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36 articles
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Article
Hippolyte and Paul Flandrin at Saint-Séverin, Paris
12/2022 | 1437 | 164
Pages: 1178-1189
related names
Author:
Marchetti, Elena (Marchetti, Elena)
Author:
Paccoud, Stéphane (Paccoud, Stéphane)
Subjects
dates:
Illustrations
Attributed works:
1. The chapel of St John the Evangelist, Saint-Séverin, Paris, after restoration, 2022. (© Ville de Paris, COARC/Jean-Marc Moser)
Attributed works:
10. Composition study for the Baptism of Christ, by Paul Flandrin. c.1844. Graphite, black chalk and wash on paper, 63.3 by 30 cm. (Musée du Petit Palais, Paris).
Attributed works:
11. The Ollioules gorges, by Paul Flandrin. 1843. Oil on paper mounted on canvas, 25.5 by 35 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / Gérard Blot).
Attributed works:
12. The Ollioules gorges, by Paul Flandrin. 1843. Graphite and white chalk on brown paper, 31.3 by 23.4 cm. (Musée des Beaux-Arts de Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
13. Christ and the little children, by Hippolyte Flandrin. 1836–38. Oil on canvas, 313 by 441 cm. (Musée d’Art et d’Histoire, Lisieux; © Lyon MBA / Photo Martial Couderette).
Attributed works:
14. The Gulf of Gaeta, by Hippolyte Flandrin. 1838. Graphite and watercolour on paper, 6.9 by 18.6 cm. (Fondation Custodia, Collection Frits Lugt, Paris).
Attributed works:
15. Archangel Raphael, cartoon for a stained-glass window for the Chapel Saint-Ferdinand, Neuilly-sur-Seine, by Jean Auguste Dominique Ingres, 1842. Oil on canvas, 210 by 92 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / René-Gabriel Ojeda).
Attributed works:
16. Head of St John, by Hippolyte Flandrin. 1842. Oil on paper mounted on canvas, 21.9 by 17.6 cm. (Galerie La Nouvelle Athènes, Paris).
Attributed works:
2. Calling of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
3. St John on the Isle of Patmos, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
4. Last Supper, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
5. Martyrdom of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
6. Study of Hippolyte Flandrin’s arms for the Last Supper, by Paul Flandrin. 1840. Graphite on squared-up paper, 19.7 by 24.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
7. Cartoon for the Martyrdom of St John, by Hippolyte Flandrin. 1840. Graphite and stump on squared-up paper, 99 by 90.8 cm. (Musée des Beaux-Arts, Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
8. Preaching of St John the Baptist, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Church of Saint-Séverin, Paris; © Ville de Paris, COARC/Emmanuel Michot).
Attributed works:
9. Baptism of Christ, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Saint-Séverin, Paris; © Ville de Paris, COARC / Emmanuel Michot).
Exhibition Review
Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE. London
08/2018 | 1385 | 160
Pages: 666-669
related names
Reviewer:
Paterson, Dominic (Paterson, Dominic)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Still from Mario Merz, by Tacita Dean. 2002. 16mm. colour film. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
2. Detail of GAETA (fifty photographs plus one), by Tacita Dean. 2015. Photographs and cibachromes. Dimensions variable. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
3. Still from His Picture in Little, by Tacita Dean. 2017. 35mm. colour anamorphic film, reduced to spherical 16mm. for exhibition as miniature. (Courtesy the artist; exh. National Portrait Gallery, London).
Attributed works:
4. Still from Antigone, by Tacita Dean. 2018. Two synchronised 35mm. colour anamorphic films. (Courtesy the artist; exh. Royal Academy of Arts, London).
Article
The problematic ‘Baptist’: Benedetto da Maiano’s Sala dei Gigli doorway
08/2018 | 1385 | 160
Pages: 624-629
related names
Author:
Dillon, Sarah M. (Dillon, Sarah M. )
Subjects
dates:
places:
Illustrations
Attributed works:
1. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence)
Attributed works:
2. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. Photograph by Fratelli Alinari c.1890, 16 by 21 cm. (Alinari Archives, Florence).
Attributed works:
3. Door of the Sala dell’Udienza, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence).
Attributed works:
4. Above Detail of the door of the Sala dei Gigli, Palazzo Vecchio, Florence, showing the base of the figure. (Photograph the author).
