulandt II (1584-1635). Signed and dated: GUIL. VAN NIEULANT 1614. Oil on panel, 67 cm by 97 cm.]
Attributed works:
[Noortman Master Paintings, Amsterdam. Paesants dancing the tarantella outside an inn in a hilly landscape, by Johannes Lingelbach (1622-74). Signed lower left: J: Lingelbach. Oil on canvas, 109 by 90 cm.]
Attributed works:
[Noortman. Van Eeghenstraat 82. Amsterdam. Johannes Lingelbach. Frankfurt-am-Main 1622 - 1674 Amsterdam. Peasants Dancing the Tarantella (detail). Oil on canvas: 109 x 90 cm. Signed.]
Attributed works:
[Schlichte Bergen. P.C. Hooftstraat 53”, 1071 BN Amsterdam. Thomas Fearnley. Fredrikshald (Norway) 1802 - 1842 Munich. A view of Lake Lucerne from Brumen, Mount Burkenstock and the Gotthard Massif Beyond. Oil on paper 24.5 by 34.5 cm. Signed with initials, inscribed and dated "Brunnen 24.Juny35"]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jan Claudius de Cock (1667-1735). A pair of Figures representing Air and Fire. Both signed: J.C. de Cock. Inscribed: Ayer and Ignis. Terracotta 27 cm high (Air) and 26 cm high (Fire)]
Attributed works:
[Whitfield Fine Art, London. St. Sebastian, by Louis Finson (1580-1617). Oil on canvas, 133 by 91.5 cm]
Western art unattributed:
[Margot Gordon. Exhibiting at: Shepherd & Derom Galleries. 58 East 79 Street. New York. Circle of Titian, XVI century. The Sacrifice of Isaac. Black chalk, heightened with white, on blue-grey paper, 308 x 242 mm.]
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Advertisements March 2007 (back)
03/2007 | 1248 | 149
Pages: s.p.
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Chanel Fine Jewellery. 173 New Bond Street. London. Ultra. Rings in 18k white gold, ceramic and diamonds]
Attributed works:
[Rob Smeets. Via Camperio 9. Milano. Louis Finson. Bruges 1570/78?-Amsterdam 1617. The Four Elements. Signed and dated. [Ludo]vicvs.Finsonivs.Fecit.Napoli.161. Oil on canvas - 179x169.2 cm]
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Advertisements April 1993 (front)
04/1993 | 1081 | 135
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Lucas van Leyden. Woodcut. Ca. 1511/1514. Bartsch and Hollstein 1. From the Collection of Otto Schäfer.
Attributed works:
[ cover ] The Mellow Pad, by Stuart Davis. 1945-51. 66 by 106.7 cm. (The Brooklyn Museum of Art).
Attributed works:
[ Didier Aaron, 21 Ryder Street, London ] A Derby Biscuit Figure of Britannia, c.1795. Modelled by Isaac Farnsworth. 46 cm High.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] 1787 François Joseph Navez 1869. Savoyards Musicales. Oil on Panel, 68.5 by 54 cm, Signed and Dated 1825
Attributed works:
[ Galerie Lingenauber, Schwerinstrasse 38, Düsseldorf / 27 Boulevard des Italiens, Paris ] This Painting by Johann Carl Loth, detto Carlotto, Canvas 101 × 79 cm Will Be Offered at IIa Biennale Internazionale dell' Antiquariato Palazzo Delle Esposizioni via Nazionale, 194 Roma. 7th May - 23rd May 1993
Attributed works:
[ Galleria Salamon, Via San Damiano 2, Milan ] Guido Cagnacci (Sant' Arcangelo di Romagna 1601 - Wien 1663). Cleopatra. Oil on Canvas; 174 × 116 cm
Attributed works:
[ Glerum auctioneers, Westeinde 12, The Hague ] Adriaen van Salm. Signed A. V. Salm Fecit, Oil on Panel, a Penschildering, 60×106 cm.
