By using this website you agree to our Cookie policy

Search

10 articles
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Book Review
Building Santa Maria Novella: Materials, Tradition and Invention in Late Medieval Florence
04/2024 | 1453 | 166
Pages: 421–423
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
Subjects
Reviewed Items
subjects:
Building Santa Maria Novella: Materials, Tradition and Invention in Late Medieval Florence By Elizabeth Bradford Smith. 222 pp. incl. 116 col. + b. & w. ills. (L’Erma di Bretschneider, Rome, 2022), €170. ISBN 978–88–913–2609–6. | :
Illustrations
Attributed works:
3. Ground-plan of the nave of S. Maria Novella, Florence (after E.B. Smith: Building Santa Maria Novella, Rome 2022).
Attributed works:
4. Nave of S. Maria Novella, Florence. 1279–1355.
Publication Received
Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy. Edited by Trinita Kennedy, with essays by the editor, Donal Cooper, Holly Flora, Amy Neff and Janet Robson.
01/2017 | 1366 | 159
Pages: 51
related names
Reviewer:
Warr, Cordelia (Warr, Cordelia)
Subjects
dates:
places:
Book Review
Ordines Studentes. Aspekte zur Kirchenarchitektur der Dominikaner und Franziskaner im 13. Jahrhundert
03/1986 | 996 | 128
Pages: 220-221
related names
Reviewer:
Crossley, Paul (Crossley, Paul)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Ordines Studentes. Aspekte zur Kirchenarchitektur der Dominikaner und Franziskaner im 13. Jahrhundert | author: Schenkluhn, Wolfgang
Short Notice
Guido da Siena, 1221, and Tommaso da Modena
02/1979 | 911 | 121
Pages: 107-108+110
related names
Author:
Gardner, Julian (Gardner, Julian)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
66. Maestà, by Guido da Siena. (Palazzo Pubblico, Siena).
Western art unattributed:
67. Chapterhouse Inscription. (S. Nicolò, Treviso).
Article
A Medieval Retable at Thornham Parva
09/1933 | 366 | 63
Pages: 98-101
related names
Author:
Lillie, W. W. (Lillie, W. W.)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
Plate II. A-St. Dominic, St. Catherine and St. John the Baptist. The Three Left Panels of the Retable. A Medieval Retable at Thornham Parva
Western art unattributed:
Plate II. B-Edmund, King and Martyr, St. Margaret and St. Peter Martyr. The Three Right Panels of the Retable. Height of Panels, 93.3 cm.; Average Width, 33.6 cm. A Medieval Retable at Thornham Parva
Western art unattributed:
The Crucifixion with St. Peter and St. Paul. The Three Centre Panels of a Retable. English School, c. 1300-20. Height of Panels, 93.3 cm.; Width of Central Panel, 63.5 cm.; Average Width of Side Panels, 33.6 cm. (The Church of Thornham Parva, Suffolk)
Article
A Fra Angelico for Harvard
11/1921 | 224 | 39
Pages: 202+208-211
related names
Author:
Borenius, Tancred (Borenius, Tancred; B., T.; Borenius, Dr.; Borenius, T.)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Crucifixion, by Fra Angelico. Panel, 34″ × 14¼″, Excluding Frame. (Fogg Museum, Harvard University)
Attributed works:
Plate II. B-Detail of Crucifixion on Plate I. A Fra Angelico for Harvard
Attributed works:
Plate III. C-Annunciation, by Antoniazzo Romano (S. Maria Sopra Minerva, Rome). A Fra Angelico for Harvard
Attributed works:
Plate III. D-Crucifixion, by Fra Angelico (Louvre). A Fra Angelico for Harvard
Letter
The Origin of the Dominican Habit (A Picture in the National Gallery-School of Fra Angelico)
10/1919 | 199 | 35
Pages: 175-176
related names
Author:
Cook, Charles (Cook, Charles)
Subjects
artists:
museums and institutions:
Article
Notes on Pictures in the Royal Collections. Article VIII-The Story of Simon Magus, Part of a Predella Painting by Benozzo Gozzoli
08/1905 | 29 | 7
Pages: 377-379+381-383
related names
Author:
Cust, Lionel (L. C.) (Cust, Lionel (L. C.); C., L.)
Author:
Horne, Herbert P. (Horne, Herbert P.; H., H. P.; Horne, H. P.)
Subjects
artists:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Miracle of St. Dominic; In the Brera Gallery, Milan. From a Photograph by Anderson. Two Panels from the Predella of the Altarpiece (Now in the National Gallery, No. 283) Painted by Bonozzo Gozzoli For the Confraternity of the Purification and St. Zenobius at Florence
Attributed works:
The Death of Simon Magus: In the Collection of H. M. the King at Buckingham Palace. Two Panels from the Predella of the Altarpiece (Now in the National Gallery, No. 283) Painted by Bonozzo Gozzoli For the Confraternity of the Purification and St. Zenobius at Florence
Book Review
Early Tuscan Art
04/1903 | 2 | 1
Pages: 266
related names
Reviewer:
Perkins, F. Mason (Perkins, F. Mason; Perkins, Federico Mason; Perkins, F. F. Mason; P., F. M.)
Subjects
dates:
media:
places:
subjects:
Reviewed Items
subjects:
Early Tuscan Art | author: Conway, Martin