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11 articles
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Article
Ter Brugghen in Italy
03/2024 | 1452 | 166
Pages: 286–293
related names
Author:
Gash, John (Gash, John)
Subjects
museums and institutions:
Reviewed Items
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di Caravaggio. Edited by Federico Fischetti and Gianni Papi. 216 pp. incl. 140 col. + 28 b. & w. ills. (Gallerie Estensi and Sagep Editori, Genoa, 2023), €28. ISBN 979–12–5590–039–9. | :
subjects:
Ter Brugghen, dall’Olanda all’Italia sulle orme di CaravaggioGalleria Estense, Modena, 13 October 2023–14 January 2024. Galleria Estense, Modena. | :
Illustrations
Attributed works:
1. Denial and penitence of St Peter, by Hendrick ter Brugghen. c.1610–11. Oil on canvas, 288 by 190 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
2. A saint writing, by Hendrick ter Brugghen. c.1614. Oil on canvas, 82 by 142 cm. (Galleria Estense, Modena; exh. Galleria Estense, Modena).
Attributed works:
3. Adoration of the shepherds, by Hendrick ter Brugghen. c.1610–14. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London; exh. Galleria Estense, Modena).
Attributed works:
4. Christ crowned with thorns and Mocking of Christ, here attributed to Jan Janssens. 1620s or later. Oil on canvas, 173.8 by 135.5 cm. (Palais des Beaux-Arts, Lille; exh. Galleria Estense, Modena).
Attributed works:
5. Supper at Emmaus, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 154 by 198.5 cm. (Kunsthistorisches Museum, Vienna; exh. Galleria Estense, Modena).
Attributed works:
6. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistant(s). c.1611/17. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
7. St John the Baptist in a landscape, attributed to Hendrick ter Brugghen and Giulio Cesare Procaccini. 1614?. Oil on canvas, 155 by 190 cm. (Certosa di Pavia, Lombardy; exh. Galleria Estense, Modena).
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Article
Jean Ducamps and Joost de Pape
09/2022 | 1434 | 164
Pages: 898-903
related names
Author:
Gash, John (Gash, John)
Subjects
places:
Illustrations
Attributed works:
1. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo) or a follower. 1620s/1630s. Oil on canvas transferred to panel, 94 by 71 cm. (Latvian National Museum of Art, Riga).
Attributed works:
2. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 123.5 by 73.5 cm. (Private collection).
Attributed works:
3. The liberation of St Peter, attributed to Jean Ducamps (Giovanni del Campo). 1620s/30s. Oil on canvas, 119 by 190 cm. (Musée d’art et d’Archéologie d’Aurillac; photograph Pierre Soissons).
Attributed works:
4. The flight of the nude young man from the arrest of Christ, by Joost de Pape (Giusto Fiammingo). 1630s. Oil on canvas, 220 by 290 cm. (Rob Smeets Old Master Paintings, on loan to the National Gallery of Umbria, Perugia).
Attributed works:
5. Angel with the nails, by Joost de Pape (Giusto Fiammingo). Early 1630s. Oil on canvas, 99 by 74 cm. (Pallavicini collection, Rome; courtesy Principessa Maria Camilla Pallavicini; photograph Araldo De Luca).
Attributed works:
6. Apollo, here attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 65.7 by 48.1 cm. (Musée d’Arts, Nantes; photograph © RMN-Grand Palais; Gérard Blot).
Attributed works:
7. The suicide of Lucretia, here attributed to the circle of Jean Ducamps [?]. Oil on canvas, 137.2 by 94 cm. (Private collection).
Article
Caravaggio’s other ‘Judith and Holofernes’
09/2019 | 1398 | 161
Pages: 716-731
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
museums and institutions:
places:
sources:
Illustrations
Attributed works:
1. Detail of Fig.3, showing the heads of Abra, Judith and Holofernes.
Attributed works:
14. X-radiograph showing the head of Goliath in David with the head of Goliath, by Caravaggio, 1601/03. Oil on canvas, 110.4 by 91.3 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
15. Detail of Fig.3, showing the pommel of Judith’s sword. 16. Detail of Beheading of St John the Baptist, by Caravaggio, showing the executioner’s face. 1608. Oil on canvas, 520 by 360 cm. (Oratory of Saint John’s co-cathedral, Valletta; Bridgeman Images). 17. Detail of St Francis in meditation, by Caravaggio. c.1607–09. Oil on canvas, 128 by 90 cm. (Museo Civico Ala Ponzone, Cremona; Bridgeman Images).