Attributed works:
5. Opposite St John the Baptist, by Benedetto da Maiano. Marble, height 125 cm. Photograph by Fratelli Alinari c.1900, 15 by 21 cm. (Alinari Archives, Florence).
Article
Evidence for Florentine patronage in two liturgical manuscripts illuminated by Rinaldo da Siena
08/2018 | 1385 | 160
Pages: 630-639
related names
Author:
Battaglia, Laura Alidori (Battaglia, Laura Alidori)
Author:
Battaglia, Marco (Battaglia, Marco)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Initial A, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.2r).
Attributed works:
10. Initial D for the introit of the nativity of a virgin saint, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.175r).
Attributed works:
11. Initial E, by Rinaldo da Siena. From De Regimine Principum Parigi by Egidio Romano, after 1285. Tempera on parchment, 33.5 by 24 cm. (Bibliothèque nationale de France, Paris, MS Ital.233, fol.130r).
Attributed works:
12. Initial E for the Feast of St John the Evangelist, here attributed to Rinaldo da Siena. From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24 cm. (Biblioteca Apostolica Vaticana, Arch.Cap.S.Pietro.B.67, fol.21v).
Attributed works:
13. Initial I, by Rinaldo da Siena. From Mulomedicina by Vegezio. c.1275. Tempera on parchment, 21.5 by 15.5 cm. (Biblioteca Medicea Laurenziana, Florence, MS Plut.45.19, fol.95r).
Attributed works:
14. Initial I for the introit of the nativity of a non-papal martyr, by Rinaldo da Siena. From a Franciscan gradual, c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.118v).
Attributed works:
15. Initial I for the introit of the Feast of St John the Evangelist, here attributed to Rinaldo da Siena, From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24.0 cm. (Biblioteca Apostolica Vaticana, MS Arch.Cap.S.Pietro.B.67, fol.18v).
Attributed works:
16. Crucifix, by Rinaldo da Siena. c.1275–1300. Tempera on panel, 313 by 248 cm. (Museo Civico, San Gimignano).
Attributed works:
2. Vegezio with two assistants and a horse, by Rinaldo da Siena. From Mulomedicina by Vegezio. c.1275. Tempera on parchment, 21.5 by 15.5 cm. (Biblioteca Medicea Laurenziana, Florence, MS Plut.45.19, fol.2r).
Attributed works:
3. Egidio Romano presents his work to Philip IV of France, by Rinaldo da Siena. From De Regimine Principum Parigi by Egidio Romano, after 1285. Tempera on parchment, 33.5 by 24 cm. (Bibliothèque nationale de France, Paris, MS.Ital.233, fol.19r)
Attributed works:
4. Top left Initial G with the Stigmatisation of St Francis, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 52.9 by 37.2 cm. (J. Paul Getty Museum, Los Angeles, MS 71v).
Attributed works:
5. Top right Initial D at the introit to the Feast of St John the Baptist, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.79r).
Attributed works:
6. Bottom left Initial C at the introit to the Feast of St Lawrence, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.89r).
Attributed works:
7. Bottom right Initial G at the introit to the feast of the Assumption of the Virgin, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.91r).
Attributed works:
8. Incipit page, by Rinaldo da Siena. From a Camaldolese missal, late 1280s to early 1290s. Tempera on parchment, 37.5 by 24 cm. (Biblioteca Apostolica Vaticana, MS Arch.Cap.S.Pietro.B.67, fol.10r).
Attributed works:
9. Initial C at the introit to the feast of Sts Philip and James, by Rinaldo da Siena. From a Franciscan gradual, here dated c.1275–80. Tempera on parchment, 53 by 37 cm. (Private collection, fol.72r).
