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20 articles
Book Review
Giovanni Stradano: Le più strane e belle invenzioni del mondo
11/2024 | 1460 | 166
Pages: 1169-1172
related names
Reviewer:
Zutter, Jörg (Zutter, Jörg)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
Giovanni Stradano: Le più strane e belle invenzioni del mondo Edited by Alessandra Baroni. 352 pp. incl. numerous col. ills. (Edizioni Polistampa, Florence, 2023), €55. ISBN 978–88–596–2385–4. | :
Illustrations
Attributed works:
14. Triumph after the war against Siena, by Giovanni Stradano. 1565. Pen, ink, wash and black chalk on paper, 34 by 34.5 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
15. A Roman soldier fighting one of Hannibal’s elephants, by Giovanni Stradano. c.1596. Pen, ink, wash and black chalk with white lead brush highlights on paper, 18.3 by 26.2 cm. (Musée du Louvre, Paris).
Attributed works:
16. Charity of St Martin, by Giovanni Stradano. 1585. Oil on canvas, 239 by 182 cm. (Museo Nazionale di Palazzo Mansi, Lucca).
Short Notice
Leonardo da Vinci’s Burlington House Cartoon: a new hypothesis
09/2024 | 1458 | 166
Pages: 928-31
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Shorter Notice by:
Rumberg, Per (Rumberg, Per)
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sources:
subjects:
Illustrations
Attributed works:
1. Virgin and Child with St Anne and the infant St John the Baptist (the Burlington House Cartoon), by Leonardo da Vinci. c.1506–08. Charcoal with white chalk on paper, mounted on canvas, 141.5 by 104.6 cm. (National Gallery, London).
Attributed works:
2. Virgin and Child with St Anne and the infant St John the Baptist, surrounded by ten saints (the Pala del Gran Consiglio), by Fra Bartolommeo. 1510–13. Oil on panel, 444 by 308 cm. (Museo Nazionale di San Marco, Florence).
Article
A portrait of the Lady Isabella by the hand of Bronzino
01/2023 | 1438 | 165
Pages: 26-37
related names
Author:
Edelstein, Bruce L. (Edelstein, Bruce L.)
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dates:
Illustrations
Attributed works:
1. Eleonora di Toledo with her son Giovanni, by Agnolo Bronzino. c.1545. Oil on panel, 115 by 96 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
10. Portrait of a lady with a cameo, by Alessandro Allori. Oil on panel, 123 by 97 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
11. Portrait medal of Isabella de’ Medici Orsini, by Domenico Poggini. 1560. Bronze, diameter 4.9 cm. (Museo Nazionale del Bargello, Florence).
Attributed works:
12. Isabella de’ Medici as a young girl, by Agnolo Bronzino. c.1553. Oil on panel, 44 by 36 cm. (Nationalmuseum, Stockholm).
Attributed works:
13. Portrait of Isabella de’ Medici Orsini, by Alessandro Allori. After 1560. Oil on panel, 99 by 70 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
14. X-radiograph of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
2. Portrait of a woman, here identified as Isabella de’ Medici Orsini, here attributed to Agnolo Bronzino. c.1560. Oil on panel, 103.8 by 83.7 cm. (Private collection; courtesy Claudio Giusti).
Attributed works:
3. Portrait of a young lady, probably Camilla Martelli de’ Medici, by Alessandro Allori. 1570s. Oil on canvas mounted on board, 68.6 by 59.1 cm. (Saint Louis Art Museum).
Attributed works:
4. Infra-red reflectogram of Fig.2. (Courtesy Thierry Radelet Laboratory).
Attributed works:
5. Portrait of a young man, by Agnolo Bronzino. Mid-1530s or early 1540s? Oil on panel, 96 by 75 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
6. Infra-red reflectogram of Fig.5.
Attributed works:
7. Portrait of a lady (Cassandra Bandini?), by Agnolo Bronzino. c.1550– 55. Oil on panel, 109 by 84 cm. (Galleria Sabauda, Turin).