Attributed works:
18. Detail of Fig.3, showing the sheet. 19. Detail of Fig.3, showing Abra’s tassel and hand. 20. Detail of Fig.4, showing Christ’s loincloth.
Attributed works:
2. Judith beheading Holofernes, after Caravaggio. c.1607. Oil on canvas, 140 by 161 cm. (Collezione Banca Intesa Sanpaolo, Palazzo Zevallos Stigliano, Naples).
Attributed works:
21. Grand Master Alof de Wignacourt with his page, by Caravaggio. Probably 1607. Oil on canvas, 194 by 134 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
22. Detail of Fig.3, showing the arms and upper body of Holofernes. 23. Detail of Flagellation of Christ, by Caravaggio. 1607. Oil on canvas, 286 by 213 cm. (S. Domenico Maggiore, Naples, on loan to the Museo di Capodimonte, Naples). 24. X-radiograph of the face of Holofernes in the painting illustrated in Fig.1, realigned vertically. 25. David with the head of Goliath, by Caravaggio. c.1606–07. Oil on poplar wood, 90.5 by 116.5 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).
Attributed works:
26. Right Detail of Fig.3, showing Judith’s cuff. 27. Detail of Seven works of mercy, by Caravaggio, showing Samson drinking from the jawbone of an ass and, far right, St Martin. 1606–07. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples; Bridgeman Images). 28. Detail of Seven works of mercy, by Caravaggio, showing Pero suckling her father. 1606–07. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples; Bridgeman Images).
Attributed works:
29. Salome with the head of St John the Baptist, by Caravaggio. c.1607. Oil on canvas, 116 by 140 cm. (Palacio Real, Madrid; © Patrimonio Nacional).
Attributed works:
3. Judith beheading Holofernes, here attributed to Caravaggio and dated 1607. Oil on canvas, 144 by 173.5 cm. (Private collection).
Attributed works:
4. Flagellation of Christ, by Caravaggio. c.1607. Oil on canvas, 134 by 175 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
5. Judith beheading Holofernes, by Caravaggio. c.1602 or 1598/1600. Canvas, 145 by 195 cm. (Galleria Nazionale d’Arte Antica; Palazzo Barberini, Rome).
Attributed works:
6. Detail of Fig.3, showing the bedcurtain.
Attributed works:
7. The toothpuller, by Caravaggio. 1608–10. Oil on canvas, 140 by 195 cm. (Palazzo Pitti, Florence; Bridgeman Images).
Attributed works:
8. Detail of Fig.3, showing Holofernes’s head.
Attributed works:
9. Detail of Fig.3, showing the faces of Abra and Judith. 10. X-radiograph of Fig.3, showing the faces of Abra and Judith. 11. Infra-red reflectogram of Fig.3, showing the faces of Abra and Judith. 12. X-radiograph of Fig.3. 13. Infra-red reflectogram of Fig.3.
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
related names
Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).
Article
Spadarino’s ‘Doubting Thomas’ rediscovered
10/2015 | 1351 | 157
Pages: 678-681
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
10. The feast of the gods, by Giovanni Antonio Galli, called Spadarino. 1620s (Galleria degli Uffizi, Florence)
Attributed works:
11. Cimon and Pero (Roman charity), by Giovanni Antonio Galli, called Spadarino. 1620s or 1630s (Galleria Doria-Pamphilj, Rome)
Attributed works:
12. Christ displaying his wounds, by a follower of Caravaggio (Spadarino?). c.1615-25 (Perth Museum and Art Gallery, Scotland)
Attributed works:
6. The incredulity of St Thomas, here attributed to Giovanni Antonio Galli, called Spadarino. 1620s? (Wrotham Park, Hertfordshire)
Attributed works:
7. The incredulity of St Thomas, by Caravaggio. c.1601 (Sanssouci, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg, Potsdam)
Attributed works:
8. The miracle of St Valeria before St Martial, by Giovanni Antonio Galli, called Spadarino. 1629-30 (Chapter House, St Peter's Rome)
Attributed works:
9. The denial of St Peter, by Giovanni Antonio Galli, called Spadarino. c.1615-18 (Pinacoteca Nazionale, Bologna)
Book Review
Caravaggio. The Complete Works
09/2012 | 1314 | 154
Pages: 637–639
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Caravaggio. The Complete Works | author: Schütze, Sebastian
Article
A Caravaggesque ‘Christ’ in Scotland
10/2009 | 1279 | 151
Pages: 682-690
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
print:
Illustrations
Attributed works:
31. Christ displaying his wounds, by a follower of Caravaggio. c.1615–25. Canvas, 132.1 by 99 cm. (Perth Museum and Art Gallery, Scotland).