Article
Andrea del Sarto’s Madonna at Opocno
08/2014 | 1337 | 156
Pages: 510-517
related names
Author:
Zapletalová, Jana (Zapletalová, Jana)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
10. Virgin and Child with St John the Baptist, after restoration, by Andrea del Sarto (Chateau, Opocno; photograph Sárka and Petr Berger)
Attributed works:
11. Detail of Fig.10 during restoration (photograph Sárka and Petr Berger)
Attributed works:
12. Detail of Fig.10 during restoration (photograph Sárka and Petr Berger)
Attributed works:
13. Virgin and Child with St John the Baptist (the Fries Madonna), after Andrea del Sarto? (Ascott, Buckinghamshire; copyright of National Trust Images/John Hammond)
Attributed works:
14. Virgin and Child with St John the Baptist, by Raphael Morghen after Andrea del Sarto (British Museum, London; photograph copyright of the Trustees of the British Museum)
Attributed works:
15. Infra-red reflectograph of Fig.10 during restoration (Photograph Sárka and Petr Berger)
Attributed works:
16. Detail of infra-red reflectograph of Fig.10 during restoration (Photograph Sárka and Petr Berger)
Attributed works:
17. Detail of Fig.10 during restoration (Photograph Sárka and Petr Berger)
Attributed works:
18. Virgin and Child with St John the Baptist, after Andrea del Sarto (Muzeum Palacem w Wilanowie, Warsaw)
Attributed works:
19. A draped left arm and shoulder, by Andrea del Sarto (Gabinetto disegno e stampe, Galleria degli Uffizi, Florence)
Attributed works:
9. Label on the reverse of Fig.10 (Photograph Sárka and Petr Berger)
Article
A drawing in Copenhagen attributed to Titian
10/2002 | 1195 | 144
Pages: 596-600
related names
Author:
Weston-Lewis, Aidan (Weston-Lewis, Aidan)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. The Virgin and Child with St John the Baptist and an Unidentified Female Saint ('Sacra Conversazione Giovanelli'), by Giovanni Bellini. c.1500-03. Panel, 54 by 76 cm. (Gallerie dell'Accademia, Venice).
Attributed works:
2. The Virgin and Child with St Paul and a Donor in the Guise of St George, by Giovanni Bellini and His Workshop. c.1490-95. Panel, 66 by 88 cm. (Gallerie dell'Accademia, Venice).
Attributed works:
3. The Virgin and Child with Sts John the Baptist, Paul, Mary Magdalen and Jerome, by Titian and His Workshop. c.1515-20. Panel, 139 by 191 cm. (Staatliche Gemäldegalerie, Dresden).
Attributed works:
4. The Virgin and Child with St John the Baptist and an Unidentified Male Saint, Here Attributed to Titian. c.1512-15. Black Chalk (Or Charcoal), Heightened with White, on Faded Blue-Grey Paper; Lightly Squared in Black Chalk; Laid Down, 16.4 by 24.1 cm. (Den Kongelige Kobberstiksamling, Statens Museum for Kunst, Copenhagen).
Attributed works:
5. Study for St Peter, by Titian. c.1516-17. Black Chalk, Heightened with White, on Faded Blue Paper, 15.7 by 13.4 cm. (British Museum, London).
Attributed works:
6. The Sacrifice of Abraham, by Titian. c.1543. Black Chalk, Heightened with White, on Faded Blue-Grey Paper; Squared in Red Chalk, 23.3 by 25.8 cm. (École Nationale Supérieure des Beaux-Arts, Paris).
Attributed works:
7. The Virgin and Child with the Infant Baptist and Sts Joseph(?) and Zacharias ('Madonna of the Cherries'), by Titian. c.1515. Panel, Transferred from Canvas, 81 by 99.5 cm. (Gemäldegalerie, Kunsthistorisches Museum, Vienna).
Attributed works:
8. The Virgin and Child with Sts Catherine and Dominic and a Donor, by Titian. c.1515. 138 by 185 cm. (Fondazione Magnani-Rocca, Mamiano di Traversetolo).
Attributed works:
9. The Virgin and Child ('The Gipsy Madonna'), by Titian. c.1510-12. Panel, 66 by 84 cm. (Gemäldegalerie, Kunsthistorisches Museum, Vienna).
Article
The Context of Caravaggio's 'Beheading of St John' in Malta
03/1997 | 1128 | 139
Pages: 161-170
related names
Author:
Stone, David M. (Stone, David M.)
Subjects
dates:
places:
Illustrations
Attributed works:
12. De prohibitionibus et poenis, Illustration to Statute XVIII, by Philippe Thomassin. Engraving, 18.3 by 13.8 cm. (Catholic University of America, Washington).
Attributed works:
14. Detail of the Capture of Fort St Elmo, Showing the Raft of Cadavers, by Anton Francesco Lucini, after Matteo Perez da Lecce. Engraving.
Attributed works:
16. Detail of Fig.7. [The Beheading of St John the Baptist, by Caravaggio. 361 by 520 cm. (Co-Cathedral of St John, Valletta).]
Attributed works:
17. Pre-1958 Photograph of the Oratory, Showing the Crucifixion with the Virgin and St John the Evangelist, by an Unknown Italian Sculptor.