Attributed works:
8. Bia de’ Medici, by Agnolo Bronzino. c.1542–45. Oil on panel, 64 by 48 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
9. Laura Battiferri, by Agnolo Bronzino. c.1560. 83 by 60 cm. (Museo di Palazzo Vecchio, Florence; Bridgeman Images).
Book Review
La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci: Dalla configurazione architettonica all’apparato decorativo (Biblioteca Leonardiana. Studi e Documenti, 8)
08/2021 | 1421 | 163
Pages: 766-768
related names
Reviewer:
Quiviger, François (Quiviger, François; Q., F.)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci: Dalla configurazione architettonica all’apparato decorativo (Biblioteca Leonardiana. Studi e Documenti, 8) Edited by Roberta Barsanti, Gianluca Belli, Emanuela Ferretti and Cecilia Frosinini. 610 pp. incl. 168 col. ills. (Olschki, Florence, 2019), €60. ISBN 978–88–222–6670–5. | :
Illustrations
Attributed works:
4. Fight for the standard, after Leonardo da Vinci. 16th century. Oil on panel, 85.7 by 115.6 cm. (Gallerie degli Uffizi; Florence).
Book Review
Das Buch zum Bild: Die ‘Stanze nuove’ im Palazzo Vecchio, Giorgio Vasari’s ‘Ragionamenti’ und die Lesbarkeit der Kunst im Cinquecento
08/2020 | 1409 | 162
Pages: 716-717
related names
Reviewer:
Concin, Adriana (Concin, Adriana)
Subjects
artists:
Reviewed Items
subjects:
Das Buch zum Bild: Die ‘Stanze nuove’ im Palazzo Vecchio, Giorgio Vasari’s ‘Ragionamenti’ und die Lesbarkeit der Kunst im Cinquecento By Fabian Jonietz. 344 pp. incl. 20 col. + 220 b. & w. ills. (Deutscher Kunstverlag, Berlin, 2018), £65. ISBN 978–3–422–07468–2. | :
Article
Changed locations: the Habsburg cityscapes in Palazzo Vecchio, Florence
07/2019 | 1396 | 161
Pages: 544-555
related names
Author:
Concin, Adriana (Concin, Adriana)
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dates:
media:
subjects:
Illustrations
Attributed works:
1. The first courtyard of Palazzo Vecchio, Florence, looking south, showing the frescos of Konstanz and (behind the column) Wiener Neustadt. (Photograph Francesco Guazzelli).
Attributed works:
10. Kaiserebersdorf and Sterzing, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Frescos, 120 by 215 cm. and 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
11. Detail of Fig.10, showing the view of Sterzing.
Attributed works:
12. Plan of the proposed identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Sterzing; 5. Konstanz; 6. Wiener Neustadt; 7. Hall in Tirol; 8. Trieste; 9. Breisach; 10. Passau; 11. Stein/Krems; 12. Klosterneuburg; 13. Graz; 14. Freiburg im Breisgau; 15. Linz; 16. Bratislava; 17. Formerly Prague, destroyed by Giuseppe del Rosso's inscription (1812); a. Doorway to Piazza della Signoria; b. Doorway to the Cortile della Dogana; c. Inscription by Messer Fabio Segni (1565); and d. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
13. Graz, by Bottega Amedeo Benini after Matthaeus Merian. 1958. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
14. Krems, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
15. Watercolour after the original view of Graz in the first courtyard of Palazzo Vecchio, Florence, by Carlo Chiostri. Before 1892. Watercolour on paper, 36 by 22 cm. (Landesarchiv Steiermark, Graz).
Attributed works:
16. The first courtyard of Palazzo Vecchio, Florence, showing the view of Freiburg im Breisgau, behind the bronze putto. c.1860–90. Photograph, 19 by 25 cm. (Österreichisches Museum für Angewandte Kunst, Vienna).
Attributed works:
2. Plan of the current identification of the frescos in the first courtyard, Palazzo Vecchio, Florence: 1. Vienna; 2. Innsbruck; 3. Kaiserebersdorf; 4. Konstanz; 5. Wiener Neustadt; 6. Hall in Tirol; 7. Sterzing; 8. Prague; 9. Passau; 10. Stein; 11. Klosterneuburg; 12. Graz; 13. Freiburg im Breisgau; 14. Linz; 15. Bratislava; a. Doorway to the Piazza della Signoria; b. Inscription by Giuseppe del Rosso (1812); c. Doorway to the Cortile della Dogana; d. Inscription by Messer Fabio Segni (1565); and e. Niche with Samson and the Philistine, by Pierino da Vinci.