Attributed works:
[ Hoogsteder & Hoogsteder, Lange Vijverberg 15, The Hague ] The City Rampart of Delft, Drawing from the Sketchbook of Jan van Goyen, 1644
Attributed works:
[ Joanna Booth, 247 Kings Road, London ] Attributed to Ferdinando Galli Bibiena (1657-1743). A Fantastic Interior. 311mm by 281mm
Attributed works:
[ Phillips, 101 New Bond Street, London ] Tommaso d'Antonio Manzuoli, Called Maso da San Friano, (San Friano 1536-1571 Florence), "The Holy Family with the Infant St.John, Oil on Panel, 70.4cm × 51.5cm. Estimate: £8,000-£12,000
Attributed works:
[ Richard L. Feigen, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] Louis Finson, David with the Head of Goliath, Circa 1612. Oil on Panel, 44½ by $32frac{5}{8}$ Inches (113 by 83 cm.), Signed on the Cartellino, Centre Foreground: "Ludowikus/Finsonius"
Attributed works:
[ Sotheby's, 34-35 New Bond Street, London] Rembrandt Harmensz. van Rijn, Jan Lutma, Goldsmith (B., Holl. 276), Etching, 1656, a Superb Impression of the First State of Three, 20.7 × 15.8cm (8¼ × $6frac{3}{16}text{in}$.). Estimate: $200,000-300,000.
Attributed works:
[ Spink & Son Ltd, 5,6 & 7 King Street, St James, London ] Paul Sandby 1725-1809. Windsor, View of the North Terrace from the Seat at the West End.
Attributed works:
[ The Lefevre Gallery, 30 Bruton Street, London ] Georgia O' Keeffe, Red Hills No1, 1937. 16 in × 36 in. Oil on Canvas. 40.5 cm × 91.5 cm
Attributed works:
[ Villa Grisebach Auctions, Fasanenstrasse 25, Berlin ] Max Klinger (1857-1920). Der Tod am See. 1880 Washed Pen-and-Brush Drawing in Ink on Paper 32.5 × 21.7 cm. Dated on Lower Left: 11. Nov. 1880. Estimate: DM 14,000 - 18,000.
Non-western art unattributed:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] Canoe-Prow Charm. Solomon Islands. Painted Wood and Mother-of-Pearl. Height: 23 cm. Formerly, André Breton & Paul Eluard Collection
Western art unattributed:
[ The Henry Moore Institute, 74 The Headrow, Leeds ] Detail from an Unidentified Figure c1200 York Minster
Article
Caravaggio and the Caravaggesques: Some Recent Research
10/1974 | 859 | 116
Pages: 565+602-616+622
related names
Author:
Nicolson, Benedict (B. N) (Nicolson, Benedict (B. N); N., B.)
Subjects
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artists:
artists:
artists:
artists:
artists:
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dates:
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subjects:
subjects:
subjects:
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Illustrations
Attributed works:
53. Detail from St Jerome, by Caravaggio. (Co-Cathedral of St John, Valletta (Malta).)
Attributed works:
54. Detail from Caravaggio's Martvrdom of St Andrew Illustrated in Fig.55.
Attributed works:
55. Martyrdom of St Andrew, Here Attributed to Caravaggio. Canvas, 202 by 152 cm. (Arnaiz Collection, Madrid.)
Attributed works:
56. Drinking and Musical Party, by Bartolommeo Manfredi. Canvas, 132 by 195 cm. (B. Cohen & Sons Ltd., London.)
Attributed works:
57. Drinking and Musical Party, by Nicolas Tournier. Canvas, 129 by 192 cm. (Musée de Tessé, Le Mans.)
Attributed works:
58. Christ and the Woman of Samaria, after Orazio Gentileschi. Canvas, 191.8 by 149 cm. (London Art Market, 1974.)
Attributed works:
59. Eros and Psyche, from the Circle of Orazio Gentileschi. Canvas, 137 by 160 cm. (Hermitage, Leningrad.)
Attributed works:
60. Head of a Boy, Here Attributed to the 'Master of the Open-Mouthed Boys'. Canvas, 4:.2 by 34.3 cm. (University Museum, Stanford (Calif.).)