Attributed works:
18. Madonna dei sette dolori, Perhaps from Designs by Mattia Preti. c. 1685. Wood and Gilding. (Oratory of S. Giovanni Decollato, Co-Cathedral of St John, Valletta).
Attributed works:
6. The Beheading of St John the Baptist, by Caravaggio, in the Oratory of S. Giovanni Decollato (Co-Cathedral of St John, Valletta).
Attributed works:
7. The Beheading of St John the Baptist, by Caravaggio. 361 by 520 cm. (Co-Cathedral of St John, Valletta).
Attributed works:
9. The Criminal Tribunal of the Knights of Malta in the Oratory of S. Giovanni Decollato, by Wolfgang Kilian. Engraving, 12.7 by 7.5 cm. (Catholic University of America, Washington).
Western art unattributed:
10. Frieze on East Wall after the Removal of the Beheading in June 1996.
Western art unattributed:
11. Pilasters on the East Wall, during the Dismantling of the Beheading in May 1996.
Western art unattributed:
13. The Martyrdom of the Knights of Malta at the Siege of Fort St Elmo on 23rd to 24th June 1565. Maltese, c. 1620-30. 275 by 590 cm. (Refectory, Friary of the Franciscan Conventuals, Rabat).
Western art unattributed:
15. Detail of Fig.13. [The Martyrdom of the Knights of Malta at the Siege of Fort St Elmo on 23rd to 24th June 1565. Maltese, c. 1620-30. 275 by 590 cm. (Refectory, Friary of the Franciscan Conventuals, Rabat).]
Western art unattributed:
8. Interior of Base and Scaffolding, with Pilaster in South Corner of the Oratory.
Article
'The Beheading of St John the Baptist' by Puvis de Chavannes
09/1996 | 1122 | 138
Pages: 592-598
related names
Author:
Bomford, David (Bomford, David)
Author:
Leighton, John (Leighton, John)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
14. Study for Salome, by Pierre Puvis de Chavannes. Crayon, 29.5 by 19.3 cm. (Musée de Poitiers).
Attributed works:
15. Salome, the Daughter of Herodias, Ordering the Execution of St John the Baptist, by Pierre Puvis de Chavannes. 1856. 140 by 89.5 cm. (Museum Boijmans Van Beuningen, Rotterdam, on Loan from the Willem van der Vorm Foundation).
Attributed works:
16. The Beheading of St John the Baptist, by Pierre Puvis de Chavannes. c.1865-69, Reworked Later by the Artist, Perhaps in the Later 1870s. 240 by 316.2 cm. (National Gallery, London).
Attributed works:
17. X-Radiograph of Fig.16 [The Beheading of St John the Baptist, by Pierre Puvis de Chavannes. c.1865-69, Reworked Later by the Artist, Perhaps in the Later 1870s. 240 by 316.2 cm. (National Gallery, London).]
Attributed works:
18. The Beheading of St John the Baptist, by Pierre Puvis de Chavannes. 1869. 124.5 by 166 cm. (Barber Institute of Fine Arts, University of Birmingham).
Attributed works:
19. X-Radiograph of Fig.18. [The Beheading of St John the Baptist, by Pierre Puvis de Chavannes. 1869. 124.5 by 166 cm. (Barber Institute of Fine Arts, University of Birmingham).]
Attributed works:
20. Study for The Beheading of St John the Baptist, by Pierre Puvis de Chavannes. c.1865-69. 32 by 48 cm. (Private Collection).
Attributed works:
21. Study for St John the Baptist, by Pierre Puvis de Chavannes. Red and Black Chalk, 30.2 by 19.2 cm. (Louvre, Paris).
Book Review
Identificazione di un Caravaggio: Nuove tecnologie per una rilettura del 'San Giovanni Battista' [and: Caravaggio's Death of the Virgin; Caravage: La Mort de La Vierge, une Madone sans dignite]
03/1992 | 1068 | 134
Pages: 186-188
related names
Reviewer:
Gash, John (Gash, John)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Identificazione di un Caravaggio: Nuove tecnologie per una rilettura del 'San Giovanni Battista'; Caravaggio's Death of the Virgin; Caravage: La Mort de La Vierge, une Madone sans dignite | author: Askew, Pamela , author: Brejon de Lavergnée, Arnauld , author: Correale, Giampaolo , author: Loire, Stéphane
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