Attributed works:
32. Incredulity of St Thomas, by Caravaggio. 1601–03. Canvas, 107 by 146 cm. (Staatliche Schlösser und Gärten, Schloss Sanssouci, Potsdam).
Attributed works:
33. Wax seal on reverse of canvas of Fig.31.
Attributed works:
34. Christ displaying his wounds, attributed to Dello Delli. c.1420. Terracotta, 104.1 cm. high. (Victoria and Albert Museum, London).
Attributed works:
35. Liberation of St Peter, by Giovanni Battista Caracciolo. 1615. Canvas, 310 by 207 cm. (Church of the Pio Monte della Misericordia, Naples). Photograph: Scala, Florence.
Attributed works:
36. A drinking and musical party, by Bartolomeo Manfredi. c.1618. Canvas, 130 by 190 cm. (Private collection).
Attributed works:
37. Miracle of St Valeria before St Martial, by Giovanni Antonio Galli, called Spadarino. 1629–32. Canvas, 320 by 186 cm. (Chapter House of St Peter’s, Rome). Photograph: Management Fratelli Alinari, Florence/ Bridgeman Art Library, London.
Attributed works:
38. David with the head of Goliath, by Simon Vouet. 1621. Canvas, 121 by 94 cm. (Musei di Strada Nuova, Palazzo Bianco, Genoa).
Attributed works:
39. Narcissus, here attributed to Giovanni Antonio Galli, called Spadarino. ?1620s. Canvas, 113 by 97 cm. (Galleria Nazionale di Palazzo Barberini, Rome).
Attributed works:
40. Judgment of Midas, by Alessandro Turchi, called l’Orbetto. c.1622–25. Canvas, 166 by 232 cm. (Collection of Count von Schönborn, Schloss Weissenstein, Pommersfelden).
Attributed works:
41. Virgin and Child with Sts Francis and Carlo Borromeo, by Alessandro Turchi, called l’Orbetto. c.1617–18. Canvas, 318 by 178 cm. (S. Salvatore in Lauro, Rome).
Attributed works:
42. St Catherine of Alexandria visited in prison by the Empress Faustina and Porphyry, by Alessandro Turchi, called l’Orbetto. c.1619–20. Chalk and wash, 26.9 by 36.5 cm. (Staatliche Graphische Sammlung, Munich).
Article
The Identity of Caravaggio's 'Knight of Malta'
03/1997 | 1128 | 139
Pages: 156-160
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
1. Knight of Malta, Here Identified as Fra Antonio Martelli, by Caravaggio. 1608. 118.5 by 95.5 cm. (Palazzo Pitti, Florence).
Attributed works:
2. St Jerome Writing, by Caravaggio. 117 by 157 cm. (Co-Cathedral of St John, Valletta).
Attributed works:
3. Ugolino Martelli, by Agnolo Bronzino. 102 by 85 cm. (Gemäldegalerie, Berlin)
Attributed works:
4. Detail of Fig.1. [Knight of Malta, Here Identified as Fra Antonio Martelli, by Caravaggio. 1608. 118.5 by 95.5 cm. (Palazzo Pitti, Florence).]
Attributed works:
5. Detail of Fig.2. [St Jerome Writing, by Caravaggio. 117 by 157 cm. (Co-Cathedral of St John, Valletta).]
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