Attributed works:
61. Christ Bound, Here Attributed to Louis Finson. Canvas, 185 by 120 cm. (Sainte-Catherine, Lille.)
Attributed works:
62. Nativity: Holy Family with Two Angels, Here Attributed to Trophime Bigot. Canvas. (Hôtel Dieu, Quebec.)
Attributed works:
63. Adoration of the Shepherds. Here Described as ?Burgundian Caravaggesque c.1630-35. Canvas 211 by 268 cm. (Musée, Dijon.)
Attributed works:
64. St Joseph and the Christ Child, Here Described as ?Burgundian Caravaggesque c.1630-35. Canvas, 101.6 by 86.4 cm. (Central Picture Galleries, New York, 1961.)
Attributed works:
65. Detail from Adoration of the Shepherds, Here Described as ?Burgundian Caravaggesque c.1630-35. Canvas. (Private Collection. Brussels.)
Attributed works:
66. Crucifixion, by François. Signed and Dated 1619. Canvas, 400 by 265 cm. (Eglise du Collège, Le Puy-en-Velay.)
Attributed works:
67. Incredulity of St Thomas, by Guy François. Signed. Canvas, 160 by 190 cm. (Saint-Laurent, Le Puy-en-Velay.)
Attributed works:
68. Detail from St Charles Borromeo Healing the Plague-Stricken, by Carlo Saraceni. (Chiesa dei Servi, Cesena.)
Attributed works:
69. Detail from Adoration of the Shepherds, by Guy François. Signed and Dated 1643. (Saint-Bonnet, near Riom (Puy-de-Dôme.))
Attributed works:
7. Detail from Caravaggio's Conversion of the Magdalen Illustrated in Fig.6.
Attributed works:
70. St Matthew and the Angel, Here Attributed to Dirck van Baburen. Canvas, 98 by 75 cm. (La Seo, Saragossa.)
Attributed works:
71. St John the Evangelist, Here Attributed to Dirck van Baburen. Canvas, 98 by 75 cm. (La Seo, Saragossa.)
Attributed works:
72. Detail from Christ Washing the Feet of the Apostles, by Dirck van Baburen. (Städische Gemäldegalerie, Wiesbaden.)
Attributed works:
73. Detail from Christ on the Mount of Olives, by Dirck van Baburen. (S. Pietro in Montorio, Rome.)
Attributed works:
74. Detail from St Francis, by Dirck van Baburen. (Kunsthistorisches Museum, Vienna.)
Attributed works:
75. Fluteplayer, by Hendrick Munniks. Signed. Canvas, 81.2 by 63.5 cm. (Private Collection, Paris.)
Attributed works:
76. Detail from The Virgin Appearing to (?) San Felice da Cantalice, by Guy François. Signed and Dated 1620. (Eglise des Carmes, Le Puy-en-Velay.)
Attributed works:
77. Christ before the High Priest, Here Attributed to Matthias Stomer. Canvas. (Art Collectors' Association Ltd., New York, 1920.)
Attributed works:
78. Crowning with Thorns, by Hendrick Terbrugghen. Canvas, 119 by 116 cm. (Regional Art Museum, Irkutsk, USSR.)
Attributed works:
94. Detail from Magdalen in Ecstasy, by Wybrand de Geest after Caravaggio. Signed and Dated 1620. Canvas, 110 by 87 cm. (Collection don Santiago Alorda, Barcelona.)
Western art unattributed:
F. St Andrew, from Legendario delle Vite de' Santi..., Venice, 1600, p.10. Woodcut.