museums and institutions:
Palazzo Abatellis, Palermo, Italy
/ British Museum, Dept. of Prints and Drawings, London, Great Britain
/ Metropolitan Museum of Art, New York, United States
/ Musée Condé, Chantilly, France
/ National Gallery of Scotland, Edinburgh, Great Britain
Attributed works:
1. Kneeling Virgin and Child (Virgin adoring the Christ Child?), by Andrea
del Verrocchio. Probably later 1460s. Black chalk, white heightening,
wash and pen and ink on paper, 20.5 by 17.4 cm (irregular). (Galleria
Regionale della Sicilia, Palazzo Abatellis, Palermo).
Attributed works:
10. Study for a Virgin with the Christ Child, by Andrea del Verrocchio.
Probably 1470s. Black chalk on lightly prepared paper, 28.2 by 19.3 cm.
(Galleria degli Uffizi, Florence).
Attributed works:
11. Detail of Fig.1, showing the drapery.
Attributed works:
12. Detail of The Baptism of Christ, by Andrea del Verrocchio,
Leonardo da Vinci and assistant(s). Probably mid-1470s. Oil on panel,
177 by 151 cm. (Galleria degli Uffizi, Florence).
Attributed works:
13. David, by Andrea del Verrocchio. Before 1476. Bronze, height 126 cm.
(Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
14. Detail of Equestrian monument to Bartolomeo Colleoni, by Andrea
del Verrocchio. c.1485 onwards (completed posthumously, unveiled
1496). Bronze, height of detail approx. 50 cm. (Campo SS. Giovanni e
Paolo, Venice; Bridgeman Images).
Attributed works:
15. Study for an Adoration of the shepherds, by Leonardo da
Vinci. Probably late 1470s or early 1480s. Leadpoint partly
reworked with pen and ink and wash, 11.9 by 13.5 cm (irregular).
(Galleria dell’Accademia, Venice; Bridgeman Images).
Attributed works:
16. Drapery study of a kneeling woman, by Leonardo da Vinci.
1470s. Silverpoint and white heightening on red prepared paper,
25.7 by 19 cm. (Istituto Nazionale della Grafica, Rome).
Attributed works:
17. Verso of Fig.1 in UV-light, revealing two studies of nude male youths
and a study of the head of an old man.
Attributed works:
18. Copy after a study for Verrocchio’s ‘David’ and study of a Christ
Child, from the workshop of Francesco di Simone Ferrucci. Later 1480s.
Pen and brown ink and wash over metalpoint on rose-washed paper (page
of a now dismembered sketchbook), 26 by 19 cm. (Musée du Louvre, Paris;
RMN-Grand Palais).
Attributed works:
19. Study of a male nude, attributed to Andrea del Verrocchio or a
member of his workshop. c.1470. Metalpoint with heightening and pen
and ink on prepared paper, 27.8 by 10.9 cm. (Hamburger Kunsthalle,
Kupferstichkabinett).
Attributed works:
2. Kneeling Virgin and Child (Virgin adoring the Christ Child?), by
a follower of Andrea del Verrocchio. Probably later 1460s or early
1470s. Black chalk and white heightening (oxidised) over indications
in stylus or erased leadpoint on paper, 19.8 by 17 cm (irregular).
(British Museum, London).
Attributed works:
20. St John the Baptist, by Leonardo da Vinci. c.1480. Metalpoint and
heightening on blue prepared paper, 17.8 by 22.2 cm. (The Royal Library,
Windsor Castle; Royal Collection; © Her Majesty Queen Elizabeth II, 2020).
Attributed works:
3. Kneeling Virgin and other studies, from the workshop of Francesco
di Simone Ferrucci. Later 1480s. Pen and brown ink over leadpoint or
black chalk on rose washed-paper, 27.4 by 19.8 cm. (The Metropolitan
Museum of Art, New York).
Attributed works:
4. Kneeling Virgin adoring the Christ Child, attributed to Andrea del
Verrocchio, probably 1470s. Tempera and oil on canvas (transferred
from panel), 106.7 by 76.3 cm. (Scottish National Gallery, Edinburgh;
Bridgeman Images).
Attributed works:
5. Head of a woman, by Andrea del Verrocchio. Probably 1470s. Charcoal
on paper, 32.5 by 27.2 cm. (British Museum, London).
Attributed works:
6. Detail of Study for a funerary monument to Doge Andrea
Vendramin, by Andrea del Verrocchio. Probably early 1480s. Leadpoint
partly reworked with pen and brown ink, brush and brown wash on
paper, 27.3 by 17.5 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Studies of putti, by Andrea del Verrocchio. Perhaps 1470s. Pen and ink
on paper, 15.8 by 21 cm. (Musée du Louvre, Paris; RMN-Grand Palais).
Attributed works:
8. Detail of Beheading of St John the Baptist, by Andrea del Verrocchio.
1477–78. Silver with blue smalt mounted on wood, height of detail approx.
15 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
9. UV-light photograph of the drawing shown in Fig.1, revealing the use of
wash and a faded number ‘37’ in the lower right corner.
