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3 articles
Article
Jean Ducamps and Joost de Pape
09/2022 | 1434 | 164
Pages: 898-903
related names
Author:
Gash, John (Gash, John)
Subjects
places:
Illustrations
Attributed works:
1. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo) or a follower. 1620s/1630s. Oil on canvas transferred to panel, 94 by 71 cm. (Latvian National Museum of Art, Riga).
Attributed works:
2. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 123.5 by 73.5 cm. (Private collection).
Attributed works:
3. The liberation of St Peter, attributed to Jean Ducamps (Giovanni del Campo). 1620s/30s. Oil on canvas, 119 by 190 cm. (Musée d’art et d’Archéologie d’Aurillac; photograph Pierre Soissons).
Attributed works:
4. The flight of the nude young man from the arrest of Christ, by Joost de Pape (Giusto Fiammingo). 1630s. Oil on canvas, 220 by 290 cm. (Rob Smeets Old Master Paintings, on loan to the National Gallery of Umbria, Perugia).
Attributed works:
5. Angel with the nails, by Joost de Pape (Giusto Fiammingo). Early 1630s. Oil on canvas, 99 by 74 cm. (Pallavicini collection, Rome; courtesy Principessa Maria Camilla Pallavicini; photograph Araldo De Luca).
Attributed works:
6. Apollo, here attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 65.7 by 48.1 cm. (Musée d’Arts, Nantes; photograph © RMN-Grand Palais; Gérard Blot).
Attributed works:
7. The suicide of Lucretia, here attributed to the circle of Jean Ducamps [?]. Oil on canvas, 137.2 by 94 cm. (Private collection).
Article
Caravaggio’s ‘Crucifixion of St Andrew’ and the problem of autograph replicas
06/2018 | 1383 | 160
Pages: 454-461
related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
Subjects
dates:
media:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the soldier’s armour.
Attributed works:
2. Detail of Fig.4, showing the soldier’s armour.
Attributed works:
3. Crucifixion of St Andrew, by Caravaggio. 1606–07. Canvas, 202.5 by 152.7 cm. (Cleveland Museum of Art; Leonard C. Hanna Jr. Fund, 1976.2).
Attributed works:
4. Crucifixion of St Andrew, here identified as a copy after Caravaggio. Canvas, 198 by 148.5 cm. (Spier Collection, London).
Attributed works:
5. Detail of Fig.3, showing St Andrew’s head.
Attributed works:
6. Detail of Fig.4, showing St Andrew’s head.
Attributed works:
7. Detail of Fig.3, showing St Andrew’s right foot (Photograph author).
Attributed works:
8. Detail of Fig.4, showing St Andrew’s right foot (Photograph author)
Attributed works:
9. Overlay of the contours of Flagellation, by Caravaggio (Museo Nazionale di Capodimonte, Naples) in green, onto a copy of Flagellation in S. Domenico Maggiore, Naples, in red. From G.S. Ghia and C. Strinati, eds.: Caravaggio nel patrimonio del Fondo Edifici di Culto. Il Doppio e la Copia, Rome 2017.
Article
The young Ribera
07/2011 | 1300 | 153
Pages: 475-478
related names
Author:
Salomon, Xavier F. (Salomon, Xavier F.)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
El joven Ribera | institution: Museo Nacional del Prado
Illustrations
Attributed works:
47. St Thomas, by Jusepe de Ribera. c.1612. Canvas, 126 by 97 cm. (Fondazione di Studi di Storia dell’Arte Roberto Longhi, Florence; exh. Museo Nacional del Prado, Madrid).
Attributed works:
48. The Denial of St Peter, by Jusepe de Ribera. c.1613–14. Canvas, 163 by 233 cm. (Galleria Nazionale d’Arte Antica, Palazzo Corsini, Rome; exh. Museo Nacional del Prado, Madrid).
Attributed works:
49. The Raising of Lazarus, by Jusepe de Ribera. c.1615–16. Canvas, 171 by 289 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
50. The Judgment of Solomon, here attributed to the Master of the Judgment of Solomon. After 1612. Canvas, 153 by 201 cm. (Galleria Borghese, Rome; exh. Museo Nacional del Prado, Madrid).