1. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni
del Campo) or a follower. 1620s/1630s. Oil on canvas transferred to
panel, 94 by 71 cm. (Latvian National Museum of Art, Riga).
Attributed works:
2. Allegory of the love of Virtue, attributed to Jean Ducamps
(Giovanni del Campo). 1620s. Oil on canvas, 123.5 by 73.5 cm.
(Private collection).
Attributed works:
3. The liberation of St Peter, attributed to Jean Ducamps (Giovanni
del Campo). 1620s/30s. Oil on canvas, 119 by 190 cm. (Musée d’art et
d’Archéologie d’Aurillac; photograph Pierre Soissons).
Attributed works:
4. The flight of the nude young man from the arrest of Christ,
by Joost de Pape (Giusto Fiammingo). 1630s. Oil on canvas, 220 by
290 cm. (Rob Smeets Old Master Paintings, on loan to the National
Gallery of Umbria, Perugia).
Attributed works:
5. Angel with the nails, by Joost de Pape (Giusto Fiammingo). Early
1630s. Oil on canvas, 99 by 74 cm. (Pallavicini collection, Rome; courtesy
Principessa Maria Camilla Pallavicini; photograph Araldo De Luca).
3. Crucifixion of St Andrew, by Caravaggio. 1606–07. Canvas, 202.5 by 152.7 cm. (Cleveland Museum of Art; Leonard C. Hanna Jr. Fund, 1976.2).
Attributed works:
4. Crucifixion of St Andrew, here identified as a copy after Caravaggio. Canvas, 198 by 148.5 cm. (Spier Collection, London).
Attributed works:
5. Detail of Fig.3, showing St Andrew’s head.
Attributed works:
6. Detail of Fig.4, showing St Andrew’s head.
Attributed works:
7. Detail of Fig.3, showing St Andrew’s right foot (Photograph author).
Attributed works:
8. Detail of Fig.4, showing St Andrew’s right foot (Photograph author)
Attributed works:
9. Overlay of the contours of Flagellation, by Caravaggio (Museo Nazionale di Capodimonte, Naples) in green, onto a copy of Flagellation in S. Domenico Maggiore, Naples, in red. From G.S. Ghia and C. Strinati, eds.: Caravaggio nel patrimonio del Fondo Edifici di Culto. Il Doppio e la Copia, Rome 2017.
47. St Thomas, by Jusepe de Ribera. c.1612. Canvas, 126 by 97 cm. (Fondazione di Studi di Storia dell’Arte Roberto Longhi, Florence; exh. Museo Nacional del Prado, Madrid).
Attributed works:
48. The Denial of St Peter, by Jusepe de Ribera. c.1613–14. Canvas, 163 by 233 cm. (Galleria Nazionale d’Arte Antica, Palazzo Corsini, Rome; exh. Museo Nacional del Prado, Madrid).
Attributed works:
49. The Raising of Lazarus, by Jusepe de Ribera. c.1615–16. Canvas, 171 by 289 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
50. The Judgment of Solomon, here attributed to the Master of the Judgment of Solomon. After 1612. Canvas, 153 by 201 cm. (Galleria Borghese, Rome; exh. Museo Nacional del Prado, Madrid).