Attributed works:
3. Below The first courtyard in Palazzo Vecchio, Florence, showing the proposed location of frescos, by Vincenzo Borghini. North is on the left. 1565. Pen and ink, 21.3 by 15.2 cm. (Biblioteca Nazionale Centrale, Florence).
Attributed works:
4. Opposite The first courtyard of Palazzo Vecchio, Florence, looking north. (Photograph Francesco Guazzelli).
Attributed works:
5. Inscription by Giuseppe del Rosso. c.1812. Fresco, 380 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
6. Trieste, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
7. Opposite top left Actual delineation of the city of Brysach, as seen from morning to evening (east view); and The city of Brysach, as seen from evening to morning (west view), from M. Merian: Topographia Alsatiae, Frankfurt c.1650. Etching, 28.8 cm by 38 cm. (Österreichische Nationalbibliothek, Vienna).
Attributed works:
8. Opposite top right Breisach, by Bastiano Veronese, Cesare Baglioni, Giovanni Lombardi and Turino da Piemonte. 1565. Fresco, 160 by 215 cm. (Palazzo Vecchio, Florence; photograph Francesco Guazzelli).
Attributed works:
9. Opposite below Fresco of Innsbruck in Palazzo Vecchio, by Julius von Ficker. 1860s. Photograph, 60 by 40 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck).
Article
The problematic ‘Baptist’: Benedetto da Maiano’s Sala dei Gigli doorway
08/2018 | 1385 | 160
Pages: 624-629
related names
Author:
Dillon, Sarah M. (Dillon, Sarah M. )
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places:
Illustrations
Attributed works:
1. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence)
Attributed works:
2. Door of the Sala dei Gigli, Palazzo Vecchio, Florence, by Benedetto da Maiano. Photograph by Fratelli Alinari c.1890, 16 by 21 cm. (Alinari Archives, Florence).
Attributed works:
3. Door of the Sala dell’Udienza, Palazzo Vecchio, Florence, by Benedetto da Maiano. c.1475–78. Marble. (Photograph Raffaello Bencini; Alinari Archives, Florence).
Attributed works:
4. Above Detail of the door of the Sala dei Gigli, Palazzo Vecchio, Florence, showing the base of the figure. (Photograph the author).
Attributed works:
5. Opposite St John the Baptist, by Benedetto da Maiano. Marble, height 125 cm. Photograph by Fratelli Alinari c.1900, 15 by 21 cm. (Alinari Archives, Florence).
Exhibition Review
Medici tapestries by Bronzino and Pontormo
11/2015 | 1352 | 157
Pages: 807-809
related names
Reviewer:
Wyld, Helen (Wyld, Helen)
Subjects
dates:
places:
Illustrations
Attributed works:
93. Detail from Joseph interpreting the Pharoah's dream of the fat and the lean cows, from the workshop of Nicholas Karcher in Florence, after a design by Francesco Salviati and collaborators. 1548 (Palazzo Vecchio, Florence)
Attributed works:
94. Joseph fleeing from Potiphar's wife, from the workshop of Nicholas Karcher in Florence, after a design by Agnolo Bronzino and collaborators. 1549 (Palazzo Vecchio, Florence)
Attributed works:
95. Benjamin received by Joseph, from the workshop of Jan Rost in Florence, after a design by Agnolo Bronzino and collaborators. 1549 (Palazzo Vecchio, Florence)
Book Review
The Palazzo Vecchio 1298-1532. Government, Architecture and Imagery in the Civic Palace of the Florentine Republic
05/1996 | 1118 | 138
Pages: 330-331
related names
Author:
Cecchi, Alessandro (Cecchi, Alessandro; Cecchi, Allesandro)
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dates:
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Reviewed Items
subjects:
The Palazzo Vecchio 1298-1532. Government, Architecture and Imagery in the Civic Palace of the Florentine Republic | author: Rubinstein, Nicolai
Book Review
Bronzino's Chapel of Eleonora in the Palazzo Vecchio
05/1996 | 1118 | 138
Pages: 333-335
related names
Reviewer:
Pilliod, Elizabeth (Pilliod, Elizabeth)
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dates:
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subjects:
Reviewed Items
subjects:
Bronzino's Chapel of Eleonora in the Palazzo Vecchio | author: Cox-Rearick, Janet
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